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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #983268 it is the complementary color #67CD97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #983268. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #983268 shade: #9D3263, #AE4476, #BF5689, #D0689C and #E17AAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #983268. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #983268 shade: #983268, #872055, #760E42, #65002F and #54001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #983268 shade: #993369, #99334D and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #983268 shade: #993369, #993384, #923399, #763399 and #5B3399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #983268 shade matches the following richer shades: #993369, #AA226A, #BA126B and #CB016C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #983268 shade: #993369, #884468, #785467, #676566 and #577565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #983268 shade: #923399, #993385, #993369, #99334E and #993333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #983268 shade: #5B1E3F, #7A2954, #993369, #B83D7E and #C75793

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #983268 shade: #983268, #997733 and #339299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #983268 shade: #983268, #699933 and #336999

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #983268 shade: #983268, #997733, #339963 and #335599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #983268 shade: #983268, #999633, #339963 and #333699

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

Complementary color

CMYK 50 / 0 / 26 / 20

HEX #67CD97

RGB 103 205 151

HSL 148.24, 0.5%, 0.6%

LAB 75.31, -42.14, 17.93

 

CMYK 0 / 68 / 37 / 38

HEX #9D3263

RGB 157 50 99

HSL 332.52, 0.52%, 0.41%

LAB 38.46, 48.59, -4.3

 

CMYK 0 / 61 / 32 / 32

HEX #AE4476

RGB 174 68 118

HSL 331.7, 0.44%, 0.47%

LAB 44.86, 48.32, -6.29

 

CMYK 0 / 55 / 28 / 25

HEX #BF5689

RGB 191 86 137

HSL 330.86, 0.45%, 0.54%

LAB 51.31, 47.74, -7.86

 

CMYK 0 / 50 / 25 / 18

HEX #D0689C

RGB 208 104 156

HSL 330, 0.53%, 0.61%

LAB 57.76, 47.02, -9.13

 

CMYK 0 / 46 / 22 / 12

HEX #E17AAF

RGB 225 122 175

HSL 329.13, 0.63%, 0.68%

LAB 64.18, 46.25, -10.2

 

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

CMYK 0 / 76 / 37 / 47

HEX #872055

RGB 135 32 85

HSL 329.13, 0.62%, 0.33%

LAB 31.44, 47.38, -6.21

 

CMYK 0 / 88 / 44 / 54

HEX #760E42

RGB 118 14 66

HSL 330, 0.79%, 0.26%

LAB 25.44, 45.95, -2.84

 

CMYK 0 / 100 / 53 / 60

HEX #65002F

RGB 101 0 47

HSL 332.08, 1%, 0.2%

LAB 19.93, 42.87, 1.86

 

CMYK 0 / 100 / 67 / 67

HEX #54001C

RGB 84 0 28

HSL 340, 1%, 0.16%

LAB 15.32, 36.94, 8.59

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 67 / 50 / 40

HEX #99334D

RGB 153 51 77

HSL 344.71, 0.5%, 0.4%

LAB 37.25, 44.57, 7.83

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 67 / 14 / 40

HEX #993384

RGB 153 51 132

HSL 312.35, 0.5%, 0.4%

LAB 39.25, 51.54, -23.75

 

CMYK 5 / 67 / 0 / 40

HEX #923399

RGB 146 51 153

HSL 295.88, 0.5%, 0.4%

LAB 39.2, 53.31, -36.71

 

CMYK 23 / 67 / 0 / 40

HEX #763399

RGB 118 51 153

HSL 279.41, 0.5%, 0.4%

LAB 35.04, 46.57, -43.6

 

CMYK 41 / 67 / 0 / 40

HEX #5B3399

RGB 91 51 153

HSL 263.53, 0.5%, 0.4%

LAB 31.56, 40.48, -49.4

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 80 / 38 / 33

HEX #AA226A

RGB 170 34 106

HSL 328.24, 0.67%, 0.4%

LAB 39.12, 58.56, -7.48

 

CMYK 0 / 90 / 42 / 27

HEX #BA126B

RGB 186 18 107

HSL 328.21, 0.82%, 0.4%

LAB 41.11, 65.95, -4.82

 

CMYK 0 / 100 / 47 / 20

HEX #CB016C

RGB 203 1 108

HSL 328.22, 0.99%, 0.4%

LAB 43.95, 71.69, -0.87

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 50 / 24 / 47

HEX #884468

RGB 136 68 104

HSL 328.24, 0.33%, 0.4%

LAB 38.49, 33.61, -7.76

 

CMYK 0 / 30 / 14 / 53

HEX #785467

RGB 120 84 103

HSL 328.33, 0.18%, 0.4%

LAB 40.1, 18.18, -4.96

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 26 / 0 / 14 / 54

HEX #577565

RGB 87 117 101

HSL 148, 0.15%, 0.4%

LAB 46.56, -14.45, 5.33

 

CMYK 5 / 67 / 0 / 40

HEX #923399

RGB 146 51 153

HSL 295.88, 0.5%, 0.4%

LAB 39.2, 53.31, -36.71

 

CMYK 0 / 67 / 13 / 40

HEX #993385

RGB 153 51 133

HSL 311.76, 0.5%, 0.4%

LAB 39.3, 51.69, -24.29

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 67 / 49 / 40

HEX #99334E

RGB 153 51 78

HSL 344.12, 0.5%, 0.4%

LAB 37.28, 44.66, 7.23

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 67 / 31 / 64

HEX #5B1E3F

RGB 91 30 63

HSL 327.54, 0.5%, 0.24%

LAB 21.99, 31.7, -6.51

 

CMYK 0 / 66 / 31 / 52

HEX #7A2954

RGB 122 41 84

HSL 328.15, 0.5%, 0.32%

LAB 30.31, 39.68, -7.49

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 0 / 67 / 32 / 28

HEX #B83D7E

RGB 184 61 126

HSL 328.29, 0.5%, 0.48%

LAB 45.68, 55.35, -9.78

 

CMYK 0 / 56 / 26 / 22

HEX #C75793

RGB 199 87 147

HSL 327.86, 0.5%, 0.56%

LAB 53.02, 51.16, -11.1

 

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

CMYK 0 / 22 / 67 / 40

HEX #997733

RGB 153 119 51

HSL 40, 0.5%, 0.4%

LAB 52.07, 5.63, 41.42

 

CMYK 67 / 5 / 0 / 40

HEX #339299

RGB 51 146 153

HSL 184.12, 0.5%, 0.4%

LAB 55.65, -24.95, -11.85

 

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

CMYK 31 / 0 / 67 / 40

HEX #699933

RGB 105 153 51

HSL 88.24, 0.5%, 0.4%

LAB 58.06, -33.08, 46.75

 

CMYK 67 / 31 / 0 / 40

HEX #336999

RGB 51 105 153

HSL 208.24, 0.5%, 0.4%

LAB 42.92, -1.99, -31.41

 

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

CMYK 0 / 22 / 67 / 40

HEX #997733

RGB 153 119 51

HSL 40, 0.5%, 0.4%

LAB 52.07, 5.63, 41.42

 

CMYK 67 / 0 / 35 / 40

HEX #339963

RGB 51 153 99

HSL 148.24, 0.5%, 0.4%

LAB 56.47, -42.13, 20.03

 

CMYK 67 / 44 / 0 / 40

HEX #335599

RGB 51 85 153

HSL 220, 0.5%, 0.4%

LAB 36.93, 10.72, -40.91

 

CMYK 0 / 67 / 32 / 40

HEX #983268

RGB 152 50 104

HSL 328.24, 0.5%, 0.4%

LAB 37.76, 47.68, -8.59

 

CMYK 0 / 2 / 67 / 40

HEX #999633

RGB 153 150 51

HSL 58.24, 0.5%, 0.4%

LAB 60.63, -11.47, 50.51

 

CMYK 67 / 0 / 35 / 40

HEX #339963

RGB 51 153 99

HSL 148.24, 0.5%, 0.4%

LAB 56.47, -42.13, 20.03

 

CMYK 67 / 65 / 0 / 40

HEX #333699

RGB 51 54 153

HSL 238.24, 0.5%, 0.4%

LAB 28.49, 31.25, -54.55

 

Description

Color code: HEX #983268 | qconv.com Color code: HEX #983268 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 50 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 50 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 32 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 32% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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