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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97A8C9 it is the complementary color #685736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97A8C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97A8C9 shade: #9CA8C4, #ADBAD7, #BECCEA, #CFDEFD and #E0F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97A8C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97A8C9 shade: #97A8C9, #8696B6, #7584A3, #647290 and #53607D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97A8C9 shade: #97A8C9, #979AC9, #A197C9, #AE97C9 and #BC97C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97A8C9 shade: #97A8C9, #979AC9 and #9797C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97A8C9 shade matches the following richer shades: #97A8C9, #8AA4D6, #7DA0E3, #709CF0 and #6397FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97A8C9 shade: #97A8C9, #A3ACBC, #B0B0B0, #BDB4A3 and #CAB896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97A8C9 shade: #97C3C9, #97B6C9, #97A8C9, #979BC9 and #A097C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97A8C9 shade: #607AAD, #7B91BB, #97A8C9, #B2BFD7 and #CDD5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97A8C9 shade: #97A8C9, #C297C9 and #BDC997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97A8C9 shade: #97A8C9, #C997A8 and #A8C997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97A8C9 shade: #97A8C9, #C297C9, #C9B897 and #9EC997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97A8C9 shade: #97A8C9, #C997C2, #C9B897 and #97C99E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

Complementary color

CMYK 0 / 16 / 48 / 59

HEX #685736

RGB 104 87 54

HSL 39.6, 0.32%, 0.31%

LAB 37.89, 2.04, 21.73

 

CMYK 20 / 14 / 0 / 23

HEX #9CA8C4

RGB 156 168 196

HSL 222, 0.25%, 0.69%

LAB 68.79, 1.8, -15.72

 

CMYK 20 / 13 / 0 / 16

HEX #ADBAD7

RGB 173 186 215

HSL 221.43, 0.34%, 0.76%

LAB 75.39, 1.61, -16.06

 

CMYK 19 / 13 / 0 / 8

HEX #BECCEA

RGB 190 204 234

HSL 220.91, 0.51%, 0.83%

LAB 81.88, 1.43, -16.4

 

CMYK 18 / 12 / 0 / 1

HEX #CFDEFD

RGB 207 222 253

HSL 220.43, 0.92%, 0.9%

LAB 88.26, 1.25, -16.75

 

CMYK 12 / 6 / 0 / 0

HEX #E0F0FF

RGB 224 240 255

HSL 209.03, 1%, 0.94%

LAB 94.05, -2.36, -9.02

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 26 / 18 / 0 / 29

HEX #8696B6

RGB 134 150 182

HSL 220, 0.25%, 0.62%

LAB 61.88, 1.63, -18.53

 

CMYK 28 / 19 / 0 / 36

HEX #7584A3

RGB 117 132 163

HSL 220.43, 0.2%, 0.55%

LAB 55, 1.88, -18.28

 

CMYK 31 / 21 / 0 / 44

HEX #647290

RGB 100 114 144

HSL 220.91, 0.18%, 0.48%

LAB 47.95, 2.17, -18.06

 

CMYK 34 / 23 / 0 / 51

HEX #53607D

RGB 83 96 125

HSL 221.43, 0.2%, 0.41%

LAB 40.71, 2.51, -17.87

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 25 / 23 / 0 / 21

HEX #979AC9

RGB 151 154 201

HSL 236.4, 0.32%, 0.69%

LAB 64.89, 9.25, -24.47

 

CMYK 20 / 25 / 0 / 21

HEX #A197C9

RGB 161 151 201

HSL 252, 0.32%, 0.69%

LAB 64.9, 14.06, -24.38

 

CMYK 13 / 25 / 0 / 21

HEX #AE97C9

RGB 174 151 201

HSL 267.6, 0.32%, 0.69%

LAB 66.02, 18.22, -22.58

 

CMYK 6 / 25 / 0 / 21

HEX #BC97C9

RGB 188 151 201

HSL 284.4, 0.32%, 0.69%

LAB 67.31, 22.8, -20.49

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 25 / 23 / 0 / 21

HEX #979AC9

RGB 151 154 201

HSL 236.4, 0.32%, 0.69%

LAB 64.89, 9.25, -24.47

 

CMYK 25 / 25 / 0 / 21

HEX #9797C9

RGB 151 151 201

HSL 240, 0.32%, 0.69%

LAB 64.1, 10.95, -25.68

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 36 / 23 / 0 / 16

HEX #8AA4D6

RGB 138 164 214

HSL 219.47, 0.48%, 0.69%

LAB 67.13, 3.07, -28.31

 

CMYK 45 / 30 / 0 / 11

HEX #7DA0E3

RGB 125 160 227

HSL 219.41, 0.65%, 0.69%

LAB 65.79, 5.49, -37.64

 

CMYK 53 / 35 / 0 / 6

HEX #709CF0

RGB 112 156 240

HSL 219.38, 0.81%, 0.69%

LAB 64.57, 8.67, -46.74

 

CMYK 61 / 40 / 0 / 1

HEX #6397FC

RGB 99 151 252

HSL 219.61, 0.96%, 0.69%

LAB 63.19, 12.85, -55.55

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 13 / 9 / 0 / 26

HEX #A3ACBC

RGB 163 172 188

HSL 218.4, 0.16%, 0.69%

LAB 70.12, 0.12, -9.26

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 0 / 5 / 14 / 26

HEX #BDB4A3

RGB 189 180 163

HSL 39.23, 0.16%, 0.69%

LAB 73.61, 0.28, 9.81

 

CMYK 0 / 9 / 26 / 21

HEX #CAB896

RGB 202 184 150

HSL 39.23, 0.33%, 0.69%

LAB 75.48, 1.1, 19.62

 

CMYK 25 / 3 / 0 / 21

HEX #97C3C9

RGB 151 195 201

HSL 187.2, 0.32%, 0.69%

LAB 75.96, -13.09, -7.76

 

CMYK 25 / 9 / 0 / 21

HEX #97B6C9

RGB 151 182 201

HSL 202.8, 0.32%, 0.69%

LAB 72.4, -6.22, -13.09

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 25 / 23 / 0 / 21

HEX #979BC9

RGB 151 155 201

HSL 235.2, 0.32%, 0.69%

LAB 65.15, 8.68, -24.07

 

CMYK 20 / 25 / 0 / 21

HEX #A097C9

RGB 160 151 201

HSL 250.8, 0.32%, 0.69%

LAB 64.82, 13.75, -24.51

 

CMYK 45 / 29 / 0 / 32

HEX #607AAD

RGB 96 122 173

HSL 219.74, 0.32%, 0.53%

LAB 51.18, 4.45, -30.07

 

CMYK 34 / 22 / 0 / 27

HEX #7B91BB

RGB 123 145 187

HSL 219.38, 0.32%, 0.61%

LAB 59.93, 2.45, -24.39

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 17 / 11 / 0 / 16

HEX #B2BFD7

RGB 178 191 215

HSL 218.92, 0.32%, 0.77%

LAB 77.06, 0.49, -13.52

 

CMYK 10 / 7 / 0 / 10

HEX #CDD5E5

RGB 205 213 229

HSL 220, 0.32%, 0.85%

LAB 85.11, 0.39, -8.8

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 3 / 25 / 0 / 21

HEX #C297C9

RGB 194 151 201

HSL 291.6, 0.32%, 0.69%

LAB 67.89, 24.79, -19.56

 

CMYK 6 / 0 / 25 / 21

HEX #BDC997

RGB 189 201 151

HSL 74.4, 0.32%, 0.69%

LAB 78.94, -12.56, 23.68

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 0 / 25 / 16 / 21

HEX #C997A8

RGB 201 151 168

HSL 339.6, 0.32%, 0.69%

LAB 67.56, 21.34, -1.56

 

CMYK 16 / 0 / 25 / 21

HEX #A8C997

RGB 168 201 151

HSL 99.6, 0.32%, 0.69%

LAB 77.48, -20.22, 21.44

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 3 / 25 / 0 / 21

HEX #C297C9

RGB 194 151 201

HSL 291.6, 0.32%, 0.69%

LAB 67.89, 24.79, -19.56

 

CMYK 0 / 8 / 25 / 21

HEX #C9B897

RGB 201 184 151

HSL 39.6, 0.32%, 0.69%

LAB 75.41, 0.86, 18.98

 

CMYK 21 / 0 / 25 / 21

HEX #9EC997

RGB 158 201 151

HSL 111.6, 0.32%, 0.69%

LAB 76.85, -23.72, 20.47

 

CMYK 25 / 16 / 0 / 21

HEX #97A8C9

RGB 151 168 201

HSL 219.6, 0.32%, 0.69%

LAB 68.61, 1.41, -18.8

 

CMYK 0 / 25 / 3 / 21

HEX #C997C2

RGB 201 151 194

HSL 308.4, 0.32%, 0.69%

LAB 68.35, 25.82, -14.9

 

CMYK 0 / 8 / 25 / 21

HEX #C9B897

RGB 201 184 151

HSL 39.6, 0.32%, 0.69%

LAB 75.41, 0.86, 18.98

 

CMYK 25 / 0 / 21 / 21

HEX #97C99E

RGB 151 201 158

HSL 128.4, 0.32%, 0.69%

LAB 76.57, -24.88, 16.3

 

Description

Color code: HEX #97A8C9 | qconv.com Color code: HEX #97A8C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 168 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 168 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 16 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 16% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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