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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #982380 it is the complementary color #67DC7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #982380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #982380 shade: #9D237B, #AE358E, #BF47A1, #D059B4 and #E16BC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #982380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #982380 shade: #982380, #87116D, #76005A, #650047 and #540034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #982380 shade: #9A2381, #9A2361, #9A2341 and #9A2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #982380 shade: #9A2381, #92239A, #72239A, #52239A and #32239A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #982380 shade matches the following richer shades: #9A2381, #A9148A and #B80493

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #982380 shade: #9A2381, #8B3278, #7B416F, #6C5166 and #5D605D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #982380 shade: #72239A, #92239A, #9A2382, #9A2362 and #9A2343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #982380 shade: #571449, #781B65, #9A2381, #BB2B9E and #D33CB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #982380 shade: #982380, #9A5223 and #239A82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #982380 shade: #982380, #829A23 and #23829A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #982380 shade: #982380, #9A5223, #239A3B and #236A9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #982380 shade: #982380, #9A7623, #239A3B and #23479A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

Complementary color

CMYK 53 / 0 / 42 / 14

HEX #67DC7F

RGB 103 220 127

HSL 132.31, 0.63%, 0.63%

LAB 79.39, -52.71, 35.83

 

CMYK 0 / 78 / 22 / 38

HEX #9D237B

RGB 157 35 123

HSL 316.72, 0.64%, 0.38%

LAB 37.48, 57.04, -20.87

 

CMYK 0 / 70 / 18 / 32

HEX #AE358E

RGB 174 53 142

HSL 315.87, 0.53%, 0.45%

LAB 43.5, 57.83, -22.98

 

CMYK 0 / 63 / 16 / 25

HEX #BF47A1

RGB 191 71 161

HSL 315, 0.48%, 0.51%

LAB 49.68, 57.96, -24.57

 

CMYK 0 / 57 / 13 / 18

HEX #D059B4

RGB 208 89 180

HSL 314.12, 0.56%, 0.58%

LAB 55.94, 57.7, -25.81

 

CMYK 0 / 52 / 12 / 12

HEX #E16BC7

RGB 225 107 199

HSL 313.22, 0.66%, 0.65%

LAB 62.21, 57.21, -26.81

 

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

CMYK 0 / 87 / 19 / 47

HEX #87116D

RGB 135 17 109

HSL 313.22, 0.78%, 0.3%

LAB 31.01, 54.67, -22.4

 

CMYK 0 / 100 / 24 / 54

HEX #76005A

RGB 118 0 90

HSL 314.24, 1%, 0.23%

LAB 25.53, 51.52, -18.83

 

CMYK 0 / 100 / 30 / 60

HEX #650047

RGB 101 0 71

HSL 317.82, 1%, 0.2%

LAB 20.91, 45.42, -13.47

 

CMYK 0 / 100 / 38 / 67

HEX #540034

RGB 84 0 52

HSL 322.86, 1%, 0.16%

LAB 16.17, 39.17, -7.73

 

CMYK 0 / 77 / 16 / 40

HEX #9A2381

RGB 154 35 129

HSL 312.61, 0.63%, 0.37%

LAB 37.22, 57.15, -25.05

 

CMYK 0 / 77 / 37 / 40

HEX #9A2361

RGB 154 35 97

HSL 328.74, 0.63%, 0.37%

LAB 35.86, 53.04, -6.97

 

CMYK 0 / 77 / 58 / 40

HEX #9A2341

RGB 154 35 65

HSL 344.87, 0.63%, 0.37%

LAB 34.91, 50.05, 12.32

 

CMYK 0 / 77 / 77 / 40

HEX #9A2323

RGB 154 35 35

HSL 0, 0.63%, 0.37%

LAB 34.38, 48.34, 30.62

 

CMYK 0 / 77 / 16 / 40

HEX #9A2381

RGB 154 35 129

HSL 312.61, 0.63%, 0.37%

LAB 37.22, 57.15, -25.05

 

CMYK 5 / 77 / 0 / 40

HEX #92239A

RGB 146 35 154

HSL 295.97, 0.63%, 0.37%

LAB 37.2, 59.35, -40.51

 

CMYK 26 / 77 / 0 / 40

HEX #72239A

RGB 114 35 154

HSL 279.83, 0.63%, 0.37%

LAB 32.06, 52.89, -49.05

 

CMYK 47 / 77 / 0 / 40

HEX #52239A

RGB 82 35 154

HSL 263.7, 0.63%, 0.37%

LAB 27.65, 47.2, -56.42

 

CMYK 68 / 77 / 0 / 40

HEX #32239A

RGB 50 35 154

HSL 247.56, 0.63%, 0.37%

LAB 24.36, 42.82, -61.95

 

CMYK 0 / 77 / 16 / 40

HEX #9A2381

RGB 154 35 129

HSL 312.61, 0.63%, 0.37%

LAB 37.22, 57.15, -25.05

 

CMYK 0 / 88 / 18 / 34

HEX #A9148A

RGB 169 20 138

HSL 312.48, 0.79%, 0.37%

LAB 39.19, 65.34, -27.32

 

CMYK 0 / 98 / 20 / 28

HEX #B80493

RGB 184 4 147

HSL 312.33, 0.96%, 0.37%

LAB 41.82, 71.47, -28.5

 

CMYK 0 / 77 / 16 / 40

HEX #9A2381

RGB 154 35 129

HSL 312.61, 0.63%, 0.37%

LAB 37.22, 57.15, -25.05

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 0 / 47 / 10 / 52

HEX #7B416F

RGB 123 65 111

HSL 312.41, 0.31%, 0.37%

LAB 36.25, 31.92, -15.72

 

CMYK 0 / 25 / 6 / 58

HEX #6C5166

RGB 108 81 102

HSL 313.33, 0.14%, 0.37%

LAB 37.9, 15.15, -7.77

 

CMYK 3 / 0 / 3 / 62

HEX #5D605D

RGB 93 96 93

HSL 120, 0.02%, 0.37%

LAB 40.38, -1.81, 1.3

 

CMYK 26 / 77 / 0 / 40

HEX #72239A

RGB 114 35 154

HSL 279.83, 0.63%, 0.37%

LAB 32.06, 52.89, -49.05

 

CMYK 5 / 77 / 0 / 40

HEX #92239A

RGB 146 35 154

HSL 295.97, 0.63%, 0.37%

LAB 37.2, 59.35, -40.51

 

CMYK 0 / 77 / 16 / 40

HEX #9A2382

RGB 154 35 130

HSL 312.1, 0.63%, 0.37%

LAB 37.27, 57.29, -25.59

 

CMYK 0 / 77 / 36 / 40

HEX #9A2362

RGB 154 35 98

HSL 328.24, 0.63%, 0.37%

LAB 35.9, 53.15, -7.55

 

CMYK 0 / 77 / 56 / 40

HEX #9A2343

RGB 154 35 67

HSL 343.87, 0.63%, 0.37%

LAB 34.96, 50.2, 11.08

 

CMYK 0 / 77 / 16 / 66

HEX #571449

RGB 87 20 73

HSL 312.54, 0.63%, 0.21%

LAB 20.07, 36.52, -16.37

 

CMYK 0 / 78 / 16 / 53

HEX #781B65

RGB 120 27 101

HSL 312.26, 0.63%, 0.29%

LAB 28.69, 47.2, -21.09

 

CMYK 0 / 77 / 16 / 40

HEX #9A2381

RGB 154 35 129

HSL 312.61, 0.63%, 0.37%

LAB 37.22, 57.15, -25.05

 

CMYK 0 / 77 / 16 / 27

HEX #BB2B9E

RGB 187 43 158

HSL 312.08, 0.63%, 0.45%

LAB 45.31, 66.57, -29.65

 

CMYK 0 / 72 / 15 / 17

HEX #D33CB4

RGB 211 60 180

HSL 312.32, 0.63%, 0.53%

LAB 52.26, 69.93, -31.48

 

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

CMYK 0 / 47 / 77 / 40

HEX #9A5223

RGB 154 82 35

HSL 23.7, 0.63%, 0.37%

LAB 42.8, 26.29, 39.49

 

CMYK 77 / 0 / 16 / 40

HEX #239A82

RGB 35 154 130

HSL 167.9, 0.63%, 0.37%

LAB 57.15, -37.65, 3.49

 

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

CMYK 16 / 0 / 77 / 40

HEX #829A23

RGB 130 154 35

HSL 72.1, 0.63%, 0.37%

LAB 59.87, -24.44, 55.21

 

CMYK 77 / 16 / 0 / 40

HEX #23829A

RGB 35 130 154

HSL 192.1, 0.63%, 0.37%

LAB 50.28, -18.48, -20.62

 

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

CMYK 0 / 47 / 77 / 40

HEX #9A5223

RGB 154 82 35

HSL 23.7, 0.63%, 0.37%

LAB 42.8, 26.29, 39.49

 

CMYK 77 / 0 / 62 / 40

HEX #239A3B

RGB 35 154 59

HSL 132.1, 0.63%, 0.37%

LAB 55.87, -51.92, 40

 

CMYK 77 / 31 / 0 / 40

HEX #236A9A

RGB 35 106 154

HSL 204.2, 0.63%, 0.37%

LAB 42.76, -4.7, -32.3

 

CMYK 0 / 77 / 16 / 40

HEX #982380

RGB 152 35 128

HSL 312.31, 0.63%, 0.37%

LAB 36.81, 56.53, -25.09

 

CMYK 0 / 23 / 77 / 40

HEX #9A7623

RGB 154 118 35

HSL 41.85, 0.63%, 0.37%

LAB 51.78, 5.78, 48.33

 

CMYK 77 / 0 / 62 / 40

HEX #239A3B

RGB 35 154 59

HSL 132.1, 0.63%, 0.37%

LAB 55.87, -51.92, 40

 

CMYK 77 / 54 / 0 / 40

HEX #23479A

RGB 35 71 154

HSL 221.85, 0.63%, 0.37%

LAB 32.25, 18.04, -49.08

 

Description

Color code: HEX #982380 | qconv.com Color code: HEX #982380 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 35 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 35 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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