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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97B9FABF it is the complementary color #684605BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97B9FABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97B9FABF shade: #9CB9F5BF, #ADCBFFBF, #BEDDFFBF, #CFEFFFBF and #E0FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97B9FABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97B9FABF shade: #97B9FABF, #86A7E7BF, #7595D4BF, #6483C1BF and #5371AEBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97B9FABF shade: #99BAFA, #99A0FA, #AC99FA, #C699FA and #E099FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97B9FABF shade: #99BAFA, #99A0FA and #9999FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97B9FABF shade matches the following richer shades: #99BAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97B9FABF shade: #99BAFA, #A1BDF2, #AAC0E9, #B3C2E0 and #BBC5D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97B9FABF shade: #99EFFA, #99D5FA, #99BBFA, #99A1FA and #AB99FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97B9FABF shade: #4A85F6, #71A0F8, #99BAFA, #C0D5FC and #E8EFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97B9FABF shade: #97B9FA, #EC99FA and #E2FA99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97B9FABF shade: #97B9FA, #FA99BB and #BBFA99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97B9FABF shade: #97B9FA, #EC99FA, #FAD899 and #A7FA99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97B9FABF shade: #97B9FA, #FA99EC, #FAD899 and #99FAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 20 / 0 / 1

HEX #97B9FABF

RGBA 151 185 250 0.75

HSLA 219.39, 0.91%, 0.79%, 0.75

LABA 74.94, 4.44, -35.82, 0.75

 

Complementary color

CMYK 0 / 25 / 71 / 44

HEX #684605BF

RGBA 104 70 5 0.75

HSLA 39.39, 0.91%, 0.21%, 0.75

LABA 32.56, 9.16, 39.95, 0.75

 

CMYK 27 / 18 / 0 / 3

HEX #9CB9F5BF

RGBA 156 185 245 0.75

HSLA 220.45, 0.82%, 0.79%, 0.75

LABA 75.05, 4.44, -32.92, 0.75

 

CMYK 24 / 15 / 0 / 0

HEX #ADCBFFBF

RGBA 173 203 255 0.75

HSLA 218.05, 1%, 0.84%, 0.75

LABA 81.19, 1.83, -28.75, 0.75

 

CMYK 19 / 10 / 0 / 0

HEX #BEDDFFBF

RGBA 190 221 255 0.75

HSLA 211.38, 1%, 0.87%, 0.75

LABA 86.94, -2.86, -19.9, 0.75

 

CMYK 14 / 5 / 0 / 0

HEX #CFEFFFBF

RGBA 207 239 255 0.75

HSLA 200, 1%, 0.91%, 0.75

LABA 92.67, -7.09, -11.19, 0.75

 

CMYK 9 / 0 / 0 / 0

HEX #E0FFFFBF

RGBA 224 255 255 0.75

HSLA 180, 1%, 0.94%, 0.75

LABA 97.87, -9.94, -3.38, 0.75

 

CMYK 30 / 20 / 0 / 1

HEX #97B9FABF

RGBA 151 185 250 0.75

HSLA 219.39, 0.91%, 0.79%, 0.75

LABA 74.94, 4.44, -35.82, 0.75

 

CMYK 31 / 21 / 0 / 7

HEX #86A7E7BF

RGBA 134 167 231 0.75

HSLA 219.59, 0.67%, 0.72%, 0.75

LABA 68.37, 4.92, -35.77, 0.75

 

CMYK 34 / 22 / 0 / 13

HEX #7595D4BF

RGBA 117 149 212 0.75

HSLA 219.79, 0.52%, 0.65%, 0.75

LABA 61.68, 5.48, -35.76, 0.75

 

CMYK 36 / 24 / 0 / 18

HEX #6483C1BF

RGBA 100 131 193 0.75

HSLA 220, 0.43%, 0.57%, 0.75

LABA 54.86, 6.15, -35.79, 0.75

 

CMYK 39 / 26 / 0 / 24

HEX #5371AEBF

RGBA 83 113 174 0.75

HSLA 220.22, 0.36%, 0.5%, 0.75

LABA 47.89, 6.96, -35.86, 0.75

 

CMYK 39 / 26 / 0 / 2

HEX #99BAFA

RGB 153 186 250

HSL 219.59, 0.91%, 0.79%

LAB 75.32, 4.41, -35.21

 

CMYK 39 / 36 / 0 / 2

HEX #99A0FA

RGB 153 160 250

HSL 235.67, 0.91%, 0.79%

LAB 68.62, 18.99, -45.67

 

CMYK 31 / 39 / 0 / 2

HEX #AC99FA

RGB 172 153 250

HSL 251.75, 0.91%, 0.79%

LAB 68.35, 27.99, -45.98

 

CMYK 21 / 39 / 0 / 2

HEX #C699FA

RGB 198 153 250

HSL 267.84, 0.91%, 0.79%

LAB 70.66, 35.25, -42.21

 

CMYK 10 / 39 / 0 / 2

HEX #E099FA

RGB 224 153 250

HSL 283.92, 0.91%, 0.79%

LAB 73.24, 42.79, -37.98

 

CMYK 39 / 26 / 0 / 2

HEX #99BAFA

RGB 153 186 250

HSL 219.59, 0.91%, 0.79%

LAB 75.32, 4.41, -35.21

 

CMYK 39 / 36 / 0 / 2

HEX #99A0FA

RGB 153 160 250

HSL 235.67, 0.91%, 0.79%

LAB 68.62, 18.99, -45.67

 

CMYK 39 / 39 / 0 / 2

HEX #9999FA

RGB 153 153 250

HSL 240, 0.91%, 0.79%

LAB 66.87, 22.99, -48.42

 

CMYK 39 / 26 / 0 / 2

HEX #99BAFA

RGB 153 186 250

HSL 219.59, 0.91%, 0.79%

LAB 75.32, 4.41, -35.21

 

CMYK 39 / 26 / 0 / 2

HEX #99BAFA

RGB 153 186 250

HSL 219.59, 0.91%, 0.79%

LAB 75.32, 4.41, -35.21

 

CMYK 33 / 22 / 0 / 5

HEX #A1BDF2

RGB 161 189 242

HSL 219.26, 0.76%, 0.79%

LAB 76.3, 2.85, -29.35

 

CMYK 27 / 18 / 0 / 9

HEX #AAC0E9

RGB 170 192 233

HSL 219.05, 0.59%, 0.79%

LAB 77.36, 1.59, -22.84

 

CMYK 20 / 13 / 0 / 12

HEX #B3C2E0

RGB 179 194 224

HSL 220, 0.42%, 0.79%

LAB 78.2, 1.17, -16.66

 

CMYK 13 / 9 / 0 / 15

HEX #BBC5D8

RGB 187 197 216

HSL 219.31, 0.27%, 0.79%

LAB 79.3, 0.38, -10.64

 

CMYK 39 / 4 / 0 / 2

HEX #99EFFA

RGB 153 239 250

HSL 186.8, 0.91%, 0.79%

LAB 89.58, -23.2, -13.51

 

CMYK 39 / 15 / 0 / 2

HEX #99D5FA

RGB 153 213 250

HSL 202.89, 0.91%, 0.79%

LAB 82.52, -10.06, -24.16

 

CMYK 39 / 25 / 0 / 2

HEX #99BBFA

RGB 153 187 250

HSL 218.97, 0.91%, 0.79%

LAB 75.58, 3.86, -34.8

 

CMYK 39 / 36 / 0 / 2

HEX #99A1FA

RGB 153 161 250

HSL 235.05, 0.91%, 0.79%

LAB 68.87, 18.43, -45.27

 

CMYK 32 / 39 / 0 / 2

HEX #AB99FA

RGB 171 153 250

HSL 251.13, 0.91%, 0.79%

LAB 68.27, 27.72, -46.11

 

CMYK 70 / 46 / 0 / 4

HEX #4A85F6

RGB 74 133 246

HSL 219.42, 0.91%, 0.63%

LAB 56.96, 17.59, -62.26

 

CMYK 54 / 35 / 0 / 3

HEX #71A0F8

RGB 113 160 248

HSL 219.11, 0.91%, 0.71%

LAB 66.08, 9.05, -48.74

 

CMYK 39 / 26 / 0 / 2

HEX #99BAFA

RGB 153 186 250

HSL 219.59, 0.91%, 0.79%

LAB 75.32, 4.41, -35.21

 

CMYK 24 / 15 / 0 / 1

HEX #C0D5FC

RGB 192 213 252

HSL 219, 0.91%, 0.87%

LAB 84.91, 1.25, -21.38

 

CMYK 9 / 6 / 0 / 0

HEX #E8EFFE

RGB 232 239 254

HSL 220.91, 0.92%, 0.95%

LAB 94.33, 0.49, -8.02

 

CMYK 40 / 26 / 0 / 2

HEX #97B9FA

RGB 151 185 250

HSL 219.39, 0.91%, 0.79%

LAB 74.94, 4.44, -35.82

 

CMYK 6 / 39 / 0 / 2

HEX #EC99FA

RGB 236 153 250

HSL 291.34, 0.91%, 0.79%

LAB 74.52, 46.33, -35.9

 

CMYK 10 / 0 / 39 / 2

HEX #E2FA99

RGB 226 250 153

HSL 74.85, 0.91%, 0.79%

LAB 94.67, -22.72, 43.92

 

CMYK 40 / 26 / 0 / 2

HEX #97B9FA

RGB 151 185 250

HSL 219.39, 0.91%, 0.79%

LAB 74.94, 4.44, -35.82

 

CMYK 0 / 39 / 25 / 2

HEX #FA99BB

RGB 250 153 187

HSL 338.97, 0.91%, 0.79%

LAB 73.99, 40.5, -2.04

 

CMYK 25 / 0 / 39 / 2

HEX #BBFA99

RGB 187 250 153

HSL 98.97, 0.91%, 0.79%

LAB 92.24, -36.6, 40.3

 

CMYK 40 / 26 / 0 / 2

HEX #97B9FA

RGB 151 185 250

HSL 219.39, 0.91%, 0.79%

LAB 74.94, 4.44, -35.82

 

CMYK 6 / 39 / 0 / 2

HEX #EC99FA

RGB 236 153 250

HSL 291.34, 0.91%, 0.79%

LAB 74.52, 46.33, -35.9

 

CMYK 0 / 14 / 39 / 2

HEX #FAD899

RGB 250 216 153

HSL 38.97, 0.91%, 0.79%

LAB 87.84, 3.36, 35.43

 

CMYK 33 / 0 / 39 / 2

HEX #A7FA99

RGB 167 250 153

HSL 111.34, 0.91%, 0.79%

LAB 91.18, -43.15, 38.73

 

CMYK 40 / 26 / 0 / 2

HEX #97B9FA

RGB 151 185 250

HSL 219.39, 0.91%, 0.79%

LAB 74.94, 4.44, -35.82

 

CMYK 0 / 39 / 6 / 2

HEX #FA99EC

RGB 250 153 236

HSL 308.66, 0.91%, 0.79%

LAB 75.55, 48.04, -26.57

 

CMYK 0 / 14 / 39 / 2

HEX #FAD899

RGB 250 216 153

HSL 38.97, 0.91%, 0.79%

LAB 87.84, 3.36, 35.43

 

CMYK 39 / 0 / 33 / 2

HEX #99FAA7

RGB 153 250 167

HSL 128.66, 0.91%, 0.79%

LAB 90.75, -45.25, 31.06

 

Description

Color code: HEX #97B9FABF | qconv.com Color code: HEX #97B9FABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 185 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 185 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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