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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EB3C it is the complementary color #6814C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EB3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EB3C shade: #9CEB37, #ADFD4A, #BEFF5D, #CFFF70 and #E0FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EB3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EB3C shade: #97EB3C, #86D929, #75C716, #64B503 and #53A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EB3C shade: #97EA3D, #C6EA3D, #EAE03D, #EAB13D and #EA823D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EB3C shade: #97EA3D, #68EA3D, #3DEA40, #3DEA6F and #3DEA9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EB3C shade matches the following richer shades: #97EA3D and #98FB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EB3C shade: #97EA3D, #96D94E, #95C75F, #95B671 and #94A582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EB3C shade: #EADF3D, #C7EA3D, #99EA3D, #6BEA3D and #3DEA3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EB3C shade: #6EC114, #83E618, #97EA3D, #ABEE62 and #BFF287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EB3C shade: #97EB3C, #3DEAB0 and #EA3DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EB3C shade: #97EB3C, #3D99EA and #EA3D99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EB3C shade: #97EB3C, #3DEAB0, #8E3DEA and #EA3D76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EB3C shade: #97EB3C, #3DEAE4, #8E3DEA and #EA3D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

Complementary color

CMYK 47 / 90 / 0 / 24

HEX #6814C3

RGB 104 20 195

HSL 268.8, 0.81%, 0.42%

LAB 32.66, 65.22, -72.65

 

CMYK 34 / 0 / 77 / 8

HEX #9CEB37

RGB 156 235 55

HSL 86.33, 0.82%, 0.57%

LAB 85.38, -49.89, 73.43

 

CMYK 32 / 0 / 71 / 1

HEX #ADFD4A

RGB 173 253 74

HSL 86.82, 0.98%, 0.64%

LAB 91.52, -50.36, 73.57

 

CMYK 25 / 0 / 64 / 0

HEX #BEFF5D

RGB 190 255 93

HSL 84.07, 1%, 0.68%

LAB 93.13, -43.92, 68.49

 

CMYK 19 / 0 / 56 / 0

HEX #CFFF70

RGB 207 255 112

HSL 80.14, 1%, 0.72%

LAB 94.29, -36.21, 62.19

 

CMYK 12 / 0 / 49 / 0

HEX #E0FF83

RGB 224 255 131

HSL 75, 1%, 0.76%

LAB 95.58, -28.15, 55.47

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 38 / 0 / 81 / 15

HEX #86D929

RGB 134 217 41

HSL 88.3, 0.7%, 0.51%

LAB 78.96, -50.76, 71.03

 

CMYK 41 / 0 / 89 / 22

HEX #75C716

RGB 117 199 22

HSL 87.8, 0.8%, 0.43%

LAB 72.69, -49.95, 69.44

 

CMYK 45 / 0 / 98 / 29

HEX #64B503

RGB 100 181 3

HSL 87.3, 0.97%, 0.36%

LAB 66.34, -48.87, 66.54

 

CMYK 49 / 0 / 100 / 36

HEX #53A300

RGB 83 163 0

HSL 89.45, 1%, 0.32%

LAB 59.92, -47.39, 61.58

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3D

RGB 151 234 61

HSL 88.79, 0.8%, 0.58%

LAB 84.87, -50.89, 71

 

CMYK 15 / 0 / 74 / 8

HEX #C6EA3D

RGB 198 234 61

HSL 72.49, 0.8%, 0.58%

LAB 87.58, -33.48, 74.53

 

CMYK 0 / 4 / 74 / 8

HEX #EAE03D

RGB 234 224 61

HSL 56.53, 0.8%, 0.58%

LAB 87.55, -14.05, 75.46

 

CMYK 0 / 24 / 74 / 8

HEX #EAB13D

RGB 234 177 61

HSL 40.23, 0.8%, 0.58%

LAB 75.62, 10.04, 64.08

 

CMYK 0 / 44 / 74 / 8

HEX #EA823D

RGB 234 130 61

HSL 23.93, 0.8%, 0.58%

LAB 64.8, 34.84, 53.22

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3D

RGB 151 234 61

HSL 88.79, 0.8%, 0.58%

LAB 84.87, -50.89, 71

 

CMYK 56 / 0 / 74 / 8

HEX #68EA3D

RGB 104 234 61

HSL 105.09, 0.8%, 0.58%

LAB 82.98, -64.96, 68.5

 

CMYK 74 / 0 / 73 / 8

HEX #3DEA40

RGB 61 234 64

HSL 121.04, 0.8%, 0.58%

LAB 81.95, -73.38, 66.12

 

CMYK 74 / 0 / 53 / 8

HEX #3DEA6F

RGB 61 234 111

HSL 137.34, 0.8%, 0.58%

LAB 82.37, -68.32, 47.13

 

CMYK 74 / 0 / 32 / 8

HEX #3DEA9E

RGB 61 234 158

HSL 153.64, 0.8%, 0.58%

LAB 83.08, -60.27, 24.78

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3D

RGB 151 234 61

HSL 88.79, 0.8%, 0.58%

LAB 84.87, -50.89, 71

 

CMYK 39 / 0 / 83 / 2

HEX #98FB2B

RGB 152 251 43

HSL 88.56, 0.96%, 0.58%

LAB 89.79, -58.13, 80.49

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3D

RGB 151 234 61

HSL 88.79, 0.8%, 0.58%

LAB 84.87, -50.89, 71

 

CMYK 31 / 0 / 64 / 15

HEX #96D94E

RGB 150 217 78

HSL 88.92, 0.65%, 0.58%

LAB 79.99, -42.94, 59.73

 

CMYK 25 / 0 / 52 / 22

HEX #95C75F

RGB 149 199 95

HSL 88.85, 0.48%, 0.58%

LAB 74.86, -33.67, 46.36

 

CMYK 18 / 0 / 38 / 29

HEX #95B671

RGB 149 182 113

HSL 88.7, 0.32%, 0.58%

LAB 70.2, -23.35, 31.53

 

CMYK 10 / 0 / 21 / 35

HEX #94A582

RGB 148 165 130

HSL 89.14, 0.16%, 0.58%

LAB 65.61, -12.47, 16.19

 

CMYK 0 / 5 / 74 / 8

HEX #EADF3D

RGB 234 223 61

HSL 56.18, 0.8%, 0.58%

LAB 87.29, -13.56, 75.21

 

CMYK 15 / 0 / 74 / 8

HEX #C7EA3D

RGB 199 234 61

HSL 72.14, 0.8%, 0.58%

LAB 87.64, -33.08, 74.61

 

CMYK 35 / 0 / 74 / 8

HEX #99EA3D

RGB 153 234 61

HSL 88.09, 0.8%, 0.58%

LAB 84.97, -50.2, 71.13

 

CMYK 54 / 0 / 74 / 8

HEX #6BEA3D

RGB 107 234 61

HSL 104.05, 0.8%, 0.58%

LAB 83.08, -64.2, 68.63

 

CMYK 74 / 0 / 74 / 8

HEX #3DEA3D

RGB 61 234 61

HSL 120, 0.8%, 0.58%

LAB 81.93, -73.6, 67.11

 

CMYK 43 / 0 / 90 / 24

HEX #6EC114

RGB 110 193 20

HSL 88.79, 0.81%, 0.42%

LAB 70.53, -49.95, 67.85

 

CMYK 43 / 0 / 90 / 10

HEX #83E618

RGB 131 230 24

HSL 88.83, 0.81%, 0.5%

LAB 82.64, -57.4, 77.66

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3D

RGB 151 234 61

HSL 88.79, 0.8%, 0.58%

LAB 84.87, -50.89, 71

 

CMYK 28 / 0 / 59 / 7

HEX #ABEE62

RGB 171 238 98

HSL 88.71, 0.8%, 0.66%

LAB 87.33, -42.93, 59.77

 

CMYK 21 / 0 / 44 / 5

HEX #BFF287

RGB 191 242 135

HSL 88.6, 0.8%, 0.74%

LAB 90.01, -33.8, 46.28

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 74 / 0 / 25 / 8

HEX #3DEAB0

RGB 61 234 176

HSL 159.88, 0.8%, 0.58%

LAB 83.43, -56.44, 15.94

 

CMYK 0 / 74 / 5 / 8

HEX #EA3DDF

RGB 234 61 223

HSL 303.82, 0.8%, 0.58%

LAB 58.19, 80.93, -46.56

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 74 / 35 / 0 / 8

HEX #3D99EA

RGB 61 153 234

HSL 208.09, 0.8%, 0.58%

LAB 61.41, -0.3, -48.57

 

CMYK 0 / 74 / 35 / 8

HEX #EA3D99

RGB 234 61 153

HSL 328.09, 0.8%, 0.58%

LAB 55.21, 71.94, -10.79

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 74 / 0 / 25 / 8

HEX #3DEAB0

RGB 61 234 176

HSL 159.88, 0.8%, 0.58%

LAB 83.43, -56.44, 15.94

 

CMYK 39 / 74 / 0 / 8

HEX #8E3DEA

RGB 142 61 234

HSL 268.09, 0.8%, 0.58%

LAB 45.67, 65.57, -73.6

 

CMYK 0 / 74 / 50 / 8

HEX #EA3D76

RGB 234 61 118

HSL 340.23, 0.8%, 0.58%

LAB 54.17, 68.66, 8.52

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 74 / 0 / 3 / 8

HEX #3DEAE4

RGB 61 234 228

HSL 177.92, 0.8%, 0.58%

LAB 84.71, -43.38, -9.53

 

CMYK 39 / 74 / 0 / 8

HEX #8E3DEA

RGB 142 61 234

HSL 268.09, 0.8%, 0.58%

LAB 45.67, 65.57, -73.6

 

CMYK 0 / 74 / 72 / 8

HEX #EA3D42

RGB 234 61 66

HSL 358.27, 0.8%, 0.58%

LAB 53.19, 65.46, 37.97

 

Description

Color code: HEX #97EB3C | qconv.com Color code: HEX #97EB3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 235 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 235 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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