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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97FA6D it is the complementary color #680592. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97FA6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97FA6D shade: #9CFA68, #ADFF7B, #BEFF8E, #CFFFA1 and #E0FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97FA6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97FA6D shade: #97FA6D, #86E85A, #75D647, #64C434 and #53B221

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97FA6D shade: #96FA6B, #BCFA6B, #E2FA6B, #FAEA6B and #FAC46B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97FA6D shade: #96FA6B, #6FFA6B, #6BFA8E, #6BFAB4 and #6BFADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97FA6D shade matches the following richer shades: #96FA6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97FA6D shade: #96FA6B, #9BED78, #A0E184, #A5D590 and #AAC89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97FA6D shade: #E2FA6B, #BCFA6B, #96FA6B, #70FA6B and #6BFA8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97FA6D shade: #5DF71C, #79F844, #96FA6B, #B2FB93 and #CFFDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97FA6D shade: #97FA6D, #6BFAEB and #FA6BCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97FA6D shade: #97FA6D, #6B96FA and #FA6B96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97FA6D shade: #97FA6D, #6BFAEB, #CF6BFA and #FA6B7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97FA6D shade: #97FA6D, #6BDDFA, #CF6BFA and #FA886B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

Complementary color

CMYK 29 / 97 / 0 / 43

HEX #680592

RGB 104 5 146

HSL 282.13, 0.93%, 0.3%

LAB 27.09, 57.56, -52.29

 

CMYK 38 / 0 / 58 / 2

HEX #9CFA68

RGB 156 250 104

HSL 98.63, 0.94%, 0.69%

LAB 90.06, -52.48, 60.08

 

CMYK 32 / 0 / 52 / 0

HEX #ADFF7B

RGB 173 255 123

HSL 97.27, 1%, 0.74%

LAB 92.5, -47.1, 54.72

 

CMYK 25 / 0 / 44 / 0

HEX #BEFF8E

RGB 190 255 142

HSL 94.51, 1%, 0.78%

LAB 93.63, -39.21, 47.44

 

CMYK 19 / 0 / 37 / 0

HEX #CFFFA1

RGB 207 255 161

HSL 90.64, 1%, 0.82%

LAB 94.89, -30.95, 40.04

 

CMYK 12 / 0 / 29 / 0

HEX #E0FFB4

RGB 224 255 180

HSL 84.8, 1%, 0.85%

LAB 96.27, -22.43, 32.63

 

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

CMYK 42 / 0 / 61 / 9

HEX #86E85A

RGB 134 232 90

HSL 101.41, 0.76%, 0.63%

LAB 83.72, -53.45, 58.62

 

CMYK 45 / 0 / 67 / 16

HEX #75D647

RGB 117 214 71

HSL 100.7, 0.64%, 0.56%

LAB 77.48, -53.21, 59.39

 

CMYK 49 / 0 / 73 / 23

HEX #64C434

RGB 100 196 52

HSL 100, 0.58%, 0.49%

LAB 71.17, -52.77, 59.79

 

CMYK 53 / 0 / 81 / 30

HEX #53B221

RGB 83 178 33

HSL 99.31, 0.69%, 0.41%

LAB 64.8, -52.04, 59.49

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 25 / 0 / 57 / 2

HEX #BCFA6B

RGB 188 250 107

HSL 86.01, 0.93%, 0.7%

LAB 91.74, -41.33, 61.14

 

CMYK 10 / 0 / 57 / 2

HEX #E2FA6B

RGB 226 250 107

HSL 70.07, 0.93%, 0.7%

LAB 94.14, -27.11, 64.5

 

CMYK 0 / 6 / 57 / 2

HEX #FAEA6B

RGB 250 234 107

HSL 53.29, 0.93%, 0.7%

LAB 91.79, -9.87, 62.36

 

CMYK 0 / 22 / 57 / 2

HEX #FAC46B

RGB 250 196 107

HSL 37.34, 0.93%, 0.7%

LAB 82.31, 9.47, 51.43

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 56 / 0 / 57 / 2

HEX #6FFA6B

RGB 111 250 107

HSL 118.32, 0.93%, 0.7%

LAB 88.36, -64.81, 56.36

 

CMYK 57 / 0 / 43 / 2

HEX #6BFA8E

RGB 107 250 142

HSL 134.69, 0.93%, 0.7%

LAB 88.66, -61.05, 40.4

 

CMYK 57 / 0 / 28 / 2

HEX #6BFAB4

RGB 107 250 180

HSL 150.63, 0.93%, 0.7%

LAB 89.3, -54.35, 22.2

 

CMYK 57 / 0 / 13 / 2

HEX #6BFADA

RGB 107 250 218

HSL 166.57, 0.93%, 0.7%

LAB 90.12, -46.11, 3.77

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 35 / 0 / 49 / 7

HEX #9BED78

RGB 155 237 120

HSL 102.05, 0.76%, 0.7%

LAB 86.45, -45.67, 48.58

 

CMYK 29 / 0 / 41 / 12

HEX #A0E184

RGB 160 225 132

HSL 101.94, 0.61%, 0.7%

LAB 83.44, -37.22, 39.05

 

CMYK 23 / 0 / 32 / 16

HEX #A5D590

RGB 165 213 144

HSL 101.74, 0.45%, 0.7%

LAB 80.52, -28.22, 29.19

 

CMYK 15 / 0 / 22 / 22

HEX #AAC89D

RGB 170 200 157

HSL 101.86, 0.28%, 0.7%

LAB 77.45, -18.04, 18.24

 

CMYK 10 / 0 / 57 / 2

HEX #E2FA6B

RGB 226 250 107

HSL 70.07, 0.93%, 0.7%

LAB 94.14, -27.11, 64.5

 

CMYK 25 / 0 / 57 / 2

HEX #BCFA6B

RGB 188 250 107

HSL 86.01, 0.93%, 0.7%

LAB 91.74, -41.33, 61.14

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 55 / 0 / 57 / 2

HEX #70FA6B

RGB 112 250 107

HSL 117.9, 0.93%, 0.7%

LAB 88.39, -64.57, 56.41

 

CMYK 57 / 0 / 44 / 2

HEX #6BFA8D

RGB 107 250 141

HSL 134.27, 0.93%, 0.7%

LAB 88.65, -61.21, 40.87

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 51 / 0 / 73 / 3

HEX #79F844

RGB 121 248 68

HSL 102.33, 0.93%, 0.62%

LAB 87.78, -65.01, 71.13

 

CMYK 40 / 0 / 57 / 2

HEX #96FA6B

RGB 150 250 107

HSL 101.96, 0.93%, 0.7%

LAB 89.82, -54.07, 58.44

 

CMYK 29 / 0 / 41 / 2

HEX #B2FB93

RGB 178 251 147

HSL 102.12, 0.93%, 0.78%

LAB 91.94, -40.85, 42.75

 

CMYK 18 / 0 / 26 / 1

HEX #CFFDBB

RGB 207 253 187

HSL 101.82, 0.94%, 0.86%

LAB 94.78, -26.35, 26.9

 

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

CMYK 57 / 0 / 6 / 2

HEX #6BFAEB

RGB 107 250 235

HSL 173.71, 0.93%, 0.7%

LAB 90.55, -41.99, -4.44

 

CMYK 0 / 57 / 17 / 2

HEX #FA6BCF

RGB 250 107 207

HSL 318.04, 0.93%, 0.7%

LAB 66.02, 65.51, -25.17

 

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

CMYK 57 / 40 / 0 / 2

HEX #6B96FA

RGB 107 150 250

HSL 221.96, 0.93%, 0.7%

LAB 63.21, 14.29, -54.4

 

CMYK 0 / 57 / 40 / 2

HEX #FA6B96

RGB 250 107 150

HSL 341.96, 0.93%, 0.7%

LAB 64.19, 58.46, 4.49

 

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

CMYK 57 / 0 / 6 / 2

HEX #6BFAEB

RGB 107 250 235

HSL 173.71, 0.93%, 0.7%

LAB 90.55, -41.99, -4.44

 

CMYK 17 / 57 / 0 / 2

HEX #CF6BFA

RGB 207 107 250

HSL 281.96, 0.93%, 0.7%

LAB 62.24, 61.61, -55.42

 

CMYK 0 / 57 / 51 / 2

HEX #FA6B7A

RGB 250 107 122

HSL 353.71, 0.93%, 0.7%

LAB 63.54, 55.85, 19.62

 

CMYK 40 / 0 / 56 / 2

HEX #97FA6D

RGB 151 250 109

HSL 102.13, 0.93%, 0.7%

LAB 89.88, -53.56, 57.65

 

CMYK 57 / 12 / 0 / 2

HEX #6BDDFA

RGB 107 221 250

HSL 192.17, 0.93%, 0.7%

LAB 82.78, -24.36, -23.95

 

CMYK 17 / 57 / 0 / 2

HEX #CF6BFA

RGB 207 107 250

HSL 281.96, 0.93%, 0.7%

LAB 62.24, 61.61, -55.42

 

CMYK 0 / 46 / 57 / 2

HEX #FA886B

RGB 250 136 107

HSL 12.17, 0.93%, 0.7%

LAB 68.75, 40.7, 34.84

 

Description

Color code: HEX #97FA6D | qconv.com Color code: HEX #97FA6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 250 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 250 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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