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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984B58 it is the complementary color #67B4A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984B58 shade: #9D4B53, #AE5D66, #BF6F79, #D0818C and #E1939F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984B58 shade: #984B58, #873945, #762732, #65151F and #54030C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984B58 shade: #9A4C59 and #9A4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984B58 shade: #9A4C59, #9A4C6E, #9A4C83, #9A4C98 and #864C9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984B58 shade matches the following richer shades: #9A4C59, #AC394D, #BF2740, #D11434 and #E40128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984B58 shade: #9A4C59, #875E65, #757172, #62837E and #4F968A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984B58 shade: #9A4C84, #9A4C6F, #9A4C5A, #9A524C and #9A674C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984B58 shade: #623139, #7E3E49, #9A4C59, #B05F6C and #BE7A86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984B58 shade: #984B58, #989A4C and #4C799A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984B58 shade: #984B58, #5A9A4C and #4C5A9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984B58 shade: #984B58, #989A4C, #4C9A8B and #4D4C9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984B58 shade: #984B58, #819A4C, #4C9A8B and #644C9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

Complementary color

CMYK 43 / 0 / 7 / 29

HEX #67B4A7

RGB 103 180 167

HSL 169.87, 0.34%, 0.55%

LAB 68.25, -26.98, -0.82

 

CMYK 0 / 52 / 47 / 38

HEX #9D4B53

RGB 157 75 83

HSL 354.15, 0.35%, 0.45%

LAB 42.5, 34.89, 11.5

 

CMYK 0 / 47 / 41 / 32

HEX #AE5D66

RGB 174 93 102

HSL 353.33, 0.33%, 0.52%

LAB 49.24, 33.82, 9.76

 

CMYK 0 / 42 / 37 / 25

HEX #BF6F79

RGB 191 111 121

HSL 352.5, 0.38%, 0.59%

LAB 55.91, 32.8, 8.3

 

CMYK 0 / 38 / 33 / 18

HEX #D0818C

RGB 208 129 140

HSL 351.65, 0.46%, 0.66%

LAB 62.51, 31.85, 7.04

 

CMYK 0 / 35 / 29 / 12

HEX #E1939F

RGB 225 147 159

HSL 350.77, 0.57%, 0.73%

LAB 69.02, 30.98, 5.92

 

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

CMYK 0 / 58 / 49 / 47

HEX #873945

RGB 135 57 69

HSL 350.77, 0.41%, 0.38%

LAB 35.02, 34.57, 9.35

 

CMYK 0 / 67 / 58 / 54

HEX #762732

RGB 118 39 50

HSL 351.65, 0.5%, 0.31%

LAB 28.2, 35.43, 11.88

 

CMYK 0 / 79 / 69 / 60

HEX #65151F

RGB 101 21 31

HSL 352.5, 0.66%, 0.24%

LAB 21.59, 35.76, 15.38

 

CMYK 0 / 96 / 86 / 67

HEX #54030C

RGB 84 3 12

HSL 353.33, 0.93%, 0.17%

LAB 15.36, 35.11, 18.89

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C59

RGB 154 76 89

HSL 350, 0.34%, 0.45%

LAB 42.4, 33.88, 7.6

 

CMYK 0 / 51 / 51 / 40

HEX #9A4C4C

RGB 154 76 76

HSL 0, 0.34%, 0.45%

LAB 42.09, 32.49, 15.17

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C59

RGB 154 76 89

HSL 350, 0.34%, 0.45%

LAB 42.4, 33.88, 7.6

 

CMYK 0 / 51 / 29 / 40

HEX #9A4C6E

RGB 154 76 110

HSL 333.85, 0.34%, 0.45%

LAB 43.01, 36.58, -4.47

 

CMYK 0 / 51 / 15 / 40

HEX #9A4C83

RGB 154 76 131

HSL 317.69, 0.34%, 0.45%

LAB 43.77, 39.82, -16.17

 

CMYK 0 / 51 / 1 / 40

HEX #9A4C98

RGB 154 76 152

HSL 301.54, 0.34%, 0.45%

LAB 44.67, 43.52, -27.44

 

CMYK 13 / 51 / 0 / 40

HEX #864C9A

RGB 134 76 154

HSL 284.62, 0.34%, 0.45%

LAB 42.11, 37.98, -32.84

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C59

RGB 154 76 89

HSL 350, 0.34%, 0.45%

LAB 42.4, 33.88, 7.6

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 80 / 66 / 25

HEX #BF2740

RGB 191 39 64

HSL 350.13, 0.66%, 0.45%

LAB 42.61, 59.57, 24.44

 

CMYK 0 / 90 / 75 / 18

HEX #D11434

RGB 209 20 52

HSL 349.84, 0.83%, 0.45%

LAB 44.67, 67.86, 35.05

 

CMYK 0 / 100 / 82 / 11

HEX #E40128

RGB 228 1 40

HSL 349.69, 0.99%, 0.45%

LAB 47.84, 74.07, 46.37

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C59

RGB 154 76 89

HSL 350, 0.34%, 0.45%

LAB 42.4, 33.88, 7.6

 

CMYK 0 / 30 / 25 / 47

HEX #875E65

RGB 135 94 101

HSL 349.76, 0.18%, 0.45%

LAB 44.37, 17.82, 2.73

 

CMYK 0 / 3 / 3 / 54

HEX #757172

RGB 117 113 114

HSL 345, 0.02%, 0.45%

LAB 48.02, 1.74, -0.01

 

CMYK 25 / 0 / 4 / 49

HEX #62837E

RGB 98 131 126

HSL 170.91, 0.14%, 0.45%

LAB 52.21, -12.76, -1.11

 

CMYK 47 / 0 / 8 / 41

HEX #4F968A

RGB 79 150 138

HSL 169.86, 0.31%, 0.45%

LAB 57.38, -25.38, -0.59

 

CMYK 0 / 51 / 14 / 40

HEX #9A4C84

RGB 154 76 132

HSL 316.92, 0.34%, 0.45%

LAB 43.81, 39.98, -16.71

 

CMYK 0 / 51 / 28 / 40

HEX #9A4C6F

RGB 154 76 111

HSL 333.08, 0.34%, 0.45%

LAB 43.04, 36.73, -5.03

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C5A

RGB 154 76 90

HSL 349.23, 0.34%, 0.45%

LAB 42.43, 34, 7.02

 

CMYK 0 / 47 / 51 / 40

HEX #9A524C

RGB 154 82 76

HSL 4.62, 0.34%, 0.45%

LAB 43.4, 29.22, 16.94

 

CMYK 0 / 33 / 51 / 40

HEX #9A674C

RGB 154 103 76

HSL 20.77, 0.34%, 0.45%

LAB 48.38, 17.32, 23.52

 

CMYK 0 / 50 / 42 / 62

HEX #623139

RGB 98 49 57

HSL 350.2, 0.33%, 0.29%

LAB 26.99, 23.03, 5.01

 

CMYK 0 / 51 / 42 / 51

HEX #7E3E49

RGB 126 62 73

HSL 349.69, 0.34%, 0.37%

LAB 34.73, 28.87, 6.17

 

CMYK 0 / 51 / 42 / 40

HEX #9A4C59

RGB 154 76 89

HSL 350, 0.34%, 0.45%

LAB 42.4, 33.88, 7.6

 

CMYK 0 / 46 / 39 / 31

HEX #B05F6C

RGB 176 95 108

HSL 350.37, 0.34%, 0.53%

LAB 50.09, 34.2, 7.42

 

CMYK 0 / 36 / 29 / 25

HEX #BE7A86

RGB 190 122 134

HSL 349.41, 0.34%, 0.61%

LAB 58.59, 28.12, 4.57

 

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

CMYK 1 / 0 / 51 / 40

HEX #989A4C

RGB 152 154 76

HSL 61.54, 0.34%, 0.45%

LAB 61.92, -12.08, 40.28

 

CMYK 51 / 21 / 0 / 40

HEX #4C799A

RGB 76 121 154

HSL 205.38, 0.34%, 0.45%

LAB 48.94, -5.86, -22.56

 

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

CMYK 42 / 0 / 51 / 40

HEX #5A9A4C

RGB 90 154 76

HSL 109.23, 0.34%, 0.45%

LAB 57.85, -36.2, 34.41

 

CMYK 51 / 42 / 0 / 40

HEX #4C5A9A

RGB 76 90 154

HSL 229.23, 0.34%, 0.45%

LAB 39.89, 13.18, -36.72

 

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

CMYK 1 / 0 / 51 / 40

HEX #989A4C

RGB 152 154 76

HSL 61.54, 0.34%, 0.45%

LAB 61.92, -12.08, 40.28

 

CMYK 51 / 0 / 10 / 40

HEX #4C9A8B

RGB 76 154 139

HSL 168.46, 0.34%, 0.45%

LAB 58.52, -27.85, 0.5

 

CMYK 50 / 51 / 0 / 40

HEX #4D4C9A

RGB 77 76 154

HSL 240.77, 0.34%, 0.45%

LAB 36.14, 22.41, -42.69

 

CMYK 0 / 51 / 42 / 40

HEX #984B58

RGB 152 75 88

HSL 349.87, 0.34%, 0.45%

LAB 41.86, 33.55, 7.41

 

CMYK 16 / 0 / 51 / 40

HEX #819A4C

RGB 129 154 76

HSL 79.23, 0.34%, 0.45%

LAB 60.16, -21.68, 37.75

 

CMYK 51 / 0 / 10 / 40

HEX #4C9A8B

RGB 76 154 139

HSL 168.46, 0.34%, 0.45%

LAB 58.52, -27.85, 0.5

 

CMYK 35 / 51 / 0 / 40

HEX #644C9A

RGB 100 76 154

HSL 258.46, 0.34%, 0.45%

LAB 38.22, 28.28, -39.24

 

Description

Color code: HEX #984B58 | qconv.com Color code: HEX #984B58 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 75 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 75 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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