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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981572 it is the complementary color #67EA8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981572. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981572 shade: #9D156D, #AE2780, #BF3993, #D04BA6 and #E15DB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981572. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981572 shade: #981572, #87035F, #76004C, #650039 and #540026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981572 shade: #991572, #99154F, #99152B and #991515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981572 shade: #991572, #991596, #781599, #541599 and #311599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981572 shade matches the following richer shades: #991572 and #A70778

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981572 shade: #991572, #8B236C, #7D3167, #6F3F61 and #604D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981572 shade: #781599, #991596, #991573, #991550 and #99152D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981572 shade: #500B3C, #741057, #991572, #BD1A8E and #E11FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981572 shade: #981572, #995515 and #159989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981572 shade: #981572, #739915 and #157399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981572 shade: #981572, #995515, #15993A and #155999

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981572 shade: #981572, #997C15, #15993A and #153199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

Complementary color

CMYK 56 / 0 / 40 / 8

HEX #67EA8D

RGB 103 234 141

HSL 137.4, 0.76%, 0.66%

LAB 83.78, -55.96, 34.54

 

CMYK 0 / 87 / 31 / 38

HEX #9D156D

RGB 157 21 109

HSL 321.18, 0.76%, 0.35%

LAB 35.61, 58.87, -14.93

 

CMYK 0 / 78 / 26 / 32

HEX #AE2780

RGB 174 39 128

HSL 320.44, 0.63%, 0.42%

LAB 41.23, 60.68, -17.93

 

CMYK 0 / 70 / 23 / 25

HEX #BF3993

RGB 191 57 147

HSL 319.7, 0.54%, 0.49%

LAB 47.12, 61.49, -20.19

 

CMYK 0 / 64 / 20 / 18

HEX #D04BA6

RGB 208 75 166

HSL 318.95, 0.59%, 0.55%

LAB 53.16, 61.67, -21.94

 

CMYK 0 / 59 / 18 / 12

HEX #E15DB9

RGB 225 93 185

HSL 318.18, 0.69%, 0.62%

LAB 59.29, 61.46, -23.33

 

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

CMYK 0 / 98 / 30 / 47

HEX #87035F

RGB 135 3 95

HSL 318.18, 0.96%, 0.27%

LAB 29.52, 55.26, -15.66

 

CMYK 0 / 100 / 36 / 54

HEX #76004C

RGB 118 0 76

HSL 321.36, 1%, 0.23%

LAB 24.87, 49.83, -10.48

 

CMYK 0 / 100 / 44 / 60

HEX #650039

RGB 101 0 57

HSL 326.14, 1%, 0.2%

LAB 20.29, 43.82, -4.68

 

CMYK 0 / 100 / 55 / 67

HEX #540026

RGB 84 0 38

HSL 332.86, 1%, 0.16%

LAB 15.62, 37.73, 1.62

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 86 / 48 / 40

HEX #99154F

RGB 153 21 79

HSL 333.64, 0.76%, 0.34%

LAB 33.72, 54.8, 1.48

 

CMYK 0 / 86 / 72 / 40

HEX #99152B

RGB 153 21 43

HSL 350, 0.76%, 0.34%

LAB 32.88, 52.36, 23.87

 

CMYK 0 / 86 / 86 / 40

HEX #991515

RGB 153 21 21

HSL 0, 0.76%, 0.34%

LAB 32.62, 51.57, 36.78

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 86 / 2 / 40

HEX #991596

RGB 153 21 150

HSL 301.36, 0.76%, 0.34%

LAB 36.95, 63.66, -38.4

 

CMYK 22 / 86 / 0 / 40

HEX #781599

RGB 120 21 153

HSL 285, 0.76%, 0.34%

LAB 31.42, 58.19, -49.44

 

CMYK 45 / 86 / 0 / 40

HEX #541599

RGB 84 21 153

HSL 268.64, 0.76%, 0.34%

LAB 25.92, 52.74, -58.63

 

CMYK 68 / 86 / 0 / 40

HEX #311599

RGB 49 21 153

HSL 252.73, 0.76%, 0.34%

LAB 21.91, 49, -65.4

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 96 / 28 / 35

HEX #A70778

RGB 167 7 120

HSL 317.63, 0.92%, 0.34%

LAB 37.34, 64.48, -19.05

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 0 / 61 / 18 / 51

HEX #7D3167

RGB 125 49 103

HSL 317.37, 0.44%, 0.34%

LAB 33, 39.67, -15.63

 

CMYK 0 / 43 / 13 / 56

HEX #6F3F61

RGB 111 63 97

HSL 317.5, 0.28%, 0.34%

LAB 33.56, 26.23, -11.14

 

CMYK 0 / 20 / 5 / 62

HEX #604D5B

RGB 96 77 91

HSL 315.79, 0.11%, 0.34%

LAB 35.1, 10.67, -5.19

 

CMYK 22 / 86 / 0 / 40

HEX #781599

RGB 120 21 153

HSL 285, 0.76%, 0.34%

LAB 31.42, 58.19, -49.44

 

CMYK 0 / 86 / 2 / 40

HEX #991596

RGB 153 21 150

HSL 301.36, 0.76%, 0.34%

LAB 36.95, 63.66, -38.4

 

CMYK 0 / 86 / 25 / 40

HEX #991573

RGB 153 21 115

HSL 317.27, 0.76%, 0.34%

LAB 35.1, 58.68, -19.6

 

CMYK 0 / 86 / 48 / 40

HEX #991550

RGB 153 21 80

HSL 333.18, 0.76%, 0.34%

LAB 33.75, 54.88, 0.87

 

CMYK 0 / 86 / 71 / 40

HEX #99152D

RGB 153 21 45

HSL 349.09, 0.76%, 0.34%

LAB 32.91, 52.45, 22.63

 

CMYK 0 / 86 / 25 / 69

HEX #500B3C

RGB 80 11 60

HSL 317.39, 0.76%, 0.18%

LAB 16.85, 35.78, -12.46

 

CMYK 0 / 86 / 25 / 55

HEX #741057

RGB 116 16 87

HSL 317.4, 0.76%, 0.26%

LAB 26.07, 47.45, -16.03

 

CMYK 0 / 86 / 25 / 40

HEX #991572

RGB 153 21 114

HSL 317.73, 0.76%, 0.34%

LAB 35.05, 58.55, -19.04

 

CMYK 0 / 86 / 25 / 26

HEX #BD1A8E

RGB 189 26 142

HSL 317.3, 0.76%, 0.42%

LAB 43.52, 69, -22.74

 

CMYK 0 / 86 / 25 / 12

HEX #E11FA9

RGB 225 31 169

HSL 317.32, 0.76%, 0.5%

LAB 51.67, 78.92, -25.76

 

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

CMYK 0 / 44 / 86 / 40

HEX #995515

RGB 153 85 21

HSL 29.09, 0.76%, 0.34%

LAB 43.25, 23.67, 45.99

 

CMYK 86 / 0 / 10 / 40

HEX #159989

RGB 21 153 137

HSL 172.73, 0.76%, 0.34%

LAB 56.83, -36.61, -0.99

 

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

CMYK 25 / 0 / 86 / 40

HEX #739915

RGB 115 153 21

HSL 77.27, 0.76%, 0.34%

LAB 58.49, -30.81, 57.58

 

CMYK 86 / 25 / 0 / 40

HEX #157399

RGB 21 115 153

HSL 197.27, 0.76%, 0.34%

LAB 45.25, -11.86, -27.83

 

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

CMYK 0 / 44 / 86 / 40

HEX #995515

RGB 153 85 21

HSL 29.09, 0.76%, 0.34%

LAB 43.25, 23.67, 45.99

 

CMYK 86 / 0 / 62 / 40

HEX #15993A

RGB 21 153 58

HSL 136.82, 0.76%, 0.34%

LAB 55.33, -53.41, 39.8

 

CMYK 86 / 42 / 0 / 40

HEX #155999

RGB 21 89 153

HSL 209.09, 0.76%, 0.34%

LAB 37.12, 4.13, -40.66

 

CMYK 0 / 86 / 25 / 40

HEX #981572

RGB 152 21 114

HSL 317.4, 0.76%, 0.34%

LAB 34.86, 58.33, -19.35

 

CMYK 0 / 19 / 86 / 40

HEX #997C15

RGB 153 124 21

HSL 46.82, 0.76%, 0.34%

LAB 53.21, 1.42, 54.38

 

CMYK 86 / 0 / 62 / 40

HEX #15993A

RGB 21 153 58

HSL 136.82, 0.76%, 0.34%

LAB 55.33, -53.41, 39.8

 

CMYK 86 / 68 / 0 / 40

HEX #153199

RGB 21 49 153

HSL 227.27, 0.76%, 0.34%

LAB 25.73, 31.27, -59.14

 

Description

Color code: HEX #981572 | qconv.com Color code: HEX #981572 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 21 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 21 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 25 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 25% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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