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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #984A51 it is the complementary color #67B5AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #984A51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #984A51 shade: #9D4A4C, #AE5C5F, #BF6E72, #D08085 and #E19298

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #984A51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #984A51 shade: #984A51, #87383E, #76262B, #651418 and #540205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #984A51 shade: #974950 and #974949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #984A51 shade: #974950, #974965, #97497A, #974990 and #8A4997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #984A51 shade matches the following richer shades: #974950, #AA3741, #BC2532, #CE1223 and #E00014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #984A51 shade: #974950, #855B5F, #736D6E, #617F7D and #4F928C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #984A51 shade: #97497B, #974966, #974951, #975649 and #976B49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #984A51 shade: #602E33, #7C3C41, #974950, #B05A62 and #BD767C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #984A51 shade: #984A51, #909749 and #497097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #984A51 shade: #984A51, #519749 and #495197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #984A51 shade: #984A51, #909749, #499790 and #514997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #984A51 shade: #984A51, #789749, #499790 and #684997

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

Complementary color

CMYK 43 / 0 / 4 / 29

HEX #67B5AE

RGB 103 181 174

HSL 174.62, 0.35%, 0.56%

LAB 68.74, -25.76, -3.97

 

CMYK 0 / 53 / 52 / 38

HEX #9D4A4C

RGB 157 74 76

HSL 358.55, 0.36%, 0.45%

LAB 42.13, 34.72, 15.31

 

CMYK 0 / 47 / 45 / 32

HEX #AE5C5F

RGB 174 92 95

HSL 357.8, 0.34%, 0.52%

LAB 48.86, 33.58, 13.42

 

CMYK 0 / 42 / 40 / 25

HEX #BF6E72

RGB 191 110 114

HSL 357.04, 0.39%, 0.59%

LAB 55.53, 32.51, 11.84

 

CMYK 0 / 38 / 36 / 18

HEX #D08085

RGB 208 128 133

HSL 356.25, 0.46%, 0.66%

LAB 62.12, 31.51, 10.47

 

CMYK 0 / 35 / 32 / 12

HEX #E19298

RGB 225 146 152

HSL 355.44, 0.57%, 0.73%

LAB 68.63, 30.6, 9.27

 

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

CMYK 0 / 59 / 54 / 47

HEX #87383E

RGB 135 56 62

HSL 355.44, 0.41%, 0.37%

LAB 34.65, 34.4, 13.32

 

CMYK 0 / 68 / 64 / 54

HEX #76262B

RGB 118 38 43

HSL 356.25, 0.51%, 0.31%

LAB 27.88, 35.34, 16.08

 

CMYK 0 / 80 / 76 / 60

HEX #651418

RGB 101 20 24

HSL 357.04, 0.67%, 0.24%

LAB 21.33, 35.73, 19.82

 

CMYK 0 / 98 / 94 / 67

HEX #540205

RGB 84 2 5

HSL 357.8, 0.95%, 0.17%

LAB 15.16, 35.21, 21.53

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 52 / 52 / 41

HEX #974949

RGB 151 73 73

HSL 0, 0.35%, 0.44%

LAB 40.94, 32.64, 15.37

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 52 / 33 / 41

HEX #974965

RGB 151 73 101

HSL 338.46, 0.35%, 0.44%

LAB 41.66, 35.86, -0.95

 

CMYK 0 / 52 / 19 / 41

HEX #97497A

RGB 151 73 122

HSL 322.31, 0.35%, 0.44%

LAB 42.38, 38.94, -12.82

 

CMYK 0 / 52 / 5 / 41

HEX #974990

RGB 151 73 144

HSL 305.38, 0.35%, 0.44%

LAB 43.3, 42.69, -24.79

 

CMYK 9 / 52 / 0 / 41

HEX #8A4997

RGB 138 73 151

HSL 290, 0.35%, 0.44%

LAB 41.85, 40.15, -31.41

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 68 / 62 / 33

HEX #AA3741

RGB 170 55 65

HSL 354.78, 0.51%, 0.44%

LAB 40.67, 47.56, 20.53

 

CMYK 0 / 80 / 73 / 26

HEX #BC2532

RGB 188 37 50

HSL 354.83, 0.67%, 0.44%

LAB 41.6, 58.6, 31.62

 

CMYK 0 / 91 / 83 / 19

HEX #CE1223

RGB 206 18 35

HSL 354.57, 0.84%, 0.44%

LAB 43.76, 66.86, 43.58

 

CMYK 0 / 100 / 91 / 12

HEX #E00014

RGB 224 0 20

HSL 354.64, 1%, 0.44%

LAB 46.84, 72.82, 54.68

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 32 / 29 / 48

HEX #855B5F

RGB 133 91 95

HSL 354.29, 0.19%, 0.44%

LAB 43.2, 17.86, 4.67

 

CMYK 0 / 5 / 4 / 55

HEX #736D6E

RGB 115 109 110

HSL 350, 0.03%, 0.44%

LAB 46.59, 2.53, 0.27

 

CMYK 24 / 0 / 2 / 50

HEX #617F7D

RGB 97 127 125

HSL 176, 0.13%, 0.44%

LAB 50.92, -11.11, -2.43

 

CMYK 46 / 0 / 4 / 43

HEX #4F928C

RGB 79 146 140

HSL 174.63, 0.3%, 0.44%

LAB 56.2, -22.83, -3.46

 

CMYK 0 / 52 / 19 / 41

HEX #97497B

RGB 151 73 123

HSL 321.54, 0.35%, 0.44%

LAB 42.42, 39.09, -13.37

 

CMYK 0 / 52 / 32 / 41

HEX #974966

RGB 151 73 102

HSL 337.69, 0.35%, 0.44%

LAB 41.69, 36, -1.52

 

CMYK 0 / 52 / 46 / 41

HEX #974951

RGB 151 73 81

HSL 353.85, 0.35%, 0.44%

LAB 41.12, 33.46, 10.68

 

CMYK 0 / 43 / 52 / 41

HEX #975649

RGB 151 86 73

HSL 10, 0.35%, 0.44%

LAB 43.82, 25.46, 19.24

 

CMYK 0 / 29 / 52 / 41

HEX #976B49

RGB 151 107 73

HSL 26.15, 0.35%, 0.44%

LAB 48.98, 13.42, 25.95

 

CMYK 0 / 52 / 47 / 62

HEX #602E33

RGB 96 46 51

HSL 354, 0.35%, 0.28%

LAB 25.8, 23.22, 7.3

 

CMYK 0 / 52 / 48 / 51

HEX #7C3C41

RGB 124 60 65

HSL 355.31, 0.35%, 0.36%

LAB 33.77, 28.26, 9.91

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 49 / 44 / 31

HEX #B05A62

RGB 176 90 98

HSL 354.42, 0.35%, 0.52%

LAB 48.79, 35.73, 11.57

 

CMYK 0 / 38 / 34 / 26

HEX #BD767C

RGB 189 118 124

HSL 354.93, 0.35%, 0.6%

LAB 57.3, 28.61, 8.49

 

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

CMYK 5 / 0 / 52 / 41

HEX #909749

RGB 144 151 73

HSL 65.38, 0.35%, 0.44%

LAB 60.38, -14.19, 39.79

 

CMYK 52 / 26 / 0 / 41

HEX #497097

RGB 73 112 151

HSL 210, 0.35%, 0.44%

LAB 45.96, -2.21, -25.41

 

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

CMYK 46 / 0 / 52 / 41

HEX #519749

RGB 81 151 73

HSL 113.85, 0.35%, 0.44%

LAB 56.45, -38.16, 34.14

 

CMYK 52 / 46 / 0 / 41

HEX #495197

RGB 73 81 151

HSL 233.85, 0.35%, 0.44%

LAB 37, 17.25, -39.52

 

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

CMYK 5 / 0 / 52 / 41

HEX #909749

RGB 144 151 73

HSL 65.38, 0.35%, 0.44%

LAB 60.38, -14.19, 39.79

 

CMYK 52 / 0 / 5 / 41

HEX #499790

RGB 73 151 144

HSL 174.62, 0.35%, 0.44%

LAB 57.62, -25.75, -3.68

 

CMYK 46 / 52 / 0 / 41

HEX #514997

RGB 81 73 151

HSL 246.15, 0.35%, 0.44%

LAB 35.5, 24.34, -41.89

 

CMYK 0 / 51 / 47 / 40

HEX #984A51

RGB 152 74 81

HSL 354.62, 0.35%, 0.44%

LAB 41.48, 33.3, 11.2

 

CMYK 21 / 0 / 52 / 41

HEX #789749

RGB 120 151 73

HSL 83.85, 0.35%, 0.44%

LAB 58.61, -24.12, 37.26

 

CMYK 52 / 0 / 5 / 41

HEX #499790

RGB 73 151 144

HSL 174.62, 0.35%, 0.44%

LAB 57.62, -25.75, -3.68

 

CMYK 31 / 52 / 0 / 41

HEX #684997

RGB 104 73 151

HSL 263.85, 0.35%, 0.44%

LAB 37.74, 30.38, -38.17

 

Description

Color code: HEX #984A51 | qconv.com Color code: HEX #984A51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 74 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 74 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 47 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 47% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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