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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97AA30 it is the complementary color #6855CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97AA30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97AA30 shade: #9CAA2B, #ADBC3E, #BECE51, #CFE064 and #E0F277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97AA30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97AA30 shade: #97AA30, #86981D, #75860A, #647400 and #536200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97AA30 shade: #98AB30, #AB9D30, #AB7C30, #AB5B30 and #AB3A30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97AA30 shade: #98AB30, #77AB30, #56AB30, #35AB30 and #30AB4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97AA30 shade matches the following richer shades: #98AB30, #A4BD1F and #B0CF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97AA30 shade: #98AB30, #8C9942, #808854, #737665 and #676477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97AA30 shade: #AB7C30, #AB9D30, #99AB30, #78AB30 and #57AB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97AA30 shade: #5F6B1E, #7B8B27, #98AB30, #B2C83C and #BFD15D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97AA30 shade: #97AA30, #30AB5B and #8C30AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97AA30 shade: #97AA30, #3099AB and #AB3099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97AA30 shade: #97AA30, #30AB5B, #4330AB and #AB3080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97AA30 shade: #97AA30, #30AB80, #4330AB and #AB305B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

Complementary color

CMYK 50 / 59 / 0 / 19

HEX #6855CF

RGB 104 85 207

HSL 249.34, 0.56%, 0.57%

LAB 44.15, 39.2, -60.85

 

CMYK 8 / 0 / 75 / 33

HEX #9CAA2B

RGB 156 170 43

HSL 66.61, 0.6%, 0.42%

LAB 66.51, -20.92, 59.45

 

CMYK 8 / 0 / 67 / 26

HEX #ADBC3E

RGB 173 188 62

HSL 67.14, 0.5%, 0.49%

LAB 73.02, -21.66, 59.28

 

CMYK 8 / 0 / 61 / 19

HEX #BECE51

RGB 190 206 81

HSL 67.68, 0.56%, 0.56%

LAB 79.43, -22.26, 58.62

 

CMYK 8 / 0 / 55 / 12

HEX #CFE064

RGB 207 224 100

HSL 68.23, 0.67%, 0.64%

LAB 85.75, -22.73, 57.72

 

CMYK 7 / 0 / 51 / 5

HEX #E0F277

RGB 224 242 119

HSL 68.78, 0.83%, 0.71%

LAB 91.99, -23.11, 56.69

 

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

CMYK 12 / 0 / 81 / 40

HEX #86981D

RGB 134 152 29

HSL 68.78, 0.68%, 0.35%

LAB 59.54, -21.98, 56.89

 

CMYK 13 / 0 / 93 / 47

HEX #75860A

RGB 117 134 10

HSL 68.23, 0.86%, 0.28%

LAB 52.79, -20.91, 55.17

 

CMYK 14 / 0 / 100 / 55

HEX #647400

RGB 100 116 0

HSL 68.28, 1%, 0.23%

LAB 45.91, -19.53, 51.23

 

CMYK 15 / 0 / 100 / 62

HEX #536200

RGB 83 98 0

HSL 69.18, 1%, 0.19%

LAB 38.85, -17.91, 45.36

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 27 / 72 / 33

HEX #AB7C30

RGB 171 124 48

HSL 37.07, 0.56%, 0.43%

LAB 55.37, 10.75, 46.95

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 0 / 66 / 72 / 33

HEX #AB3A30

RGB 171 58 48

HSL 4.88, 0.56%, 0.43%

LAB 41.05, 45.62, 31.33

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 30 / 0 / 72 / 33

HEX #77AB30

RGB 119 171 48

HSL 85.37, 0.56%, 0.43%

LAB 64.37, -36.19, 54.74

 

CMYK 50 / 0 / 72 / 33

HEX #56AB30

RGB 86 171 48

HSL 101.46, 0.56%, 0.43%

LAB 62.77, -47.53, 52.6

 

CMYK 69 / 0 / 72 / 33

HEX #35AB30

RGB 53 171 48

HSL 117.56, 0.56%, 0.43%

LAB 61.74, -55.79, 51.21

 

CMYK 72 / 0 / 55 / 33

HEX #30AB4D

RGB 48 171 77

HSL 134.15, 0.56%, 0.43%

LAB 61.9, -53.41, 38.52

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 13 / 0 / 84 / 26

HEX #A4BD1F

RGB 164 189 31

HSL 69.49, 0.72%, 0.43%

LAB 72.49, -27.33, 68.5

 

CMYK 15 / 0 / 94 / 19

HEX #B0CF0D

RGB 176 207 13

HSL 69.59, 0.88%, 0.43%

LAB 78.39, -31.28, 76.75

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 8 / 0 / 57 / 40

HEX #8C9942

RGB 140 153 66

HSL 68.97, 0.4%, 0.43%

LAB 60.56, -17.57, 43.35

 

CMYK 6 / 0 / 38 / 47

HEX #808854

RGB 128 136 84

HSL 69.23, 0.24%, 0.43%

LAB 54.9, -11.71, 26.95

 

CMYK 3 / 0 / 14 / 54

HEX #737665

RGB 115 118 101

HSL 70.59, 0.08%, 0.43%

LAB 48.93, -4.4, 8.99

 

CMYK 13 / 16 / 0 / 53

HEX #676477

RGB 103 100 119

HSL 249.47, 0.09%, 0.43%

LAB 43.26, 5.34, -10.21

 

CMYK 0 / 27 / 72 / 33

HEX #AB7C30

RGB 171 124 48

HSL 37.07, 0.56%, 0.43%

LAB 55.37, 10.75, 46.95

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 11 / 0 / 72 / 33

HEX #99AB30

RGB 153 171 48

HSL 68.78, 0.56%, 0.43%

LAB 66.61, -22.44, 57.69

 

CMYK 30 / 0 / 72 / 33

HEX #78AB30

RGB 120 171 48

HSL 84.88, 0.56%, 0.43%

LAB 64.43, -35.81, 54.81

 

CMYK 49 / 0 / 72 / 33

HEX #57AB30

RGB 87 171 48

HSL 100.98, 0.56%, 0.43%

LAB 62.81, -47.23, 52.66

 

CMYK 11 / 0 / 72 / 58

HEX #5F6B1E

RGB 95 107 30

HSL 69.35, 0.56%, 0.27%

LAB 42.83, -15.87, 39.66

 

CMYK 12 / 0 / 72 / 45

HEX #7B8B27

RGB 123 139 39

HSL 69.6, 0.56%, 0.35%

LAB 54.89, -19.67, 48.8

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 11 / 0 / 70 / 22

HEX #B2C83C

RGB 178 200 60

HSL 69.43, 0.56%, 0.51%

LAB 76.74, -25.58, 63.9

 

CMYK 9 / 0 / 56 / 18

HEX #BFD15D

RGB 191 209 93

HSL 69.31, 0.56%, 0.59%

LAB 80.44, -22.39, 54.5

 

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

CMYK 72 / 0 / 47 / 33

HEX #30AB5B

RGB 48 171 91

HSL 140.98, 0.56%, 0.43%

LAB 62.09, -51.23, 31.68

 

CMYK 18 / 72 / 0 / 33

HEX #8C30AB

RGB 140 48 171

HSL 284.88, 0.56%, 0.43%

LAB 38.95, 56.64, -47.98

 

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

CMYK 72 / 11 / 0 / 33

HEX #3099AB

RGB 48 153 171

HSL 188.78, 0.56%, 0.43%

LAB 58.37, -23.35, -18.01

 

CMYK 0 / 72 / 11 / 33

HEX #AB3099

RGB 171 48 153

HSL 308.78, 0.56%, 0.43%

LAB 42.87, 60.51, -30.66

 

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

CMYK 72 / 0 / 47 / 33

HEX #30AB5B

RGB 48 171 91

HSL 140.98, 0.56%, 0.43%

LAB 62.09, -51.23, 31.68

 

CMYK 61 / 72 / 0 / 33

HEX #4330AB

RGB 67 48 171

HSL 249.27, 0.56%, 0.43%

LAB 30.03, 43.2, -62.88

 

CMYK 0 / 72 / 25 / 33

HEX #AB3080

RGB 171 48 128

HSL 320.98, 0.56%, 0.43%

LAB 41.74, 56.95, -17.2

 

CMYK 11 / 0 / 72 / 33

HEX #97AA30

RGB 151 170 48

HSL 69.34, 0.56%, 0.43%

LAB 66.17, -22.79, 57.22

 

CMYK 72 / 0 / 25 / 33

HEX #30AB80

RGB 48 171 128

HSL 159.02, 0.56%, 0.43%

LAB 62.77, -43.74, 12.65

 

CMYK 61 / 72 / 0 / 33

HEX #4330AB

RGB 67 48 171

HSL 249.27, 0.56%, 0.43%

LAB 30.03, 43.2, -62.88

 

CMYK 0 / 72 / 47 / 33

HEX #AB305B

RGB 171 48 91

HSL 339.02, 0.56%, 0.43%

LAB 40.45, 52.76, 3.96

 

Description

Color code: HEX #97AA30 | qconv.com Color code: HEX #97AA30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 170 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 170 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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