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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97A137 it is the complementary color #685EC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97A137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97A137 shade: #9CA132, #ADB345, #BEC558, #CFD76B and #E0E97E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97A137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97A137 shade: #97A137, #868F24, #757D11, #646B00 and #535900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97A137 shade: #96A037, #A08D37, #A07137, #A05537 and #A03837

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97A137 shade: #96A037, #79A037, #5DA037, #41A037 and #37A049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97A137 shade matches the following richer shades: #96A037, #A4B125, #B2C214 and #C0D403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97A137 shade: #96A037, #888E48, #7A7D59, #6B6C6B and #5D5A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97A137 shade: #A07037, #A08C37, #97A037, #7BA037 and #5FA037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97A137 shade: #5C6222, #79812C, #96A037, #B2BE41 and #BFC960

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97A137 shade: #97A137, #37A054 and #7E37A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97A137 shade: #97A137, #3797A0 and #A03797

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97A137 shade: #97A137, #37A054, #3F37A0 and #A03782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97A137 shade: #97A137, #37A074, #3F37A0 and #A03762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

Complementary color

CMYK 48 / 53 / 0 / 22

HEX #685EC8

RGB 104 94 200

HSL 245.66, 0.49%, 0.58%

LAB 45.8, 31.71, -54.17

 

CMYK 3 / 0 / 69 / 37

HEX #9CA132

RGB 156 161 50

HSL 62.7, 0.53%, 0.41%

LAB 63.99, -15.97, 54.42

 

CMYK 3 / 0 / 61 / 30

HEX #ADB345

RGB 173 179 69

HSL 63.27, 0.44%, 0.49%

LAB 70.56, -16.7, 53.79

 

CMYK 4 / 0 / 55 / 23

HEX #BEC558

RGB 190 197 88

HSL 63.85, 0.48%, 0.56%

LAB 77.03, -17.27, 52.86

 

CMYK 4 / 0 / 50 / 16

HEX #CFD76B

RGB 207 215 107

HSL 64.44, 0.57%, 0.63%

LAB 83.4, -17.74, 51.8

 

CMYK 4 / 0 / 46 / 9

HEX #E0E97E

RGB 224 233 126

HSL 65.05, 0.71%, 0.7%

LAB 89.69, -18.12, 50.67

 

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

CMYK 6 / 0 / 75 / 44

HEX #868F24

RGB 134 143 36

HSL 65.05, 0.6%, 0.35%

LAB 56.92, -17.05, 52.19

 

CMYK 6 / 0 / 86 / 51

HEX #757D11

RGB 117 125 17

HSL 64.44, 0.76%, 0.28%

LAB 50.08, -16.03, 51.45

 

CMYK 7 / 0 / 100 / 58

HEX #646B00

RGB 100 107 0

HSL 63.93, 1%, 0.21%

LAB 43.1, -14.73, 49.14

 

CMYK 7 / 0 / 100 / 65

HEX #535900

RGB 83 89 0

HSL 64.04, 1%, 0.17%

LAB 35.95, -12.97, 43.2

 

CMYK 6 / 0 / 66 / 37

HEX #96A037

RGB 150 160 55

HSL 65.71, 0.49%, 0.42%

LAB 63.26, -17.74, 51.48

 

CMYK 0 / 12 / 66 / 37

HEX #A08D37

RGB 160 141 55

HSL 49.14, 0.49%, 0.42%

LAB 58.79, -3.24, 47.02

 

CMYK 0 / 29 / 66 / 37

HEX #A07137

RGB 160 113 55

HSL 33.14, 0.49%, 0.42%

LAB 51.34, 12.47, 38.83

 

CMYK 0 / 47 / 66 / 37

HEX #A05537

RGB 160 85 55

HSL 17.14, 0.49%, 0.42%

LAB 44.58, 28.29, 31.01

 

CMYK 0 / 65 / 66 / 37

HEX #A03837

RGB 160 56 55

HSL 0.57, 0.49%, 0.42%

LAB 38.86, 43.03, 24.03

 

CMYK 6 / 0 / 66 / 37

HEX #96A037

RGB 150 160 55

HSL 65.71, 0.49%, 0.42%

LAB 63.26, -17.74, 51.48

 

CMYK 24 / 0 / 66 / 37

HEX #79A037

RGB 121 160 55

HSL 82.29, 0.49%, 0.42%

LAB 61.21, -29.81, 48.68

 

CMYK 42 / 0 / 66 / 37

HEX #5DA037

RGB 93 160 55

HSL 98.29, 0.49%, 0.42%

LAB 59.66, -40.18, 46.56

 

CMYK 59 / 0 / 66 / 37

HEX #41A037

RGB 65 160 55

HSL 114.29, 0.49%, 0.42%

LAB 58.55, -48.5, 45.03

 

CMYK 66 / 0 / 54 / 37

HEX #37A049

RGB 55 160 73

HSL 130.29, 0.49%, 0.42%

LAB 58.45, -48.61, 36.36

 

CMYK 6 / 0 / 66 / 37

HEX #96A037

RGB 150 160 55

HSL 65.71, 0.49%, 0.42%

LAB 63.26, -17.74, 51.48

 

CMYK 7 / 0 / 79 / 31

HEX #A4B125

RGB 164 177 37

HSL 65.57, 0.65%, 0.42%

LAB 69.09, -21.25, 63.95

 

CMYK 8 / 0 / 90 / 24

HEX #B2C214

RGB 178 194 20

HSL 65.52, 0.81%, 0.42%

LAB 74.89, -24.13, 73.09

 

CMYK 9 / 0 / 99 / 17

HEX #C0D403

RGB 192 212 3

HSL 65.74, 0.97%, 0.42%

LAB 80.91, -27.14, 80.11

 

CMYK 6 / 0 / 66 / 37

HEX #96A037

RGB 150 160 55

HSL 65.71, 0.49%, 0.42%

LAB 63.26, -17.74, 51.48

 

CMYK 4 / 0 / 49 / 44

HEX #888E48

RGB 136 142 72

HSL 65.14, 0.33%, 0.42%

LAB 57.12, -12.93, 36.26

 

CMYK 2 / 0 / 29 / 51

HEX #7A7D59

RGB 122 125 89

HSL 65, 0.17%, 0.42%

LAB 51.3, -7.46, 19.31

 

CMYK 1 / 0 / 1 / 58

HEX #6B6C6B

RGB 107 108 107

HSL 120, 0%, 0.42%

LAB 45.51, -0.59, 0.42

 

CMYK 25 / 27 / 0 / 51

HEX #5D5A7C

RGB 93 90 124

HSL 245.29, 0.16%, 0.42%

LAB 39.74, 9.23, -18.69

 

CMYK 0 / 30 / 66 / 37

HEX #A07037

RGB 160 112 55

HSL 32.57, 0.49%, 0.42%

LAB 51.08, 13.04, 38.54

 

CMYK 0 / 13 / 66 / 37

HEX #A08C37

RGB 160 140 55

HSL 48.57, 0.49%, 0.42%

LAB 58.51, -2.69, 46.72

 

CMYK 6 / 0 / 66 / 37

HEX #97A037

RGB 151 160 55

HSL 65.14, 0.49%, 0.42%

LAB 63.34, -17.31, 51.59

 

CMYK 23 / 0 / 66 / 37

HEX #7BA037

RGB 123 160 55

HSL 81.14, 0.49%, 0.42%

LAB 61.33, -29.01, 48.86

 

CMYK 41 / 0 / 66 / 37

HEX #5FA037

RGB 95 160 55

HSL 97.14, 0.49%, 0.42%

LAB 59.75, -39.5, 46.69

 

CMYK 6 / 0 / 65 / 62

HEX #5C6222

RGB 92 98 34

HSL 65.63, 0.48%, 0.26%

LAB 39.79, -12, 34.58

 

CMYK 6 / 0 / 66 / 49

HEX #79812C

RGB 121 129 44

HSL 65.65, 0.49%, 0.34%

LAB 51.78, -14.98, 43.47

 

CMYK 6 / 0 / 66 / 37

HEX #96A037

RGB 150 160 55

HSL 65.71, 0.49%, 0.42%

LAB 63.26, -17.74, 51.48

 

CMYK 6 / 0 / 66 / 25

HEX #B2BE41

RGB 178 190 65

HSL 65.76, 0.49%, 0.5%

LAB 73.98, -20.39, 59.19

 

CMYK 5 / 0 / 52 / 21

HEX #BFC960

RGB 191 201 96

HSL 65.71, 0.49%, 0.58%

LAB 78.28, -18.19, 50.63

 

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

CMYK 66 / 0 / 48 / 37

HEX #37A054

RGB 55 160 84

HSL 136.57, 0.49%, 0.42%

LAB 58.6, -46.93, 30.92

 

CMYK 21 / 66 / 0 / 37

HEX #7E37A0

RGB 126 55 160

HSL 280.57, 0.49%, 0.42%

LAB 37.31, 48.1, -44.13

 

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

CMYK 66 / 6 / 0 / 37

HEX #3797A0

RGB 55 151 160

HSL 185.14, 0.49%, 0.42%

LAB 57.54, -24.71, -12.99

 

CMYK 0 / 66 / 6 / 37

HEX #A03797

RGB 160 55 151

HSL 305.14, 0.49%, 0.42%

LAB 41.91, 54.81, -31.09

 

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

CMYK 66 / 0 / 48 / 37

HEX #37A054

RGB 55 160 84

HSL 136.57, 0.49%, 0.42%

LAB 58.6, -46.93, 30.92

 

CMYK 61 / 66 / 0 / 37

HEX #3F37A0

RGB 63 55 160

HSL 244.57, 0.49%, 0.42%

LAB 30.22, 34.91, -55.94

 

CMYK 0 / 66 / 19 / 37

HEX #A03782

RGB 160 55 130

HSL 317.14, 0.49%, 0.42%

LAB 40.92, 51.5, -19.84

 

CMYK 6 / 0 / 66 / 37

HEX #97A137

RGB 151 161 55

HSL 65.66, 0.49%, 0.42%

LAB 63.63, -17.83, 51.89

 

CMYK 66 / 0 / 28 / 37

HEX #37A074

RGB 55 160 116

HSL 154.86, 0.49%, 0.42%

LAB 59.17, -40.67, 14.3

 

CMYK 61 / 66 / 0 / 37

HEX #3F37A0

RGB 63 55 160

HSL 244.57, 0.49%, 0.42%

LAB 30.22, 34.91, -55.94

 

CMYK 0 / 66 / 39 / 37

HEX #A03762

RGB 160 55 98

HSL 335.43, 0.49%, 0.42%

LAB 39.73, 47.29, -1.75

 

Description

Color code: HEX #97A137 | qconv.com Color code: HEX #97A137 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 161 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 161 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 66 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 66% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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