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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98338E it is the complementary color #67CC71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98338E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98338E shade: #9D3389, #AE459C, #BF57AF, #D069C2 and #E17BD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98338E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98338E shade: #98338E, #87217B, #760F68, #650055 and #540042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98338E shade: #99338F, #993373, #993358, #99333C and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98338E shade: #99338F, #883399, #6C3399, #513399 and #353399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98338E shade matches the following richer shades: #99338F, #AA229C, #BA12A9 and #CB01B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98338E shade: #99338F, #884482, #785474, #676567 and #57755A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98338E shade: #6B3399, #863399, #993391, #993375 and #99335A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98338E shade: #5B1E55, #7A2972, #99338F, #B83DAC and #C757BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98338E shade: #98338E, #995033 and #339979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98338E shade: #98338E, #919933 and #339199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98338E shade: #98338E, #995033, #33993C and #337C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98338E shade: #98338E, #996F33, #33993C and #335E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

Complementary color

CMYK 50 / 0 / 45 / 20

HEX #67CC71

RGB 103 204 113

HSL 125.94, 0.5%, 0.6%

LAB 74.36, -48.41, 36.41

 

CMYK 0 / 68 / 13 / 38

HEX #9D3389

RGB 157 51 137

HSL 311.32, 0.51%, 0.41%

LAB 40.15, 53.39, -25.37

 

CMYK 0 / 60 / 10 / 32

HEX #AE459C

RGB 174 69 156

HSL 310.29, 0.43%, 0.48%

LAB 46.52, 53.36, -26.72

 

CMYK 0 / 54 / 8 / 25

HEX #BF57AF

RGB 191 87 175

HSL 309.23, 0.45%, 0.55%

LAB 52.94, 52.97, -27.75

 

CMYK 0 / 50 / 7 / 18

HEX #D069C2

RGB 208 105 194

HSL 308.16, 0.52%, 0.61%

LAB 59.35, 52.4, -28.57

 

CMYK 0 / 45 / 5 / 12

HEX #E17BD5

RGB 225 123 213

HSL 307.06, 0.63%, 0.68%

LAB 65.73, 51.73, -29.25

 

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

CMYK 0 / 76 / 9 / 47

HEX #87217B

RGB 135 33 123

HSL 307.06, 0.61%, 0.33%

LAB 33.28, 52.33, -27.72

 

CMYK 0 / 87 / 12 / 54

HEX #760F68

RGB 118 15 104

HSL 308.16, 0.77%, 0.26%

LAB 27.28, 50.61, -25.27

 

CMYK 0 / 100 / 16 / 60

HEX #650055

RGB 101 0 85

HSL 309.5, 1%, 0.2%

LAB 21.66, 47.31, -21.82

 

CMYK 0 / 100 / 21 / 67

HEX #540042

RGB 84 0 66

HSL 312.86, 1%, 0.16%

LAB 16.88, 40.99, -16.55

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 0 / 67 / 25 / 40

HEX #993373

RGB 153 51 115

HSL 322.35, 0.5%, 0.4%

LAB 38.51, 49.02, -14.35

 

CMYK 0 / 67 / 42 / 40

HEX #993358

RGB 153 51 88

HSL 338.24, 0.5%, 0.4%

LAB 37.56, 45.68, 1.26

 

CMYK 0 / 67 / 61 / 40

HEX #99333C

RGB 153 51 60

HSL 354.71, 0.5%, 0.4%

LAB 36.87, 43.14, 18.11

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 11 / 67 / 0 / 40

HEX #883399

RGB 136 51 153

HSL 290, 0.5%, 0.4%

LAB 37.67, 50.88, -39.25

 

CMYK 29 / 67 / 0 / 40

HEX #6C3399

RGB 108 51 153

HSL 273.53, 0.5%, 0.4%

LAB 33.68, 44.25, -45.86

 

CMYK 47 / 67 / 0 / 40

HEX #513399

RGB 81 51 153

HSL 257.65, 0.5%, 0.4%

LAB 30.44, 38.41, -51.26

 

CMYK 65 / 67 / 0 / 40

HEX #353399

RGB 53 51 153

HSL 241.18, 0.5%, 0.4%

LAB 27.91, 33.46, -55.5

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 0 / 80 / 8 / 33

HEX #AA229C

RGB 170 34 156

HSL 306.18, 0.67%, 0.4%

LAB 41.36, 65.02, -34.86

 

CMYK 0 / 90 / 9 / 27

HEX #BA12A9

RGB 186 18 169

HSL 306.07, 0.82%, 0.4%

LAB 43.85, 73.23, -38.52

 

CMYK 0 / 100 / 10 / 20

HEX #CB01B7

RGB 203 1 183

HSL 305.94, 0.99%, 0.4%

LAB 47.15, 79.87, -41.36

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 0 / 50 / 4 / 47

HEX #884482

RGB 136 68 130

HSL 305.29, 0.33%, 0.4%

LAB 39.55, 38.08, -22.26

 

CMYK 0 / 30 / 3 / 53

HEX #785474

RGB 120 84 116

HSL 306.67, 0.18%, 0.4%

LAB 40.56, 20.68, -12.28

 

CMYK 0 / 2 / 0 / 60

HEX #676567

RGB 103 101 103

HSL 300, 0.01%, 0.4%

LAB 43.02, 1.2, -0.86

 

CMYK 26 / 0 / 23 / 54

HEX #57755A

RGB 87 117 90

HSL 126, 0.15%, 0.4%

LAB 46.29, -16.72, 11.45

 

CMYK 30 / 67 / 0 / 40

HEX #6B3399

RGB 107 51 153

HSL 272.94, 0.5%, 0.4%

LAB 33.55, 44.02, -46.08

 

CMYK 12 / 67 / 0 / 40

HEX #863399

RGB 134 51 153

HSL 288.82, 0.5%, 0.4%

LAB 37.36, 50.39, -39.75

 

CMYK 0 / 67 / 5 / 40

HEX #993391

RGB 153 51 145

HSL 304.71, 0.5%, 0.4%

LAB 39.89, 53.65, -30.71

 

CMYK 0 / 67 / 24 / 40

HEX #993375

RGB 153 51 117

HSL 321.18, 0.5%, 0.4%

LAB 38.59, 49.3, -15.47

 

CMYK 0 / 67 / 41 / 40

HEX #99335A

RGB 153 51 90

HSL 337.06, 0.5%, 0.4%

LAB 37.62, 45.9, 0.08

 

CMYK 0 / 67 / 7 / 64

HEX #5B1E55

RGB 91 30 85

HSL 305.9, 0.5%, 0.24%

LAB 23.03, 35.38, -19.8

 

CMYK 0 / 66 / 7 / 52

HEX #7A2972

RGB 122 41 114

HSL 305.93, 0.5%, 0.32%

LAB 31.67, 44.37, -24.73

 

CMYK 0 / 67 / 7 / 40

HEX #99338F

RGB 153 51 143

HSL 305.88, 0.5%, 0.4%

LAB 39.79, 53.31, -29.65

 

CMYK 0 / 67 / 7 / 28

HEX #B83DAC

RGB 184 61 172

HSL 305.85, 0.5%, 0.48%

LAB 47.63, 61.88, -34.35

 

CMYK 0 / 56 / 6 / 22

HEX #C757BC

RGB 199 87 188

HSL 305.89, 0.5%, 0.56%

LAB 54.65, 57.38, -32.53

 

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

CMYK 0 / 48 / 67 / 40

HEX #995033

RGB 153 80 51

HSL 17.06, 0.5%, 0.4%

LAB 42.38, 27.86, 30.41

 

CMYK 67 / 0 / 21 / 40

HEX #339979

RGB 51 153 121

HSL 161.18, 0.5%, 0.4%

LAB 56.95, -37.15, 8.35

 

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

CMYK 5 / 0 / 67 / 40

HEX #919933

RGB 145 153 51

HSL 64.71, 0.5%, 0.4%

LAB 60.82, -16.56, 50.5

 

CMYK 67 / 5 / 0 / 40

HEX #339199

RGB 51 145 153

HSL 184.71, 0.5%, 0.4%

LAB 55.33, -24.44, -12.32

 

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

CMYK 0 / 48 / 67 / 40

HEX #995033

RGB 153 80 51

HSL 17.06, 0.5%, 0.4%

LAB 42.38, 27.86, 30.41

 

CMYK 67 / 0 / 61 / 40

HEX #33993C

RGB 51 153 60

HSL 125.29, 0.5%, 0.4%

LAB 55.9, -48.57, 39.66

 

CMYK 67 / 19 / 0 / 40

HEX #337C99

RGB 51 124 153

HSL 197.06, 0.5%, 0.4%

LAB 48.78, -13.17, -22.3

 

CMYK 0 / 66 / 7 / 40

HEX #98338E

RGB 152 51 142

HSL 305.94, 0.5%, 0.4%

LAB 39.57, 52.89, -29.38

 

CMYK 0 / 27 / 67 / 40

HEX #996F33

RGB 153 111 51

HSL 35.29, 0.5%, 0.4%

LAB 49.95, 10.2, 39.09

 

CMYK 67 / 0 / 61 / 40

HEX #33993C

RGB 51 153 60

HSL 125.29, 0.5%, 0.4%

LAB 55.9, -48.57, 39.66

 

CMYK 67 / 39 / 0 / 40

HEX #335E99

RGB 51 94 153

HSL 214.71, 0.5%, 0.4%

LAB 39.6, 4.89, -36.67

 

Description

Color code: HEX #98338E | qconv.com Color code: HEX #98338E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 51 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 51 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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