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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97E893 it is the complementary color #68176C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97E893. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97E893 shade: #9CE88E, #ADFAA1, #BEFFB4, #CFFFC7 and #E0FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97E893. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97E893 shade: #97E893, #86D680, #75C46D, #64B25A and #53A047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97E893 shade: #96E892, #ADE892, #C4E892, #DBE892 and #E8DD92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97E893 shade: #96E892, #92E8A5, #92E8BC, #92E8D3 and #92E5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97E893 shade matches the following richer shades: #96E892, #8CF387 and #82FD7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97E893 shade: #96E892, #9FDD9C, #A9D2A7, #B3C8B2 and #BDBDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97E893 shade: #C4E892, #ADE892, #96E892, #92E8A4 and #92E8BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97E893 shade: #54D94E, #75E170, #96E892, #B6EFB4 and #D7F6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97E893 shade: #97E893, #92DBE8 and #E892B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97E893 shade: #97E893, #9296E8 and #E89296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97E893 shade: #97E893, #92DBE8, #E392E8 and #E89F92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97E893 shade: #97E893, #92C1E8, #E392E8 and #E8B892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

Complementary color

CMYK 4 / 79 / 0 / 58

HEX #68176C

RGB 104 23 108

HSL 297.18, 0.65%, 0.26%

LAB 25.68, 45.87, -30.56

 

CMYK 33 / 0 / 39 / 9

HEX #9CE88E

RGB 156 232 142

HSL 110.67, 0.66%, 0.73%

LAB 85.37, -40.29, 36.52

 

CMYK 31 / 0 / 36 / 2

HEX #ADFAA1

RGB 173 250 161

HSL 111.91, 0.9%, 0.81%

LAB 91.61, -40.09, 35.38

 

CMYK 25 / 0 / 29 / 0

HEX #BEFFB4

RGB 190 255 180

HSL 112, 1%, 0.85%

LAB 94.21, -34, 29.5

 

CMYK 19 / 0 / 22 / 0

HEX #CFFFC7

RGB 207 255 199

HSL 111.43, 1%, 0.89%

LAB 95.54, -25.41, 21.86

 

CMYK 12 / 0 / 15 / 0

HEX #E0FFDA

RGB 224 255 218

HSL 110.27, 1%, 0.93%

LAB 97, -16.63, 14.35

 

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

CMYK 37 / 0 / 40 / 16

HEX #86D680

RGB 134 214 128

HSL 115.81, 0.51%, 0.67%

LAB 78.88, -41.35, 34.92

 

CMYK 40 / 0 / 44 / 23

HEX #75C46D

RGB 117 196 109

HSL 114.48, 0.42%, 0.6%

LAB 72.47, -41.53, 36.15

 

CMYK 44 / 0 / 49 / 30

HEX #64B25A

RGB 100 178 90

HSL 113.18, 0.36%, 0.53%

LAB 65.97, -41.66, 37.42

 

CMYK 48 / 0 / 56 / 37

HEX #53A047

RGB 83 160 71

HSL 111.91, 0.39%, 0.45%

LAB 59.38, -41.67, 38.69

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 25 / 0 / 37 / 9

HEX #ADE892

RGB 173 232 146

HSL 101.16, 0.65%, 0.74%

LAB 86.34, -34.09, 35.95

 

CMYK 16 / 0 / 37 / 9

HEX #C4E892

RGB 196 232 146

HSL 85.12, 0.65%, 0.74%

LAB 87.74, -25.97, 38.04

 

CMYK 6 / 0 / 37 / 9

HEX #DBE892

RGB 219 232 146

HSL 69.07, 0.65%, 0.74%

LAB 89.32, -17.43, 40.4

 

CMYK 0 / 5 / 37 / 9

HEX #E8DD92

RGB 232 221 146

HSL 52.33, 0.65%, 0.74%

LAB 87.46, -6.96, 38.19

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 37 / 0 / 29 / 9

HEX #92E8A5

RGB 146 232 165

HSL 133.26, 0.65%, 0.74%

LAB 85.27, -39.72, 24.6

 

CMYK 37 / 0 / 19 / 9

HEX #92E8BC

RGB 146 232 188

HSL 149.3, 0.65%, 0.74%

LAB 85.73, -35.45, 13.3

 

CMYK 37 / 0 / 9 / 9

HEX #92E8D3

RGB 146 232 211

HSL 165.35, 0.65%, 0.74%

LAB 86.27, -30.65, 2.01

 

CMYK 37 / 1 / 0 / 9

HEX #92E5E8

RGB 146 229 232

HSL 182.09, 0.65%, 0.74%

LAB 85.99, -24.4, -9.45

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 42 / 0 / 44 / 5

HEX #8CF387

RGB 140 243 135

HSL 117.22, 0.82%, 0.74%

LAB 87.69, -50.89, 42.8

 

CMYK 49 / 0 / 51 / 1

HEX #82FD7C

RGB 130 253 124

HSL 117.21, 0.97%, 0.74%

LAB 90.07, -59.11, 50.89

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 28 / 0 / 29 / 13

HEX #9FDD9C

RGB 159 221 156

HSL 117.23, 0.49%, 0.74%

LAB 82.64, -32.16, 25.77

 

CMYK 20 / 0 / 20 / 18

HEX #A9D2A7

RGB 169 210 167

HSL 117.21, 0.32%, 0.74%

LAB 80.36, -21.69, 16.96

 

CMYK 11 / 0 / 11 / 22

HEX #B3C8B2

RGB 179 200 178

HSL 117.27, 0.17%, 0.74%

LAB 78.52, -11.26, 8.6

 

CMYK 0 / 0 / 0 / 26

HEX #BDBDBD

RGB 189 189 189

HSL 0, 0%, 0.74%

LAB 76.61, 0, -0.01

 

CMYK 16 / 0 / 37 / 9

HEX #C4E892

RGB 196 232 146

HSL 85.12, 0.65%, 0.74%

LAB 87.74, -25.97, 38.04

 

CMYK 25 / 0 / 37 / 9

HEX #ADE892

RGB 173 232 146

HSL 101.16, 0.65%, 0.74%

LAB 86.34, -34.09, 35.95

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 37 / 0 / 29 / 9

HEX #92E8A4

RGB 146 232 164

HSL 132.56, 0.65%, 0.74%

LAB 85.25, -39.9, 25.09

 

CMYK 37 / 0 / 19 / 9

HEX #92E8BB

RGB 146 232 187

HSL 148.6, 0.65%, 0.74%

LAB 85.71, -35.65, 13.79

 

CMYK 61 / 0 / 64 / 15

HEX #54D94E

RGB 84 217 78

HSL 117.41, 0.65%, 0.58%

LAB 77.32, -62.39, 56.05

 

CMYK 48 / 0 / 50 / 12

HEX #75E170

RGB 117 225 112

HSL 117.35, 0.65%, 0.66%

LAB 81.18, -53.2, 45.55

 

CMYK 35 / 0 / 37 / 9

HEX #96E892

RGB 150 232 146

HSL 117.21, 0.65%, 0.74%

LAB 85.14, -41.6, 34.14

 

CMYK 24 / 0 / 25 / 6

HEX #B6EFB4

RGB 182 239 180

HSL 117.97, 0.65%, 0.82%

LAB 89.38, -29.16, 22.82

 

CMYK 13 / 0 / 13 / 4

HEX #D7F6D6

RGB 215 246 214

HSL 118.13, 0.64%, 0.9%

LAB 93.98, -15.89, 12.04

 

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

CMYK 37 / 6 / 0 / 9

HEX #92DBE8

RGB 146 219 232

HSL 189.07, 0.65%, 0.74%

LAB 83.23, -19.44, -13.57

 

CMYK 0 / 37 / 21 / 9

HEX #E892B8

RGB 232 146 184

HSL 333.49, 0.65%, 0.74%

LAB 70.3, 37.51, -6.07

 

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

CMYK 37 / 35 / 0 / 9

HEX #9296E8

RGB 146 150 232

HSL 237.21, 0.65%, 0.74%

LAB 64.76, 18.03, -41.89

 

CMYK 0 / 37 / 35 / 9

HEX #E89296

RGB 232 146 150

HSL 357.21, 0.65%, 0.74%

LAB 69.41, 32.95, 11.61

 

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

CMYK 37 / 6 / 0 / 9

HEX #92DBE8

RGB 146 219 232

HSL 189.07, 0.65%, 0.74%

LAB 83.23, -19.44, -13.57

 

CMYK 2 / 37 / 0 / 9

HEX #E392E8

RGB 227 146 232

HSL 296.51, 0.65%, 0.74%

LAB 71.36, 43.91, -31.05

 

CMYK 0 / 31 / 37 / 9

HEX #E89F92

RGB 232 159 146

HSL 9.07, 0.65%, 0.74%

LAB 72.25, 25.57, 17.79

 

CMYK 35 / 0 / 37 / 9

HEX #97E893

RGB 151 232 147

HSL 117.18, 0.65%, 0.74%

LAB 85.2, -41.14, 33.73

 

CMYK 37 / 17 / 0 / 9

HEX #92C1E8

RGB 146 193 232

HSL 207.21, 0.65%, 0.74%

LAB 76.12, -5.95, -24.33

 

CMYK 2 / 37 / 0 / 9

HEX #E392E8

RGB 227 146 232

HSL 296.51, 0.65%, 0.74%

LAB 71.36, 43.91, -31.05

 

CMYK 0 / 21 / 37 / 9

HEX #E8B892

RGB 232 184 146

HSL 26.51, 0.65%, 0.74%

LAB 78.18, 12.25, 25.9

 

Description

Color code: HEX #97E893 | qconv.com Color code: HEX #97E893 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 232 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 232 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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