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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97982B it is the complementary color #6867D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97982B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97982B shade: #9C9826, #ADAA39, #BEBC4C, #CFCE5F and #E0E072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97982B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97982B shade: #97982B, #868618, #757405, #646200 and #535000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97982B shade: #96972B, #977B2B, #975E2B, #97402B and #972B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97982B shade: #96972B, #79972B, #5C972B, #3E972B and #2B9734

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97982B shade matches the following richer shades: #96972B, #A6A71B and #B5B70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97982B shade: #96972B, #87873A, #77784A, #68685A and #595869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97982B shade: #975D2B, #977A2B, #97972B, #7A972B and #5D972B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97982B shade: #565718, #767722, #96972B, #B6B734 and #CACC49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97982B shade: #97982B, #2B9740 and #6C2B97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97982B shade: #97982B, #2B9797 and #972B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97982B shade: #97982B, #2B9740, #2B2B97 and #972B81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97982B shade: #97982B, #2B9761, #2B2B97 and #972B61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

Complementary color

CMYK 51 / 51 / 0 / 17

HEX #6867D4

RGB 104 103 212

HSL 240.55, 0.56%, 0.62%

LAB 48.76, 29.92, -56.29

 

CMYK 0 / 3 / 76 / 39

HEX #9C9826

RGB 156 152 38

HSL 57.97, 0.61%, 0.38%

LAB 61.36, -11.88, 56.33

 

CMYK 0 / 2 / 67 / 32

HEX #ADAA39

RGB 173 170 57

HSL 58.45, 0.5%, 0.45%

LAB 67.97, -12.84, 56.11

 

CMYK 0 / 1 / 60 / 25

HEX #BEBC4C

RGB 190 188 76

HSL 58.95, 0.47%, 0.52%

LAB 74.47, -13.63, 55.38

 

CMYK 0 / 0 / 54 / 19

HEX #CFCE5F

RGB 207 206 95

HSL 59.46, 0.54%, 0.59%

LAB 80.87, -14.26, 54.4

 

CMYK 0 / 0 / 49 / 12

HEX #E0E072

RGB 224 224 114

HSL 60, 0.64%, 0.66%

LAB 87.18, -14.79, 53.31

 

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

CMYK 0 / 0 / 82 / 47

HEX #868618

RGB 134 134 24

HSL 60, 0.7%, 0.31%

LAB 54.22, -12.8, 53.66

 

CMYK 0 / 1 / 96 / 54

HEX #757405

RGB 117 116 5

HSL 59.46, 0.92%, 0.24%

LAB 47.34, -11.46, 51.85

 

CMYK 0 / 2 / 100 / 61

HEX #646200

RGB 100 98 0

HSL 58.8, 1%, 0.2%

LAB 40.32, -9.72, 47.1

 

CMYK 0 / 4 / 100 / 67

HEX #535000

RGB 83 80 0

HSL 57.83, 1%, 0.16%

LAB 33.08, -7.78, 41.09

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 0 / 19 / 72 / 41

HEX #977B2B

RGB 151 123 43

HSL 44.44, 0.56%, 0.38%

LAB 52.86, 1.97, 45.91

 

CMYK 0 / 38 / 72 / 41

HEX #975E2B

RGB 151 94 43

HSL 28.33, 0.56%, 0.38%

LAB 45.3, 18.59, 37.97

 

CMYK 0 / 58 / 72 / 41

HEX #97402B

RGB 151 64 43

HSL 11.67, 0.56%, 0.38%

LAB 38.59, 35.11, 30.5

 

CMYK 0 / 72 / 72 / 41

HEX #972B2B

RGB 151 43 43

HSL 0, 0.56%, 0.38%

LAB 34.97, 44.77, 26.27

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 20 / 0 / 72 / 41

HEX #79972B

RGB 121 151 43

HSL 76.67, 0.56%, 0.38%

LAB 58.39, -26.31, 50.68

 

CMYK 39 / 0 / 72 / 41

HEX #5C972B

RGB 92 151 43

HSL 92.78, 0.56%, 0.38%

LAB 56.67, -37.62, 48.38

 

CMYK 59 / 0 / 72 / 41

HEX #3E972B

RGB 62 151 43

HSL 109.44, 0.56%, 0.38%

LAB 55.41, -47, 46.69

 

CMYK 72 / 0 / 66 / 41

HEX #2B9734

RGB 43 151 52

HSL 125, 0.56%, 0.38%

LAB 54.96, -50.38, 42.23

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 1 / 0 / 84 / 35

HEX #A6A71B

RGB 166 167 27

HSL 60.43, 0.72%, 0.38%

LAB 66.38, -15.65, 64.35

 

CMYK 1 / 0 / 94 / 28

HEX #B5B70B

RGB 181 183 11

HSL 60.7, 0.89%, 0.38%

LAB 72.04, -17.54, 72.23

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 0 / 0 / 57 / 47

HEX #87873A

RGB 135 135 58

HSL 60, 0.4%, 0.38%

LAB 54.85, -10.9, 40.62

 

CMYK 1 / 0 / 38 / 53

HEX #77784A

RGB 119 120 74

HSL 61.3, 0.24%, 0.38%

LAB 49.31, -8, 25.15

 

CMYK 0 / 0 / 13 / 59

HEX #68685A

RGB 104 104 90

HSL 60, 0.07%, 0.38%

LAB 43.63, -2.71, 7.9

 

CMYK 15 / 16 / 0 / 59

HEX #595869

RGB 89 88 105

HSL 243.53, 0.09%, 0.38%

LAB 38.06, 4.26, -9.58

 

CMYK 0 / 38 / 72 / 41

HEX #975D2B

RGB 151 93 43

HSL 27.78, 0.56%, 0.38%

LAB 45.06, 19.16, 37.7

 

CMYK 0 / 19 / 72 / 41

HEX #977A2B

RGB 151 122 43

HSL 43.89, 0.56%, 0.38%

LAB 52.59, 2.53, 45.63

 

CMYK 0 / 0 / 72 / 41

HEX #97972B

RGB 151 151 43

HSL 60, 0.56%, 0.38%

LAB 60.68, -13.34, 53.72

 

CMYK 19 / 0 / 72 / 41

HEX #7A972B

RGB 122 151 43

HSL 76.11, 0.56%, 0.38%

LAB 58.46, -25.9, 50.77

 

CMYK 38 / 0 / 72 / 41

HEX #5D972B

RGB 93 151 43

HSL 92.22, 0.56%, 0.38%

LAB 56.72, -37.26, 48.45

 

CMYK 1 / 0 / 72 / 66

HEX #565718

RGB 86 87 24

HSL 60.95, 0.57%, 0.22%

LAB 35.71, -9.3, 34.82

 

CMYK 1 / 0 / 71 / 53

HEX #767722

RGB 118 119 34

HSL 60.71, 0.56%, 0.3%

LAB 48.46, -11.57, 44.27

 

CMYK 1 / 0 / 72 / 41

HEX #96972B

RGB 150 151 43

HSL 60.56, 0.56%, 0.38%

LAB 60.6, -13.78, 53.6

 

CMYK 1 / 0 / 72 / 28

HEX #B6B734

RGB 182 183 52

HSL 60.46, 0.56%, 0.46%

LAB 72.27, -15.9, 62.52

 

CMYK 1 / 0 / 64 / 20

HEX #CACC49

RGB 202 204 73

HSL 60.92, 0.56%, 0.54%

LAB 79.74, -16.86, 62.54

 

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

CMYK 72 / 0 / 58 / 41

HEX #2B9740

RGB 43 151 64

HSL 131.67, 0.56%, 0.38%

LAB 55.09, -48.88, 36.73

 

CMYK 28 / 72 / 0 / 41

HEX #6C2B97

RGB 108 43 151

HSL 276.11, 0.56%, 0.38%

LAB 32.15, 47.65, -47.12

 

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

CMYK 72 / 0 / 0 / 41

HEX #2B9797

RGB 43 151 151

HSL 180, 0.56%, 0.38%

LAB 56.96, -29.23, -8.75

 

CMYK 0 / 72 / 0 / 41

HEX #972B97

RGB 151 43 151

HSL 300, 0.56%, 0.38%

LAB 38.8, 57.24, -36.1

 

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

CMYK 72 / 0 / 58 / 41

HEX #2B9740

RGB 43 151 64

HSL 131.67, 0.56%, 0.38%

LAB 55.09, -48.88, 36.73

 

CMYK 72 / 72 / 0 / 41

HEX #2B2B97

RGB 43 43 151

HSL 240, 0.56%, 0.38%

LAB 25.19, 36.42, -58.77

 

CMYK 0 / 72 / 15 / 41

HEX #972B81

RGB 151 43 129

HSL 312.22, 0.56%, 0.38%

LAB 37.65, 53.69, -24.42

 

CMYK 1 / 0 / 72 / 40

HEX #97982B

RGB 151 152 43

HSL 60.55, 0.56%, 0.38%

LAB 60.97, -13.86, 53.99

 

CMYK 72 / 0 / 36 / 41

HEX #2B9761

RGB 43 151 97

HSL 150, 0.56%, 0.38%

LAB 55.59, -43.16, 19.92

 

CMYK 72 / 72 / 0 / 41

HEX #2B2B97

RGB 43 43 151

HSL 240, 0.56%, 0.38%

LAB 25.19, 36.42, -58.77

 

CMYK 0 / 72 / 36 / 41

HEX #972B61

RGB 151 43 97

HSL 330, 0.56%, 0.38%

LAB 36.31, 49.36, -6.35

 

Description

Color code: HEX #97982B | qconv.com Color code: HEX #97982B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 152 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 152 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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