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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984AF0 it is the complementary color #67B50F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984AF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984AF0 shade: #9D4AEB, #AE5CFE, #BF6EFF, #D080FF and #E192FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984AF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984AF0 shade: #984AF0, #8738DD, #7626CA, #6514B7 and #5402A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984AF0 shade: #994CF0, #C64CF0, #F04CEF, #F04CC3 and #F04C96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984AF0 shade: #994CF0, #6D4CF0 and #4C4CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984AF0 shade matches the following richer shades: #994CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984AF0 shade: #994CF0, #9A5BE1, #9B6BD1, #9C7BC1 and #9D8AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984AF0 shade: #4C57F0, #6D4CF0, #994CF0, #C54CF0 and #F04CF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984AF0 shade: #6F12D8, #8326ED, #994CF0, #AF72F4 and #C598F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984AF0 shade: #984AF0, #F04C83 and #4CF057

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984AF0 shade: #984AF0, #F0994C and #4CF099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984AF0 shade: #984AF0, #F04C83, #A4F04C and #4CF0BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984AF0 shade: #984AF0, #F04C51, #A4F04C and #4CF0EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

Complementary color

CMYK 43 / 0 / 92 / 29

HEX #67B50F

RGB 103 181 15

HSL 88.19, 0.85%, 0.38%

LAB 66.49, -47.64, 65.19

 

CMYK 33 / 69 / 0 / 8

HEX #9D4AEB

RGB 157 74 235

HSL 270.93, 0.8%, 0.61%

LAB 49.57, 62.82, -67.74

 

CMYK 31 / 64 / 0 / 0

HEX #AE5CFE

RGB 174 92 254

HSL 270.37, 0.99%, 0.68%

LAB 55.9, 62.2, -68.02

 

CMYK 25 / 57 / 0 / 0

HEX #BF6EFF

RGB 191 110 255

HSL 273.52, 1%, 0.72%

LAB 61.18, 57.37, -59.98

 

CMYK 18 / 50 / 0 / 0

HEX #D080FF

RGB 208 128 255

HSL 277.8, 1%, 0.75%

LAB 66.57, 52.45, -51.29

 

CMYK 12 / 43 / 0 / 0

HEX #E192FF

RGB 225 146 255

HSL 283.49, 1%, 0.79%

LAB 72.08, 47.76, -42.49

 

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

CMYK 39 / 75 / 0 / 13

HEX #8738DD

RGB 135 56 221

HSL 268.73, 0.71%, 0.54%

LAB 43.06, 63.44, -70.51

 

CMYK 42 / 81 / 0 / 21

HEX #7626CA

RGB 118 38 202

HSL 269.27, 0.68%, 0.47%

LAB 36.93, 63.29, -69.66

 

CMYK 45 / 89 / 0 / 28

HEX #6514B7

RGB 101 20 183

HSL 269.82, 0.8%, 0.4%

LAB 31.08, 62.15, -68.18

 

CMYK 49 / 99 / 0 / 36

HEX #5402A4

RGB 84 2 164

HSL 270.37, 0.98%, 0.33%

LAB 25.59, 59.72, -65.9

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 18 / 68 / 0 / 6

HEX #C64CF0

RGB 198 76 240

HSL 284.63, 0.85%, 0.62%

LAB 55.55, 71.23, -60.63

 

CMYK 0 / 68 / 0 / 6

HEX #F04CEF

RGB 240 76 239

HSL 300.37, 0.85%, 0.62%

LAB 61.59, 79.93, -50.08

 

CMYK 0 / 68 / 19 / 6

HEX #F04CC3

RGB 240 76 195

HSL 316.46, 0.85%, 0.62%

LAB 59.56, 73.52, -28.44

 

CMYK 0 / 68 / 38 / 6

HEX #F04C96

RGB 240 76 150

HSL 332.93, 0.85%, 0.62%

LAB 57.94, 68.16, -4.84

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 55 / 68 / 0 / 6

HEX #6D4CF0

RGB 109 76 240

HSL 252.07, 0.85%, 0.62%

LAB 45.24, 54.78, -77.84

 

CMYK 68 / 68 / 0 / 6

HEX #4C4CF0

RGB 76 76 240

HSL 240, 0.85%, 0.62%

LAB 42.76, 50.4, -81.99

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 32 / 60 / 0 / 12

HEX #9A5BE1

RGB 154 91 225

HSL 268.21, 0.69%, 0.62%

LAB 51.6, 51.54, -58.85

 

CMYK 26 / 49 / 0 / 18

HEX #9B6BD1

RGB 155 107 209

HSL 268.24, 0.53%, 0.62%

LAB 54.12, 39.26, -45.75

 

CMYK 19 / 36 / 0 / 24

HEX #9C7BC1

RGB 156 123 193

HSL 268.29, 0.36%, 0.62%

LAB 57.16, 26.68, -31.87

 

CMYK 12 / 22 / 0 / 30

HEX #9D8AB2

RGB 157 138 178

HSL 268.5, 0.21%, 0.62%

LAB 60.39, 15.01, -18.36

 

CMYK 68 / 64 / 0 / 6

HEX #4C57F0

RGB 76 87 240

HSL 235.98, 0.85%, 0.62%

LAB 45.14, 43.99, -78.08

 

CMYK 55 / 68 / 0 / 6

HEX #6D4CF0

RGB 109 76 240

HSL 252.07, 0.85%, 0.62%

LAB 45.24, 54.78, -77.84

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 18 / 68 / 0 / 6

HEX #C54CF0

RGB 197 76 240

HSL 284.27, 0.85%, 0.62%

LAB 55.41, 71.02, -60.86

 

CMYK 0 / 68 / 0 / 6

HEX #F04CF0

RGB 240 76 240

HSL 300, 0.85%, 0.62%

LAB 61.64, 80.09, -50.55

 

CMYK 49 / 92 / 0 / 15

HEX #6F12D8

RGB 111 18 216

HSL 268.18, 0.85%, 0.46%

LAB 35.54, 71.06, -80.1

 

CMYK 45 / 84 / 0 / 7

HEX #8326ED

RGB 131 38 237

HSL 268.04, 0.85%, 0.54%

LAB 41.73, 72.97, -81.81

 

CMYK 36 / 68 / 0 / 6

HEX #994CF0

RGB 153 76 240

HSL 268.17, 0.85%, 0.62%

LAB 49.78, 62.31, -70.24

 

CMYK 28 / 53 / 0 / 4

HEX #AF72F4

RGB 175 114 244

HSL 268.15, 0.86%, 0.7%

LAB 59.6, 48.92, -56.53

 

CMYK 20 / 38 / 0 / 3

HEX #C598F7

RGB 197 152 247

HSL 268.42, 0.86%, 0.78%

LAB 70.21, 34.84, -41.28

 

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

CMYK 0 / 68 / 45 / 6

HEX #F04C83

RGB 240 76 131

HSL 339.88, 0.85%, 0.62%

LAB 57.4, 66.32, 5.54

 

CMYK 68 / 0 / 64 / 6

HEX #4CF057

RGB 76 240 87

HSL 124.02, 0.85%, 0.62%

LAB 84.25, -70.81, 59.94

 

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

CMYK 0 / 36 / 68 / 6

HEX #F0994C

RGB 240 153 76

HSL 28.17, 0.85%, 0.62%

LAB 70.75, 25.97, 52.77

 

CMYK 68 / 0 / 36 / 6

HEX #4CF099

RGB 76 240 153

HSL 148.17, 0.85%, 0.62%

LAB 85.08, -61.32, 30.08

 

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

CMYK 0 / 68 / 45 / 6

HEX #F04C83

RGB 240 76 131

HSL 339.88, 0.85%, 0.62%

LAB 57.4, 66.32, 5.54

 

CMYK 32 / 0 / 68 / 6

HEX #A4F04C

RGB 164 240 76

HSL 87.8, 0.85%, 0.62%

LAB 87.36, -47.95, 68.49

 

CMYK 68 / 0 / 23 / 6

HEX #4CF0BA

RGB 76 240 186

HSL 160.24, 0.85%, 0.62%

LAB 85.71, -54.54, 13.98

 

CMYK 37 / 69 / 0 / 6

HEX #984AF0

RGB 152 74 240

HSL 268.19, 0.85%, 0.62%

LAB 49.33, 63.04, -70.97

 

CMYK 0 / 68 / 66 / 6

HEX #F04C51

RGB 240 76 81

HSL 358.17, 0.85%, 0.62%

LAB 56.38, 62.75, 33.47

 

CMYK 32 / 0 / 68 / 6

HEX #A4F04C

RGB 164 240 76

HSL 87.8, 0.85%, 0.62%

LAB 87.36, -47.95, 68.49

 

CMYK 68 / 0 / 2 / 6

HEX #4CF0EB

RGB 76 240 235

HSL 178.17, 0.85%, 0.62%

LAB 86.93, -42.36, -9.88

 

Description

Color code: HEX #984AF0 | qconv.com Color code: HEX #984AF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 74 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 74 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 69 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 69% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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