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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98209B it is the complementary color #67DF64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98209B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98209B shade: #9D2096, #AE32A9, #BF44BC, #D056CF and #E168E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98209B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98209B shade: #98209B, #870E88, #760075, #650062 and #54004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98209B shade: #9A209D, #9D207E, #9D205C, #9D203B and #9D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98209B shade: #9A209D, #78209D, #56209D, #35209D and #20209D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98209B shade matches the following richer shades: #9A209D, #A811AC and #B702BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98209B shade: #9A209D, #8B2F8D, #7D3F7E, #6E4E6F and #5F5D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98209B shade: #56209D, #77209D, #98209D, #9D2080 and #9D205E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98209B shade: #561258, #78197A, #9A209D, #BB27BF and #D339D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98209B shade: #98209B, #9D3520 and #209D67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98209B shade: #98209B, #9D9820 and #209D98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98209B shade: #98209B, #9D3520, #249D20 and #20889D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98209B shade: #98209B, #9D5A20, #249D20 and #20639D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

Complementary color

CMYK 54 / 0 / 55 / 13

HEX #67DF64

RGB 103 223 100

HSL 118.54, 0.66%, 0.63%

LAB 79.94, -57.63, 49.55

 

CMYK 0 / 80 / 4 / 38

HEX #9D2096

RGB 157 32 150

HSL 303.36, 0.66%, 0.37%

LAB 38.56, 61.87, -35.81

 

CMYK 0 / 71 / 3 / 32

HEX #AE32A9

RGB 174 50 169

HSL 302.42, 0.55%, 0.44%

LAB 44.44, 63.05, -37.72

 

CMYK 0 / 64 / 2 / 25

HEX #BF44BC

RGB 191 68 188

HSL 301.46, 0.49%, 0.51%

LAB 50.5, 63.46, -39.12

 

CMYK 0 / 59 / 0 / 18

HEX #D056CF

RGB 208 86 207

HSL 300.49, 0.56%, 0.58%

LAB 56.65, 63.4, -40.18

 

CMYK 0 / 54 / 0 / 11

HEX #E168E2

RGB 225 104 226

HSL 299.51, 0.68%, 0.65%

LAB 62.84, 63.06, -41

 

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

CMYK 1 / 90 / 0 / 47

HEX #870E88

RGB 135 14 136

HSL 299.51, 0.81%, 0.29%

LAB 32.35, 59.32, -37.31

 

CMYK 0 / 100 / 1 / 54

HEX #760075

RGB 118 0 117

HSL 300.51, 1%, 0.23%

LAB 27.12, 55.44, -33.89

 

CMYK 0 / 100 / 3 / 60

HEX #650062

RGB 101 0 98

HSL 301.78, 1%, 0.2%

LAB 22.47, 49.3, -29.18

 

CMYK 0 / 100 / 6 / 67

HEX #54004F

RGB 84 0 79

HSL 303.57, 1%, 0.16%

LAB 17.69, 42.98, -24.27

 

CMYK 2 / 80 / 0 / 38

HEX #9A209D

RGB 154 32 157

HSL 298.56, 0.66%, 0.37%

LAB 38.44, 62.38, -40.27

 

CMYK 0 / 80 / 20 / 38

HEX #9D207E

RGB 157 32 126

HSL 314.88, 0.66%, 0.37%

LAB 37.31, 58.33, -23

 

CMYK 0 / 80 / 41 / 38

HEX #9D205C

RGB 157 32 92

HSL 331.2, 0.66%, 0.37%

LAB 35.93, 54.24, -3.59

 

CMYK 0 / 80 / 62 / 38

HEX #9D203B

RGB 157 32 59

HSL 347.04, 0.66%, 0.37%

LAB 35.04, 51.47, 16.47

 

CMYK 0 / 80 / 80 / 38

HEX #9D2020

RGB 157 32 32

HSL 0, 0.66%, 0.37%

LAB 34.61, 50.13, 32.82

 

CMYK 2 / 80 / 0 / 38

HEX #9A209D

RGB 154 32 157

HSL 298.56, 0.66%, 0.37%

LAB 38.44, 62.38, -40.27

 

CMYK 24 / 80 / 0 / 38

HEX #78209D

RGB 120 32 157

HSL 282.24, 0.66%, 0.37%

LAB 32.83, 55.74, -49.58

 

CMYK 45 / 80 / 0 / 38

HEX #56209D

RGB 86 32 157

HSL 265.92, 0.66%, 0.37%

LAB 27.97, 49.93, -57.71

 

CMYK 66 / 80 / 0 / 38

HEX #35209D

RGB 53 32 157

HSL 250.08, 0.66%, 0.37%

LAB 24.4, 45.63, -63.72

 

CMYK 80 / 80 / 0 / 38

HEX #20209D

RGB 32 32 157

HSL 240, 0.66%, 0.37%

LAB 22.91, 43.82, -66.23

 

CMYK 2 / 80 / 0 / 38

HEX #9A209D

RGB 154 32 157

HSL 298.56, 0.66%, 0.37%

LAB 38.44, 62.38, -40.27

 

CMYK 2 / 90 / 0 / 33

HEX #A811AC

RGB 168 17 172

HSL 298.45, 0.82%, 0.37%

LAB 40.74, 70.55, -45.45

 

CMYK 2 / 99 / 0 / 27

HEX #B702BB

RGB 183 2 187

HSL 298.7, 0.98%, 0.37%

LAB 43.8, 76.99, -49.28

 

CMYK 2 / 80 / 0 / 38

HEX #9A209D

RGB 154 32 157

HSL 298.56, 0.66%, 0.37%

LAB 38.44, 62.38, -40.27

 

CMYK 1 / 67 / 0 / 45

HEX #8B2F8D

RGB 139 47 141

HSL 298.72, 0.5%, 0.37%

LAB 36.83, 51.06, -33.24

 

CMYK 1 / 50 / 0 / 51

HEX #7D3F7E

RGB 125 63 126

HSL 299.05, 0.33%, 0.37%

LAB 36.78, 36.55, -24.22

 

CMYK 1 / 30 / 0 / 56

HEX #6E4E6F

RGB 110 78 111

HSL 298.18, 0.17%, 0.37%

LAB 37.68, 19.61, -13.68

 

CMYK 1 / 3 / 0 / 62

HEX #5F5D60

RGB 95 93 96

HSL 280, 0.02%, 0.37%

LAB 39.76, 1.43, -1.44

 

CMYK 45 / 80 / 0 / 38

HEX #56209D

RGB 86 32 157

HSL 265.92, 0.66%, 0.37%

LAB 27.97, 49.93, -57.71

 

CMYK 24 / 80 / 0 / 38

HEX #77209D

RGB 119 32 157

HSL 281.76, 0.66%, 0.37%

LAB 32.68, 55.56, -49.84

 

CMYK 3 / 80 / 0 / 38

HEX #98209D

RGB 152 32 157

HSL 297.6, 0.66%, 0.37%

LAB 38.1, 61.98, -40.83

 

CMYK 0 / 80 / 18 / 38

HEX #9D2080

RGB 157 32 128

HSL 313.92, 0.66%, 0.37%

LAB 37.41, 58.6, -24.09

 

CMYK 0 / 80 / 40 / 38

HEX #9D205E

RGB 157 32 94

HSL 330.24, 0.66%, 0.37%

LAB 36, 54.45, -4.78

 

CMYK 2 / 80 / 0 / 65

HEX #561258

RGB 86 18 88

HSL 298.29, 0.66%, 0.21%

LAB 20.5, 39.69, -25.86

 

CMYK 2 / 80 / 0 / 52

HEX #78197A

RGB 120 25 122

HSL 298.76, 0.66%, 0.29%

LAB 29.65, 51.3, -33.01

 

CMYK 2 / 80 / 0 / 38

HEX #9A209D

RGB 154 32 157

HSL 298.56, 0.66%, 0.37%

LAB 38.44, 62.38, -40.27

 

CMYK 2 / 80 / 0 / 25

HEX #BB27BF

RGB 187 39 191

HSL 298.42, 0.66%, 0.45%

LAB 46.68, 72.6, -46.97

 

CMYK 1 / 73 / 0 / 16

HEX #D339D6

RGB 211 57 214

HSL 298.85, 0.66%, 0.53%

LAB 53.63, 76, -48.91

 

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

CMYK 0 / 66 / 80 / 38

HEX #9D3520

RGB 157 53 32

HSL 10.08, 0.66%, 0.37%

LAB 37.51, 42.14, 35.82

 

CMYK 80 / 0 / 34 / 38

HEX #209D67

RGB 32 157 103

HSL 154.08, 0.66%, 0.37%

LAB 57.46, -45.85, 19.1

 

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

CMYK 0 / 3 / 80 / 38

HEX #9D9820

RGB 157 152 32

HSL 57.6, 0.66%, 0.37%

LAB 61.42, -11.67, 58.38

 

CMYK 80 / 0 / 3 / 38

HEX #209D98

RGB 32 157 152

HSL 177.6, 0.66%, 0.37%

LAB 58.68, -33.09, -6.78

 

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

CMYK 0 / 66 / 80 / 38

HEX #9D3520

RGB 157 53 32

HSL 10.08, 0.66%, 0.37%

LAB 37.51, 42.14, 35.82

 

CMYK 77 / 0 / 80 / 38

HEX #249D20

RGB 36 157 32

HSL 118.08, 0.66%, 0.37%

LAB 56.68, -55.35, 51.71

 

CMYK 80 / 13 / 0 / 38

HEX #20889D

RGB 32 136 157

HSL 190.08, 0.66%, 0.37%

LAB 52.23, -21.01, -19.38

 

CMYK 2 / 79 / 0 / 39

HEX #98209B

RGB 152 32 155

HSL 298.54, 0.66%, 0.37%

LAB 37.98, 61.64, -39.82

 

CMYK 0 / 43 / 80 / 38

HEX #9D5A20

RGB 157 90 32

HSL 27.84, 0.66%, 0.37%

LAB 45.06, 22.99, 43.28

 

CMYK 77 / 0 / 80 / 38

HEX #249D20

RGB 36 157 32

HSL 118.08, 0.66%, 0.37%

LAB 56.68, -55.35, 51.71

 

CMYK 80 / 37 / 0 / 38

HEX #20639D

RGB 32 99 157

HSL 207.84, 0.66%, 0.37%

LAB 40.68, 0.41, -37.38

 

Description

Color code: HEX #98209B | qconv.com Color code: HEX #98209B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 32 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 32 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 79 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 79% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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