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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97F384 it is the complementary color #680C7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97F384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97F384 shade: #9CF37F, #ADFF92, #BEFFA5, #CFFFB8 and #E0FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97F384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97F384 shade: #97F384, #86E171, #75CF5E, #64BD4B and #53AB38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97F384 shade: #99F386, #B6F386, #D4F386, #F1F386 and #F3D886

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97F384 shade: #99F386, #86F391, #86F3AE, #86F3CC and #86F3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97F384 shade matches the following richer shades: #99F386 and #92FE7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97F384 shade: #99F386, #A0E891, #A7DE9C, #AED3A7 and #B5C8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97F384 shade: #D4F386, #B7F386, #9AF386, #86F38F and #86F3AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97F384 shade: #59EC3B, #79EF61, #99F386, #B9F7AC and #D8FAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97F384 shade: #97F384, #86F1F3 and #F386C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97F384 shade: #97F384, #869AF3 and #F3869A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97F384 shade: #97F384, #86F1F3, #DF86F3 and #F38886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97F384 shade: #97F384, #86D1F3, #DF86F3 and #F3A986

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

Complementary color

CMYK 15 / 90 / 0 / 52

HEX #680C7B

RGB 104 12 123

HSL 289.73, 0.82%, 0.26%

LAB 25.67, 51.73, -40.18

 

CMYK 36 / 0 / 48 / 5

HEX #9CF37F

RGB 156 243 127

HSL 105, 0.83%, 0.73%

LAB 88.31, -47.07, 47.56

 

CMYK 32 / 0 / 43 / 0

HEX #ADFF92

RGB 173 255 146

HSL 105.14, 1%, 0.79%

LAB 92.79, -44.36, 44.27

 

CMYK 25 / 0 / 35 / 0

HEX #BEFFA5

RGB 190 255 165

HSL 103.33, 1%, 0.82%

LAB 93.96, -36.22, 36.66

 

CMYK 19 / 0 / 28 / 0

HEX #CFFFB8

RGB 207 255 184

HSL 100.56, 1%, 0.86%

LAB 95.26, -27.75, 29.07

 

CMYK 12 / 0 / 20 / 0

HEX #E0FFCB

RGB 224 255 203

HSL 95.77, 1%, 0.9%

LAB 96.69, -19.06, 21.58

 

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

CMYK 40 / 0 / 50 / 12

HEX #86E171

RGB 134 225 113

HSL 108.75, 0.65%, 0.66%

LAB 81.9, -48.1, 46.11

 

CMYK 43 / 0 / 55 / 19

HEX #75CF5E

RGB 117 207 94

HSL 107.79, 0.54%, 0.59%

LAB 75.59, -48.13, 47.29

 

CMYK 47 / 0 / 60 / 26

HEX #64BD4B

RGB 100 189 75

HSL 106.84, 0.46%, 0.52%

LAB 69.19, -48.04, 48.4

 

CMYK 51 / 0 / 67 / 33

HEX #53AB38

RGB 83 171 56

HSL 105.91, 0.51%, 0.45%

LAB 62.72, -47.75, 49.32

 

CMYK 37 / 0 / 45 / 5

HEX #99F386

RGB 153 243 134

HSL 109.54, 0.82%, 0.74%

LAB 88.25, -47.12, 44.12

 

CMYK 25 / 0 / 45 / 5

HEX #B6F386

RGB 182 243 134

HSL 93.58, 0.82%, 0.74%

LAB 89.75, -37.55, 46.32

 

CMYK 13 / 0 / 45 / 5

HEX #D4F386

RGB 212 243 134

HSL 77.06, 0.82%, 0.74%

LAB 91.6, -26.7, 49.03

 

CMYK 1 / 0 / 45 / 5

HEX #F1F386

RGB 241 243 134

HSL 61.1, 0.82%, 0.74%

LAB 93.68, -15.63, 52.04

 

CMYK 0 / 11 / 45 / 5

HEX #F3D886

RGB 243 216 134

HSL 45.14, 0.82%, 0.74%

LAB 86.94, -1.35, 43.72

 

CMYK 37 / 0 / 45 / 5

HEX #99F386

RGB 153 243 134

HSL 109.54, 0.82%, 0.74%

LAB 88.25, -47.12, 44.12

 

CMYK 45 / 0 / 40 / 5

HEX #86F391

RGB 134 243 145

HSL 126.06, 0.82%, 0.74%

LAB 87.59, -51.14, 37.72

 

CMYK 45 / 0 / 28 / 5

HEX #86F3AE

RGB 134 243 174

HSL 142.02, 0.82%, 0.74%

LAB 88.08, -46.27, 23.74

 

CMYK 45 / 0 / 16 / 5

HEX #86F3CC

RGB 134 243 204

HSL 158.53, 0.82%, 0.74%

LAB 88.7, -40.31, 9.11

 

CMYK 45 / 0 / 4 / 5

HEX #86F3E9

RGB 134 243 233

HSL 174.5, 0.82%, 0.74%

LAB 89.42, -33.75, -4.96

 

CMYK 37 / 0 / 45 / 5

HEX #99F386

RGB 153 243 134

HSL 109.54, 0.82%, 0.74%

LAB 88.25, -47.12, 44.12

 

CMYK 43 / 0 / 51 / 0

HEX #92FE7C

RGB 146 254 124

HSL 109.85, 0.98%, 0.74%

LAB 90.98, -55.02, 52.14

 

CMYK 37 / 0 / 45 / 5

HEX #99F386

RGB 153 243 134

HSL 109.54, 0.82%, 0.74%

LAB 88.25, -47.12, 44.12

 

CMYK 31 / 0 / 38 / 9

HEX #A0E891

RGB 160 232 145

HSL 109.66, 0.65%, 0.74%

LAB 85.62, -38.57, 35.38

 

CMYK 25 / 0 / 30 / 13

HEX #A7DE9C

RGB 167 222 156

HSL 110, 0.5%, 0.74%

LAB 83.37, -29.98, 26.84

 

CMYK 18 / 0 / 21 / 17

HEX #AED3A7

RGB 174 211 167

HSL 110.45, 0.33%, 0.74%

LAB 80.95, -20.47, 17.83

 

CMYK 10 / 0 / 12 / 22

HEX #B5C8B1

RGB 181 200 177

HSL 109.57, 0.17%, 0.74%

LAB 78.64, -10.74, 9.32

 

CMYK 13 / 0 / 45 / 5

HEX #D4F386

RGB 212 243 134

HSL 77.06, 0.82%, 0.74%

LAB 91.6, -26.7, 49.03

 

CMYK 25 / 0 / 45 / 5

HEX #B7F386

RGB 183 243 134

HSL 93.03, 0.82%, 0.74%

LAB 89.81, -37.2, 46.4

 

CMYK 37 / 0 / 45 / 5

HEX #9AF386

RGB 154 243 134

HSL 108.99, 0.82%, 0.74%

LAB 88.3, -46.81, 44.19

 

CMYK 45 / 0 / 41 / 5

HEX #86F38F

RGB 134 243 143

HSL 124.95, 0.82%, 0.74%

LAB 87.56, -51.44, 38.67

 

CMYK 45 / 0 / 29 / 5

HEX #86F3AC

RGB 134 243 172

HSL 140.92, 0.82%, 0.74%

LAB 88.04, -46.64, 24.71

 

CMYK 62 / 0 / 75 / 7

HEX #59EC3B

RGB 89 236 59

HSL 109.83, 0.82%, 0.58%

LAB 83.14, -69.28, 69.16

 

CMYK 49 / 0 / 59 / 6

HEX #79EF61

RGB 121 239 97

HSL 109.86, 0.82%, 0.66%

LAB 85.33, -59.27, 57.32

 

CMYK 37 / 0 / 45 / 5

HEX #99F386

RGB 153 243 134

HSL 109.54, 0.82%, 0.74%

LAB 88.25, -47.12, 44.12

 

CMYK 25 / 0 / 30 / 3

HEX #B9F7AC

RGB 185 247 172

HSL 109.6, 0.82%, 0.82%

LAB 91.6, -33.19, 29.96

 

CMYK 14 / 0 / 16 / 2

HEX #D8FAD1

RGB 216 250 209

HSL 109.76, 0.8%, 0.9%

LAB 94.98, -18.36, 16.04

 

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

CMYK 45 / 1 / 0 / 5

HEX #86F1F3

RGB 134 241 243

HSL 181.1, 0.82%, 0.74%

LAB 89.13, -30.38, -10.6

 

CMYK 0 / 45 / 19 / 5

HEX #F386C6

RGB 243 134 198

HSL 324.77, 0.82%, 0.74%

LAB 69.6, 49.41, -14.77

 

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

CMYK 45 / 37 / 0 / 5

HEX #869AF3

RGB 134 154 243

HSL 228.99, 0.82%, 0.74%

LAB 65.48, 15.74, -46.88

 

CMYK 0 / 45 / 37 / 5

HEX #F3869A

RGB 243 134 154

HSL 348.99, 0.82%, 0.74%

LAB 68.34, 43.6, 8.04

 

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

CMYK 45 / 1 / 0 / 5

HEX #86F1F3

RGB 134 241 243

HSL 181.1, 0.82%, 0.74%

LAB 89.13, -30.38, -10.6

 

CMYK 8 / 45 / 0 / 5

HEX #DF86F3

RGB 223 134 243

HSL 288.99, 0.82%, 0.74%

LAB 68.9, 51.04, -40.93

 

CMYK 0 / 44 / 45 / 5

HEX #F38886

RGB 243 136 134

HSL 1.1, 0.82%, 0.74%

LAB 68.3, 40.44, 19.2

 

CMYK 38 / 0 / 46 / 5

HEX #97F384

RGB 151 243 132

HSL 109.73, 0.82%, 0.74%

LAB 88.14, -48, 44.91

 

CMYK 45 / 14 / 0 / 5

HEX #86D1F3

RGB 134 209 243

HSL 198.72, 0.82%, 0.74%

LAB 80.26, -14.51, -23.97

 

CMYK 8 / 45 / 0 / 5

HEX #DF86F3

RGB 223 134 243

HSL 288.99, 0.82%, 0.74%

LAB 68.9, 51.04, -40.93

 

CMYK 0 / 30 / 45 / 5

HEX #F3A986

RGB 243 169 134

HSL 19.27, 0.82%, 0.74%

LAB 75.55, 23.2, 28.98

 

Description

Color code: HEX #97F384 | qconv.com Color code: HEX #97F384 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 243 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 243 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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