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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EA4F it is the complementary color #6815B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EA4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EA4F shade: #9CEA4A, #ADFC5D, #BEFF70, #CFFF83 and #E0FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EA4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EA4F shade: #97EA4F, #86D83C, #75C629, #64B416 and #53A203

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EA4F shade: #96EA4D, #C0EA4D, #EAEA4D, #EABF4D and #EA954D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EA4F shade: #96EA4D, #6CEA4D, #4DEA59, #4DEA83 and #4DEAAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EA4F shade matches the following richer shades: #96EA4D and #95FA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EA4F shade: #96EA4D, #97DA5D, #98CA6D, #99BA7D and #9BAA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EA4F shade: #EAEA4D, #C0EA4D, #96EA4D, #6CEA4D and #4DEA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EA4F shade: #6CCD18, #80E628, #96EA4D, #ACEE72 and #C2F397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EA4F shade: #97EA4F, #4DEAC0 and #EA4DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EA4F shade: #97EA4F, #4D96EA and #EA4D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EA4F shade: #97EA4F, #4DEAC0, #A14DEA and #EA4D77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EA4F shade: #97EA4F, #4DE5EA, #A14DEA and #EA524D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

Complementary color

CMYK 41 / 88 / 0 / 31

HEX #6815B0

RGB 104 21 176

HSL 272.13, 0.79%, 0.39%

LAB 30.91, 60.68, -64.27

 

CMYK 33 / 0 / 68 / 8

HEX #9CEA4A

RGB 156 234 74

HSL 89.25, 0.79%, 0.6%

LAB 85.2, -48.36, 66.88

 

CMYK 31 / 0 / 63 / 1

HEX #ADFC5D

RGB 173 252 93

HSL 89.81, 0.96%, 0.68%

LAB 91.37, -48.63, 66.33

 

CMYK 25 / 0 / 56 / 0

HEX #BEFF70

RGB 190 255 112

HSL 87.27, 1%, 0.72%

LAB 93.29, -42.36, 60.78

 

CMYK 19 / 0 / 49 / 0

HEX #CFFF83

RGB 207 255 131

HSL 83.23, 1%, 0.76%

LAB 94.49, -34.42, 53.9

 

CMYK 12 / 0 / 41 / 0

HEX #E0FF96

RGB 224 255 150

HSL 77.71, 1%, 0.79%

LAB 95.82, -26.17, 46.8

 

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

CMYK 38 / 0 / 72 / 15

HEX #86D83C

RGB 134 216 60

HSL 91.54, 0.67%, 0.54%

LAB 78.76, -49.36, 65.04

 

CMYK 41 / 0 / 79 / 22

HEX #75C629

RGB 117 198 41

HSL 90.96, 0.66%, 0.47%

LAB 72.45, -48.83, 64.79

 

CMYK 44 / 0 / 88 / 29

HEX #64B416

RGB 100 180 22

HSL 90.38, 0.78%, 0.4%

LAB 66.07, -48.04, 63.53

 

CMYK 49 / 0 / 98 / 36

HEX #53A203

RGB 83 162 3

HSL 89.81, 0.96%, 0.32%

LAB 59.6, -46.93, 60.9

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 18 / 0 / 67 / 8

HEX #C0EA4D

RGB 192 234 77

HSL 76.05, 0.79%, 0.61%

LAB 87.28, -34.94, 68.56

 

CMYK 0 / 0 / 67 / 8

HEX #EAEA4D

RGB 234 234 77

HSL 60, 0.79%, 0.61%

LAB 90.26, -18.21, 72.54

 

CMYK 0 / 18 / 67 / 8

HEX #EABF4D

RGB 234 191 77

HSL 43.57, 0.79%, 0.61%

LAB 79.21, 3.49, 61.2

 

CMYK 0 / 36 / 67 / 8

HEX #EA954D

RGB 234 149 77

HSL 27.52, 0.79%, 0.61%

LAB 69.13, 25.68, 50.29

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 54 / 0 / 67 / 8

HEX #6CEA4D

RGB 108 234 77

HSL 108.15, 0.79%, 0.61%

LAB 83.22, -62.75, 63.05

 

CMYK 67 / 0 / 62 / 8

HEX #4DEA59

RGB 77 234 89

HSL 124.59, 0.79%, 0.61%

LAB 82.46, -68.45, 57.12

 

CMYK 67 / 0 / 44 / 8

HEX #4DEA83

RGB 77 234 131

HSL 140.64, 0.79%, 0.61%

LAB 82.95, -62.8, 38.29

 

CMYK 67 / 0 / 26 / 8

HEX #4DEAAD

RGB 77 234 173

HSL 156.69, 0.79%, 0.61%

LAB 83.67, -54.85, 17.89

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 40 / 0 / 76 / 2

HEX #95FA3D

RGB 149 250 61

HSL 92.06, 0.95%, 0.61%

LAB 89.44, -57.91, 75.36

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 31 / 0 / 57 / 15

HEX #97DA5D

RGB 151 218 93

HSL 92.16, 0.63%, 0.61%

LAB 80.47, -41.71, 53.86

 

CMYK 25 / 0 / 46 / 21

HEX #98CA6D

RGB 152 202 109

HSL 92.26, 0.47%, 0.61%

LAB 76.08, -32.38, 41.08

 

CMYK 18 / 0 / 33 / 27

HEX #99BA7D

RGB 153 186 125

HSL 92.46, 0.31%, 0.61%

LAB 71.81, -22.16, 27.37

 

CMYK 9 / 0 / 17 / 33

HEX #9BAA8D

RGB 155 170 141

HSL 91.03, 0.15%, 0.61%

LAB 67.76, -10.66, 13.2

 

CMYK 0 / 0 / 67 / 8

HEX #EAEA4D

RGB 234 234 77

HSL 60, 0.79%, 0.61%

LAB 90.26, -18.21, 72.54

 

CMYK 18 / 0 / 67 / 8

HEX #C0EA4D

RGB 192 234 77

HSL 76.05, 0.79%, 0.61%

LAB 87.28, -34.94, 68.56

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 54 / 0 / 67 / 8

HEX #6CEA4D

RGB 108 234 77

HSL 108.15, 0.79%, 0.61%

LAB 83.22, -62.75, 63.05

 

CMYK 67 / 0 / 63 / 8

HEX #4DEA57

RGB 77 234 87

HSL 123.82, 0.79%, 0.61%

LAB 82.44, -68.66, 57.94

 

CMYK 47 / 0 / 88 / 20

HEX #6CCD18

RGB 108 205 24

HSL 92.15, 0.79%, 0.45%

LAB 74.14, -55.11, 70.15

 

CMYK 44 / 0 / 83 / 10

HEX #80E628

RGB 128 230 40

HSL 92.21, 0.79%, 0.53%

LAB 82.56, -57.84, 74.4

 

CMYK 36 / 0 / 67 / 8

HEX #96EA4D

RGB 150 234 77

HSL 92.1, 0.79%, 0.61%

LAB 84.93, -50.19, 65.38

 

CMYK 28 / 0 / 52 / 7

HEX #ACEE72

RGB 172 238 114

HSL 91.94, 0.78%, 0.69%

LAB 87.55, -41.04, 52.91

 

CMYK 20 / 0 / 38 / 5

HEX #C2F397

RGB 194 243 151

HSL 91.96, 0.79%, 0.77%

LAB 90.69, -31.23, 39.36

 

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

CMYK 67 / 0 / 18 / 8

HEX #4DEAC0

RGB 77 234 192

HSL 163.95, 0.79%, 0.61%

LAB 84.08, -50.57, 8.54

 

CMYK 0 / 67 / 9 / 8

HEX #EA4DD5

RGB 234 77 213

HSL 308.03, 0.79%, 0.61%

LAB 59.53, 74.25, -38.8

 

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

CMYK 67 / 36 / 0 / 8

HEX #4D96EA

RGB 77 150 234

HSL 212.1, 0.79%, 0.61%

LAB 61.07, 3.69, -49.07

 

CMYK 0 / 67 / 36 / 8

HEX #EA4D96

RGB 234 77 150

HSL 332.1, 0.79%, 0.61%

LAB 57.08, 66.12, -6.23

 

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

CMYK 67 / 0 / 18 / 8

HEX #4DEAC0

RGB 77 234 192

HSL 163.95, 0.79%, 0.61%

LAB 84.08, -50.57, 8.54

 

CMYK 31 / 67 / 0 / 8

HEX #A14DEA

RGB 161 77 234

HSL 272.1, 0.79%, 0.61%

LAB 50.48, 62.01, -65.68

 

CMYK 0 / 67 / 49 / 8

HEX #EA4D77

RGB 234 77 119

HSL 343.95, 0.79%, 0.61%

LAB 56.22, 63.14, 10.81

 

CMYK 35 / 0 / 66 / 8

HEX #97EA4F

RGB 151 234 79

HSL 92.13, 0.79%, 0.61%

LAB 84.99, -49.7, 64.69

 

CMYK 67 / 2 / 0 / 8

HEX #4DE5EA

RGB 77 229 234

HSL 181.91, 0.79%, 0.61%

LAB 83.73, -37.52, -14.12

 

CMYK 31 / 67 / 0 / 8

HEX #A14DEA

RGB 161 77 234

HSL 272.1, 0.79%, 0.61%

LAB 50.48, 62.01, -65.68

 

CMYK 0 / 65 / 67 / 8

HEX #EA524D

RGB 234 82 77

HSL 1.91, 0.79%, 0.61%

LAB 56.15, 58.28, 35.23

 

Description

Color code: HEX #97EA4F | qconv.com Color code: HEX #97EA4F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 234 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 234 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 66 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 66% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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