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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #981555 it is the complementary color #67EAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #981555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #981555 shade: #9D1550, #AE2763, #BF3976, #D04B89 and #E15D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #981555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #981555 shade: #981555, #870342, #76002F, #65001C and #540009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #981555 shade: #991555, #991532 and #991515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #981555 shade: #991555, #991579, #951599, #711599 and #4E1599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #981555 shade matches the following richer shades: #991555 and #A70755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #981555 shade: #991555, #8B2356, #7D3156, #6F3F56 and #604D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #981555 shade: #941599, #99157A, #991557, #991534 and #991915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #981555 shade: #500B2D, #741041, #991555, #BD1A69 and #E11F7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #981555 shade: #981555, #997115 and #158B99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #981555 shade: #981555, #579915 and #155799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #981555 shade: #981555, #997115, #159957 and #153C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #981555 shade: #981555, #999915, #159957 and #151599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

Complementary color

CMYK 56 / 0 / 27 / 8

HEX #67EAAA

RGB 103 234 170

HSL 150.69, 0.76%, 0.66%

LAB 84.29, -50.64, 20.41

 

CMYK 0 / 87 / 49 / 38

HEX #9D1550

RGB 157 21 80

HSL 333.97, 0.76%, 0.35%

LAB 34.57, 55.92, 2.16

 

CMYK 0 / 78 / 43 / 32

HEX #AE2763

RGB 174 39 99

HSL 333.33, 0.63%, 0.42%

LAB 40.16, 57.44, -1.44

 

CMYK 0 / 70 / 38 / 25

HEX #BF3976

RGB 191 57 118

HSL 332.69, 0.54%, 0.49%

LAB 46.06, 58, -4.2

 

CMYK 0 / 64 / 34 / 18

HEX #D04B89

RGB 208 75 137

HSL 332.03, 0.59%, 0.55%

LAB 52.12, 57.97, -6.37

 

CMYK 0 / 59 / 31 / 12

HEX #E15D9C

RGB 225 93 156

HSL 331.36, 0.69%, 0.62%

LAB 58.26, 57.6, -8.12

 

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

CMYK 0 / 98 / 51 / 47

HEX #870342

RGB 135 3 66

HSL 331.36, 0.96%, 0.27%

LAB 28.4, 52.32, 1.93

 

CMYK 0 / 100 / 60 / 54

HEX #76002F

RGB 118 0 47

HSL 336.1, 1%, 0.23%

LAB 23.86, 47.18, 7.97

 

CMYK 0 / 100 / 72 / 60

HEX #65001C

RGB 101 0 28

HSL 343.37, 1%, 0.2%

LAB 19.44, 41.55, 14.75

 

CMYK 0 / 100 / 89 / 67

HEX #540009

RGB 84 0 9

HSL 353.57, 1%, 0.16%

LAB 14.98, 36.01, 19.66

 

CMYK 0 / 86 / 44 / 40

HEX #991555

RGB 153 21 85

HSL 330.91, 0.76%, 0.34%

LAB 33.91, 55.35, -2.15

 

CMYK 0 / 86 / 67 / 40

HEX #991532

RGB 153 21 50

HSL 346.82, 0.76%, 0.34%

LAB 33, 52.71, 19.5

 

CMYK 0 / 86 / 86 / 40

HEX #991515

RGB 153 21 21

HSL 0, 0.76%, 0.34%

LAB 32.62, 51.57, 36.78

 

CMYK 0 / 86 / 44 / 40

HEX #991555

RGB 153 21 85

HSL 330.91, 0.76%, 0.34%

LAB 33.91, 55.35, -2.15

 

CMYK 0 / 86 / 21 / 40

HEX #991579

RGB 153 21 121

HSL 314.55, 0.76%, 0.34%

LAB 35.38, 59.46, -22.94

 

CMYK 3 / 86 / 0 / 40

HEX #951599

RGB 149 21 153

HSL 298.18, 0.76%, 0.34%

LAB 36.42, 63.38, -41.13

 

CMYK 26 / 86 / 0 / 40

HEX #711599

RGB 113 21 153

HSL 281.82, 0.76%, 0.34%

LAB 30.27, 57.03, -51.35

 

CMYK 49 / 86 / 0 / 40

HEX #4E1599

RGB 78 21 153

HSL 265.91, 0.76%, 0.34%

LAB 25.12, 51.98, -59.98

 

CMYK 0 / 86 / 44 / 40

HEX #991555

RGB 153 21 85

HSL 330.91, 0.76%, 0.34%

LAB 33.91, 55.35, -2.15

 

CMYK 0 / 96 / 49 / 35

HEX #A70755

RGB 167 7 85

HSL 330.75, 0.92%, 0.34%

LAB 36.03, 61.01, 1.29

 

CMYK 0 / 86 / 44 / 40

HEX #991555

RGB 153 21 85

HSL 330.91, 0.76%, 0.34%

LAB 33.91, 55.35, -2.15

 

CMYK 0 / 75 / 38 / 45

HEX #8B2356

RGB 139 35 86

HSL 330.58, 0.6%, 0.34%

LAB 32.62, 47.57, -5.02

 

CMYK 0 / 61 / 31 / 51

HEX #7D3156

RGB 125 49 86

HSL 330.79, 0.44%, 0.34%

LAB 32.32, 37.11, -5.72

 

CMYK 0 / 43 / 23 / 56

HEX #6F3F56

RGB 111 63 86

HSL 331.25, 0.28%, 0.34%

LAB 33.15, 24.29, -4.72

 

CMYK 0 / 20 / 10 / 62

HEX #604D56

RGB 96 77 86

HSL 331.58, 0.11%, 0.34%

LAB 34.94, 9.67, -2.28

 

CMYK 3 / 86 / 0 / 40

HEX #941599

RGB 148 21 153

HSL 297.73, 0.76%, 0.34%

LAB 36.24, 63.19, -41.42

 

CMYK 0 / 86 / 20 / 40

HEX #99157A

RGB 153 21 122

HSL 314.09, 0.76%, 0.34%

LAB 35.43, 59.59, -23.49

 

CMYK 0 / 86 / 43 / 40

HEX #991557

RGB 153 21 87

HSL 330, 0.76%, 0.34%

LAB 33.98, 55.54, -3.35

 

CMYK 0 / 86 / 66 / 40

HEX #991534

RGB 153 21 52

HSL 345.91, 0.76%, 0.34%

LAB 33.04, 52.83, 18.25

 

CMYK 0 / 84 / 86 / 40

HEX #991915

RGB 153 25 21

HSL 1.82, 0.76%, 0.34%

LAB 32.97, 50.58, 37.09

 

CMYK 0 / 86 / 44 / 69

HEX #500B2D

RGB 80 11 45

HSL 330.43, 0.76%, 0.18%

LAB 16.18, 33.79, -2.77

 

CMYK 0 / 86 / 44 / 55

HEX #741041

RGB 116 16 65

HSL 330.6, 0.76%, 0.26%

LAB 25.15, 44.82, -2.63

 

CMYK 0 / 86 / 44 / 40

HEX #991555

RGB 153 21 85

HSL 330.91, 0.76%, 0.34%

LAB 33.91, 55.35, -2.15

 

CMYK 0 / 86 / 44 / 26

HEX #BD1A69

RGB 189 26 105

HSL 330.92, 0.76%, 0.42%

LAB 42.12, 65.1, -2

 

CMYK 0 / 86 / 44 / 12

HEX #E11F7E

RGB 225 31 126

HSL 330.62, 0.76%, 0.5%

LAB 50.09, 74.56, -2.42

 

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

CMYK 0 / 26 / 86 / 40

HEX #997115

RGB 153 113 21

HSL 41.82, 0.76%, 0.34%

LAB 50.26, 7.66, 51.91

 

CMYK 86 / 9 / 0 / 40

HEX #158B99

RGB 21 139 153

HSL 186.36, 0.76%, 0.34%

LAB 52.87, -24.9, -16.11

 

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

CMYK 43 / 0 / 86 / 40

HEX #579915

RGB 87 153 21

HSL 90, 0.76%, 0.34%

LAB 56.94, -41.48, 55.63

 

CMYK 86 / 43 / 0 / 40

HEX #155799

RGB 21 87 153

HSL 210, 0.76%, 0.34%

LAB 36.51, 5.44, -41.64

 

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

CMYK 0 / 26 / 86 / 40

HEX #997115

RGB 153 113 21

HSL 41.82, 0.76%, 0.34%

LAB 50.26, 7.66, 51.91

 

CMYK 86 / 0 / 43 / 40

HEX #159957

RGB 21 153 87

HSL 150, 0.76%, 0.34%

LAB 55.72, -48.75, 25.49

 

CMYK 86 / 61 / 0 / 40

HEX #153C99

RGB 21 60 153

HSL 222.27, 0.76%, 0.34%

LAB 28.62, 23.79, -54.4

 

CMYK 0 / 86 / 44 / 40

HEX #981555

RGB 152 21 85

HSL 330.69, 0.76%, 0.34%

LAB 33.71, 55.09, -2.47

 

CMYK 0 / 0 / 86 / 40

HEX #999915

RGB 153 153 21

HSL 60, 0.76%, 0.34%

LAB 61.32, -14.34, 61.09

 

CMYK 86 / 0 / 43 / 40

HEX #159957

RGB 21 153 87

HSL 150, 0.76%, 0.34%

LAB 55.72, -48.75, 25.49

 

CMYK 86 / 86 / 0 / 40

HEX #151599

RGB 21 21 153

HSL 240, 0.76%, 0.34%

LAB 20.03, 47.35, -68.58

 

Description

Color code: HEX #981555 | qconv.com Color code: HEX #981555 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 21 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 21 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 44 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 44% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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