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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97F43A it is the complementary color #680BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97F43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97F43A shade: #9CF435, #ADFF48, #BEFF5B, #CFFF6E and #E0FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97F43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97F43A shade: #97F43A, #86E227, #75D014, #64BE01 and #53AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97F43A shade: #96F339, #C9F339, #F3EC39, #F3BA39 and #F38839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97F43A shade: #96F339, #64F339, #39F341, #39F373 and #39F3A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97F43A shade matches the following richer shades: #96F339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97F43A shade: #96F339, #96E34A, #96D25B, #96C16C and #96B07D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97F43A shade: #F3ED39, #C8F339, #96F339, #65F339 and #39F340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97F43A shade: #6DCE0C, #82F112, #96F339, #ABF660 and #C0F887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97F43A shade: #97F43A, #39F3BC and #F339E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97F43A shade: #97F43A, #3996F3 and #F33996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97F43A shade: #97F43A, #39F3BC, #9639F3 and #F33971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97F43A shade: #97F43A, #39F3F3, #9639F3 and #F33939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

Complementary color

CMYK 47 / 94 / 0 / 23

HEX #680BC5

RGB 104 11 197

HSL 270, 0.89%, 0.41%

LAB 32.29, 67.4, -74.44

 

CMYK 36 / 0 / 78 / 4

HEX #9CF435

RGB 156 244 53

HSL 87.64, 0.9%, 0.58%

LAB 87.98, -53.64, 76.42

 

CMYK 32 / 0 / 72 / 0

HEX #ADFF48

RGB 173 255 72

HSL 86.89, 1%, 0.64%

LAB 92.07, -51.31, 74.8

 

CMYK 25 / 0 / 64 / 0

HEX #BEFF5B

RGB 190 255 91

HSL 83.78, 1%, 0.68%

LAB 93.11, -44.07, 69.26

 

CMYK 19 / 0 / 57 / 0

HEX #CFFF6E

RGB 207 255 110

HSL 79.86, 1%, 0.72%

LAB 94.27, -36.38, 63.03

 

CMYK 12 / 0 / 49 / 0

HEX #E0FF81

RGB 224 255 129

HSL 74.76, 1%, 0.75%

LAB 95.56, -28.34, 56.36

 

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

CMYK 41 / 0 / 83 / 11

HEX #86E227

RGB 134 226 39

HSL 89.52, 0.76%, 0.52%

LAB 81.62, -54.42, 73.91

 

CMYK 44 / 0 / 90 / 18

HEX #75D014

RGB 117 208 20

HSL 89.04, 0.82%, 0.45%

LAB 75.42, -53.54, 72.05

 

CMYK 47 / 0 / 99 / 25

HEX #64BE01

RGB 100 190 1

HSL 88.57, 0.99%, 0.37%

LAB 69.14, -52.39, 68.98

 

CMYK 52 / 0 / 100 / 33

HEX #53AC00

RGB 83 172 0

HSL 91.05, 1%, 0.34%

LAB 62.8, -50.82, 63.84

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 17 / 0 / 77 / 5

HEX #C9F339

RGB 201 243 57

HSL 73.55, 0.89%, 0.59%

LAB 90.24, -36.57, 78.29

 

CMYK 0 / 3 / 77 / 5

HEX #F3EC39

RGB 243 236 57

HSL 57.74, 0.89%, 0.59%

LAB 91.39, -16.36, 80.46

 

CMYK 0 / 23 / 77 / 5

HEX #F3BA39

RGB 243 186 57

HSL 41.61, 0.89%, 0.59%

LAB 78.73, 8.98, 68.87

 

CMYK 0 / 44 / 77 / 5

HEX #F38839

RGB 243 136 57

HSL 25.48, 0.89%, 0.59%

LAB 67.25, 35.18, 57.87

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 59 / 0 / 77 / 5

HEX #64F339

RGB 100 243 57

HSL 106.13, 0.89%, 0.59%

LAB 85.56, -69.26, 72.22

 

CMYK 77 / 0 / 73 / 5

HEX #39F341

RGB 57 243 65

HSL 122.58, 0.89%, 0.59%

LAB 84.67, -76.57, 68.49

 

CMYK 77 / 0 / 53 / 5

HEX #39F373

RGB 57 243 115

HSL 138.71, 0.89%, 0.59%

LAB 85.1, -71.26, 48.57

 

CMYK 77 / 0 / 32 / 5

HEX #39F3A5

RGB 57 243 165

HSL 154.84, 0.89%, 0.59%

LAB 85.85, -62.67, 24.96

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 34 / 0 / 67 / 11

HEX #96E34A

RGB 150 227 74

HSL 90.2, 0.73%, 0.59%

LAB 82.87, -47.5, 64.37

 

CMYK 29 / 0 / 57 / 18

HEX #96D25B

RGB 150 210 91

HSL 90.25, 0.57%, 0.59%

LAB 78.07, -38.72, 51.99

 

CMYK 22 / 0 / 44 / 24

HEX #96C16C

RGB 150 193 108

HSL 90.35, 0.41%, 0.59%

LAB 73.35, -28.98, 38.14

 

CMYK 15 / 0 / 29 / 31

HEX #96B07D

RGB 150 176 125

HSL 90.59, 0.24%, 0.59%

LAB 68.76, -18.23, 23.26

 

CMYK 0 / 2 / 77 / 5

HEX #F3ED39

RGB 243 237 57

HSL 58.06, 0.89%, 0.59%

LAB 91.65, -16.84, 80.69

 

CMYK 18 / 0 / 77 / 5

HEX #C8F339

RGB 200 243 57

HSL 73.87, 0.89%, 0.59%

LAB 90.17, -36.96, 78.21

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 58 / 0 / 77 / 5

HEX #65F339

RGB 101 243 57

HSL 105.81, 0.89%, 0.59%

LAB 85.59, -69.03, 72.26

 

CMYK 77 / 0 / 74 / 5

HEX #39F340

RGB 57 243 64

HSL 122.26, 0.89%, 0.59%

LAB 84.66, -76.65, 68.82

 

CMYK 47 / 0 / 94 / 19

HEX #6DCE0C

RGB 109 206 12

HSL 90, 0.89%, 0.43%

LAB 74.46, -55.46, 72.19

 

CMYK 46 / 0 / 93 / 5

HEX #82F112

RGB 130 241 18

HSL 89.87, 0.89%, 0.51%

LAB 85.86, -61.95, 81.1

 

CMYK 38 / 0 / 77 / 5

HEX #96F339

RGB 150 243 57

HSL 90, 0.89%, 0.59%

LAB 87.43, -55.05, 74.66

 

CMYK 30 / 0 / 61 / 4

HEX #ABF660

RGB 171 246 96

HSL 90, 0.89%, 0.67%

LAB 89.59, -46.54, 63.13

 

CMYK 23 / 0 / 46 / 3

HEX #C0F887

RGB 192 248 135

HSL 89.73, 0.89%, 0.75%

LAB 91.73, -36.18, 48.42

 

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

CMYK 77 / 0 / 23 / 5

HEX #39F3BC

RGB 57 243 188

HSL 162.26, 0.89%, 0.59%

LAB 86.31, -57.69, 13.74

 

CMYK 0 / 77 / 7 / 5

HEX #F339E1

RGB 243 57 225

HSL 305.81, 0.89%, 0.59%

LAB 59.36, 84.16, -45.74

 

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

CMYK 77 / 38 / 0 / 5

HEX #3996F3

RGB 57 150 243

HSL 210, 0.89%, 0.59%

LAB 60.92, 4.18, -54.32

 

CMYK 0 / 77 / 38 / 5

HEX #F33996

RGB 243 57 150

HSL 330, 0.89%, 0.59%

LAB 56.27, 75.07, -7.26

 

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

CMYK 77 / 0 / 23 / 5

HEX #39F3BC

RGB 57 243 188

HSL 162.26, 0.89%, 0.59%

LAB 86.31, -57.69, 13.74

 

CMYK 38 / 77 / 0 / 5

HEX #9639F3

RGB 150 57 243

HSL 270, 0.89%, 0.59%

LAB 46.82, 70.49, -76.76

 

CMYK 0 / 77 / 53 / 5

HEX #F33971

RGB 243 57 113

HSL 341.94, 0.89%, 0.59%

LAB 55.25, 71.92, 13.26

 

CMYK 38 / 0 / 76 / 4

HEX #97F43A

RGB 151 244 58

HSL 90, 0.89%, 0.59%

LAB 87.77, -55.07, 74.7

 

CMYK 77 / 0 / 0 / 5

HEX #39F3F3

RGB 57 243 243

HSL 180, 0.89%, 0.59%

LAB 87.7, -43.58, -12.96

 

CMYK 38 / 77 / 0 / 5

HEX #9639F3

RGB 150 57 243

HSL 270, 0.89%, 0.59%

LAB 46.82, 70.49, -76.76

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

Description

Color code: HEX #97F43A | qconv.com Color code: HEX #97F43A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 244 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 244 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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