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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97DF4D it is the complementary color #6820B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97DF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97DF4D shade: #9CDF48, #ADF15B, #BEFF6E, #CFFF81 and #E0FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97DF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97DF4D shade: #97DF4D, #86CD3A, #75BB27, #64A914 and #539701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97DF4D shade: #97E04D, #BFE04D, #E0D94D, #E0B14D and #E08A4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97DF4D shade: #97E04D, #70E04D, #4DE052, #4DE079 and #4DE0A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97DF4D shade matches the following richer shades: #97E04D and #98F13C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97DF4D shade: #97E04D, #97CF5E, #97BE6F, #97AD80 and #979C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97DF4D shade: #E0D84D, #C0E04D, #99E04D, #72E04D and #4DE050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97DF4D shade: #6EBA21, #83D92A, #97E04D, #ACE670 and #C0EC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97DF4D shade: #97DF4D, #4DE0B1 and #E04DD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97DF4D shade: #97DF4D, #4D99E0 and #E04D99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97DF4D shade: #97DF4D, #4DE0B1, #944DE0 and #E04D7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97DF4D shade: #97DF4D, #4DE0DD, #944DE0 and #E04D50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

Complementary color

CMYK 42 / 82 / 0 / 30

HEX #6820B2

RGB 104 32 178

HSL 269.59, 0.7%, 0.41%

LAB 32.24, 57.77, -63.29

 

CMYK 30 / 0 / 68 / 13

HEX #9CDF48

RGB 156 223 72

HSL 86.62, 0.7%, 0.58%

LAB 82.01, -43.83, 64.33

 

CMYK 28 / 0 / 62 / 5

HEX #ADF15B

RGB 173 241 91

HSL 87.2, 0.84%, 0.65%

LAB 88.23, -44.1, 63.73

 

CMYK 25 / 0 / 57 / 0

HEX #BEFF6E

RGB 190 255 110

HSL 86.9, 1%, 0.72%

LAB 93.27, -42.54, 61.62

 

CMYK 19 / 0 / 49 / 0

HEX #CFFF81

RGB 207 255 129

HSL 82.86, 1%, 0.75%

LAB 94.47, -34.63, 54.79

 

CMYK 12 / 0 / 42 / 0

HEX #E0FF94

RGB 224 255 148

HSL 77.38, 1%, 0.79%

LAB 95.79, -26.39, 47.73

 

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

CMYK 35 / 0 / 72 / 20

HEX #86CD3A

RGB 134 205 58

HSL 88.98, 0.6%, 0.52%

LAB 75.47, -44.91, 62.47

 

CMYK 37 / 0 / 79 / 27

HEX #75BB27

RGB 117 187 39

HSL 88.38, 0.65%, 0.44%

LAB 69.09, -44.4, 62.26

 

CMYK 41 / 0 / 88 / 34

HEX #64A914

RGB 100 169 20

HSL 87.79, 0.79%, 0.37%

LAB 62.62, -43.64, 61

 

CMYK 45 / 0 / 99 / 41

HEX #539701

RGB 83 151 1

HSL 87.2, 0.99%, 0.3%

LAB 56.06, -42.59, 58.4

 

CMYK 33 / 0 / 66 / 12

HEX #97E04D

RGB 151 224 77

HSL 89.8, 0.7%, 0.59%

LAB 82.07, -45.67, 62.38

 

CMYK 15 / 0 / 66 / 12

HEX #BFE04D

RGB 191 224 77

HSL 73.47, 0.7%, 0.59%

LAB 84.44, -30.72, 65.6

 

CMYK 0 / 3 / 66 / 12

HEX #E0D94D

RGB 224 217 77

HSL 57.14, 0.7%, 0.59%

LAB 85, -13.97, 66.95

 

CMYK 0 / 21 / 66 / 12

HEX #E0B14D

RGB 224 177 77

HSL 40.82, 0.7%, 0.59%

LAB 74.72, 6.61, 56.11

 

CMYK 0 / 38 / 66 / 12

HEX #E08A4D

RGB 224 138 77

HSL 24.9, 0.7%, 0.59%

LAB 65.4, 27.43, 45.75

 

CMYK 33 / 0 / 66 / 12

HEX #97E04D

RGB 151 224 77

HSL 89.8, 0.7%, 0.59%

LAB 82.07, -45.67, 62.38

 

CMYK 50 / 0 / 66 / 12

HEX #70E04D

RGB 112 224 77

HSL 105.71, 0.7%, 0.59%

LAB 80.34, -58, 60.02

 

CMYK 66 / 0 / 63 / 12

HEX #4DE052

RGB 77 224 82

HSL 122.04, 0.7%, 0.59%

LAB 79.33, -65.84, 56.56

 

CMYK 66 / 0 / 46 / 12

HEX #4DE079

RGB 77 224 121

HSL 137.96, 0.7%, 0.59%

LAB 79.77, -60.77, 39.15

 

CMYK 66 / 0 / 28 / 12

HEX #4DE0A1

RGB 77 224 161

HSL 154.29, 0.7%, 0.59%

LAB 80.44, -53.42, 19.65

 

CMYK 33 / 0 / 66 / 12

HEX #97E04D

RGB 151 224 77

HSL 89.8, 0.7%, 0.59%

LAB 82.07, -45.67, 62.38

 

CMYK 37 / 0 / 75 / 5

HEX #98F13C

RGB 152 241 60

HSL 89.5, 0.87%, 0.59%

LAB 86.95, -53.44, 73.33

 

CMYK 33 / 0 / 66 / 12

HEX #97E04D

RGB 151 224 77

HSL 89.8, 0.7%, 0.59%

LAB 82.07, -45.67, 62.38

 

CMYK 27 / 0 / 55 / 19

HEX #97CF5E

RGB 151 207 94

HSL 89.73, 0.54%, 0.59%

LAB 77.29, -36.71, 49.72

 

CMYK 21 / 0 / 42 / 25

HEX #97BE6F

RGB 151 190 111

HSL 89.62, 0.38%, 0.59%

LAB 72.6, -26.79, 35.67

 

CMYK 13 / 0 / 26 / 32

HEX #97AD80

RGB 151 173 128

HSL 89.33, 0.22%, 0.59%

LAB 68.04, -15.85, 20.66

 

CMYK 3 / 0 / 7 / 39

HEX #979C91

RGB 151 156 145

HSL 87.27, 0.05%, 0.59%

LAB 63.67, -3.89, 5.13

 

CMYK 0 / 4 / 66 / 12

HEX #E0D84D

RGB 224 216 77

HSL 56.73, 0.7%, 0.59%

LAB 84.74, -13.47, 66.68

 

CMYK 14 / 0 / 66 / 12

HEX #C0E04D

RGB 192 224 77

HSL 73.06, 0.7%, 0.59%

LAB 84.51, -30.33, 65.69

 

CMYK 32 / 0 / 66 / 12

HEX #99E04D

RGB 153 224 77

HSL 88.98, 0.7%, 0.59%

LAB 82.17, -44.97, 62.52

 

CMYK 49 / 0 / 66 / 12

HEX #72E04D

RGB 114 224 77

HSL 104.9, 0.7%, 0.59%

LAB 80.42, -57.43, 60.12

 

CMYK 66 / 0 / 64 / 12

HEX #4DE050

RGB 77 224 80

HSL 121.22, 0.7%, 0.59%

LAB 79.31, -66.04, 57.37

 

CMYK 41 / 0 / 82 / 27

HEX #6EBA21

RGB 110 186 33

HSL 89.8, 0.7%, 0.43%

LAB 68.42, -46.69, 63.2

 

CMYK 40 / 0 / 81 / 15

HEX #83D92A

RGB 131 217 42

HSL 89.49, 0.7%, 0.51%

LAB 78.82, -51.73, 70.59

 

CMYK 33 / 0 / 66 / 12

HEX #97E04D

RGB 151 224 77

HSL 89.8, 0.7%, 0.59%

LAB 82.07, -45.67, 62.38

 

CMYK 25 / 0 / 51 / 10

HEX #ACE670

RGB 172 230 112

HSL 89.49, 0.7%, 0.67%

LAB 85.27, -37.68, 51.11

 

CMYK 19 / 0 / 38 / 7

HEX #C0EC93

RGB 192 236 147

HSL 89.66, 0.7%, 0.75%

LAB 88.59, -29.18, 38.6

 

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

CMYK 66 / 0 / 21 / 12

HEX #4DE0B1

RGB 77 224 177

HSL 160.82, 0.7%, 0.59%

LAB 80.77, -49.91, 11.71

 

CMYK 0 / 66 / 6 / 12

HEX #E04DD3

RGB 224 77 211

HSL 305.31, 0.7%, 0.59%

LAB 57.9, 71.59, -40.33

 

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

CMYK 66 / 32 / 0 / 12

HEX #4D99E0

RGB 77 153 224

HSL 208.98, 0.7%, 0.59%

LAB 61.43, -1.43, -42.96

 

CMYK 0 / 66 / 32 / 12

HEX #E04D99

RGB 224 77 153

HSL 328.98, 0.7%, 0.59%

LAB 55.54, 63.65, -10.46

 

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

CMYK 66 / 0 / 21 / 12

HEX #4DE0B1

RGB 77 224 177

HSL 160.82, 0.7%, 0.59%

LAB 80.77, -49.91, 11.71

 

CMYK 34 / 66 / 0 / 12

HEX #944DE0

RGB 148 77 224

HSL 268.98, 0.7%, 0.59%

LAB 48.24, 57.06, -63.73

 

CMYK 0 / 66 / 45 / 12

HEX #E04D7C

RGB 224 77 124

HSL 340.82, 0.7%, 0.59%

LAB 54.67, 60.58, 5.41

 

CMYK 32 / 0 / 65 / 13

HEX #97DF4D

RGB 151 223 77

HSL 89.59, 0.7%, 0.59%

LAB 81.78, -45.24, 62.07

 

CMYK 66 / 0 / 1 / 12

HEX #4DE0DD

RGB 77 224 221

HSL 178.78, 0.7%, 0.59%

LAB 81.9, -38.83, -9.98

 

CMYK 34 / 66 / 0 / 12

HEX #944DE0

RGB 148 77 224

HSL 268.98, 0.7%, 0.59%

LAB 48.24, 57.06, -63.73

 

CMYK 0 / 66 / 64 / 12

HEX #E04D50

RGB 224 77 80

HSL 358.78, 0.7%, 0.59%

LAB 53.74, 57.22, 30.17

 

Description

Color code: HEX #97DF4D | qconv.com Color code: HEX #97DF4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 223 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 223 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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