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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97BD0C it is the complementary color #6842F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97BD0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97BD0C shade: #9CBD07, #ADCF1A, #BEE12D, #CFF340 and #E0FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97BD0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97BD0C shade: #97BD0C, #86AB00, #759900, #648700 and #537500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97BD0C shade: #95BB0C, #BBB10C, #BB820C, #BB530C and #BB240C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97BD0C shade: #95BB0C, #66BB0C, #37BB0C, #0CBB10 and #0CBB3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97BD0C shade matches the following richer shades: #95BB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97BD0C shade: #95BB0C, #8CAB1C, #839B2C, #7A8B3C and #717B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97BD0C shade: #BB810C, #BBAF0C, #98BB0C, #69BB0C and #3BBB0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97BD0C shade: #576D07, #769409, #95BB0C, #B4E20E and #C6F128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97BD0C shade: #97BD0C, #0CBB52 and #980CBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97BD0C shade: #97BD0C, #0C98BB and #BB0C98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97BD0C shade: #97BD0C, #0CBB52, #2F0CBB and #BB0C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97BD0C shade: #97BD0C, #0CBB86, #2F0CBB and #BB0C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

Complementary color

CMYK 57 / 73 / 0 / 5

HEX #6842F3

RGB 104 66 243

HSL 252.88, 0.88%, 0.61%

LAB 43.23, 60.01, -82.83

 

CMYK 17 / 0 / 96 / 26

HEX #9CBD07

RGB 156 189 7

HSL 70.88, 0.93%, 0.38%

LAB 71.88, -31.15, 71.74

 

CMYK 16 / 0 / 87 / 19

HEX #ADCF1A

RGB 173 207 26

HSL 71.27, 0.78%, 0.46%

LAB 78.22, -32.26, 74.6

 

CMYK 16 / 0 / 80 / 12

HEX #BEE12D

RGB 190 225 45

HSL 71.67, 0.75%, 0.53%

LAB 84.48, -33.17, 76.13

 

CMYK 15 / 0 / 74 / 5

HEX #CFF340

RGB 207 243 64

HSL 72.07, 0.88%, 0.6%

LAB 90.66, -33.92, 76.71

 

CMYK 12 / 0 / 67 / 0

HEX #E0FF53

RGB 224 255 83

HSL 70.81, 1%, 0.66%

LAB 95.16, -31.8, 75.04

 

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

CMYK 22 / 0 / 100 / 33

HEX #86AB00

RGB 134 171 0

HSL 72.98, 1%, 0.34%

LAB 65.12, -31.89, 66.77

 

CMYK 24 / 0 / 100 / 40

HEX #759900

RGB 117 153 0

HSL 74.12, 1%, 0.3%

LAB 58.57, -30.47, 61.31

 

CMYK 26 / 0 / 100 / 47

HEX #648700

RGB 100 135 0

HSL 75.56, 1%, 0.26%

LAB 51.88, -29.03, 55.74

 

CMYK 29 / 0 / 100 / 54

HEX #537500

RGB 83 117 0

HSL 77.44, 1%, 0.23%

LAB 45.03, -27.57, 50.04

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 0 / 5 / 94 / 27

HEX #BBB10C

RGB 187 177 12

HSL 56.57, 0.88%, 0.39%

LAB 70.9, -11.84, 71.46

 

CMYK 0 / 30 / 94 / 27

HEX #BB820C

RGB 187 130 12

HSL 40.46, 0.88%, 0.39%

LAB 58.56, 13.44, 62.24

 

CMYK 0 / 56 / 94 / 27

HEX #BB530C

RGB 187 83 12

HSL 24.34, 0.88%, 0.39%

LAB 47.98, 38.73, 54.71

 

CMYK 0 / 81 / 94 / 27

HEX #BB240C

RGB 187 36 12

HSL 8.23, 0.88%, 0.39%

LAB 40.98, 57.57, 50.1

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 45 / 0 / 94 / 27

HEX #66BB0C

RGB 102 187 12

HSL 89.14, 0.88%, 0.39%

LAB 68.31, -50.4, 67.08

 

CMYK 71 / 0 / 94 / 27

HEX #37BB0C

RGB 55 187 12

HSL 105.26, 0.88%, 0.39%

LAB 66.81, -62.48, 65.23

 

CMYK 94 / 0 / 91 / 27

HEX #0CBB10

RGB 12 187 16

HSL 121.37, 0.88%, 0.39%

LAB 66.26, -67.34, 63.97

 

CMYK 94 / 0 / 66 / 27

HEX #0CBB3F

RGB 12 187 63

HSL 137.49, 0.88%, 0.39%

LAB 66.5, -64.19, 50.08

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 18 / 0 / 84 / 33

HEX #8CAB1C

RGB 140 171 28

HSL 73.01, 0.72%, 0.39%

LAB 65.58, -28.79, 62.64

 

CMYK 15 / 0 / 72 / 39

HEX #839B2C

RGB 131 155 44

HSL 72.97, 0.56%, 0.39%

LAB 60.29, -24.03, 52.43

 

CMYK 12 / 0 / 57 / 45

HEX #7A8B3C

RGB 122 139 60

HSL 72.91, 0.4%, 0.39%

LAB 55, -18.5, 39.53

 

CMYK 8 / 0 / 38 / 52

HEX #717B4C

RGB 113 123 76

HSL 72.77, 0.24%, 0.39%

LAB 49.74, -11.96, 24.48

 

CMYK 0 / 31 / 94 / 27

HEX #BB810C

RGB 187 129 12

HSL 40.11, 0.88%, 0.39%

LAB 58.31, 13.99, 62.06

 

CMYK 0 / 6 / 94 / 27

HEX #BBAF0C

RGB 187 175 12

HSL 55.89, 0.88%, 0.39%

LAB 70.35, -10.81, 71.04

 

CMYK 19 / 0 / 94 / 27

HEX #98BB0C

RGB 152 187 12

HSL 72, 0.88%, 0.39%

LAB 71.04, -31.78, 70.41

 

CMYK 44 / 0 / 94 / 27

HEX #69BB0C

RGB 105 187 12

HSL 88.11, 0.88%, 0.39%

LAB 68.44, -49.42, 67.24

 

CMYK 68 / 0 / 94 / 27

HEX #3BBB0C

RGB 59 187 12

HSL 103.89, 0.88%, 0.39%

LAB 66.9, -61.72, 65.34

 

CMYK 20 / 0 / 94 / 57

HEX #576D07

RGB 87 109 7

HSL 72.94, 0.88%, 0.23%

LAB 42.73, -21.62, 46.72

 

CMYK 20 / 0 / 94 / 42

HEX #769409

RGB 118 148 9

HSL 72.95, 0.89%, 0.31%

LAB 57.13, -27.48, 58.83

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 20 / 0 / 94 / 11

HEX #B4E20E

RGB 180 226 14

HSL 73.02, 0.88%, 0.47%

LAB 84.03, -38.33, 81.15

 

CMYK 18 / 0 / 83 / 5

HEX #C6F128

RGB 198 241 40

HSL 72.84, 0.88%, 0.55%

LAB 89.43, -37.44, 81.81

 

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

CMYK 94 / 0 / 56 / 27

HEX #0CBB52

RGB 12 187 82

HSL 144, 0.88%, 0.39%

LAB 66.69, -61.82, 41.75

 

CMYK 19 / 94 / 0 / 27

HEX #980CBB

RGB 152 12 187

HSL 288, 0.88%, 0.39%

LAB 38.77, 71.15, -57.66

 

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

CMYK 94 / 19 / 0 / 27

HEX #0C98BB

RGB 12 152 187

HSL 192, 0.88%, 0.39%

LAB 58.15, -20.51, -27.45

 

CMYK 0 / 94 / 19 / 27

HEX #BB0C98

RGB 187 12 152

HSL 312, 0.88%, 0.39%

LAB 42.91, 71.88, -29.79

 

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

CMYK 94 / 0 / 56 / 27

HEX #0CBB52

RGB 12 187 82

HSL 144, 0.88%, 0.39%

LAB 66.69, -61.82, 41.75

 

CMYK 75 / 94 / 0 / 27

HEX #2F0CBB

RGB 47 12 187

HSL 252, 0.88%, 0.39%

LAB 25.12, 60.92, -80.6

 

CMYK 0 / 94 / 37 / 27

HEX #BB0C75

RGB 187 12 117

HSL 324, 0.88%, 0.39%

LAB 41.39, 67.92, -10.63

 

CMYK 20 / 0 / 94 / 26

HEX #97BD0C

RGB 151 189 12

HSL 72.88, 0.88%, 0.39%

LAB 71.56, -33.12, 70.79

 

CMYK 94 / 0 / 28 / 27

HEX #0CBB86

RGB 12 187 134

HSL 161.83, 0.88%, 0.39%

LAB 67.53, -52.01, 15.95

 

CMYK 75 / 94 / 0 / 27

HEX #2F0CBB

RGB 47 12 187

HSL 252, 0.88%, 0.39%

LAB 25.12, 60.92, -80.6

 

CMYK 0 / 94 / 66 / 27

HEX #BB0C40

RGB 187 12 64

HSL 342.17, 0.88%, 0.39%

LAB 39.91, 63.89, 20.82

 

Description

Color code: HEX #97BD0C | qconv.com Color code: HEX #97BD0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 189 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 189 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 94 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 94% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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