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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #980386 it is the complementary color #67FC79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #980386. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #980386 shade: #9D0381, #AE1594, #BF27A7, #D039BA and #E14BCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #980386. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #980386 shade: #980386, #870073, #760060, #65004D and #54003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #980386 shade: #960384, #96035D, #960335, #96030D and #960303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #980386 shade: #960384, #800396, #580396, #310396 and #090396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #980386 shade matches the following richer shades: #960384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #980386 shade: #960384, #8A0F7B, #7D1C71, #712868 and #64355F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #980386 shade: #590396, #800396, #960385, #96035E and #960336

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #980386 shade: #45013D, #6E0261, #960384, #BE04A8 and #E705CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #980386 shade: #980386, #963203 and #03966C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #980386 shade: #980386, #859603 and #038596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #980386 shade: #980386, #963203, #039614 and #036796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #980386 shade: #980386, #965E03, #039614 and #033B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

Complementary color

CMYK 59 / 0 / 52 / 1

HEX #67FC79

RGB 103 252 121

HSL 127.25, 0.96%, 0.7%

LAB 88.87, -65.65, 50.61

 

CMYK 0 / 98 / 18 / 38

HEX #9D0381

RGB 157 3 129

HSL 310.91, 0.96%, 0.31%

LAB 35.63, 64.05, -27.49

 

CMYK 0 / 88 / 15 / 32

HEX #AE1594

RGB 174 21 148

HSL 310.2, 0.78%, 0.38%

LAB 40.69, 67.53, -31.02

 

CMYK 0 / 80 / 13 / 25

HEX #BF27A7

RGB 191 39 167

HSL 309.47, 0.66%, 0.45%

LAB 46.07, 69.8, -33.77

 

CMYK 0 / 73 / 11 / 18

HEX #D039BA

RGB 208 57 186

HSL 308.74, 0.62%, 0.52%

LAB 51.7, 71.07, -35.88

 

CMYK 0 / 67 / 9 / 12

HEX #E14BCD

RGB 225 75 205

HSL 308, 0.71%, 0.59%

LAB 57.51, 71.65, -37.52

 

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

CMYK 0 / 100 / 15 / 47

HEX #870073

RGB 135 0 115

HSL 308.89, 1%, 0.26%

LAB 30.37, 58.3, -27.24

 

CMYK 0 / 100 / 19 / 54

HEX #760060

RGB 118 0 96

HSL 311.19, 1%, 0.23%

LAB 25.85, 52.32, -22.29

 

CMYK 0 / 100 / 24 / 60

HEX #65004D

RGB 101 0 77

HSL 314.26, 1%, 0.2%

LAB 21.22, 46.19, -17.1

 

CMYK 0 / 100 / 31 / 67

HEX #54003A

RGB 84 0 58

HSL 318.57, 1%, 0.16%

LAB 16.46, 39.91, -11.58

 

CMYK 0 / 98 / 12 / 41

HEX #960384

RGB 150 3 132

HSL 307.35, 0.96%, 0.3%

LAB 34.43, 63.11, -31.35

 

CMYK 0 / 98 / 38 / 41

HEX #96035D

RGB 150 3 93

HSL 323.27, 0.96%, 0.3%

LAB 32.57, 58.35, -9.42

 

CMYK 0 / 98 / 65 / 41

HEX #960335

RGB 150 3 53

HSL 339.59, 0.96%, 0.3%

LAB 31.36, 55.13, 15.26

 

CMYK 0 / 98 / 91 / 41

HEX #96030D

RGB 150 3 13

HSL 355.92, 0.96%, 0.3%

LAB 30.83, 53.66, 39.1

 

CMYK 0 / 98 / 98 / 41

HEX #960303

RGB 150 3 3

HSL 0, 0.96%, 0.3%

LAB 30.77, 53.52, 43.24

 

CMYK 0 / 98 / 12 / 41

HEX #960384

RGB 150 3 132

HSL 307.35, 0.96%, 0.3%

LAB 34.43, 63.11, -31.35

 

CMYK 15 / 98 / 0 / 41

HEX #800396

RGB 128 3 150

HSL 291.02, 0.96%, 0.3%

LAB 31.48, 62.15, -47.43

 

CMYK 41 / 98 / 0 / 41

HEX #580396

RGB 88 3 150

HSL 274.69, 0.96%, 0.3%

LAB 24.77, 56.81, -58.66

 

CMYK 67 / 98 / 0 / 41

HEX #310396

RGB 49 3 150

HSL 258.78, 0.96%, 0.3%

LAB 19.72, 53.64, -67.18

 

CMYK 94 / 98 / 0 / 41

HEX #090396

RGB 9 3 150

HSL 242.45, 0.96%, 0.3%

LAB 17.11, 52.43, -71.6

 

CMYK 0 / 98 / 12 / 41

HEX #960384

RGB 150 3 132

HSL 307.35, 0.96%, 0.3%

LAB 34.43, 63.11, -31.35

 

CMYK 0 / 98 / 12 / 41

HEX #960384

RGB 150 3 132

HSL 307.35, 0.96%, 0.3%

LAB 34.43, 63.11, -31.35

 

CMYK 0 / 89 / 11 / 46

HEX #8A0F7B

RGB 138 15 123

HSL 307.32, 0.8%, 0.3%

LAB 32.2, 57.71, -29.38

 

CMYK 0 / 78 / 10 / 51

HEX #7D1C71

RGB 125 28 113

HSL 307.42, 0.63%, 0.3%

LAB 30.36, 49.99, -26.12

 

CMYK 0 / 65 / 8 / 56

HEX #712868

RGB 113 40 104

HSL 307.4, 0.48%, 0.3%

LAB 29.48, 40.53, -21.87

 

CMYK 0 / 47 / 5 / 61

HEX #64355F

RGB 100 53 95

HSL 306.38, 0.31%, 0.3%

LAB 29.62, 27.79, -16.02

 

CMYK 41 / 98 / 0 / 41

HEX #590396

RGB 89 3 150

HSL 275.1, 0.96%, 0.3%

LAB 24.92, 56.92, -58.41

 

CMYK 15 / 98 / 0 / 41

HEX #800396

RGB 128 3 150

HSL 291.02, 0.96%, 0.3%

LAB 31.48, 62.15, -47.43

 

CMYK 0 / 98 / 11 / 41

HEX #960385

RGB 150 3 133

HSL 306.94, 0.96%, 0.3%

LAB 34.48, 63.25, -31.89

 

CMYK 0 / 98 / 37 / 41

HEX #96035E

RGB 150 3 94

HSL 322.86, 0.96%, 0.3%

LAB 32.61, 58.45, -10.01

 

CMYK 0 / 98 / 64 / 41

HEX #960336

RGB 150 3 54

HSL 339.18, 0.96%, 0.3%

LAB 31.38, 55.19, 14.63

 

CMYK 0 / 99 / 12 / 73

HEX #45013D

RGB 69 1 61

HSL 307.06, 0.97%, 0.14%

LAB 13.37, 36.62, -18.78

 

CMYK 0 / 98 / 12 / 57

HEX #6E0261

RGB 110 2 97

HSL 307.22, 0.96%, 0.22%

LAB 24.39, 50.46, -25.36

 

CMYK 0 / 98 / 12 / 41

HEX #960384

RGB 150 3 132

HSL 307.35, 0.96%, 0.3%

LAB 34.43, 63.11, -31.35

 

CMYK 0 / 98 / 12 / 25

HEX #BE04A8

RGB 190 4 168

HSL 307.1, 0.96%, 0.38%

LAB 44.03, 75.3, -37.59

 

CMYK 0 / 98 / 12 / 9

HEX #E705CB

RGB 231 5 203

HSL 307.43, 0.96%, 0.46%

LAB 53.39, 87.06, -42.78

 

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

CMYK 0 / 67 / 98 / 41

HEX #963203

RGB 150 50 3

HSL 19.18, 0.96%, 0.3%

LAB 35.54, 40.22, 46.22

 

CMYK 98 / 0 / 28 / 41

HEX #03966C

RGB 3 150 108

HSL 162.86, 0.96%, 0.3%

LAB 54.98, -44.12, 12.84

 

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

CMYK 11 / 0 / 98 / 41

HEX #859603

RGB 133 150 3

HSL 66.94, 0.96%, 0.3%

LAB 58.79, -22.07, 61.52

 

CMYK 98 / 11 / 0 / 41

HEX #038596

RGB 3 133 150

HSL 186.94, 0.96%, 0.3%

LAB 50.68, -23.81, -17.71

 

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

CMYK 0 / 67 / 98 / 41

HEX #963203

RGB 150 50 3

HSL 19.18, 0.96%, 0.3%

LAB 35.54, 40.22, 46.22

 

CMYK 98 / 0 / 87 / 41

HEX #039614

RGB 3 150 20

HSL 126.94, 0.96%, 0.3%

LAB 53.9, -57.12, 52.4

 

CMYK 98 / 31 / 0 / 41

HEX #036796

RGB 3 103 150

HSL 199.18, 0.96%, 0.3%

LAB 41.09, -6.99, -32.58

 

CMYK 0 / 98 / 12 / 40

HEX #980386

RGB 152 3 134

HSL 307.25, 0.96%, 0.3%

LAB 34.93, 63.76, -31.78

 

CMYK 0 / 37 / 98 / 41

HEX #965E03

RGB 150 94 3

HSL 37.14, 0.96%, 0.3%

LAB 44.94, 16.81, 52.21

 

CMYK 98 / 0 / 87 / 41

HEX #039614

RGB 3 150 20

HSL 126.94, 0.96%, 0.3%

LAB 53.9, -57.12, 52.4

 

CMYK 98 / 61 / 0 / 41

HEX #033B96

RGB 3 59 150

HSL 217.14, 0.96%, 0.3%

LAB 27.71, 22.25, -54.07

 

Description

Color code: HEX #980386 | qconv.com Color code: HEX #980386 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 152 red, 3 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
152 3 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 12 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 12% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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