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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982BE6 it is the complementary color #67D419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982BE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982BE6 shade: #9D2BE1, #AE3DF4, #BF4FFF, #D061FF and #E173FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982BE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982BE6 shade: #982BE6, #8719D3, #7607C0, #6500AD and #54009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982BE6 shade: #992DE6, #CB2DE6, #E62DD0, #E62D9E and #E62D6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982BE6 shade: #992DE6, #672DE6, #352DE6 and #2D2DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982BE6 shade matches the following richer shades: #992DE6 and #9C1AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982BE6 shade: #992DE6, #9640D3, #9353C0, #9066AD and #8C799A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982BE6 shade: #332DE6, #652DE6, #962DE6, #C72DE6 and #E62DD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982BE6 shade: #6D14AD, #8419D2, #992DE6, #AB52EB and #BD77EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982BE6 shade: #982BE6, #E62D58 and #2DE64C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982BE6 shade: #982BE6, #E6962D and #2DE696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982BE6 shade: #982BE6, #E62D58, #7DE62D and #2DE6BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982BE6 shade: #982BE6, #E6392D, #7DE62D and #2DDAE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

Complementary color

CMYK 51 / 0 / 88 / 17

HEX #67D419

RGB 103 212 25

HSL 94.97, 0.79%, 0.46%

LAB 76.09, -59.15, 71.55

 

CMYK 30 / 81 / 0 / 12

HEX #9D2BE1

RGB 157 43 225

HSL 277.58, 0.75%, 0.53%

LAB 44.71, 72.45, -69.98

 

CMYK 29 / 75 / 0 / 4

HEX #AE3DF4

RGB 174 61 244

HSL 277.05, 0.89%, 0.6%

LAB 50.53, 73.15, -71.13

 

CMYK 25 / 69 / 0 / 0

HEX #BF4FFF

RGB 191 79 255

HSL 278.18, 1%, 0.65%

LAB 55.98, 71.6, -68.34

 

CMYK 18 / 62 / 0 / 0

HEX #D061FF

RGB 208 97 255

HSL 282.15, 1%, 0.69%

LAB 60.94, 67.47, -60.24

 

CMYK 12 / 55 / 0 / 0

HEX #E173FF

RGB 225 115 255

HSL 287.14, 1%, 0.73%

LAB 66.13, 63.24, -51.86

 

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

CMYK 36 / 88 / 0 / 17

HEX #8719D3

RGB 135 25 211

HSL 275.48, 0.79%, 0.46%

LAB 38.81, 71.19, -71.71

 

CMYK 39 / 96 / 0 / 25

HEX #7607C0

RGB 118 7 192

HSL 276, 0.93%, 0.39%

LAB 33.58, 68.34, -69.3

 

CMYK 42 / 100 / 0 / 32

HEX #6500AD

RGB 101 0 173

HSL 275.03, 1%, 0.34%

LAB 28.86, 63.65, -65.86

 

CMYK 45 / 100 / 0 / 40

HEX #54009A

RGB 84 0 154

HSL 272.73, 1%, 0.3%

LAB 24.38, 57.9, -61.79

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 12 / 80 / 0 / 10

HEX #CB2DE6

RGB 203 45 230

HSL 291.24, 0.79%, 0.54%

LAB 52.16, 80.43, -60.42

 

CMYK 0 / 80 / 10 / 10

HEX #E62DD0

RGB 230 45 208

HSL 307.14, 0.79%, 0.54%

LAB 55.33, 82.1, -42.6

 

CMYK 0 / 80 / 31 / 10

HEX #E62D9E

RGB 230 45 158

HSL 323.35, 0.79%, 0.54%

LAB 53.13, 75.9, -16.94

 

CMYK 0 / 80 / 53 / 10

HEX #E62D6C

RGB 230 45 108

HSL 339.57, 0.79%, 0.54%

LAB 51.59, 71.36, 10.79

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 55 / 80 / 0 / 10

HEX #672DE6

RGB 103 45 230

HSL 258.81, 0.79%, 0.54%

LAB 38.68, 65.69, -82.97

 

CMYK 77 / 80 / 0 / 10

HEX #352DE6

RGB 53 45 230

HSL 242.59, 0.79%, 0.54%

LAB 34.7, 61.47, -89.69

 

CMYK 80 / 80 / 0 / 10

HEX #2D2DE6

RGB 45 45 230

HSL 240, 0.79%, 0.54%

LAB 34.29, 61.05, -90.38

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 37 / 90 / 0 / 2

HEX #9C1AF9

RGB 156 26 249

HSL 274.98, 0.95%, 0.54%

LAB 45.15, 81.27, -82.83

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 29 / 70 / 0 / 17

HEX #9640D3

RGB 150 64 211

HSL 275.1, 0.63%, 0.54%

LAB 45.43, 60.48, -60.84

 

CMYK 23 / 57 / 0 / 25

HEX #9353C0

RGB 147 83 192

HSL 275.23, 0.46%, 0.54%

LAB 47.23, 46.27, -47.01

 

CMYK 17 / 41 / 0 / 32

HEX #9066AD

RGB 144 102 173

HSL 275.49, 0.3%, 0.54%

LAB 50.04, 30.49, -31.55

 

CMYK 9 / 21 / 0 / 40

HEX #8C799A

RGB 140 121 154

HSL 274.55, 0.14%, 0.54%

LAB 53.58, 13.83, -15.05

 

CMYK 78 / 80 / 0 / 10

HEX #332DE6

RGB 51 45 230

HSL 241.95, 0.79%, 0.54%

LAB 34.59, 61.36, -89.87

 

CMYK 56 / 80 / 0 / 10

HEX #652DE6

RGB 101 45 230

HSL 258.16, 0.79%, 0.54%

LAB 38.48, 65.48, -83.31

 

CMYK 35 / 80 / 0 / 10

HEX #962DE6

RGB 150 45 230

HSL 274.05, 0.79%, 0.54%

LAB 44.34, 71.81, -73.47

 

CMYK 13 / 80 / 0 / 10

HEX #C72DE6

RGB 199 45 230

HSL 289.95, 0.79%, 0.54%

LAB 51.53, 79.74, -61.46

 

CMYK 0 / 80 / 8 / 10

HEX #E62DD4

RGB 230 45 212

HSL 305.84, 0.79%, 0.54%

LAB 55.54, 82.66, -44.56

 

CMYK 37 / 88 / 0 / 32

HEX #6D14AD

RGB 109 20 173

HSL 274.9, 0.79%, 0.38%

LAB 31.27, 60.91, -61.85

 

CMYK 37 / 88 / 0 / 18

HEX #8419D2

RGB 132 25 210

HSL 274.7, 0.79%, 0.46%

LAB 38.29, 70.61, -72

 

CMYK 33 / 80 / 0 / 10

HEX #992DE6

RGB 153 45 230

HSL 275.03, 0.79%, 0.54%

LAB 44.75, 72.26, -72.78

 

CMYK 27 / 65 / 0 / 8

HEX #AB52EB

RGB 171 82 235

HSL 274.9, 0.79%, 0.62%

LAB 52.61, 61.99, -62.75

 

CMYK 21 / 50 / 0 / 6

HEX #BD77EF

RGB 189 119 239

HSL 275, 0.79%, 0.7%

LAB 61.86, 48.7, -50.07

 

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

CMYK 0 / 80 / 62 / 10

HEX #E62D58

RGB 230 45 88

HSL 346.05, 0.79%, 0.54%

LAB 51.16, 70.05, 22.31

 

CMYK 80 / 0 / 67 / 10

HEX #2DE64C

RGB 45 230 76

HSL 130.05, 0.79%, 0.54%

LAB 80.56, -73.19, 60.17

 

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

CMYK 0 / 35 / 80 / 10

HEX #E6962D

RGB 230 150 45

HSL 34.05, 0.79%, 0.54%

LAB 68.62, 22.07, 63.35

 

CMYK 80 / 0 / 35 / 10

HEX #2DE696

RGB 45 230 150

HSL 154.05, 0.79%, 0.54%

LAB 81.49, -62.21, 26.69

 

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

CMYK 0 / 80 / 62 / 10

HEX #E62D58

RGB 230 45 88

HSL 346.05, 0.79%, 0.54%

LAB 51.16, 70.05, 22.31

 

CMYK 46 / 0 / 80 / 10

HEX #7DE62D

RGB 125 230 45

HSL 94.05, 0.79%, 0.54%

LAB 82.46, -58.55, 73.01

 

CMYK 80 / 0 / 19 / 10

HEX #2DE6BB

RGB 45 230 187

HSL 166.05, 0.79%, 0.54%

LAB 82.24, -53.98, 8.46

 

CMYK 34 / 81 / 0 / 10

HEX #982BE6

RGB 152 43 230

HSL 274.97, 0.79%, 0.54%

LAB 44.4, 72.73, -73.36

 

CMYK 0 / 75 / 80 / 10

HEX #E6392D

RGB 230 57 45

HSL 3.89, 0.79%, 0.54%

LAB 51.77, 64.81, 47.65

 

CMYK 46 / 0 / 80 / 10

HEX #7DE62D

RGB 125 230 45

HSL 94.05, 0.79%, 0.54%

LAB 82.46, -58.55, 73.01

 

CMYK 80 / 5 / 0 / 10

HEX #2DDAE6

RGB 45 218 230

HSL 183.89, 0.79%, 0.54%

LAB 79.85, -37.09, -17.9

 

Description

Color code: HEX #982BE6 | qconv.com Color code: HEX #982BE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 43 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 43 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 81 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 81% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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