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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982862 it is the complementary color #67D79D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982862 shade: #9D285D, #AE3A70, #BF4C83, #D05E96 and #E170A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982862 shade: #982862, #87164F, #76043C, #650029 and #540016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982862 shade: #992963, #992945 and #992929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982862 shade: #992963, #992981, #932999, #742999 and #562999

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982862 shade matches the following richer shades: #992963, #A91963 and #B80964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982862 shade: #992963, #893862, #7A4862, #6A5861 and #5A6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982862 shade: #922999, #992983, #992965, #992947 and #992929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982862 shade: #581739, #79204E, #992963, #BA3178 and #CE468D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982862 shade: #982862, #997429 and #299299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982862 shade: #982862, #659929 and #296599

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982862 shade: #982862, #997429, #29995D and #294E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982862 shade: #982862, #999529, #29995D and #292C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

Complementary color

CMYK 52 / 0 / 27 / 16

HEX #67D79D

RGB 103 215 157

HSL 148.93, 0.58%, 0.62%

LAB 78.41, -45.26, 19.06

 

CMYK 0 / 75 / 41 / 38

HEX #9D285D

RGB 157 40 93

HSL 332.82, 0.59%, 0.39%

LAB 36.89, 51.75, -2.83

 

CMYK 0 / 67 / 36 / 32

HEX #AE3A70

RGB 174 58 112

HSL 332.07, 0.5%, 0.45%

LAB 43.06, 51.95, -5.29

 

CMYK 0 / 60 / 31 / 25

HEX #BF4C83

RGB 191 76 131

HSL 331.3, 0.47%, 0.52%

LAB 49.36, 51.65, -7.19

 

CMYK 0 / 55 / 28 / 18

HEX #D05E96

RGB 208 94 150

HSL 330.53, 0.55%, 0.59%

LAB 55.7, 51.09, -8.71

 

CMYK 0 / 50 / 25 / 12

HEX #E170A9

RGB 225 112 169

HSL 329.73, 0.65%, 0.66%

LAB 62.05, 50.39, -9.97

 

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

CMYK 0 / 84 / 41 / 47

HEX #87164F

RGB 135 22 79

HSL 329.73, 0.72%, 0.31%

LAB 30.13, 49.81, -4.21

 

CMYK 0 / 97 / 49 / 54

HEX #76043C

RGB 118 4 60

HSL 330.53, 0.93%, 0.24%

LAB 24.53, 47.41, -0.08

 

CMYK 0 / 100 / 59 / 60

HEX #650029

RGB 101 0 41

HSL 335.64, 1%, 0.2%

LAB 19.75, 42.39, 5.88

 

CMYK 0 / 100 / 74 / 67

HEX #540016

RGB 84 0 22

HSL 344.29, 1%, 0.16%

LAB 15.18, 36.57, 12.82

 

CMYK 0 / 73 / 35 / 40

HEX #992963

RGB 153 41 99

HSL 328.93, 0.58%, 0.38%

LAB 36.48, 50.92, -7.34

 

CMYK 0 / 73 / 55 / 40

HEX #992945

RGB 153 41 69

HSL 345, 0.58%, 0.38%

LAB 35.57, 47.93, 10.61

 

CMYK 0 / 73 / 73 / 40

HEX #992929

RGB 153 41 41

HSL 0, 0.58%, 0.38%

LAB 35.04, 46.12, 27.68

 

CMYK 0 / 73 / 35 / 40

HEX #992963

RGB 153 41 99

HSL 328.93, 0.58%, 0.38%

LAB 36.48, 50.92, -7.34

 

CMYK 0 / 73 / 16 / 40

HEX #992981

RGB 153 41 129

HSL 312.86, 0.58%, 0.38%

LAB 37.74, 54.92, -24.25

 

CMYK 4 / 73 / 0 / 40

HEX #932999

RGB 147 41 153

HSL 296.79, 0.58%, 0.38%

LAB 38, 57.39, -38.62

 

CMYK 24 / 73 / 0 / 40

HEX #742999

RGB 116 41 153

HSL 280.18, 0.58%, 0.38%

LAB 33.13, 50.67, -46.69

 

CMYK 44 / 73 / 0 / 40

HEX #562999

RGB 86 41 153

HSL 264.11, 0.58%, 0.38%

LAB 29.07, 44.74, -53.48

 

CMYK 0 / 73 / 35 / 40

HEX #992963

RGB 153 41 99

HSL 328.93, 0.58%, 0.38%

LAB 36.48, 50.92, -7.34

 

CMYK 0 / 85 / 41 / 34

HEX #A91963

RGB 169 25 99

HSL 329.17, 0.74%, 0.38%

LAB 37.9, 59.84, -4.9

 

CMYK 0 / 95 / 46 / 28

HEX #B80964

RGB 184 9 100

HSL 328.8, 0.91%, 0.38%

LAB 40.09, 65.99, -1.95

 

CMYK 0 / 73 / 35 / 40

HEX #992963

RGB 153 41 99

HSL 328.93, 0.58%, 0.38%

LAB 36.48, 50.92, -7.34

 

CMYK 0 / 59 / 28 / 46

HEX #893862

RGB 137 56 98

HSL 328.89, 0.42%, 0.38%

LAB 36.04, 39.34, -7.64

 

CMYK 0 / 41 / 20 / 52

HEX #7A4862

RGB 122 72 98

HSL 328.8, 0.26%, 0.38%

LAB 37.21, 25.22, -6.12

 

CMYK 0 / 17 / 8 / 58

HEX #6A5861

RGB 106 88 97

HSL 330, 0.09%, 0.38%

LAB 39.42, 9.06, -2.43

 

CMYK 13 / 0 / 6 / 60

HEX #5A6761

RGB 90 103 97

HSL 152.31, 0.07%, 0.38%

LAB 42.36, -6.26, 1.7

 

CMYK 5 / 73 / 0 / 40

HEX #922999

RGB 146 41 153

HSL 296.25, 0.58%, 0.38%

LAB 37.84, 57.17, -38.89

 

CMYK 0 / 73 / 14 / 40

HEX #992983

RGB 153 41 131

HSL 311.79, 0.58%, 0.38%

LAB 37.84, 55.22, -25.34

 

CMYK 0 / 73 / 34 / 40

HEX #992965

RGB 153 41 101

HSL 327.86, 0.58%, 0.38%

LAB 36.55, 51.16, -8.5

 

CMYK 0 / 73 / 54 / 40

HEX #992947

RGB 153 41 71

HSL 343.93, 0.58%, 0.38%

LAB 35.62, 48.1, 9.39

 

CMYK 0 / 73 / 73 / 40

HEX #992929

RGB 153 41 41

HSL 0, 0.58%, 0.38%

LAB 35.04, 46.12, 27.68

 

CMYK 0 / 74 / 35 / 65

HEX #581739

RGB 88 23 57

HSL 328.62, 0.59%, 0.22%

LAB 19.98, 33.14, -5.44

 

CMYK 0 / 74 / 36 / 53

HEX #79204E

RGB 121 32 78

HSL 328.99, 0.58%, 0.3%

LAB 28.51, 42.43, -6.27

 

CMYK 0 / 73 / 35 / 40

HEX #992963

RGB 153 41 99

HSL 328.93, 0.58%, 0.38%

LAB 36.48, 50.92, -7.34

 

CMYK 0 / 74 / 35 / 27

HEX #BA3178

RGB 186 49 120

HSL 328.91, 0.58%, 0.46%

LAB 44.22, 59.66, -8.26

 

CMYK 0 / 66 / 32 / 19

HEX #CE468D

RGB 206 70 141

HSL 328.68, 0.58%, 0.54%

LAB 51.18, 59.89, -10.19

 

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

CMYK 0 / 24 / 73 / 40

HEX #997429

RGB 153 116 41

HSL 40.18, 0.58%, 0.38%

LAB 51.18, 6.75, 45.15

 

CMYK 73 / 5 / 0 / 40

HEX #299299

RGB 41 146 153

HSL 183.75, 0.58%, 0.38%

LAB 55.41, -26.4, -12.23

 

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

CMYK 34 / 0 / 73 / 40

HEX #659929

RGB 101 153 41

HSL 87.86, 0.58%, 0.38%

LAB 57.76, -35.35, 50.41

 

CMYK 73 / 34 / 0 / 40

HEX #296599

RGB 41 101 153

HSL 207.86, 0.58%, 0.38%

LAB 41.34, -1.17, -33.93

 

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

CMYK 0 / 24 / 73 / 40

HEX #997429

RGB 153 116 41

HSL 40.18, 0.58%, 0.38%

LAB 51.18, 6.75, 45.15

 

CMYK 73 / 0 / 39 / 40

HEX #29995D

RGB 41 153 93

HSL 147.86, 0.58%, 0.38%

LAB 56.13, -45.1, 22.84

 

CMYK 73 / 49 / 0 / 40

HEX #294E99

RGB 41 78 153

HSL 220.18, 0.58%, 0.38%

LAB 34.44, 13.73, -44.93

 

CMYK 0 / 74 / 36 / 40

HEX #982862

RGB 152 40 98

HSL 328.93, 0.58%, 0.38%

LAB 36.13, 50.88, -7.24

 

CMYK 0 / 3 / 73 / 40

HEX #999529

RGB 153 149 41

HSL 57.86, 0.58%, 0.38%

LAB 60.27, -11.49, 54.13

 

CMYK 73 / 0 / 39 / 40

HEX #29995D

RGB 41 153 93

HSL 147.86, 0.58%, 0.38%

LAB 56.13, -45.1, 22.84

 

CMYK 73 / 71 / 0 / 40

HEX #292C99

RGB 41 44 153

HSL 238.39, 0.58%, 0.38%

LAB 25.48, 36.28, -59.51

 

Description

Color code: HEX #982862 | qconv.com Color code: HEX #982862 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 40 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 40 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 36 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 36% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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