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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97DBF4 it is the complementary color #68240B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97DBF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97DBF4 shade: #9CDBEF, #ADEDFF, #BEFFFF, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97DBF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97DBF4 shade: #97DBF4, #86C9E1, #75B7CE, #64A5BB and #5393A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97DBF4 shade: #95DAF4, #95C1F4, #95A7F4, #9C95F4 and #B695F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97DBF4 shade: #95DAF4, #95C1F4, #95A7F4 and #9595F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97DBF4 shade matches the following richer shades: #95DAF4 and #8BDFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97DBF4 shade: #95DAF4, #9ED6EA, #A8D2E1, #B1CDD7 and #BBC9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97DBF4 shade: #95F4DB, #95F4F4, #95DBF4, #95C1F4 and #95A8F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97DBF4 shade: #4AC1EC, #70CDF0, #95DAF4, #BAE7F8 and #E0F4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97DBF4 shade: #97DBF4, #C195F4 and #F4E795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97DBF4 shade: #97DBF4, #F495DB and #DBF495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97DBF4 shade: #97DBF4, #C195F4, #F4AE95 and #C8F495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97DBF4 shade: #97DBF4, #DE95F4, #F4AE95 and #ABF495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

Complementary color

CMYK 0 / 65 / 89 / 59

HEX #68240B

RGB 104 36 11

HSL 16.13, 0.81%, 0.23%

LAB 24.41, 29.22, 30.71

 

CMYK 35 / 8 / 0 / 6

HEX #9CDBEF

RGB 156 219 239

HSL 194.46, 0.72%, 0.77%

LAB 83.95, -15.1, -16.16

 

CMYK 32 / 7 / 0 / 0

HEX #ADEDFF

RGB 173 237 255

HSL 193.17, 1%, 0.84%

LAB 90.17, -15.84, -15.14

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

CMYK 40 / 11 / 0 / 12

HEX #86C9E1

RGB 134 201 225

HSL 195.82, 0.6%, 0.7%

LAB 77.45, -15.1, -18.59

 

CMYK 43 / 11 / 0 / 19

HEX #75B7CE

RGB 117 183 206

HSL 195.51, 0.48%, 0.63%

LAB 70.94, -14.98, -18.2

 

CMYK 47 / 12 / 0 / 27

HEX #64A5BB

RGB 100 165 187

HSL 195.17, 0.39%, 0.56%

LAB 64.33, -14.82, -17.8

 

CMYK 51 / 13 / 0 / 34

HEX #5393A8

RGB 83 147 168

HSL 194.82, 0.34%, 0.49%

LAB 57.59, -14.6, -17.38

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF4

RGB 149 218 244

HSL 196.42, 0.81%, 0.77%

LAB 83.48, -15.19, -19.55

 

CMYK 39 / 21 / 0 / 4

HEX #95C1F4

RGB 149 193 244

HSL 212.21, 0.81%, 0.77%

LAB 76.72, -2.04, -29.85

 

CMYK 39 / 32 / 0 / 4

HEX #95A7F4

RGB 149 167 244

HSL 228.63, 0.81%, 0.77%

LAB 69.87, 12.36, -40.47

 

CMYK 36 / 39 / 0 / 4

HEX #9C95F4

RGB 156 149 244

HSL 244.42, 0.81%, 0.77%

LAB 65.82, 24.45, -46.77

 

CMYK 25 / 39 / 0 / 4

HEX #B695F4

RGB 182 149 244

HSL 260.84, 0.81%, 0.77%

LAB 68, 31.54, -43.2

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF4

RGB 149 218 244

HSL 196.42, 0.81%, 0.77%

LAB 83.48, -15.19, -19.55

 

CMYK 39 / 21 / 0 / 4

HEX #95C1F4

RGB 149 193 244

HSL 212.21, 0.81%, 0.77%

LAB 76.72, -2.04, -29.85

 

CMYK 39 / 32 / 0 / 4

HEX #95A7F4

RGB 149 167 244

HSL 228.63, 0.81%, 0.77%

LAB 69.87, 12.36, -40.47

 

CMYK 39 / 39 / 0 / 4

HEX #9595F4

RGB 149 149 244

HSL 240, 0.81%, 0.77%

LAB 65.29, 22.64, -47.64

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF4

RGB 149 218 244

HSL 196.42, 0.81%, 0.77%

LAB 83.48, -15.19, -19.55

 

CMYK 45 / 12 / 0 / 1

HEX #8BDFFD

RGB 139 223 253

HSL 195.79, 0.97%, 0.77%

LAB 84.67, -17.85, -22.55

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF4

RGB 149 218 244

HSL 196.42, 0.81%, 0.77%

LAB 83.48, -15.19, -19.55

 

CMYK 32 / 9 / 0 / 8

HEX #9ED6EA

RGB 158 214 234

HSL 195.79, 0.64%, 0.77%

LAB 82.54, -13.21, -15.6

 

CMYK 25 / 7 / 0 / 12

HEX #A8D2E1

RGB 168 210 225

HSL 195.79, 0.49%, 0.77%

LAB 81.76, -10.39, -11.92

 

CMYK 18 / 5 / 0 / 16

HEX #B1CDD7

RGB 177 205 215

HSL 195.79, 0.32%, 0.77%

LAB 80.69, -7.24, -8.11

 

CMYK 9 / 2 / 0 / 19

HEX #BBC9CE

RGB 187 201 206

HSL 195.79, 0.16%, 0.77%

LAB 80.06, -3.77, -4.13

 

CMYK 39 / 0 / 10 / 4

HEX #95F4DB

RGB 149 244 219

HSL 164.21, 0.81%, 0.77%

LAB 89.95, -33.75, 3.2

 

CMYK 39 / 0 / 0 / 4

HEX #95F4F4

RGB 149 244 244

HSL 180, 0.81%, 0.77%

LAB 90.61, -28.05, -8.87

 

CMYK 39 / 10 / 0 / 4

HEX #95DBF4

RGB 149 219 244

HSL 195.79, 0.81%, 0.77%

LAB 83.75, -15.7, -19.14

 

CMYK 39 / 21 / 0 / 4

HEX #95C1F4

RGB 149 193 244

HSL 212.21, 0.81%, 0.77%

LAB 76.72, -2.04, -29.85

 

CMYK 39 / 31 / 0 / 4

HEX #95A8F4

RGB 149 168 244

HSL 228, 0.81%, 0.77%

LAB 70.12, 11.79, -40.06

 

CMYK 69 / 18 / 0 / 7

HEX #4AC1EC

RGB 74 193 236

HSL 195.93, 0.81%, 0.61%

LAB 73.32, -19.8, -31.03

 

CMYK 53 / 15 / 0 / 6

HEX #70CDF0

RGB 112 205 240

HSL 196.41, 0.81%, 0.69%

LAB 78.11, -18.15, -25.73

 

CMYK 39 / 11 / 0 / 4

HEX #95DAF4

RGB 149 218 244

HSL 196.42, 0.81%, 0.77%

LAB 83.48, -15.19, -19.55

 

CMYK 25 / 7 / 0 / 3

HEX #BAE7F8

RGB 186 231 248

HSL 196.45, 0.82%, 0.85%

LAB 89.1, -10.75, -13.01

 

CMYK 11 / 3 / 0 / 1

HEX #E0F4FC

RGB 224 244 252

HSL 197.14, 0.82%, 0.93%

LAB 94.98, -4.99, -6.09

 

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

CMYK 21 / 39 / 0 / 4

HEX #C195F4

RGB 193 149 244

HSL 267.79, 0.81%, 0.77%

LAB 69.01, 34.67, -41.54

 

CMYK 0 / 5 / 39 / 4

HEX #F4E795

RGB 244 231 149

HSL 51.79, 0.81%, 0.77%

LAB 91.03, -7.02, 41.49

 

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

CMYK 0 / 39 / 10 / 4

HEX #F495DB

RGB 244 149 219

HSL 315.79, 0.81%, 0.77%

LAB 73.44, 45.38, -20.56

 

CMYK 10 / 0 / 39 / 4

HEX #DBF495

RGB 219 244 149

HSL 75.79, 0.81%, 0.77%

LAB 92.54, -22.9, 43.05

 

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

CMYK 21 / 39 / 0 / 4

HEX #C195F4

RGB 193 149 244

HSL 267.79, 0.81%, 0.77%

LAB 69.01, 34.67, -41.54

 

CMYK 0 / 29 / 39 / 4

HEX #F4AE95

RGB 244 174 149

HSL 15.79, 0.81%, 0.77%

LAB 77.09, 22.55, 23.02

 

CMYK 18 / 0 / 39 / 4

HEX #C8F495

RGB 200 244 149

HSL 87.79, 0.81%, 0.77%

LAB 91.3, -29.83, 41.21

 

CMYK 38 / 10 / 0 / 4

HEX #97DBF4

RGB 151 219 244

HSL 196.13, 0.81%, 0.77%

LAB 83.85, -15.18, -18.98

 

CMYK 9 / 39 / 0 / 4

HEX #DE95F4

RGB 222 149 244

HSL 286.11, 0.81%, 0.77%

LAB 71.93, 43.13, -36.77

 

CMYK 0 / 29 / 39 / 4

HEX #F4AE95

RGB 244 174 149

HSL 15.79, 0.81%, 0.77%

LAB 77.09, 22.55, 23.02

 

CMYK 30 / 0 / 39 / 4

HEX #ABF495

RGB 171 244 149

HSL 106.11, 0.81%, 0.77%

LAB 89.64, -39.78, 38.74

 

Description

Color code: HEX #97DBF4 | qconv.com Color code: HEX #97DBF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 219 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 219 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 10 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 10% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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