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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EF6A it is the complementary color #681095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EF6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EF6A shade: #9CEF65, #ADFF78, #BEFF8B, #CFFF9E and #E0FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EF6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EF6A shade: #97EF6A, #86DD57, #75CB44, #64B931 and #53A71E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EF6A shade: #98EF6B, #BCEF6B, #DFEF6B, #EFDC6B and #EFB86B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EF6A shade: #98EF6B, #74EF6B, #6BEF86, #6BEFAA and #6BEFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EF6A shade matches the following richer shades: #98EF6B and #94FD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EF6A shade: #98EF6B, #9CE279, #A1D586, #A5C893 and #A9BBA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EF6A shade: #E0EF6B, #BDEF6B, #9AEF6B, #76EF6B and #6BEF84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EF6A shade: #64E821, #7EEC46, #98EF6B, #B2F391 and #CCF7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EF6A shade: #97EF6A, #6BEFDC and #EF6BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EF6A shade: #97EF6A, #6B9AEF and #EF6B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EF6A shade: #97EF6A, #6BEFDC, #C16BEF and #EF6B7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EF6A shade: #97EF6A, #6BDCEF, #C16BEF and #EF7F6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

Complementary color

CMYK 30 / 89 / 0 / 42

HEX #681095

RGB 104 16 149

HSL 279.7, 0.81%, 0.32%

LAB 28.07, 56.04, -52.54

 

CMYK 35 / 0 / 58 / 6

HEX #9CEF65

RGB 156 239 101

HSL 96.09, 0.81%, 0.67%

LAB 86.87, -48.22, 57.73

 

CMYK 32 / 0 / 53 / 0

HEX #ADFF78

RGB 173 255 120

HSL 96.44, 1%, 0.74%

LAB 92.47, -47.42, 56.04

 

CMYK 25 / 0 / 45 / 0

HEX #BEFF8B

RGB 190 255 139

HSL 93.62, 1%, 0.77%

LAB 93.59, -39.56, 48.82

 

CMYK 19 / 0 / 38 / 0

HEX #CFFF9E

RGB 207 255 158

HSL 89.69, 1%, 0.81%

LAB 94.85, -31.33, 41.45

 

CMYK 12 / 0 / 31 / 0

HEX #E0FFB1

RGB 224 255 177

HSL 83.85, 1%, 0.85%

LAB 96.22, -22.83, 34.06

 

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

CMYK 39 / 0 / 61 / 13

HEX #86DD57

RGB 134 221 87

HSL 98.96, 0.66%, 0.6%

LAB 80.44, -49.28, 56.24

 

CMYK 42 / 0 / 67 / 20

HEX #75CB44

RGB 117 203 68

HSL 98.22, 0.56%, 0.53%

LAB 74.13, -49.08, 57.03

 

CMYK 46 / 0 / 74 / 27

HEX #64B931

RGB 100 185 49

HSL 97.5, 0.58%, 0.46%

LAB 67.75, -48.68, 57.44

 

CMYK 50 / 0 / 82 / 35

HEX #53A71E

RGB 83 167 30

HSL 96.79, 0.7%, 0.39%

LAB 61.28, -48.01, 57.11

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 21 / 0 / 55 / 6

HEX #BCEF6B

RGB 188 239 107

HSL 83.18, 0.8%, 0.68%

LAB 88.68, -36.42, 57.63

 

CMYK 7 / 0 / 55 / 6

HEX #DFEF6B

RGB 223 239 107

HSL 67.27, 0.8%, 0.68%

LAB 91, -23.07, 60.9

 

CMYK 0 / 8 / 55 / 6

HEX #EFDC6B

RGB 239 220 107

HSL 51.36, 0.8%, 0.68%

LAB 87.29, -7.33, 56.98

 

CMYK 0 / 23 / 55 / 6

HEX #EFB86B

RGB 239 184 107

HSL 35, 0.8%, 0.68%

LAB 78.28, 11.25, 46.36

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 51 / 0 / 55 / 6

HEX #74EF6B

RGB 116 239 107

HSL 115.91, 0.8%, 0.68%

LAB 85.25, -59.5, 52.76

 

CMYK 55 / 0 / 44 / 6

HEX #6BEF86

RGB 107 239 134

HSL 132.27, 0.8%, 0.68%

LAB 85.29, -58.1, 39.98

 

CMYK 55 / 0 / 29 / 6

HEX #6BEFAA

RGB 107 239 170

HSL 148.64, 0.8%, 0.68%

LAB 85.89, -51.83, 22.63

 

CMYK 55 / 0 / 14 / 6

HEX #6BEFCD

RGB 107 239 205

HSL 164.55, 0.8%, 0.68%

LAB 86.64, -44.36, 5.5

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 42 / 0 / 63 / 1

HEX #94FD5E

RGB 148 253 94

HSL 99.62, 0.98%, 0.68%

LAB 90.48, -57.09, 64.62

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 31 / 0 / 46 / 11

HEX #9CE279

RGB 156 226 121

HSL 100, 0.64%, 0.68%

LAB 83.36, -40.43, 44.31

 

CMYK 24 / 0 / 37 / 16

HEX #A1D586

RGB 161 213 134

HSL 99.49, 0.48%, 0.68%

LAB 80.12, -31.07, 33.75

 

CMYK 18 / 0 / 27 / 22

HEX #A5C893

RGB 165 200 147

HSL 99.62, 0.33%, 0.68%

LAB 76.93, -21.43, 22.77

 

CMYK 10 / 0 / 14 / 27

HEX #A9BBA0

RGB 169 187 160

HSL 100, 0.17%, 0.68%

LAB 73.88, -11.22, 11.6

 

CMYK 6 / 0 / 55 / 6

HEX #E0EF6B

RGB 224 239 107

HSL 66.82, 0.8%, 0.68%

LAB 91.07, -22.68, 61

 

CMYK 21 / 0 / 55 / 6

HEX #BDEF6B

RGB 189 239 107

HSL 82.73, 0.8%, 0.68%

LAB 88.74, -36.06, 57.72

 

CMYK 36 / 0 / 55 / 6

HEX #9AEF6B

RGB 154 239 107

HSL 98.64, 0.8%, 0.68%

LAB 86.83, -48.28, 55.01

 

CMYK 51 / 0 / 55 / 6

HEX #76EF6B

RGB 118 239 107

HSL 115, 0.8%, 0.68%

LAB 85.32, -58.98, 52.86

 

CMYK 55 / 0 / 45 / 6

HEX #6BEF84

RGB 107 239 132

HSL 131.36, 0.8%, 0.68%

LAB 85.26, -58.4, 40.93

 

CMYK 57 / 0 / 86 / 9

HEX #64E821

RGB 100 232 33

HSL 99.8, 0.81%, 0.52%

LAB 82.13, -66.68, 75.17

 

CMYK 47 / 0 / 70 / 7

HEX #7EEC46

RGB 126 236 70

HSL 99.76, 0.81%, 0.6%

LAB 84.42, -59.06, 67.1

 

CMYK 36 / 0 / 55 / 6

HEX #98EF6B

RGB 152 239 107

HSL 99.55, 0.8%, 0.68%

LAB 86.74, -48.93, 54.88

 

CMYK 27 / 0 / 40 / 5

HEX #B2F391

RGB 178 243 145

HSL 99.8, 0.8%, 0.76%

LAB 89.68, -37.54, 40.83

 

CMYK 17 / 0 / 26 / 3

HEX #CCF7B6

RGB 204 247 182

HSL 99.69, 0.8%, 0.84%

LAB 92.9, -25.28, 26.84

 

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDC

RGB 107 239 220

HSL 171.36, 0.8%, 0.68%

LAB 87.01, -40.79, -1.81

 

CMYK 0 / 55 / 14 / 6

HEX #EF6BCE

RGB 239 107 206

HSL 315, 0.8%, 0.68%

LAB 64.42, 62.28, -27.19

 

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

CMYK 55 / 36 / 0 / 6

HEX #6B9AEF

RGB 107 154 239

HSL 218.64, 0.8%, 0.68%

LAB 63.73, 8.47, -47.54

 

CMYK 0 / 55 / 36 / 6

HEX #EF6B9A

RGB 239 107 154

HSL 338.64, 0.8%, 0.68%

LAB 62.68, 55.39, -0.22

 

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

CMYK 55 / 0 / 8 / 6

HEX #6BEFDC

RGB 107 239 220

HSL 171.36, 0.8%, 0.68%

LAB 87.01, -40.79, -1.81

 

CMYK 19 / 55 / 0 / 6

HEX #C16BEF

RGB 193 107 239

HSL 279.09, 0.8%, 0.68%

LAB 59.97, 55.89, -53.05

 

CMYK 0 / 55 / 47 / 6

HEX #EF6B7F

RGB 239 107 127

HSL 350.91, 0.8%, 0.68%

LAB 62, 52.59, 14.35

 

CMYK 37 / 0 / 56 / 6

HEX #97EF6A

RGB 151 239 106

HSL 99.7, 0.81%, 0.68%

LAB 86.68, -49.36, 55.24

 

CMYK 55 / 8 / 0 / 6

HEX #6BDCEF

RGB 107 220 239

HSL 188.64, 0.8%, 0.68%

LAB 82.13, -26.94, -19.1

 

CMYK 19 / 55 / 0 / 6

HEX #C16BEF

RGB 193 107 239

HSL 279.09, 0.8%, 0.68%

LAB 59.97, 55.89, -53.05

 

CMYK 0 / 47 / 55 / 6

HEX #EF7F6B

RGB 239 127 107

HSL 9.09, 0.8%, 0.68%

LAB 65.43, 41.12, 30.28

 

Description

Color code: HEX #97EF6A | qconv.com Color code: HEX #97EF6A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 239 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 239 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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