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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #979B18 it is the complementary color #6864E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #979B18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #979B18 shade: #9C9B13, #ADAD26, #BEBF39, #CFD14C and #E0E35F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #979B18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #979B18 shade: #979B18, #868905, #757700, #646500 and #535300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #979B18 shade: #969A18, #9A7B18, #9A5818, #9A3518 and #9A1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #979B18 shade: #969A18, #739A18, #509A18, #2D9A18 and #189A26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #979B18 shade matches the following richer shades: #969A18 and #A4A90A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #979B18 shade: #969A18, #898C27, #7B7E35, #6E6F43 and #606152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #979B18 shade: #9A5718, #9A7A18, #989A18, #759A18 and #539A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #979B18 shade: #51530D, #747713, #969A18, #B9BE1E and #D8DD28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #979B18 shade: #979B18, #189A34 and #68189A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #979B18 shade: #979B18, #18989A and #9A1898

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #979B18 shade: #979B18, #189A34, #1A189A and #9A187E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #979B18 shade: #979B18, #189A5B, #1A189A and #9A1857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

Complementary color

CMYK 55 / 57 / 0 / 9

HEX #6864E7

RGB 104 100 231

HSL 241.83, 0.73%, 0.65%

LAB 49.29, 37.63, -66.19

 

CMYK 0 / 1 / 88 / 39

HEX #9C9B13

RGB 156 155 19

HSL 59.56, 0.78%, 0.34%

LAB 62.13, -14.09, 62.3

 

CMYK 0 / 0 / 78 / 32

HEX #ADAD26

RGB 173 173 38

HSL 60, 0.64%, 0.41%

LAB 68.69, -15.3, 63.56

 

CMYK 1 / 0 / 70 / 25

HEX #BEBF39

RGB 190 191 57

HSL 60.45, 0.54%, 0.49%

LAB 75.14, -16.28, 63.73

 

CMYK 1 / 0 / 64 / 18

HEX #CFD14C

RGB 207 209 76

HSL 60.9, 0.59%, 0.56%

LAB 81.5, -17.09, 63.29

 

CMYK 1 / 0 / 58 / 11

HEX #E0E35F

RGB 224 227 95

HSL 61.36, 0.7%, 0.63%

LAB 87.78, -17.76, 62.52

 

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

CMYK 2 / 0 / 96 / 46

HEX #868905

RGB 134 137 5

HSL 61.36, 0.93%, 0.28%

LAB 55.04, -14.87, 58.38

 

CMYK 2 / 0 / 100 / 53

HEX #757700

RGB 117 119 0

HSL 61.01, 1%, 0.23%

LAB 48.23, -13.21, 53.58

 

CMYK 1 / 0 / 100 / 60

HEX #646500

RGB 100 101 0

HSL 60.59, 1%, 0.2%

LAB 41.24, -11.41, 47.77

 

CMYK 0 / 0 / 100 / 67

HEX #535300

RGB 83 83 0

HSL 60, 1%, 0.16%

LAB 34.04, -9.53, 41.79

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 0 / 20 / 84 / 40

HEX #9A7B18

RGB 154 123 24

HSL 45.69, 0.73%, 0.35%

LAB 53.06, 2.54, 53.41

 

CMYK 0 / 43 / 84 / 40

HEX #9A5818

RGB 154 88 24

HSL 29.54, 0.73%, 0.35%

LAB 44.11, 22.51, 45.64

 

CMYK 0 / 66 / 84 / 40

HEX #9A3518

RGB 154 53 24

HSL 13.38, 0.73%, 0.35%

LAB 36.9, 40.78, 39.18

 

CMYK 0 / 84 / 84 / 40

HEX #9A1818

RGB 154 24 24

HSL 0, 0.73%, 0.35%

LAB 33.11, 51.22, 35.68

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 25 / 0 / 84 / 40

HEX #739A18

RGB 115 154 24

HSL 78, 0.73%, 0.35%

LAB 58.81, -31.18, 57.12

 

CMYK 48 / 0 / 84 / 40

HEX #509A18

RGB 80 154 24

HSL 94.15, 0.73%, 0.35%

LAB 56.96, -44.11, 54.78

 

CMYK 71 / 0 / 84 / 40

HEX #2D9A18

RGB 45 154 24

HSL 110.31, 0.73%, 0.35%

LAB 55.82, -53.27, 53.32

 

CMYK 84 / 0 / 75 / 40

HEX #189A26

RGB 24 154 38

HSL 126.46, 0.73%, 0.35%

LAB 55.53, -55.53, 48.46

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 3 / 0 / 94 / 34

HEX #A4A90A

RGB 164 169 10

HSL 61.89, 0.89%, 0.35%

LAB 66.74, -17.91, 67.69

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 2 / 0 / 72 / 45

HEX #898C27

RGB 137 140 39

HSL 61.78, 0.56%, 0.35%

LAB 56.31, -13.98, 50.57

 

CMYK 2 / 0 / 58 / 51

HEX #7B7E35

RGB 123 126 53

HSL 62.47, 0.41%, 0.35%

LAB 51.14, -11.76, 38.6

 

CMYK 1 / 0 / 40 / 56

HEX #6E6F43

RGB 110 111 67

HSL 61.36, 0.25%, 0.35%

LAB 45.76, -7.73, 24.38

 

CMYK 1 / 0 / 15 / 62

HEX #606152

RGB 96 97 82

HSL 64, 0.08%, 0.35%

LAB 40.65, -3.33, 8.43

 

CMYK 0 / 44 / 84 / 40

HEX #9A5718

RGB 154 87 24

HSL 29.08, 0.73%, 0.35%

LAB 43.88, 23.07, 45.44

 

CMYK 0 / 21 / 84 / 40

HEX #9A7A18

RGB 154 122 24

HSL 45.23, 0.73%, 0.35%

LAB 52.79, 3.1, 53.18

 

CMYK 1 / 0 / 84 / 40

HEX #989A18

RGB 152 154 24

HSL 60.92, 0.73%, 0.35%

LAB 61.53, -15.23, 60.52

 

CMYK 24 / 0 / 84 / 40

HEX #759A18

RGB 117 154 24

HSL 77.08, 0.73%, 0.35%

LAB 58.94, -30.36, 57.28

 

CMYK 46 / 0 / 84 / 40

HEX #539A18

RGB 83 154 24

HSL 92.77, 0.73%, 0.35%

LAB 57.09, -43.13, 54.94

 

CMYK 2 / 0 / 84 / 67

HEX #51530D

RGB 81 83 13

HSL 61.71, 0.73%, 0.19%

LAB 33.91, -10.04, 37.35

 

CMYK 3 / 0 / 84 / 53

HEX #747713

RGB 116 119 19

HSL 61.8, 0.72%, 0.27%

LAB 48.2, -13.2, 49.26

 

CMYK 3 / 0 / 84 / 40

HEX #969A18

RGB 150 154 24

HSL 61.85, 0.73%, 0.35%

LAB 61.36, -16.12, 60.32

 

CMYK 3 / 0 / 84 / 25

HEX #B9BE1E

RGB 185 190 30

HSL 61.88, 0.73%, 0.43%

LAB 74.34, -18.95, 70.93

 

CMYK 2 / 0 / 82 / 13

HEX #D8DD28

RGB 216 221 40

HSL 61.66, 0.73%, 0.51%

LAB 85.23, -20.81, 78.75

 

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

CMYK 84 / 0 / 66 / 40

HEX #189A34

RGB 24 154 52

HSL 132.92, 0.73%, 0.35%

LAB 55.64, -54.16, 42.89

 

CMYK 32 / 84 / 0 / 40

HEX #68189A

RGB 104 24 154

HSL 276.92, 0.73%, 0.35%

LAB 29.23, 54.94, -53.71

 

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

CMYK 84 / 1 / 0 / 40

HEX #18989A

RGB 24 152 154

HSL 180.92, 0.73%, 0.35%

LAB 57.06, -30.8, -10.35

 

CMYK 0 / 84 / 1 / 40

HEX #9A1898

RGB 154 24 152

HSL 300.92, 0.73%, 0.35%

LAB 37.46, 63.54, -38.79

 

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

CMYK 84 / 0 / 66 / 40

HEX #189A34

RGB 24 154 52

HSL 132.92, 0.73%, 0.35%

LAB 55.64, -54.16, 42.89

 

CMYK 83 / 84 / 0 / 40

HEX #1A189A

RGB 26 24 154

HSL 240.92, 0.73%, 0.35%

LAB 20.85, 46.52, -67.81

 

CMYK 0 / 84 / 18 / 40

HEX #9A187E

RGB 154 24 126

HSL 312.92, 0.73%, 0.35%

LAB 36.04, 59.69, -25.02

 

CMYK 3 / 0 / 85 / 39

HEX #979B18

RGB 151 155 24

HSL 61.83, 0.73%, 0.35%

LAB 61.73, -16.19, 60.66

 

CMYK 84 / 0 / 41 / 40

HEX #189A5B

RGB 24 154 91

HSL 150.92, 0.73%, 0.35%

LAB 56.15, -48.06, 23.9

 

CMYK 83 / 84 / 0 / 40

HEX #1A189A

RGB 26 24 154

HSL 240.92, 0.73%, 0.35%

LAB 20.85, 46.52, -67.81

 

CMYK 0 / 84 / 44 / 40

HEX #9A1857

RGB 154 24 87

HSL 330.92, 0.73%, 0.35%

LAB 34.42, 55.1, -2.67

 

Description

Color code: HEX #979B18 | qconv.com Color code: HEX #979B18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 155 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 155 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 85 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 85% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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