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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98449D it is the complementary color #67BB62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98449D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98449D shade: #9D4498, #AE56AB, #BF68BE, #D07AD1 and #E18CE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98449D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98449D shade: #98449D, #87328A, #762077, #650E64 and #540051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98449D shade: #98439D, #9D438A, #9D4372, #9D435A and #9D4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98449D shade: #98439D, #80439D, #68439D, #4F439D and #43439D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98449D shade matches the following richer shades: #98439D, #A831AF, #B81FC1 and #C80DD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98449D shade: #98439D, #88558B, #786879, #687A67 and #588C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98449D shade: #67439D, #7F439D, #97439D, #9D438B and #9D4373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98449D shade: #602B63, #7C3780, #98439D, #B054B6 and #BE71C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98449D shade: #98449D, #9D4F43 and #439D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98449D shade: #98449D, #9D9743 and #439D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98449D shade: #98449D, #9D4F43, #499D43 and #43919D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98449D shade: #98449D, #9D6A43, #499D43 and #43769D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

Complementary color

CMYK 45 / 0 / 48 / 27

HEX #67BB62

RGB 103 187 98

HSL 116.63, 0.4%, 0.56%

LAB 68.97, -43.49, 37.16

 

CMYK 0 / 57 / 3 / 38

HEX #9D4498

RGB 157 68 152

HSL 303.37, 0.4%, 0.44%

LAB 43.61, 48.37, -29.06

 

CMYK 0 / 51 / 2 / 32

HEX #AE56AB

RGB 174 86 171

HSL 302.05, 0.35%, 0.51%

LAB 50.21, 47.84, -29.84

 

CMYK 0 / 46 / 1 / 25

HEX #BF68BE

RGB 191 104 190

HSL 300.69, 0.4%, 0.58%

LAB 56.78, 47.17, -30.45

 

CMYK 0 / 42 / 0 / 18

HEX #D07AD1

RGB 208 122 209

HSL 299.31, 0.49%, 0.65%

LAB 63.29, 46.44, -30.96

 

CMYK 1 / 39 / 0 / 11

HEX #E18CE4

RGB 225 140 228

HSL 297.95, 0.62%, 0.72%

LAB 69.73, 45.7, -31.39

 

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

CMYK 2 / 64 / 0 / 46

HEX #87328A

RGB 135 50 138

HSL 297.95, 0.47%, 0.37%

LAB 36.49, 48.19, -31.97

 

CMYK 1 / 73 / 0 / 53

HEX #762077

RGB 118 32 119

HSL 299.31, 0.58%, 0.3%

LAB 29.95, 47.91, -30.65

 

CMYK 0 / 86 / 1 / 60

HEX #650E64

RGB 101 14 100

HSL 300.69, 0.76%, 0.23%

LAB 23.67, 46.49, -28.58

 

CMYK 0 / 100 / 4 / 67

HEX #540051

RGB 84 0 81

HSL 302.14, 1%, 0.16%

LAB 17.82, 43.31, -25.42

 

CMYK 3 / 57 / 0 / 38

HEX #98439D

RGB 152 67 157

HSL 296.67, 0.4%, 0.44%

LAB 42.95, 48.38, -33.14

 

CMYK 0 / 57 / 12 / 38

HEX #9D438A

RGB 157 67 138

HSL 312.67, 0.4%, 0.44%

LAB 42.79, 46.45, -21.88

 

CMYK 0 / 57 / 27 / 38

HEX #9D4372

RGB 157 67 114

HSL 328.67, 0.4%, 0.44%

LAB 41.84, 42.78, -8.63

 

CMYK 0 / 57 / 43 / 38

HEX #9D435A

RGB 157 67 90

HSL 344.67, 0.4%, 0.44%

LAB 41.09, 39.76, 5.18

 

CMYK 0 / 57 / 57 / 38

HEX #9D4343

RGB 157 67 67

HSL 0, 0.4%, 0.44%

LAB 40.55, 37.53, 18.72

 

CMYK 3 / 57 / 0 / 38

HEX #98439D

RGB 152 67 157

HSL 296.67, 0.4%, 0.44%

LAB 42.95, 48.38, -33.14

 

CMYK 18 / 57 / 0 / 38

HEX #80439D

RGB 128 67 157

HSL 280.67, 0.4%, 0.44%

LAB 39.64, 41.84, -38.59

 

CMYK 34 / 57 / 0 / 38

HEX #68439D

RGB 104 67 157

HSL 264.67, 0.4%, 0.44%

LAB 36.73, 35.53, -43.41

 

CMYK 50 / 57 / 0 / 38

HEX #4F439D

RGB 79 67 157

HSL 248, 0.4%, 0.44%

LAB 34.21, 29.55, -47.59

 

CMYK 57 / 57 / 0 / 38

HEX #43439D

RGB 67 67 157

HSL 240, 0.4%, 0.44%

LAB 33.23, 27.03, -49.23

 

CMYK 3 / 57 / 0 / 38

HEX #98439D

RGB 152 67 157

HSL 296.67, 0.4%, 0.44%

LAB 42.95, 48.38, -33.14

 

CMYK 4 / 72 / 0 / 31

HEX #A831AF

RGB 168 49 175

HSL 296.67, 0.56%, 0.44%

LAB 43.68, 63.06, -42.54

 

CMYK 5 / 84 / 0 / 24

HEX #B81FC1

RGB 184 31 193

HSL 296.67, 0.72%, 0.44%

LAB 45.66, 74.2, -49.79

 

CMYK 6 / 94 / 0 / 17

HEX #C80DD4

RGB 200 13 212

HSL 296.38, 0.88%, 0.44%

LAB 48.66, 82.54, -55.82

 

CMYK 3 / 57 / 0 / 38

HEX #98439D

RGB 152 67 157

HSL 296.67, 0.4%, 0.44%

LAB 42.95, 48.38, -33.14

 

CMYK 2 / 39 / 0 / 45

HEX #88558B

RGB 136 85 139

HSL 296.67, 0.24%, 0.44%

LAB 43.65, 30.36, -21.4

 

CMYK 1 / 14 / 0 / 53

HEX #786879

RGB 120 104 121

HSL 296.47, 0.08%, 0.44%

LAB 46.01, 9.65, -7.13

 

CMYK 15 / 0 / 16 / 52

HEX #687A67

RGB 104 122 103

HSL 116.84, 0.08%, 0.44%

LAB 49.3, -10.58, 8.21

 

CMYK 37 / 0 / 40 / 45

HEX #588C54

RGB 88 140 84

HSL 115.71, 0.25%, 0.44%

LAB 53.46, -29.18, 24.57

 

CMYK 34 / 57 / 0 / 38

HEX #67439D

RGB 103 67 157

HSL 264, 0.4%, 0.44%

LAB 36.62, 35.28, -43.6

 

CMYK 19 / 57 / 0 / 38

HEX #7F439D

RGB 127 67 157

HSL 280, 0.4%, 0.44%

LAB 39.51, 41.57, -38.8

 

CMYK 4 / 57 / 0 / 38

HEX #97439D

RGB 151 67 157

HSL 296, 0.4%, 0.44%

LAB 42.81, 48.11, -33.38

 

CMYK 0 / 57 / 11 / 38

HEX #9D438B

RGB 157 67 139

HSL 312, 0.4%, 0.44%

LAB 42.83, 46.61, -22.42

 

CMYK 0 / 57 / 27 / 38

HEX #9D4373

RGB 157 67 115

HSL 328, 0.4%, 0.44%

LAB 41.88, 42.92, -9.19

 

CMYK 3 / 57 / 0 / 61

HEX #602B63

RGB 96 43 99

HSL 296.79, 0.39%, 0.28%

LAB 27.06, 32.96, -22.63

 

CMYK 3 / 57 / 0 / 50

HEX #7C3780

RGB 124 55 128

HSL 296.71, 0.4%, 0.36%

LAB 35.15, 40.86, -28.02

 

CMYK 3 / 57 / 0 / 38

HEX #98439D

RGB 152 67 157

HSL 296.67, 0.4%, 0.44%

LAB 42.95, 48.38, -33.14

 

CMYK 3 / 54 / 0 / 29

HEX #B054B6

RGB 176 84 182

HSL 296.33, 0.4%, 0.52%

LAB 50.63, 51.42, -35.59

 

CMYK 2 / 42 / 0 / 24

HEX #BE71C2

RGB 190 113 194

HSL 297.04, 0.4%, 0.6%

LAB 58.65, 42.91, -29.83

 

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

CMYK 0 / 50 / 57 / 38

HEX #9D4F43

RGB 157 79 67

HSL 8, 0.4%, 0.44%

LAB 43.01, 31.24, 21.94

 

CMYK 57 / 0 / 27 / 38

HEX #439D73

RGB 67 157 115

HSL 152, 0.4%, 0.44%

LAB 58.55, -37.07, 14.05

 

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

CMYK 0 / 4 / 57 / 38

HEX #9D9743

RGB 157 151 67

HSL 56, 0.4%, 0.44%

LAB 61.4, -9.11, 44.2

 

CMYK 57 / 0 / 4 / 38

HEX #439D97

RGB 67 157 151

HSL 176, 0.4%, 0.44%

LAB 59.47, -28.13, -4.95

 

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

CMYK 0 / 50 / 57 / 38

HEX #9D4F43

RGB 157 79 67

HSL 8, 0.4%, 0.44%

LAB 43.01, 31.24, 21.94

 

CMYK 54 / 0 / 57 / 38

HEX #499D43

RGB 73 157 67

HSL 116, 0.4%, 0.44%

LAB 57.98, -43.84, 38.89

 

CMYK 57 / 8 / 0 / 38

HEX #43919D

RGB 67 145 157

HSL 188, 0.4%, 0.44%

LAB 55.97, -20.3, -13.61

 

CMYK 3 / 57 / 0 / 38

HEX #98449D

RGB 152 68 157

HSL 296.63, 0.4%, 0.44%

LAB 43.13, 47.89, -32.86

 

CMYK 0 / 32 / 57 / 38

HEX #9D6A43

RGB 157 106 67

HSL 26, 0.4%, 0.44%

LAB 49.35, 16.06, 29.96

 

CMYK 54 / 0 / 57 / 38

HEX #499D43

RGB 73 157 67

HSL 116, 0.4%, 0.44%

LAB 57.98, -43.84, 38.89

 

CMYK 57 / 25 / 0 / 38

HEX #43769D

RGB 67 118 157

HSL 206, 0.4%, 0.44%

LAB 47.73, -5.23, -26.22

 

Description

Color code: HEX #98449D | qconv.com Color code: HEX #98449D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 68 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 68 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 57 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 57% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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