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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #983178 it is the complementary color #67CE87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #983178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #983178 shade: #9D3173, #AE4386, #BF5599, #D067AC and #E179BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #983178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #983178 shade: #983178, #871F65, #760D52, #65003F and #54002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #983178 shade: #963177, #96315B, #963140 and #963131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #983178 shade: #963177, #963192, #7F3196, #643196 and #483196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #983178 shade matches the following richer shades: #963177, #A6217D, #B61183 and #C60089

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #983178 shade: #963177, #864171, #76516A, #666164 and #56715E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #983178 shade: #7F3196, #963193, #963178, #96315D and #963142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #983178 shade: #581D45, #77275E, #963177, #B53B8F and #C752A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #983178 shade: #983178, #966331 and #31968C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #983178 shade: #983178, #789631 and #317896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #983178 shade: #983178, #966331, #31964F and #316396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #983178 shade: #983178, #968231, #31964F and #314596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

Complementary color

CMYK 50 / 0 / 34 / 19

HEX #67CE87

RGB 103 206 135

HSL 138.64, 0.51%, 0.61%

LAB 75.31, -45.61, 26.36

 

CMYK 0 / 69 / 27 / 38

HEX #9D3173

RGB 157 49 115

HSL 323.33, 0.52%, 0.4%

LAB 38.9, 51, -13.69

 

CMYK 0 / 61 / 23 / 32

HEX #AE4386

RGB 174 67 134

HSL 322.43, 0.44%, 0.47%

LAB 45.27, 50.91, -15.42

 

CMYK 0 / 55 / 20 / 25

HEX #BF5599

RGB 191 85 153

HSL 321.51, 0.45%, 0.54%

LAB 51.69, 50.47, -16.76

 

CMYK 0 / 50 / 17 / 18

HEX #D067AC

RGB 208 103 172

HSL 320.57, 0.53%, 0.61%

LAB 58.12, 49.85, -17.85

 

CMYK 0 / 46 / 15 / 12

HEX #E179BF

RGB 225 121 191

HSL 319.62, 0.63%, 0.68%

LAB 64.52, 49.14, -18.75

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 0 / 77 / 25 / 47

HEX #871F65

RGB 135 31 101

HSL 319.62, 0.63%, 0.33%

LAB 31.97, 49.74, -15.78

 

CMYK 0 / 89 / 31 / 54

HEX #760D52

RGB 118 13 82

HSL 320.57, 0.8%, 0.26%

LAB 26.01, 48, -12.78

 

CMYK 0 / 100 / 38 / 60

HEX #65003F

RGB 101 0 63

HSL 322.57, 1%, 0.2%

LAB 20.54, 44.46, -8.5

 

CMYK 0 / 100 / 48 / 67

HEX #54002C

RGB 84 0 44

HSL 328.57, 1%, 0.16%

LAB 15.83, 38.3, -2.45

 

CMYK 0 / 67 / 21 / 41

HEX #963177

RGB 150 49 119

HSL 318.42, 0.51%, 0.39%

LAB 37.86, 49.57, -17.88

 

CMYK 0 / 67 / 39 / 41

HEX #96315B

RGB 150 49 91

HSL 335.05, 0.51%, 0.39%

LAB 36.81, 45.92, -1.81

 

CMYK 0 / 67 / 57 / 41

HEX #963140

RGB 150 49 64

HSL 351.09, 0.51%, 0.39%

LAB 36.08, 43.3, 14.42

 

CMYK 0 / 67 / 67 / 41

HEX #963131

RGB 150 49 49

HSL 0, 0.51%, 0.39%

LAB 35.8, 42.24, 23.52

 

CMYK 0 / 67 / 21 / 41

HEX #963177

RGB 150 49 119

HSL 318.42, 0.51%, 0.39%

LAB 37.86, 49.57, -17.88

 

CMYK 0 / 67 / 3 / 41

HEX #963192

RGB 150 49 146

HSL 302.38, 0.51%, 0.39%

LAB 39.17, 53.87, -32.49

 

CMYK 15 / 67 / 0 / 41

HEX #7F3196

RGB 127 49 150

HSL 286.34, 0.51%, 0.39%

LAB 35.81, 48.99, -40.47

 

CMYK 33 / 67 / 0 / 41

HEX #643196

RGB 100 49 150

HSL 270.3, 0.51%, 0.39%

LAB 32.05, 42.73, -46.72

 

CMYK 52 / 67 / 0 / 41

HEX #483196

RGB 72 49 150

HSL 253.66, 0.51%, 0.39%

LAB 28.84, 36.92, -52.07

 

CMYK 0 / 67 / 21 / 41

HEX #963177

RGB 150 49 119

HSL 318.42, 0.51%, 0.39%

LAB 37.86, 49.57, -17.88

 

CMYK 0 / 80 / 25 / 35

HEX #A6217D

RGB 166 33 125

HSL 318.5, 0.67%, 0.39%

LAB 39.03, 60.06, -19.58

 

CMYK 0 / 91 / 28 / 29

HEX #B61183

RGB 182 17 131

HSL 318.55, 0.83%, 0.39%

LAB 41.19, 67.7, -19.71

 

CMYK 0 / 100 / 31 / 22

HEX #C60089

RGB 198 0 137

HSL 318.48, 1%, 0.39%

LAB 43.96, 73.46, -18.87

 

CMYK 0 / 67 / 21 / 41

HEX #963177

RGB 150 49 119

HSL 318.42, 0.51%, 0.39%

LAB 37.86, 49.57, -17.88

 

CMYK 0 / 51 / 16 / 47

HEX #864171

RGB 134 65 113

HSL 318.26, 0.35%, 0.39%

LAB 37.92, 36.01, -14.28

 

CMYK 0 / 31 / 10 / 54

HEX #76516A

RGB 118 81 106

HSL 319.46, 0.19%, 0.39%

LAB 39.2, 19.77, -8.19

 

CMYK 0 / 5 / 2 / 60

HEX #666164

RGB 102 97 100

HSL 324, 0.03%, 0.39%

LAB 41.68, 2.59, -1

 

CMYK 24 / 0 / 17 / 56

HEX #56715E

RGB 86 113 94

HSL 137.78, 0.14%, 0.39%

LAB 45.08, -14.09, 7.36

 

CMYK 15 / 67 / 0 / 41

HEX #7F3196

RGB 127 49 150

HSL 286.34, 0.51%, 0.39%

LAB 35.81, 48.99, -40.47

 

CMYK 0 / 67 / 2 / 41

HEX #963193

RGB 150 49 147

HSL 301.78, 0.51%, 0.39%

LAB 39.22, 54.04, -33.01

 

CMYK 0 / 67 / 20 / 41

HEX #963178

RGB 150 49 120

HSL 317.82, 0.51%, 0.39%

LAB 37.91, 49.71, -18.44

 

CMYK 0 / 67 / 38 / 41

HEX #96315D

RGB 150 49 93

HSL 333.86, 0.51%, 0.39%

LAB 36.88, 46.15, -2.99

 

CMYK 0 / 67 / 56 / 41

HEX #963142

RGB 150 49 66

HSL 349.9, 0.51%, 0.39%

LAB 36.13, 43.46, 13.21

 

CMYK 0 / 67 / 22 / 65

HEX #581D45

RGB 88 29 69

HSL 319.32, 0.5%, 0.23%

LAB 21.52, 32.13, -11.39

 

CMYK 0 / 67 / 21 / 53

HEX #77275E

RGB 119 39 94

HSL 318.75, 0.51%, 0.31%

LAB 29.86, 41.1, -14.74

 

CMYK 0 / 67 / 21 / 41

HEX #963177

RGB 150 49 119

HSL 318.42, 0.51%, 0.39%

LAB 37.86, 49.57, -17.88

 

CMYK 0 / 67 / 21 / 29

HEX #B53B8F

RGB 181 59 143

HSL 318.69, 0.51%, 0.47%

LAB 45.54, 57.53, -20.34

 

CMYK 0 / 59 / 18 / 22

HEX #C752A3

RGB 199 82 163

HSL 318.46, 0.51%, 0.55%

LAB 52.75, 55.71, -20.93

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 0 / 34 / 67 / 41

HEX #966331

RGB 150 99 49

HSL 29.7, 0.51%, 0.39%

LAB 46.48, 15.63, 36.13

 

CMYK 67 / 0 / 7 / 41

HEX #31968C

RGB 49 150 140

HSL 174.06, 0.51%, 0.39%

LAB 56.45, -31.07, -3.21

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 20 / 0 / 67 / 41

HEX #789631

RGB 120 150 49

HSL 77.82, 0.51%, 0.39%

LAB 58.06, -25.83, 47.89

 

CMYK 67 / 20 / 0 / 41

HEX #317896

RGB 49 120 150

HSL 197.82, 0.51%, 0.39%

LAB 47.35, -12.26, -22.75

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 0 / 34 / 67 / 41

HEX #966331

RGB 150 99 49

HSL 29.7, 0.51%, 0.39%

LAB 46.48, 15.63, 36.13

 

CMYK 67 / 0 / 47 / 41

HEX #31964F

RGB 49 150 79

HSL 137.82, 0.51%, 0.39%

LAB 55.1, -45.06, 29.09

 

CMYK 67 / 34 / 0 / 41

HEX #316396

RGB 49 99 150

HSL 210.3, 0.51%, 0.39%

LAB 40.86, 0.28, -32.87

 

CMYK 0 / 68 / 21 / 40

HEX #983178

RGB 152 49 120

HSL 318.64, 0.51%, 0.39%

LAB 38.25, 50.28, -17.88

 

CMYK 0 / 13 / 67 / 41

HEX #968231

RGB 150 130 49

HSL 48.12, 0.51%, 0.39%

LAB 54.73, -2.06, 45.14

 

CMYK 67 / 0 / 47 / 41

HEX #31964F

RGB 49 150 79

HSL 137.82, 0.51%, 0.39%

LAB 55.1, -45.06, 29.09

 

CMYK 67 / 54 / 0 / 41

HEX #314596

RGB 49 69 150

HSL 228.12, 0.51%, 0.39%

LAB 32.06, 19.9, -46.93

 

Description

Color code: HEX #983178 | qconv.com Color code: HEX #983178 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 49 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 49 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 21 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 21% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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