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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #98128E it is the complementary color #67ED71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #98128E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #98128E shade: #9D1289, #AE249C, #BF36AF, #D048C2 and #E15AD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #98128E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #98128E shade: #98128E, #87007B, #760068, #650055 and #540042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #98128E shade: #97128D, #971269, #971245, #971221 and #971212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #98128E shade: #97128D, #7D1297, #591297, #351297 and #121297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #98128E shade matches the following richer shades: #97128D and #A40498

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #98128E shade: #97128D, #891F81, #7B2D76, #6E3B6A and #60485E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #98128E shade: #591297, #7C1297, #97128E, #97126A and #971247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #98128E shade: #4D0948, #720D6A, #97128D, #BC16AF and #E01AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #98128E shade: #98128E, #973512 and #12976A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #98128E shade: #98128E, #8E9712 and #128E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #98128E shade: #98128E, #973512, #12971B and #127397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #98128E shade: #98128E, #975D12, #12971B and #124B97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

Complementary color

CMYK 57 / 0 / 52 / 7

HEX #67ED71

RGB 103 237 113

HSL 124.48, 0.79%, 0.67%

LAB 84.3, -61.23, 48.77

 

CMYK 0 / 89 / 13 / 38

HEX #9D1289

RGB 157 18 137

HSL 308.63, 0.79%, 0.34%

LAB 36.76, 63.08, -30.69

 

CMYK 0 / 79 / 10 / 32

HEX #AE249C

RGB 174 36 156

HSL 307.83, 0.66%, 0.41%

LAB 42.25, 65.34, -33.41

 

CMYK 0 / 72 / 8 / 25

HEX #BF36AF

RGB 191 54 175

HSL 307.01, 0.56%, 0.48%

LAB 48.02, 66.53, -35.43

 

CMYK 0 / 65 / 7 / 18

HEX #D048C2

RGB 208 72 194

HSL 306.18, 0.59%, 0.55%

LAB 53.96, 67, -36.96

 

CMYK 0 / 60 / 5 / 12

HEX #E15AD5

RGB 225 90 213

HSL 305.33, 0.69%, 0.62%

LAB 60, 67.01, -38.15

 

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

CMYK 0 / 100 / 9 / 47

HEX #87007B

RGB 135 0 123

HSL 305.33, 1%, 0.26%

LAB 30.83, 59.44, -31.59

 

CMYK 0 / 100 / 12 / 54

HEX #760068

RGB 118 0 104

HSL 307.12, 1%, 0.23%

LAB 26.31, 53.45, -26.81

 

CMYK 0 / 100 / 16 / 60

HEX #650055

RGB 101 0 85

HSL 309.5, 1%, 0.2%

LAB 21.66, 47.31, -21.82

 

CMYK 0 / 100 / 21 / 67

HEX #540042

RGB 84 0 66

HSL 312.86, 1%, 0.16%

LAB 16.88, 40.99, -16.55

 

CMYK 0 / 88 / 7 / 41

HEX #97128D

RGB 151 18 141

HSL 304.51, 0.79%, 0.33%

LAB 35.86, 62.46, -34.65

 

CMYK 0 / 88 / 30 / 41

HEX #971269

RGB 151 18 105

HSL 320.75, 0.79%, 0.33%

LAB 34.05, 57.61, -14.88

 

CMYK 0 / 88 / 54 / 41

HEX #971245

RGB 151 18 69

HSL 336.99, 0.79%, 0.33%

LAB 32.79, 54.08, 6.66

 

CMYK 0 / 88 / 78 / 41

HEX #971221

RGB 151 18 33

HSL 353.23, 0.79%, 0.33%

LAB 32.08, 52.03, 29.14

 

CMYK 0 / 88 / 88 / 41

HEX #971212

RGB 151 18 18

HSL 0, 0.79%, 0.33%

LAB 31.93, 51.59, 37.59

 

CMYK 0 / 88 / 7 / 41

HEX #97128D

RGB 151 18 141

HSL 304.51, 0.79%, 0.33%

LAB 35.86, 62.46, -34.65

 

CMYK 17 / 88 / 0 / 41

HEX #7D1297

RGB 125 18 151

HSL 288.27, 0.79%, 0.33%

LAB 31.87, 59.35, -47.44

 

CMYK 41 / 88 / 0 / 41

HEX #591297

RGB 89 18 151

HSL 272.03, 0.79%, 0.33%

LAB 26.13, 53.83, -57.04

 

CMYK 65 / 88 / 0 / 41

HEX #351297

RGB 53 18 151

HSL 255.79, 0.79%, 0.33%

LAB 21.67, 49.89, -64.55

 

CMYK 88 / 88 / 0 / 41

HEX #121297

RGB 18 18 151

HSL 240, 0.79%, 0.33%

LAB 19.21, 47.91, -68.71

 

CMYK 0 / 88 / 7 / 41

HEX #97128D

RGB 151 18 141

HSL 304.51, 0.79%, 0.33%

LAB 35.86, 62.46, -34.65

 

CMYK 0 / 98 / 7 / 36

HEX #A40498

RGB 164 4 152

HSL 304.5, 0.95%, 0.33%

LAB 38.28, 68.4, -37.38

 

CMYK 0 / 88 / 7 / 41

HEX #97128D

RGB 151 18 141

HSL 304.51, 0.79%, 0.33%

LAB 35.86, 62.46, -34.65

 

CMYK 0 / 77 / 6 / 46

HEX #891F81

RGB 137 31 129

HSL 304.53, 0.63%, 0.33%

LAB 33.74, 54.42, -30.73

 

CMYK 0 / 63 / 4 / 52

HEX #7B2D76

RGB 123 45 118

HSL 303.85, 0.46%, 0.33%

LAB 32.69, 43.55, -25.64

 

CMYK 0 / 46 / 4 / 57

HEX #6E3B6A

RGB 110 59 106

HSL 304.71, 0.3%, 0.33%

LAB 32.88, 29.94, -17.9

 

CMYK 0 / 25 / 2 / 62

HEX #60485E

RGB 96 72 94

HSL 305, 0.14%, 0.33%

LAB 33.84, 14.44, -8.99

 

CMYK 41 / 88 / 0 / 41

HEX #591297

RGB 89 18 151

HSL 272.03, 0.79%, 0.33%

LAB 26.13, 53.83, -57.04

 

CMYK 18 / 88 / 0 / 41

HEX #7C1297

RGB 124 18 151

HSL 287.82, 0.79%, 0.33%

LAB 31.7, 59.18, -47.73

 

CMYK 0 / 88 / 6 / 41

HEX #97128E

RGB 151 18 142

HSL 304.06, 0.79%, 0.33%

LAB 35.92, 62.61, -35.17

 

CMYK 0 / 88 / 30 / 41

HEX #97126A

RGB 151 18 106

HSL 320.3, 0.79%, 0.33%

LAB 34.09, 57.73, -15.46

 

CMYK 0 / 88 / 53 / 41

HEX #971247

RGB 151 18 71

HSL 336.09, 0.79%, 0.33%

LAB 32.85, 54.24, 5.42

 

CMYK 0 / 88 / 6 / 70

HEX #4D0948

RGB 77 9 72

HSL 304.41, 0.79%, 0.17%

LAB 16.7, 37.58, -21.11

 

CMYK 0 / 89 / 7 / 55

HEX #720D6A

RGB 114 13 106

HSL 304.75, 0.8%, 0.25%

LAB 26.46, 50.5, -27.9

 

CMYK 0 / 88 / 7 / 41

HEX #97128D

RGB 151 18 141

HSL 304.51, 0.79%, 0.33%

LAB 35.86, 62.46, -34.65

 

CMYK 0 / 88 / 7 / 26

HEX #BC16AF

RGB 188 22 175

HSL 304.7, 0.79%, 0.41%

LAB 44.75, 73.86, -40.64

 

CMYK 0 / 88 / 6 / 12

HEX #E01AD2

RGB 224 26 210

HSL 304.24, 0.79%, 0.49%

LAB 53.21, 84.75, -47.17

 

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

CMYK 0 / 65 / 88 / 41

HEX #973512

RGB 151 53 18

HSL 15.79, 0.79%, 0.33%

LAB 36.31, 39.5, 41.23

 

CMYK 88 / 0 / 30 / 41

HEX #12976A

RGB 18 151 106

HSL 159.7, 0.79%, 0.33%

LAB 55.38, -44.14, 14.54

 

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

CMYK 6 / 0 / 88 / 41

HEX #8E9712

RGB 142 151 18

HSL 64.06, 0.79%, 0.33%

LAB 59.82, -18.3, 60.15

 

CMYK 88 / 6 / 0 / 41

HEX #128E97

RGB 18 142 151

HSL 184.06, 0.79%, 0.33%

LAB 53.72, -27.28, -13.67

 

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

CMYK 0 / 65 / 88 / 41

HEX #973512

RGB 151 53 18

HSL 15.79, 0.79%, 0.33%

LAB 36.31, 39.5, 41.23

 

CMYK 88 / 0 / 82 / 41

HEX #12971B

RGB 18 151 27

HSL 124.06, 0.79%, 0.33%

LAB 54.39, -55.99, 50.99

 

CMYK 88 / 24 / 0 / 41

HEX #127397

RGB 18 115 151

HSL 196.24, 0.79%, 0.33%

LAB 45.12, -12.83, -26.86

 

CMYK 0 / 88 / 7 / 40

HEX #98128E

RGB 152 18 142

HSL 304.48, 0.79%, 0.33%

LAB 36.1, 62.81, -34.87

 

CMYK 0 / 38 / 88 / 41

HEX #975D12

RGB 151 93 18

HSL 33.83, 0.79%, 0.33%

LAB 44.87, 18.14, 48.29

 

CMYK 88 / 0 / 82 / 41

HEX #12971B

RGB 18 151 27

HSL 124.06, 0.79%, 0.33%

LAB 54.39, -55.99, 50.99

 

CMYK 88 / 50 / 0 / 41

HEX #124B97

RGB 18 75 151

HSL 214.29, 0.79%, 0.33%

LAB 32.69, 12.41, -46.58

 

Description

Color code: HEX #98128E | qconv.com Color code: HEX #98128E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 18 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 18 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 7 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 7% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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