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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97BC49 it is the complementary color #6843B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97BC49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97BC49 shade: #9CBC44, #ADCE57, #BEE06A, #CFF27D and #E0FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97BC49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97BC49 shade: #97BC49, #86AA36, #759823, #648610 and #537400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97BC49 shade: #97BC49, #B6BC49, #BCA349, #BC8449 and #BC6549

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97BC49 shade: #97BC49, #78BC49, #59BC49, #49BC58 and #49BC77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97BC49 shade matches the following richer shades: #97BC49, #9ED034, #A5E420 and #ACF80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97BC49 shade: #97BC49, #8FA75D, #889371, #817F85 and #7A6B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97BC49 shade: #BCA349, #B6BC49, #97BC49, #78BC49 and #5ABC49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97BC49 shade: #678230, #7FA03B, #97BC49, #A8C767 and #B9D285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97BC49 shade: #97BC49, #49BC84 and #B249BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97BC49 shade: #97BC49, #4997BC and #BC4997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97BC49 shade: #97BC49, #49BC84, #6D49BC and #BC4980

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97BC49 shade: #97BC49, #49BCA6, #6D49BC and #BC495E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

Complementary color

CMYK 43 / 63 / 0 / 29

HEX #6843B6

RGB 104 67 182

HSL 259.3, 0.46%, 0.49%

LAB 38.44, 42.35, -55.56

 

CMYK 17 / 0 / 64 / 26

HEX #9CBC44

RGB 156 188 68

HSL 76, 0.47%, 0.5%

LAB 71.86, -28.22, 55.25

 

CMYK 16 / 0 / 58 / 19

HEX #ADCE57

RGB 173 206 87

HSL 76.64, 0.55%, 0.57%

LAB 78.3, -28.58, 54.42

 

CMYK 15 / 0 / 53 / 12

HEX #BEE06A

RGB 190 224 106

HSL 77.29, 0.66%, 0.65%

LAB 84.64, -28.83, 53.41

 

CMYK 14 / 0 / 48 / 5

HEX #CFF27D

RGB 207 242 125

HSL 77.95, 0.82%, 0.72%

LAB 90.89, -29.02, 52.33

 

CMYK 12 / 0 / 44 / 0

HEX #E0FF90

RGB 224 255 144

HSL 76.76, 1%, 0.78%

LAB 95.74, -26.83, 49.57

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 21 / 0 / 68 / 33

HEX #86AA36

RGB 134 170 54

HSL 78.62, 0.52%, 0.44%

LAB 65.03, -29.45, 53.37

 

CMYK 23 / 0 / 77 / 40

HEX #759823

RGB 117 152 35

HSL 77.95, 0.63%, 0.37%

LAB 58.38, -28.92, 53.49

 

CMYK 25 / 0 / 88 / 47

HEX #648610

RGB 100 134 16

HSL 77.29, 0.79%, 0.29%

LAB 51.61, -28.14, 52.49

 

CMYK 28 / 0 / 100 / 55

HEX #537400

RGB 83 116 0

HSL 77.07, 1%, 0.23%

LAB 44.7, -27.09, 49.79

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 3 / 0 / 61 / 26

HEX #B6BC49

RGB 182 188 73

HSL 63.13, 0.46%, 0.51%

LAB 73.8, -17.19, 55.77

 

CMYK 0 / 13 / 61 / 26

HEX #BCA349

RGB 188 163 73

HSL 46.96, 0.46%, 0.51%

LAB 67.55, -1.62, 49.05

 

CMYK 0 / 30 / 61 / 26

HEX #BC8449

RGB 188 132 73

HSL 30.78, 0.46%, 0.51%

LAB 59.59, 15.32, 39.94

 

CMYK 0 / 46 / 61 / 26

HEX #BC6549

RGB 188 101 73

HSL 14.61, 0.46%, 0.51%

LAB 52.38, 32.31, 31.24

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 36 / 0 / 61 / 26

HEX #78BC49

RGB 120 188 73

HSL 95.48, 0.46%, 0.51%

LAB 69.78, -41.34, 50.21

 

CMYK 53 / 0 / 61 / 26

HEX #59BC49

RGB 89 188 73

HSL 111.65, 0.46%, 0.51%

LAB 68.44, -51.01, 48.33

 

CMYK 61 / 0 / 53 / 26

HEX #49BC58

RGB 73 188 88

HSL 127.83, 0.46%, 0.51%

LAB 68.09, -53.17, 40.77

 

CMYK 61 / 0 / 37 / 26

HEX #49BC77

RGB 73 188 119

HSL 144, 0.46%, 0.51%

LAB 68.54, -48.12, 25.53

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 24 / 0 / 75 / 18

HEX #9ED034

RGB 158 208 52

HSL 79.23, 0.62%, 0.51%

LAB 77.66, -37.7, 67.09

 

CMYK 28 / 0 / 86 / 11

HEX #A5E420

RGB 165 228 32

HSL 79.29, 0.78%, 0.51%

LAB 83.75, -44.58, 77.87

 

CMYK 31 / 0 / 95 / 3

HEX #ACF80C

RGB 172 248 12

HSL 79.32, 0.94%, 0.51%

LAB 89.83, -50.79, 85.69

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 14 / 0 / 44 / 35

HEX #8FA75D

RGB 143 167 93

HSL 79.46, 0.3%, 0.51%

LAB 65.17, -20.71, 35.44

 

CMYK 7 / 0 / 23 / 42

HEX #889371

RGB 136 147 113

HSL 79.41, 0.14%, 0.51%

LAB 59.25, -10.21, 16.71

 

CMYK 3 / 5 / 0 / 48

HEX #817F85

RGB 129 127 133

HSL 260, 0.02%, 0.51%

LAB 53.53, 1.96, -2.98

 

CMYK 20 / 30 / 0 / 40

HEX #7A6B99

RGB 122 107 153

HSL 259.57, 0.18%, 0.51%

LAB 48.2, 15.8, -22.84

 

CMYK 0 / 13 / 61 / 26

HEX #BCA349

RGB 188 163 73

HSL 46.96, 0.46%, 0.51%

LAB 67.55, -1.62, 49.05

 

CMYK 3 / 0 / 61 / 26

HEX #B6BC49

RGB 182 188 73

HSL 63.13, 0.46%, 0.51%

LAB 73.8, -17.19, 55.77

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 36 / 0 / 61 / 26

HEX #78BC49

RGB 120 188 73

HSL 95.48, 0.46%, 0.51%

LAB 69.78, -41.34, 50.21

 

CMYK 52 / 0 / 61 / 26

HEX #5ABC49

RGB 90 188 73

HSL 111.13, 0.46%, 0.51%

LAB 68.48, -50.74, 48.38

 

CMYK 21 / 0 / 63 / 49

HEX #678230

RGB 103 130 48

HSL 79.76, 0.46%, 0.35%

LAB 50.76, -23.01, 40.15

 

CMYK 21 / 0 / 63 / 37

HEX #7FA03B

RGB 127 160 59

HSL 79.6, 0.46%, 0.43%

LAB 61.63, -27.08, 47.51

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 16 / 0 / 48 / 22

HEX #A8C767

RGB 168 199 103

HSL 79.38, 0.46%, 0.59%

LAB 76.16, -25.64, 44.35

 

CMYK 12 / 0 / 37 / 18

HEX #B9D285

RGB 185 210 133

HSL 79.48, 0.46%, 0.67%

LAB 80.79, -21.03, 35.44

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 61 / 0 / 30 / 26

HEX #49BC84

RGB 73 188 132

HSL 150.78, 0.46%, 0.51%

LAB 68.79, -45.55, 18.92

 

CMYK 5 / 61 / 0 / 26

HEX #B249BC

RGB 178 73 188

HSL 294.78, 0.46%, 0.51%

LAB 49.33, 58.17, -41.1

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 61 / 20 / 0 / 26

HEX #4997BC

RGB 73 151 188

HSL 199.3, 0.46%, 0.51%

LAB 59.14, -12.8, -26.39

 

CMYK 0 / 61 / 20 / 26

HEX #BC4997

RGB 188 73 151

HSL 319.3, 0.46%, 0.51%

LAB 49.12, 54.79, -19.55

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 61 / 0 / 30 / 26

HEX #49BC84

RGB 73 188 132

HSL 150.78, 0.46%, 0.51%

LAB 68.79, -45.55, 18.92

 

CMYK 42 / 61 / 0 / 26

HEX #6D49BC

RGB 109 73 188

HSL 258.78, 0.46%, 0.51%

LAB 40.65, 41.7, -55.48

 

CMYK 0 / 61 / 32 / 26

HEX #BC4980

RGB 188 73 128

HSL 331.3, 0.46%, 0.51%

LAB 48.28, 51.69, -7.03

 

CMYK 20 / 0 / 61 / 26

HEX #97BC49

RGB 151 188 73

HSL 79.3, 0.46%, 0.51%

LAB 71.57, -29.82, 52.7

 

CMYK 61 / 0 / 12 / 26

HEX #49BCA6

RGB 73 188 166

HSL 168.52, 0.46%, 0.51%

LAB 69.57, -37.66, 1.52

 

CMYK 42 / 61 / 0 / 26

HEX #6D49BC

RGB 109 73 188

HSL 258.78, 0.46%, 0.51%

LAB 40.65, 41.7, -55.48

 

CMYK 0 / 61 / 50 / 26

HEX #BC495E

RGB 188 73 94

HSL 349.04, 0.46%, 0.51%

LAB 47.32, 48.03, 12.22

 

Description

Color code: HEX #97BC49 | qconv.com Color code: HEX #97BC49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 188 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 188 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 61 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 61% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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