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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97BDF33F it is the complementary color #68420C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97BDF33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97BDF33F shade: #9CBDEE3F, #ADCFFF3F, #BEE1FF3F, #CFF3FF3F and #E0FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97BDF33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97BDF33F shade: #97BDF33F, #86ABE03F, #7599CD3F, #6487BA3F and #5375A73F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97BDF33F shade: #96BCF3, #96A3F3, #A296F3, #BB96F3 and #D496F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97BDF33F shade: #96BCF3, #96A3F3 and #9696F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97BDF33F shade matches the following richer shades: #96BCF3 and #8DBBFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97BDF33F shade: #96BCF3, #A0BEE9, #A9C0E0, #B2C1D6 and #BCC3CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97BDF33F shade: #96EEF3, #96D5F3, #96BDF3, #96A4F3 and #A196F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97BDF33F shade: #4C8DEA, #71A5EE, #96BCF3, #BBD4F7 and #E0EBFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97BDF33F shade: #97BDF3, #DF96F3 and #E2F396

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97BDF33F shade: #97BDF3, #F396BD and #BDF396

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97BDF33F shade: #97BDF3, #DF96F3, #F3CC96 and #AAF396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97BDF33F shade: #97BDF3, #F396EB, #F3CC96 and #96F39E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 6 / 0 / 1

HEX #97BDF33F

RGBA 151 189 243 0.25

HSLA 215.22, 0.79%, 0.77%, 0.25

LABA 75.73, 0.4, -30.83, 0.25

 

Complementary color

CMYK 0 / 9 / 22 / 15

HEX #68420C3F

RGBA 104 66 12 0.25

HSLA 35.22, 0.79%, 0.23%, 0.25

LABA 31.5, 11.83, 36.59, 0.25

 

CMYK 9 / 5 / 0 / 2

HEX #9CBDEE3F

RGBA 156 189 238 0.25

HSLA 215.85, 0.71%, 0.77%, 0.25

LABA 75.85, 0.45, -27.92, 0.25

 

CMYK 8 / 5 / 0 / 0

HEX #ADCFFF3F

RGBA 173 207 255 0.25

HSLA 215.12, 1%, 0.84%, 0.25

LABA 82.23, -0.31, -27.15, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #BEE1FF3F

RGBA 190 225 255 0.25

HSLA 207.69, 1%, 0.87%, 0.25

LABA 87.98, -4.94, -18.33, 0.25

 

CMYK 5 / 1 / 0 / 0

HEX #CFF3FF3F

RGBA 207 243 255 0.25

HSLA 195, 1%, 0.91%, 0.25

LABA 93.7, -9.12, -9.66, 0.25

 

CMYK 3 / 0 / 0 / 0

HEX #E0FFFF3F

RGBA 224 255 255 0.25

HSLA 180, 1%, 0.94%, 0.25

LABA 97.87, -9.94, -3.38, 0.25

 

CMYK 9 / 6 / 0 / 1

HEX #97BDF33F

RGBA 151 189 243 0.25

HSLA 215.22, 0.79%, 0.77%, 0.25

LABA 75.73, 0.4, -30.83, 0.25

 

CMYK 10 / 6 / 0 / 3

HEX #86ABE03F

RGBA 134 171 224 0.25

HSLA 215.33, 0.59%, 0.7%, 0.25

LABA 69.17, 0.76, -30.7, 0.25

 

CMYK 11 / 6 / 0 / 5

HEX #7599CD3F

RGBA 117 153 205 0.25

HSLA 215.45, 0.47%, 0.63%, 0.25

LABA 62.48, 1.18, -30.6, 0.25

 

CMYK 12 / 7 / 0 / 7

HEX #6487BA3F

RGBA 100 135 186 0.25

HSLA 215.58, 0.38%, 0.56%, 0.25

LABA 55.67, 1.68, -30.54, 0.25

 

CMYK 13 / 7 / 0 / 9

HEX #5375A73F

RGBA 83 117 167 0.25

HSLA 215.71, 0.34%, 0.49%, 0.25

LABA 48.7, 2.3, -30.51, 0.25

 

CMYK 38 / 23 / 0 / 5

HEX #96BCF3

RGB 150 188 243

HSL 215.48, 0.79%, 0.77%

LAB 75.4, 0.68, -31.33

 

CMYK 38 / 33 / 0 / 5

HEX #96A3F3

RGB 150 163 243

HSL 231.61, 0.79%, 0.77%

LAB 68.86, 14.62, -41.49

 

CMYK 33 / 38 / 0 / 5

HEX #A296F3

RGB 162 150 243

HSL 247.74, 0.79%, 0.77%

LAB 66.49, 25.22, -45.14

 

CMYK 23 / 38 / 0 / 5

HEX #BB96F3

RGB 187 150 243

HSL 263.87, 0.79%, 0.77%

LAB 68.64, 32.17, -41.61

 

CMYK 13 / 38 / 0 / 5

HEX #D496F3

RGB 212 150 243

HSL 280, 0.79%, 0.77%

LAB 71.06, 39.44, -37.65

 

CMYK 38 / 23 / 0 / 5

HEX #96BCF3

RGB 150 188 243

HSL 215.48, 0.79%, 0.77%

LAB 75.4, 0.68, -31.33

 

CMYK 38 / 33 / 0 / 5

HEX #96A3F3

RGB 150 163 243

HSL 231.61, 0.79%, 0.77%

LAB 68.86, 14.62, -41.49

 

CMYK 38 / 38 / 0 / 5

HEX #9696F3

RGB 150 150 243

HSL 240, 0.79%, 0.77%

LAB 65.57, 22.05, -46.66

 

CMYK 38 / 23 / 0 / 5

HEX #96BCF3

RGB 150 188 243

HSL 215.48, 0.79%, 0.77%

LAB 75.4, 0.68, -31.33

 

CMYK 44 / 26 / 0 / 1

HEX #8DBBFC

RGB 141 187 252

HSL 215.14, 0.95%, 0.77%

LAB 74.97, 1.37, -36.89

 

CMYK 38 / 23 / 0 / 5

HEX #96BCF3

RGB 150 188 243

HSL 215.48, 0.79%, 0.77%

LAB 75.4, 0.68, -31.33

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE9

RGB 160 190 233

HSL 215.34, 0.62%, 0.77%

LAB 76.18, -0.22, -24.69

 

CMYK 25 / 14 / 0 / 12

HEX #A9C0E0

RGB 169 192 224

HSL 214.91, 0.47%, 0.77%

LAB 76.99, -0.82, -18.55

 

CMYK 17 / 10 / 0 / 16

HEX #B2C1D6

RGB 178 193 214

HSL 215, 0.31%, 0.77%

LAB 77.56, -0.79, -12.24

 

CMYK 8 / 5 / 0 / 20

HEX #BCC3CD

RGB 188 195 205

HSL 215.29, 0.15%, 0.77%

LAB 78.54, -0.46, -5.84

 

CMYK 38 / 2 / 0 / 5

HEX #96EEF3

RGB 150 238 243

HSL 183.23, 0.79%, 0.77%

LAB 88.97, -25.15, -10.77

 

CMYK 38 / 12 / 0 / 5

HEX #96D5F3

RGB 150 213 243

HSL 199.35, 0.79%, 0.77%

LAB 82.13, -12.61, -21.05

 

CMYK 38 / 22 / 0 / 5

HEX #96BDF3

RGB 150 189 243

HSL 214.84, 0.79%, 0.77%

LAB 75.67, 0.13, -30.92

 

CMYK 38 / 33 / 0 / 5

HEX #96A4F3

RGB 150 164 243

HSL 230.97, 0.79%, 0.77%

LAB 69.12, 14.05, -41.09

 

CMYK 34 / 38 / 0 / 5

HEX #A196F3

RGB 161 150 243

HSL 247.1, 0.79%, 0.77%

LAB 66.41, 24.95, -45.27

 

CMYK 68 / 40 / 0 / 8

HEX #4C8DEA

RGB 76 141 234

HSL 215.32, 0.79%, 0.61%

LAB 58.53, 8.86, -53.1

 

CMYK 53 / 31 / 0 / 7

HEX #71A5EE

RGB 113 165 238

HSL 215.04, 0.79%, 0.69%

LAB 66.97, 3.11, -41.87

 

CMYK 38 / 23 / 0 / 5

HEX #96BCF3

RGB 150 188 243

HSL 215.48, 0.79%, 0.77%

LAB 75.4, 0.68, -31.33

 

CMYK 24 / 14 / 0 / 3

HEX #BBD4F7

RGB 187 212 247

HSL 215, 0.79%, 0.85%

LAB 84.16, -0.83, -19.9

 

CMYK 11 / 6 / 0 / 2

HEX #E0EBFB

RGB 224 235 251

HSL 215.56, 0.77%, 0.93%

LAB 92.68, -0.59, -8.98

 

CMYK 38 / 22 / 0 / 5

HEX #97BDF3

RGB 151 189 243

HSL 215.22, 0.79%, 0.77%

LAB 75.73, 0.4, -30.83

 

CMYK 8 / 38 / 0 / 5

HEX #DF96F3

RGB 223 150 243

HSL 287.1, 0.79%, 0.77%

LAB 72.21, 42.7, -35.79

 

CMYK 7 / 0 / 38 / 5

HEX #E2F396

RGB 226 243 150

HSL 70.97, 0.79%, 0.77%

LAB 92.78, -19.69, 42.97

 

CMYK 38 / 22 / 0 / 5

HEX #97BDF3

RGB 151 189 243

HSL 215.22, 0.79%, 0.77%

LAB 75.73, 0.4, -30.83

 

CMYK 0 / 38 / 22 / 5

HEX #F396BD

RGB 243 150 189

HSL 334.84, 0.79%, 0.77%

LAB 72.59, 39.93, -5.31

 

CMYK 22 / 0 / 38 / 5

HEX #BDF396

RGB 189 243 150

HSL 94.84, 0.79%, 0.77%

LAB 90.38, -33.11, 39.39

 

CMYK 38 / 22 / 0 / 5

HEX #97BDF3

RGB 151 189 243

HSL 215.22, 0.79%, 0.77%

LAB 75.73, 0.4, -30.83

 

CMYK 8 / 38 / 0 / 5

HEX #DF96F3

RGB 223 150 243

HSL 287.1, 0.79%, 0.77%

LAB 72.21, 42.7, -35.79

 

CMYK 0 / 16 / 38 / 5

HEX #F3CC96

RGB 243 204 150

HSL 34.84, 0.79%, 0.77%

LAB 84.2, 6.5, 32.04

 

CMYK 30 / 0 / 38 / 5

HEX #AAF396

RGB 170 243 150

HSL 107.1, 0.79%, 0.77%

LAB 89.32, -39.52, 37.82

 

CMYK 38 / 22 / 0 / 5

HEX #97BDF3

RGB 151 189 243

HSL 215.22, 0.79%, 0.77%

LAB 75.73, 0.4, -30.83

 

CMYK 0 / 38 / 3 / 5

HEX #F396EB

RGB 243 150 235

HSL 305.16, 0.79%, 0.77%

LAB 74.1, 47.26, -28.32

 

CMYK 0 / 16 / 38 / 5

HEX #F3CC96

RGB 243 204 150

HSL 34.84, 0.79%, 0.77%

LAB 84.2, 6.5, 32.04

 

CMYK 38 / 0 / 35 / 5

HEX #96F39E

RGB 150 243 158

HSL 125.16, 0.79%, 0.77%

LAB 88.47, -44.55, 32.52

 

Description

Color code: HEX #97BDF33F | qconv.com Color code: HEX #97BDF33F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 189 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 189 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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