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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981594 it is the complementary color #67EA6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981594 shade: #9D158F, #AE27A2, #BF39B5, #D04BC8 and #E15DDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981594 shade: #981594, #870381, #76006E, #65005B and #540048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981594 shade: #991595, #991571, #99154D, #99152A and #991515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981594 shade: #991595, #791599, #561599, #321599 and #151599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981594 shade matches the following richer shades: #991595 and #A707A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981594 shade: #991595, #8B2387, #7D317A, #6F3F6D and #604D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981594 shade: #551599, #781599, #991596, #991573 and #991550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981594 shade: #500B4E, #741071, #991595, #BD1AB8 and #E11FDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981594 shade: #981594, #993115 and #159966

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981594 shade: #981594, #969915 and #159699

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981594 shade: #981594, #993115, #159917 and #157C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981594 shade: #981594, #995915, #159917 and #155599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

Complementary color

CMYK 56 / 0 / 54 / 8

HEX #67EA6B

RGB 103 234 107

HSL 121.83, 0.76%, 0.66%

LAB 83.33, -60.88, 50.37

 

CMYK 0 / 87 / 9 / 38

HEX #9D158F

RGB 157 21 143

HSL 306.18, 0.76%, 0.35%

LAB 37.28, 63.39, -33.56

 

CMYK 0 / 78 / 7 / 32

HEX #AE27A2

RGB 174 39 162

HSL 305.33, 0.63%, 0.42%

LAB 42.85, 65.42, -36.06

 

CMYK 0 / 70 / 5 / 25

HEX #BF39B5

RGB 191 57 181

HSL 304.48, 0.54%, 0.49%

LAB 48.68, 66.43, -37.91

 

CMYK 0 / 64 / 4 / 18

HEX #D04BC8

RGB 208 75 200

HSL 303.61, 0.59%, 0.55%

LAB 54.67, 66.78, -39.3

 

CMYK 0 / 59 / 3 / 12

HEX #E15DDB

RGB 225 93 219

HSL 302.73, 0.69%, 0.62%

LAB 60.74, 66.72, -40.38

 

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

CMYK 0 / 98 / 4 / 47

HEX #870381

RGB 135 3 129

HSL 302.73, 0.96%, 0.27%

LAB 31.35, 59.88, -34.54

 

CMYK 0 / 100 / 7 / 54

HEX #76006E

RGB 118 0 110

HSL 304.07, 1%, 0.23%

LAB 26.67, 54.35, -30.11

 

CMYK 0 / 100 / 10 / 60

HEX #65005B

RGB 101 0 91

HSL 305.94, 1%, 0.2%

LAB 22.02, 48.2, -25.26

 

CMYK 0 / 100 / 14 / 67

HEX #540048

RGB 84 0 72

HSL 308.57, 1%, 0.16%

LAB 17.24, 41.88, -20.17

 

CMYK 0 / 86 / 3 / 40

HEX #991595

RGB 153 21 149

HSL 301.82, 0.76%, 0.34%

LAB 36.89, 63.5, -37.89

 

CMYK 0 / 86 / 26 / 40

HEX #991571

RGB 153 21 113

HSL 318.18, 0.76%, 0.34%

LAB 35.01, 58.43, -18.47

 

CMYK 0 / 86 / 50 / 40

HEX #99154D

RGB 153 21 77

HSL 334.55, 0.76%, 0.34%

LAB 33.66, 54.62, 2.7

 

CMYK 0 / 86 / 73 / 40

HEX #99152A

RGB 153 21 42

HSL 350.45, 0.76%, 0.34%

LAB 32.87, 52.31, 24.49

 

CMYK 0 / 86 / 86 / 40

HEX #991515

RGB 153 21 21

HSL 0, 0.76%, 0.34%

LAB 32.62, 51.57, 36.78

 

CMYK 0 / 86 / 3 / 40

HEX #991595

RGB 153 21 149

HSL 301.82, 0.76%, 0.34%

LAB 36.89, 63.5, -37.89

 

CMYK 21 / 86 / 0 / 40

HEX #791599

RGB 121 21 153

HSL 285.45, 0.76%, 0.34%

LAB 31.58, 58.36, -49.16

 

CMYK 44 / 86 / 0 / 40

HEX #561599

RGB 86 21 153

HSL 269.55, 0.76%, 0.34%

LAB 26.2, 53, -58.17

 

CMYK 67 / 86 / 0 / 40

HEX #321599

RGB 50 21 153

HSL 253.18, 0.76%, 0.34%

LAB 22, 49.08, -65.25

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

CMYK 0 / 86 / 3 / 40

HEX #991595

RGB 153 21 149

HSL 301.82, 0.76%, 0.34%

LAB 36.89, 63.5, -37.89

 

CMYK 0 / 96 / 3 / 35

HEX #A707A2

RGB 167 7 162

HSL 301.88, 0.92%, 0.34%

LAB 39.54, 70.06, -41.39

 

CMYK 0 / 86 / 3 / 40

HEX #991595

RGB 153 21 149

HSL 301.82, 0.76%, 0.34%

LAB 36.89, 63.5, -37.89

 

CMYK 0 / 75 / 3 / 45

HEX #8B2387

RGB 139 35 135

HSL 302.31, 0.6%, 0.34%

LAB 34.88, 54.56, -32.62

 

CMYK 0 / 61 / 2 / 51

HEX #7D317A

RGB 125 49 122

HSL 302.37, 0.44%, 0.34%

LAB 33.9, 42.97, -26.23

 

CMYK 0 / 43 / 2 / 56

HEX #6F3F6D

RGB 111 63 109

HSL 302.5, 0.28%, 0.34%

LAB 34.06, 28.56, -17.97

 

CMYK 0 / 20 / 0 / 62

HEX #604D60

RGB 96 77 96

HSL 300, 0.11%, 0.34%

LAB 35.28, 11.73, -8.08

 

CMYK 44 / 86 / 0 / 40

HEX #551599

RGB 85 21 153

HSL 269.09, 0.76%, 0.34%

LAB 26.06, 52.87, -58.4

 

CMYK 22 / 86 / 0 / 40

HEX #781599

RGB 120 21 153

HSL 285, 0.76%, 0.34%

LAB 31.42, 58.19, -49.44

 

CMYK 0 / 86 / 2 / 40

HEX #991596

RGB 153 21 150

HSL 301.36, 0.76%, 0.34%

LAB 36.95, 63.66, -38.4

 

CMYK 0 / 86 / 25 / 40

HEX #991573

RGB 153 21 115

HSL 317.27, 0.76%, 0.34%

LAB 35.1, 58.68, -19.6

 

CMYK 0 / 86 / 48 / 40

HEX #991550

RGB 153 21 80

HSL 333.18, 0.76%, 0.34%

LAB 33.75, 54.88, 0.87

 

CMYK 0 / 86 / 2 / 69

HEX #500B4E

RGB 80 11 78

HSL 301.74, 0.76%, 0.18%

LAB 17.9, 38.75, -23.31

 

CMYK 0 / 86 / 3 / 55

HEX #741071

RGB 116 16 113

HSL 301.8, 0.76%, 0.26%

LAB 27.51, 51.38, -30.74

 

CMYK 0 / 86 / 3 / 40

HEX #991595

RGB 153 21 149

HSL 301.82, 0.76%, 0.34%

LAB 36.89, 63.5, -37.89

 

CMYK 0 / 86 / 3 / 26

HEX #BD1AB8

RGB 189 26 184

HSL 301.84, 0.76%, 0.42%

LAB 45.66, 74.69, -44.48

 

CMYK 0 / 86 / 3 / 12

HEX #E11FDB

RGB 225 31 219

HSL 301.86, 0.76%, 0.5%

LAB 54.14, 85.44, -50.82

 

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

CMYK 0 / 68 / 86 / 40

HEX #993115

RGB 153 49 21

HSL 12.73, 0.76%, 0.34%

LAB 36.03, 42.11, 39.78

 

CMYK 86 / 0 / 33 / 40

HEX #159966

RGB 21 153 102

HSL 156.82, 0.76%, 0.34%

LAB 55.99, -45.62, 17.62

 

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

CMYK 2 / 0 / 86 / 40

HEX #969915

RGB 150 153 21

HSL 61.36, 0.76%, 0.34%

LAB 61.06, -15.68, 60.78

 

CMYK 86 / 2 / 0 / 40

HEX #159699

RGB 21 150 153

HSL 181.36, 0.76%, 0.34%

LAB 56.36, -30.37, -10.83

 

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

CMYK 0 / 68 / 86 / 40

HEX #993115

RGB 153 49 21

HSL 12.73, 0.76%, 0.34%

LAB 36.03, 42.11, 39.78

 

CMYK 86 / 0 / 85 / 40

HEX #159917

RGB 21 153 23

HSL 120.91, 0.76%, 0.34%

LAB 55.08, -56.54, 52.76

 

CMYK 86 / 19 / 0 / 40

HEX #157C99

RGB 21 124 153

HSL 193.18, 0.76%, 0.34%

LAB 48.1, -16.94, -23.41

 

CMYK 0 / 86 / 3 / 40

HEX #981594

RGB 152 21 148

HSL 301.83, 0.76%, 0.34%

LAB 36.65, 63.15, -37.67

 

CMYK 0 / 42 / 86 / 40

HEX #995915

RGB 153 89 21

HSL 30.91, 0.76%, 0.34%

LAB 44.19, 21.41, 46.8

 

CMYK 86 / 0 / 85 / 40

HEX #159917

RGB 21 153 23

HSL 120.91, 0.76%, 0.34%

LAB 55.08, -56.54, 52.76

 

CMYK 86 / 44 / 0 / 40

HEX #155599

RGB 21 85 153

HSL 210.91, 0.76%, 0.34%

LAB 35.9, 6.76, -42.62

 

Description

Color code: HEX #981594 | qconv.com Color code: HEX #981594 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 21 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 21 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 3 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 3% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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