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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97E147 it is the complementary color #681EB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97E147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97E147 shade: #9CE142, #ADF355, #BEFF68, #CFFF7B and #E0FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97E147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97E147 shade: #97E147, #86CF34, #75BD21, #64AB0E and #539900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97E147 shade: #97E147, #C0E147, #E1D847, #E1AE47 and #E18547

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97E147 shade: #97E147, #6DE147, #47E14A, #47E173 and #47E19D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97E147 shade matches the following richer shades: #97E147 and #98F235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97E147 shade: #97E147, #96D058, #96BE69, #95AD7B and #949C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97E147 shade: #E1D747, #C2E147, #99E147, #70E147 and #47E147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97E147 shade: #6EB71E, #83DB24, #97E147, #ABE76A and #BFED8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97E147 shade: #97E147, #47E1AE and #E147D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97E147 shade: #97E147, #4799E1 and #E14799

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97E147 shade: #97E147, #47E1AE, #8F47E1 and #E1477A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97E147 shade: #97E147, #47E1DC, #8F47E1 and #E1474C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

Complementary color

CMYK 43 / 84 / 0 / 28

HEX #681EB8

RGB 104 30 184

HSL 268.83, 0.72%, 0.42%

LAB 32.55, 59.87, -66.34

 

CMYK 31 / 0 / 71 / 12

HEX #9CE142

RGB 156 225 66

HSL 86.04, 0.73%, 0.57%

LAB 82.55, -45.08, 67.09

 

CMYK 29 / 0 / 65 / 5

HEX #ADF355

RGB 173 243 85

HSL 86.58, 0.87%, 0.64%

LAB 88.75, -45.42, 66.68

 

CMYK 25 / 0 / 59 / 0

HEX #BEFF68

RGB 190 255 104

HSL 85.83, 1%, 0.7%

LAB 93.22, -43.06, 64.11

 

CMYK 19 / 0 / 52 / 0

HEX #CFFF7B

RGB 207 255 123

HSL 81.82, 1%, 0.74%

LAB 94.4, -35.21, 57.45

 

CMYK 12 / 0 / 44 / 0

HEX #E0FF8E

RGB 224 255 142

HSL 76.46, 1%, 0.78%

LAB 95.71, -27.04, 50.49

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 35 / 0 / 75 / 19

HEX #86CF34

RGB 134 207 52

HSL 88.26, 0.62%, 0.51%

LAB 76.03, -46.11, 65.08

 

CMYK 38 / 0 / 83 / 26

HEX #75BD21

RGB 117 189 33

HSL 87.69, 0.7%, 0.44%

LAB 69.67, -45.51, 64.46

 

CMYK 42 / 0 / 92 / 33

HEX #64AB0E

RGB 100 171 14

HSL 87.13, 0.85%, 0.36%

LAB 63.23, -44.63, 62.6

 

CMYK 46 / 0 / 100 / 40

HEX #539900

RGB 83 153 0

HSL 87.45, 1%, 0.3%

LAB 56.7, -43.43, 59.07

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 15 / 0 / 68 / 12

HEX #C0E147

RGB 192 225 71

HSL 72.86, 0.72%, 0.58%

LAB 84.75, -31.16, 68.2

 

CMYK 0 / 4 / 68 / 12

HEX #E1D847

RGB 225 216 71

HSL 56.49, 0.72%, 0.58%

LAB 84.78, -13.38, 69.04

 

CMYK 0 / 23 / 68 / 12

HEX #E1AE47

RGB 225 174 71

HSL 40.13, 0.72%, 0.58%

LAB 74.02, 8.28, 58.04

 

CMYK 0 / 41 / 68 / 12

HEX #E18547

RGB 225 133 71

HSL 24.16, 0.72%, 0.58%

LAB 64.35, 30.14, 47.59

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 52 / 0 / 68 / 12

HEX #6DE147

RGB 109 225 71

HSL 105.19, 0.72%, 0.58%

LAB 80.49, -59.7, 62.48

 

CMYK 68 / 0 / 67 / 12

HEX #47E14A

RGB 71 225 74

HSL 121.17, 0.72%, 0.58%

LAB 79.43, -68.07, 59.88

 

CMYK 68 / 0 / 49 / 12

HEX #47E173

RGB 71 225 115

HSL 137.14, 0.72%, 0.58%

LAB 79.86, -63.11, 42.16

 

CMYK 68 / 0 / 30 / 12

HEX #47E19D

RGB 71 225 157

HSL 153.51, 0.72%, 0.58%

LAB 80.53, -55.62, 21.84

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 37 / 0 / 78 / 5

HEX #98F235

RGB 152 242 53

HSL 88.57, 0.88%, 0.58%

LAB 87.21, -54.19, 75.64

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 28 / 0 / 58 / 18

HEX #96D058

RGB 150 208 88

HSL 89, 0.56%, 0.58%

LAB 77.46, -38.11, 52.64

 

CMYK 21 / 0 / 45 / 25

HEX #96BE69

RGB 150 190 105

HSL 88.24, 0.4%, 0.58%

LAB 72.45, -27.91, 38.52

 

CMYK 14 / 0 / 29 / 32

HEX #95AD7B

RGB 149 173 123

HSL 88.8, 0.23%, 0.58%

LAB 67.8, -17.37, 23.03

 

CMYK 5 / 0 / 10 / 39

HEX #949C8C

RGB 148 156 140

HSL 90, 0.07%, 0.58%

LAB 63.32, -5.91, 7.39

 

CMYK 0 / 4 / 68 / 12

HEX #E1D747

RGB 225 215 71

HSL 56.1, 0.72%, 0.58%

LAB 84.52, -12.88, 68.78

 

CMYK 14 / 0 / 68 / 12

HEX #C2E147

RGB 194 225 71

HSL 72.08, 0.72%, 0.58%

LAB 84.88, -30.37, 68.38

 

CMYK 32 / 0 / 68 / 12

HEX #99E147

RGB 153 225 71

HSL 88.05, 0.72%, 0.58%

LAB 82.42, -45.82, 65.08

 

CMYK 50 / 0 / 68 / 12

HEX #70E147

RGB 112 225 71

HSL 104.03, 0.72%, 0.58%

LAB 80.6, -58.87, 62.63

 

CMYK 68 / 0 / 68 / 12

HEX #47E147

RGB 71 225 71

HSL 120, 0.72%, 0.58%

LAB 79.41, -68.34, 61.01

 

CMYK 40 / 0 / 84 / 28

HEX #6EB71E

RGB 110 183 30

HSL 88.63, 0.72%, 0.42%

LAB 67.48, -45.59, 63.14

 

CMYK 40 / 0 / 84 / 14

HEX #83DB24

RGB 131 219 36

HSL 88.85, 0.72%, 0.5%

LAB 79.39, -52.77, 72.59

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 26 / 0 / 54 / 9

HEX #ABE76A

RGB 171 231 106

HSL 88.8, 0.72%, 0.66%

LAB 85.43, -39.1, 54.05

 

CMYK 19 / 0 / 40 / 7

HEX #BFED8E

RGB 191 237 142

HSL 89.05, 0.73%, 0.74%

LAB 88.73, -30.64, 41.25

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 68 / 0 / 23 / 12

HEX #47E1AE

RGB 71 225 174

HSL 160.13, 0.72%, 0.58%

LAB 80.88, -51.95, 13.42

 

CMYK 0 / 68 / 4 / 12

HEX #E147D7

RGB 225 71 215

HSL 303.9, 0.72%, 0.58%

LAB 57.48, 74.6, -43.24

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 68 / 32 / 0 / 12

HEX #4799E1

RGB 71 153 225

HSL 208.05, 0.72%, 0.58%

LAB 61.27, -2.04, -43.78

 

CMYK 0 / 68 / 32 / 12

HEX #E14799

RGB 225 71 153

HSL 328.05, 0.72%, 0.58%

LAB 54.88, 66.2, -11.43

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 68 / 0 / 23 / 12

HEX #47E1AE

RGB 71 225 174

HSL 160.13, 0.72%, 0.58%

LAB 80.88, -51.95, 13.42

 

CMYK 36 / 68 / 0 / 12

HEX #8F47E1

RGB 143 71 225

HSL 268.05, 0.72%, 0.58%

LAB 46.69, 59.17, -66.84

 

CMYK 0 / 68 / 46 / 12

HEX #E1477A

RGB 225 71 122

HSL 340.13, 0.72%, 0.58%

LAB 53.94, 63.01, 5.58

 

CMYK 33 / 0 / 68 / 12

HEX #97E147

RGB 151 225 71

HSL 88.83, 0.72%, 0.58%

LAB 82.32, -46.53, 64.94

 

CMYK 68 / 0 / 2 / 12

HEX #47E1DC

RGB 71 225 220

HSL 178.05, 0.72%, 0.58%

LAB 82.03, -40.38, -9.26

 

CMYK 36 / 68 / 0 / 12

HEX #8F47E1

RGB 143 71 225

HSL 268.05, 0.72%, 0.58%

LAB 46.69, 59.17, -66.84

 

CMYK 0 / 68 / 66 / 12

HEX #E1474C

RGB 225 71 76

HSL 358.05, 0.72%, 0.58%

LAB 52.99, 59.68, 31.59

 

Description

Color code: HEX #97E147 | qconv.com Color code: HEX #97E147 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 225 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 225 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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