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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981597 it is the complementary color #67EA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981597 shade: #9D1592, #AE27A5, #BF39B8, #D04BCB and #E15DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981597 shade: #981597, #870384, #760071, #65005E and #54004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981597 shade: #991598, #991574, #991551, #99152D and #991515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981597 shade: #991598, #761599, #531599, #2F1599 and #151599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981597 shade matches the following richer shades: #991598 and #A707A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981597 shade: #991598, #8B238A, #7D317C, #6F3F6E and #604D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981597 shade: #521599, #751599, #991599, #991575 and #991552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981597 shade: #500B4F, #741074, #991598, #BD1ABC and #E11FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981597 shade: #981597, #992F15 and #159964

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981597 shade: #981597, #999915 and #159999

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981597 shade: #981597, #992F15, #159915 and #157E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981597 shade: #981597, #995715, #159915 and #155799

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

Complementary color

CMYK 56 / 0 / 56 / 8

HEX #67EA68

RGB 103 234 104

HSL 120.46, 0.76%, 0.66%

LAB 83.3, -61.25, 51.7

 

CMYK 0 / 87 / 7 / 38

HEX #9D1592

RGB 157 21 146

HSL 304.85, 0.76%, 0.35%

LAB 37.44, 63.83, -35.13

 

CMYK 0 / 78 / 5 / 32

HEX #AE27A5

RGB 174 39 165

HSL 304, 0.63%, 0.42%

LAB 43.01, 65.88, -37.6

 

CMYK 0 / 70 / 4 / 25

HEX #BF39B8

RGB 191 57 184

HSL 303.13, 0.54%, 0.49%

LAB 48.84, 66.91, -39.42

 

CMYK 0 / 64 / 2 / 18

HEX #D04BCB

RGB 208 75 203

HSL 302.26, 0.59%, 0.55%

LAB 54.82, 67.27, -40.79

 

CMYK 0 / 59 / 1 / 12

HEX #E15DDE

RGB 225 93 222

HSL 301.36, 0.69%, 0.62%

LAB 60.88, 67.21, -41.84

 

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

CMYK 0 / 98 / 2 / 47

HEX #870384

RGB 135 3 132

HSL 301.36, 0.96%, 0.27%

LAB 31.54, 60.34, -36.12

 

CMYK 0 / 100 / 4 / 54

HEX #760071

RGB 118 0 113

HSL 302.54, 1%, 0.23%

LAB 26.86, 54.81, -31.74

 

CMYK 0 / 100 / 7 / 60

HEX #65005E

RGB 101 0 94

HSL 304.16, 1%, 0.2%

LAB 22.21, 48.67, -26.95

 

CMYK 0 / 100 / 11 / 67

HEX #54004B

RGB 84 0 75

HSL 306.43, 1%, 0.16%

LAB 17.43, 42.34, -21.95

 

CMYK 0 / 86 / 1 / 40

HEX #991598

RGB 153 21 152

HSL 300.45, 0.76%, 0.34%

LAB 37.07, 63.98, -39.43

 

CMYK 0 / 86 / 24 / 40

HEX #991574

RGB 153 21 116

HSL 316.82, 0.76%, 0.34%

LAB 35.14, 58.81, -20.16

 

CMYK 0 / 86 / 47 / 40

HEX #991551

RGB 153 21 81

HSL 332.73, 0.76%, 0.34%

LAB 33.78, 54.97, 0.27

 

CMYK 0 / 86 / 71 / 40

HEX #99152D

RGB 153 21 45

HSL 349.09, 0.76%, 0.34%

LAB 32.91, 52.45, 22.63

 

CMYK 0 / 86 / 86 / 40

HEX #991515

RGB 153 21 21

HSL 0, 0.76%, 0.34%

LAB 32.62, 51.57, 36.78

 

CMYK 0 / 86 / 1 / 40

HEX #991598

RGB 153 21 152

HSL 300.45, 0.76%, 0.34%

LAB 37.07, 63.98, -39.43

 

CMYK 23 / 86 / 0 / 40

HEX #761599

RGB 118 21 153

HSL 284.09, 0.76%, 0.34%

LAB 31.09, 57.85, -49.99

 

CMYK 46 / 86 / 0 / 40

HEX #531599

RGB 83 21 153

HSL 268.18, 0.76%, 0.34%

LAB 25.79, 52.61, -58.86

 

CMYK 69 / 86 / 0 / 40

HEX #2F1599

RGB 47 21 153

HSL 251.82, 0.76%, 0.34%

LAB 21.73, 48.84, -65.7

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

CMYK 0 / 86 / 1 / 40

HEX #991598

RGB 153 21 152

HSL 300.45, 0.76%, 0.34%

LAB 37.07, 63.98, -39.43

 

CMYK 0 / 96 / 1 / 35

HEX #A707A5

RGB 167 7 165

HSL 300.75, 0.92%, 0.34%

LAB 39.72, 70.51, -42.91

 

CMYK 0 / 86 / 1 / 40

HEX #991598

RGB 153 21 152

HSL 300.45, 0.76%, 0.34%

LAB 37.07, 63.98, -39.43

 

CMYK 0 / 75 / 1 / 45

HEX #8B238A

RGB 139 35 138

HSL 300.58, 0.6%, 0.34%

LAB 35.06, 55.06, -34.21

 

CMYK 0 / 61 / 1 / 51

HEX #7D317C

RGB 125 49 124

HSL 300.79, 0.44%, 0.34%

LAB 34.01, 43.34, -27.32

 

CMYK 0 / 43 / 1 / 56

HEX #6F3F6E

RGB 111 63 110

HSL 301.25, 0.28%, 0.34%

LAB 34.11, 28.76, -18.53

 

CMYK 0 / 20 / 0 / 62

HEX #604D60

RGB 96 77 96

HSL 300, 0.11%, 0.34%

LAB 35.28, 11.73, -8.08

 

CMYK 46 / 86 / 0 / 40

HEX #521599

RGB 82 21 153

HSL 267.73, 0.76%, 0.34%

LAB 25.65, 52.48, -59.09

 

CMYK 24 / 86 / 0 / 40

HEX #751599

RGB 117 21 153

HSL 283.64, 0.76%, 0.34%

LAB 30.92, 57.69, -50.26

 

CMYK 0 / 86 / 0 / 40

HEX #991599

RGB 153 21 153

HSL 300, 0.76%, 0.34%

LAB 37.13, 64.13, -39.94

 

CMYK 0 / 86 / 24 / 40

HEX #991575

RGB 153 21 117

HSL 316.36, 0.76%, 0.34%

LAB 35.19, 58.93, -20.72

 

CMYK 0 / 86 / 46 / 40

HEX #991552

RGB 153 21 82

HSL 332.27, 0.76%, 0.34%

LAB 33.81, 55.07, -0.34

 

CMYK 0 / 86 / 1 / 69

HEX #500B4F

RGB 80 11 79

HSL 300.87, 0.76%, 0.18%

LAB 17.96, 38.93, -23.89

 

CMYK 0 / 86 / 0 / 55

HEX #741074

RGB 116 16 116

HSL 300, 0.76%, 0.26%

LAB 27.69, 51.88, -32.36

 

CMYK 0 / 86 / 1 / 40

HEX #991598

RGB 153 21 152

HSL 300.45, 0.76%, 0.34%

LAB 37.07, 63.98, -39.43

 

CMYK 0 / 86 / 1 / 26

HEX #BD1ABC

RGB 189 26 188

HSL 300.37, 0.76%, 0.42%

LAB 45.89, 75.29, -46.46

 

CMYK 0 / 86 / 1 / 12

HEX #E11FDF

RGB 225 31 223

HSL 300.62, 0.76%, 0.5%

LAB 54.36, 86.02, -52.73

 

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

CMYK 0 / 69 / 86 / 40

HEX #992F15

RGB 153 47 21

HSL 11.82, 0.76%, 0.34%

LAB 35.71, 42.96, 39.5

 

CMYK 86 / 0 / 35 / 40

HEX #159964

RGB 21 153 100

HSL 155.91, 0.76%, 0.34%

LAB 55.95, -46.06, 18.68

 

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

CMYK 0 / 0 / 86 / 40

HEX #999915

RGB 153 153 21

HSL 60, 0.76%, 0.34%

LAB 61.32, -14.34, 61.09

 

CMYK 86 / 0 / 0 / 40

HEX #159999

RGB 21 153 153

HSL 180, 0.76%, 0.34%

LAB 57.31, -31.81, -9.41

 

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

CMYK 0 / 69 / 86 / 40

HEX #992F15

RGB 153 47 21

HSL 11.82, 0.76%, 0.34%

LAB 35.71, 42.96, 39.5

 

CMYK 86 / 0 / 86 / 40

HEX #159915

RGB 21 153 21

HSL 120, 0.76%, 0.34%

LAB 55.07, -56.64, 53.26

 

CMYK 86 / 18 / 0 / 40

HEX #157E99

RGB 21 126 153

HSL 192.27, 0.76%, 0.34%

LAB 48.74, -18.03, -22.43

 

CMYK 0 / 86 / 1 / 40

HEX #981597

RGB 152 21 151

HSL 300.46, 0.76%, 0.34%

LAB 36.83, 63.63, -39.22

 

CMYK 0 / 43 / 86 / 40

HEX #995715

RGB 153 87 21

HSL 30, 0.76%, 0.34%

LAB 43.72, 22.54, 46.39

 

CMYK 86 / 0 / 86 / 40

HEX #159915

RGB 21 153 21

HSL 120, 0.76%, 0.34%

LAB 55.07, -56.64, 53.26

 

CMYK 86 / 43 / 0 / 40

HEX #155799

RGB 21 87 153

HSL 210, 0.76%, 0.34%

LAB 36.51, 5.44, -41.64

 

Description

Color code: HEX #981597 | qconv.com Color code: HEX #981597 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 21 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 21 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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