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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97AFEB it is the complementary color #685014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97AFEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97AFEB shade: #9CAFE6, #ADC1F9, #BED3FF, #CFE5FF and #E0F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97AFEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97AFEB shade: #97AFEB, #869DD8, #758BC5, #6479B2 and #53679F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97AFEB shade: #98B0EB, #989AEB, #AD98EB, #C498EB and #DA98EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97AFEB shade: #98B0EB, #989AEB and #9898EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97AFEB shade matches the following richer shades: #98B0EB and #8EACF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97AFEB shade: #98B0EB, #A2B4E2, #ACB8D8, #B6BDCE and #C0C1C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97AFEB shade: #98DEEB, #98C7EB, #98B1EB, #989BEB and #AC98EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97AFEB shade: #537BDE, #7695E5, #98B0EB, #BBCBF2 and #DDE5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97AFEB shade: #97AFEB, #E398EB and #D2EB98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97AFEB shade: #97AFEB, #EB98B1 and #B1EB98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97AFEB shade: #97AFEB, #E398EB, #EBD298 and #A1EB98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97AFEB shade: #97AFEB, #EB98DB, #EBD298 and #98EBA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

Complementary color

CMYK 0 / 23 / 81 / 59

HEX #685014

RGB 104 80 20

HSL 42.86, 0.68%, 0.24%

LAB 35.46, 3.55, 36.96

 

CMYK 32 / 24 / 0 / 10

HEX #9CAFE6

RGB 156 175 230

HSL 224.59, 0.6%, 0.76%

LAB 71.85, 6.12, -29.72

 

CMYK 31 / 22 / 0 / 2

HEX #ADC1F9

RGB 173 193 249

HSL 224.21, 0.86%, 0.83%

LAB 78.38, 5.76, -29.85

 

CMYK 25 / 17 / 0 / 0

HEX #BED3FF

RGB 190 211 255

HSL 220.62, 1%, 0.87%

LAB 84.36, 2.4, -23.81

 

CMYK 19 / 10 / 0 / 0

HEX #CFE5FF

RGB 207 229 255

HSL 212.5, 1%, 0.91%

LAB 90.1, -1.96, -15.03

 

CMYK 12 / 3 / 0 / 0

HEX #E0F7FF

RGB 224 247 255

HSL 195.48, 1%, 0.94%

LAB 95.83, -5.92, -6.39

 

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

CMYK 38 / 27 / 0 / 15

HEX #869DD8

RGB 134 157 216

HSL 223.17, 0.51%, 0.69%

LAB 65.07, 6.46, -32.62

 

CMYK 41 / 29 / 0 / 23

HEX #758BC5

RGB 117 139 197

HSL 223.5, 0.41%, 0.62%

LAB 58.3, 6.98, -32.6

 

CMYK 44 / 32 / 0 / 30

HEX #6479B2

RGB 100 121 178

HSL 223.85, 0.34%, 0.55%

LAB 51.38, 7.6, -32.63

 

CMYK 48 / 35 / 0 / 38

HEX #53679F

RGB 83 103 159

HSL 224.21, 0.31%, 0.47%

LAB 44.29, 8.35, -32.71

 

CMYK 35 / 25 / 0 / 8

HEX #98B0EB

RGB 152 176 235

HSL 222.65, 0.67%, 0.76%

LAB 72.04, 5.73, -32.17

 

CMYK 35 / 34 / 0 / 8

HEX #989AEB

RGB 152 154 235

HSL 238.55, 0.67%, 0.76%

LAB 66.36, 18.15, -41.02

 

CMYK 26 / 35 / 0 / 8

HEX #AD98EB

RGB 173 152 235

HSL 255.18, 0.67%, 0.76%

LAB 67.53, 25.15, -39.06

 

CMYK 17 / 35 / 0 / 8

HEX #C498EB

RGB 196 152 235

HSL 271.81, 0.67%, 0.76%

LAB 69.6, 31.9, -35.67

 

CMYK 7 / 35 / 0 / 8

HEX #DA98EB

RGB 218 152 235

HSL 287.71, 0.67%, 0.76%

LAB 71.8, 38.56, -32.1

 

CMYK 35 / 25 / 0 / 8

HEX #98B0EB

RGB 152 176 235

HSL 222.65, 0.67%, 0.76%

LAB 72.04, 5.73, -32.17

 

CMYK 35 / 34 / 0 / 8

HEX #989AEB

RGB 152 154 235

HSL 238.55, 0.67%, 0.76%

LAB 66.36, 18.15, -41.02

 

CMYK 35 / 35 / 0 / 8

HEX #9898EB

RGB 152 152 235

HSL 240, 0.67%, 0.76%

LAB 65.85, 19.29, -41.81

 

CMYK 35 / 25 / 0 / 8

HEX #98B0EB

RGB 152 176 235

HSL 222.65, 0.67%, 0.76%

LAB 72.04, 5.73, -32.17

 

CMYK 42 / 30 / 0 / 4

HEX #8EACF5

RGB 142 172 245

HSL 222.52, 0.84%, 0.76%

LAB 70.77, 8.02, -39.64

 

CMYK 35 / 25 / 0 / 8

HEX #98B0EB

RGB 152 176 235

HSL 222.65, 0.67%, 0.76%

LAB 72.04, 5.73, -32.17

 

CMYK 28 / 20 / 0 / 11

HEX #A2B4E2

RGB 162 180 226

HSL 223.13, 0.52%, 0.76%

LAB 73.43, 4.1, -25.1

 

CMYK 20 / 15 / 0 / 15

HEX #ACB8D8

RGB 172 184 216

HSL 223.64, 0.36%, 0.76%

LAB 74.83, 2.6, -17.46

 

CMYK 12 / 8 / 0 / 19

HEX #B6BDCE

RGB 182 189 206

HSL 222.5, 0.2%, 0.76%

LAB 76.56, 0.96, -9.37

 

CMYK 2 / 2 / 0 / 23

HEX #C0C1C4

RGB 192 193 196

HSL 225, 0.03%, 0.76%

LAB 78.07, 0.22, -1.63

 

CMYK 35 / 6 / 0 / 8

HEX #98DEEB

RGB 152 222 235

HSL 189.4, 0.67%, 0.76%

LAB 84.44, -18.65, -13.32

 

CMYK 35 / 15 / 0 / 8

HEX #98C7EB

RGB 152 199 235

HSL 206.02, 0.67%, 0.76%

LAB 78.18, -6.77, -22.76

 

CMYK 35 / 25 / 0 / 8

HEX #98B1EB

RGB 152 177 235

HSL 221.93, 0.67%, 0.76%

LAB 72.31, 5.18, -31.76

 

CMYK 35 / 34 / 0 / 8

HEX #989BEB

RGB 152 155 235

HSL 237.83, 0.67%, 0.76%

LAB 66.61, 17.58, -40.62

 

CMYK 27 / 35 / 0 / 8

HEX #AC98EB

RGB 172 152 235

HSL 254.46, 0.67%, 0.76%

LAB 67.45, 24.86, -39.2

 

CMYK 63 / 45 / 0 / 13

HEX #537BDE

RGB 83 123 222

HSL 222.73, 0.68%, 0.6%

LAB 53.25, 16.8, -54.81

 

CMYK 48 / 35 / 0 / 10

HEX #7695E5

RGB 118 149 229

HSL 223.24, 0.68%, 0.68%

LAB 62.51, 10.73, -43.9

 

CMYK 35 / 25 / 0 / 8

HEX #98B0EB

RGB 152 176 235

HSL 222.65, 0.67%, 0.76%

LAB 72.04, 5.73, -32.17

 

CMYK 23 / 16 / 0 / 5

HEX #BBCBF2

RGB 187 203 242

HSL 222.55, 0.68%, 0.84%

LAB 81.67, 2.81, -21.01

 

CMYK 11 / 8 / 0 / 2

HEX #DDE5F9

RGB 221 229 249

HSL 222.86, 0.7%, 0.92%

LAB 90.89, 1.16, -10.61

 

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

CMYK 3 / 35 / 0 / 8

HEX #E398EB

RGB 227 152 235

HSL 294.22, 0.67%, 0.76%

LAB 72.75, 41.31, -30.55

 

CMYK 11 / 0 / 35 / 8

HEX #D2EB98

RGB 210 235 152

HSL 78.07, 0.67%, 0.76%

LAB 89.57, -21.53, 37.61

 

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

CMYK 0 / 35 / 25 / 8

HEX #EB98B1

RGB 235 152 177

HSL 341.93, 0.67%, 0.76%

LAB 71.75, 34.39, 0

 

CMYK 25 / 0 / 35 / 8

HEX #B1EB98

RGB 177 235 152

HSL 101.93, 0.67%, 0.76%

LAB 87.5, -33.27, 34.5

 

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

CMYK 3 / 35 / 0 / 8

HEX #E398EB

RGB 227 152 235

HSL 294.22, 0.67%, 0.76%

LAB 72.75, 41.31, -30.55

 

CMYK 0 / 11 / 35 / 8

HEX #EBD298

RGB 235 210 152

HSL 41.93, 0.67%, 0.76%

LAB 85.01, 0.51, 31.96

 

CMYK 31 / 0 / 35 / 8

HEX #A1EB98

RGB 161 235 152

HSL 113.49, 0.67%, 0.76%

LAB 86.63, -38.56, 33.2

 

CMYK 36 / 26 / 0 / 8

HEX #97AFEB

RGB 151 175 235

HSL 222.86, 0.68%, 0.76%

LAB 71.72, 6.01, -32.68

 

CMYK 0 / 35 / 7 / 8

HEX #EB98DB

RGB 235 152 219

HSL 311.57, 0.67%, 0.76%

LAB 73.05, 40.95, -21.26

 

CMYK 0 / 11 / 35 / 8

HEX #EBD298

RGB 235 210 152

HSL 41.93, 0.67%, 0.76%

LAB 85.01, 0.51, 31.96

 

CMYK 35 / 0 / 28 / 8

HEX #98EBA9

RGB 152 235 169

HSL 132.29, 0.67%, 0.76%

LAB 86.48, -38.6, 24.25

 

Description

Color code: HEX #97AFEB | qconv.com Color code: HEX #97AFEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 175 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 175 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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