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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98208C it is the complementary color #67DF73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98208C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98208C shade: #9D2087, #AE329A, #BF44AD, #D056C0 and #E168D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98208C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98208C shade: #98208C, #870E79, #760066, #650053 and #540040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98208C shade: #97208C, #97206B, #97204B, #97202B and #972020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98208C shade: #97208C, #832097, #632097, #432097 and #232097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98208C shade matches the following richer shades: #97208C, #A61197 and #B502A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98208C shade: #97208C, #892F80, #7A3E74, #6B4D68 and #5C5C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98208C shade: #642097, #842097, #97208C, #97206C and #97204C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98208C shade: #53124D, #75196C, #97208C, #BA27AB and #D436C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98208C shade: #98208C, #974420 and #209774

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98208C shade: #98208C, #8C9720 and #208C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98208C shade: #98208C, #974420, #20972C and #207497

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98208C shade: #98208C, #976820, #20972C and #205097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

Complementary color

CMYK 54 / 0 / 48 / 13

HEX #67DF73

RGB 103 223 115

HSL 126, 0.65%, 0.64%

LAB 80.12, -55.68, 42.68

 

CMYK 0 / 80 / 14 / 38

HEX #9D2087

RGB 157 32 135

HSL 310.56, 0.66%, 0.37%

LAB 37.75, 59.6, -27.89

 

CMYK 0 / 71 / 11 / 32

HEX #AE329A

RGB 174 50 154

HSL 309.68, 0.55%, 0.44%

LAB 43.67, 60.69, -29.97

 

CMYK 0 / 64 / 9 / 25

HEX #BF44AD

RGB 191 68 173

HSL 308.78, 0.49%, 0.51%

LAB 49.77, 61.03, -31.51

 

CMYK 0 / 59 / 8 / 18

HEX #D056C0

RGB 208 86 192

HSL 307.87, 0.56%, 0.58%

LAB 55.96, 60.92, -32.69

 

CMYK 0 / 54 / 6 / 12

HEX #E168D3

RGB 225 104 211

HSL 306.94, 0.67%, 0.65%

LAB 62.18, 60.53, -33.63

 

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

CMYK 0 / 90 / 10 / 47

HEX #870E79

RGB 135 14 121

HSL 306.94, 0.81%, 0.29%

LAB 31.45, 56.98, -29.34

 

CMYK 0 / 100 / 14 / 54

HEX #760066

RGB 118 0 102

HSL 308.14, 1%, 0.23%

LAB 26.19, 53.16, -25.69

 

CMYK 0 / 100 / 18 / 60

HEX #650053

RGB 101 0 83

HSL 310.69, 1%, 0.2%

LAB 21.55, 47.02, -20.65

 

CMYK 0 / 100 / 24 / 67

HEX #540040

RGB 84 0 64

HSL 314.29, 1%, 0.16%

LAB 16.77, 40.71, -15.33

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 0 / 79 / 29 / 41

HEX #97206B

RGB 151 32 107

HSL 322.18, 0.65%, 0.36%

LAB 35.35, 54.36, -14.17

 

CMYK 0 / 79 / 50 / 41

HEX #97204B

RGB 151 32 75

HSL 338.32, 0.65%, 0.36%

LAB 34.23, 50.95, 4.78

 

CMYK 0 / 79 / 72 / 41

HEX #97202B

RGB 151 32 43

HSL 354.45, 0.65%, 0.36%

LAB 33.53, 48.74, 24.56

 

CMYK 0 / 79 / 79 / 41

HEX #972020

RGB 151 32 32

HSL 0, 0.65%, 0.36%

LAB 33.39, 48.26, 31.15

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 13 / 79 / 0 / 41

HEX #832097

RGB 131 32 151

HSL 289.92, 0.65%, 0.36%

LAB 34.18, 56.68, -43.67

 

CMYK 34 / 79 / 0 / 41

HEX #632097

RGB 99 32 151

HSL 273.78, 0.65%, 0.36%

LAB 29.21, 50.61, -51.94

 

CMYK 56 / 79 / 0 / 41

HEX #432097

RGB 67 32 151

HSL 257.65, 0.65%, 0.36%

LAB 25.14, 45.54, -58.77

 

CMYK 77 / 79 / 0 / 41

HEX #232097

RGB 35 32 151

HSL 241.51, 0.65%, 0.36%

LAB 22.39, 42.05, -63.4

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 0 / 90 / 9 / 35

HEX #A61197

RGB 166 17 151

HSL 306.04, 0.81%, 0.36%

LAB 39.14, 67.02, -35.38

 

CMYK 0 / 99 / 10 / 29

HEX #B502A3

RGB 181 2 163

HSL 306.03, 0.98%, 0.36%

LAB 42.02, 73.2, -37.9

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 0 / 66 / 7 / 46

HEX #892F80

RGB 137 47 128

HSL 306, 0.49%, 0.36%

LAB 35.81, 48.25, -26.84

 

CMYK 0 / 49 / 5 / 52

HEX #7A3E74

RGB 122 62 116

HSL 306, 0.33%, 0.36%

LAB 35.68, 34.19, -19.74

 

CMYK 0 / 28 / 3 / 58

HEX #6B4D68

RGB 107 77 104

HSL 306, 0.16%, 0.36%

LAB 36.81, 17.64, -10.68

 

CMYK 0 / 0 / 0 / 64

HEX #5C5C5C

RGB 92 92 92

HSL 0, 0%, 0.36%

LAB 39.07, 0, -0

 

CMYK 34 / 79 / 0 / 41

HEX #642097

RGB 100 32 151

HSL 274.29, 0.65%, 0.36%

LAB 29.35, 50.79, -51.7

 

CMYK 13 / 79 / 0 / 41

HEX #842097

RGB 132 32 151

HSL 290.42, 0.65%, 0.36%

LAB 34.34, 56.88, -43.39

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 0 / 79 / 28 / 41

HEX #97206C

RGB 151 32 108

HSL 321.68, 0.65%, 0.36%

LAB 35.39, 54.49, -14.74

 

CMYK 0 / 79 / 50 / 41

HEX #97204C

RGB 151 32 76

HSL 337.82, 0.65%, 0.36%

LAB 34.26, 51.04, 4.17

 

CMYK 0 / 78 / 7 / 67

HEX #53124D

RGB 83 18 77

HSL 305.54, 0.64%, 0.2%

LAB 19.26, 36.91, -20.44

 

CMYK 0 / 79 / 8 / 54

HEX #75196C

RGB 117 25 108

HSL 305.87, 0.65%, 0.28%

LAB 28.27, 48.24, -26.3

 

CMYK 0 / 79 / 7 / 41

HEX #97208C

RGB 151 32 140

HSL 305.55, 0.65%, 0.36%

LAB 36.94, 59.01, -32.32

 

CMYK 0 / 79 / 8 / 27

HEX #BA27AB

RGB 186 39 171

HSL 306.12, 0.65%, 0.44%

LAB 45.4, 69.32, -37.25

 

CMYK 0 / 75 / 8 / 17

HEX #D436C4

RGB 212 54 196

HSL 306.08, 0.65%, 0.52%

LAB 52.53, 74.34, -40.33

 

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

CMYK 0 / 55 / 79 / 41

HEX #974420

RGB 151 68 32

HSL 18.15, 0.65%, 0.36%

LAB 39.27, 32.5, 37.27

 

CMYK 79 / 0 / 23 / 41

HEX #209774

RGB 32 151 116

HSL 162.35, 0.65%, 0.36%

LAB 55.79, -40.34, 9.48

 

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

CMYK 7 / 0 / 79 / 41

HEX #8C9720

RGB 140 151 32

HSL 65.55, 0.65%, 0.36%

LAB 59.72, -18.72, 56.32

 

CMYK 79 / 7 / 0 / 41

HEX #208C97

RGB 32 140 151

HSL 185.55, 0.65%, 0.36%

LAB 53.27, -25.07, -14.32

 

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

CMYK 0 / 55 / 79 / 41

HEX #974420

RGB 151 68 32

HSL 18.15, 0.65%, 0.36%

LAB 39.27, 32.5, 37.27

 

CMYK 79 / 0 / 71 / 41

HEX #20972C

RGB 32 151 44

HSL 126.05, 0.65%, 0.36%

LAB 54.68, -53.01, 45.29

 

CMYK 79 / 23 / 0 / 41

HEX #207497

RGB 32 116 151

HSL 197.65, 0.65%, 0.36%

LAB 45.68, -12.08, -25.97

 

CMYK 0 / 79 / 8 / 40

HEX #98208C

RGB 152 32 140

HSL 306, 0.65%, 0.36%

LAB 37.12, 59.23, -32.03

 

CMYK 0 / 31 / 79 / 41

HEX #976820

RGB 151 104 32

HSL 36.3, 0.65%, 0.36%

LAB 47.73, 12.28, 45.57

 

CMYK 79 / 0 / 71 / 41

HEX #20972C

RGB 32 151 44

HSL 126.05, 0.65%, 0.36%

LAB 54.68, -53.01, 45.29

 

CMYK 79 / 47 / 0 / 41

HEX #205097

RGB 32 80 151

HSL 215.8, 0.65%, 0.36%

LAB 34.56, 10.4, -43.55

 

Description

Color code: HEX #98208C | qconv.com Color code: HEX #98208C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 32 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 32 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 8 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 8% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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