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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9790ECCE it is the complementary color #686F13CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9790ECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9790ECCE shade: #9C90E7CE, #ADA2FACE, #BEB4FFCE, #CFC6FFCE and #E0D8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9790ECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9790ECCE shade: #9790ECCE, #867ED9CE, #756CC6CE, #645AB3CE and #5348A0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9790ECCE shade: #9992ED, #B192ED, #CA92ED, #E292ED and #ED92DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9790ECCE shade: #9992ED and #9292ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9790ECCE shade matches the following richer shades: #9992ED and #9088F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9790ECCE shade: #9992ED, #A29CE2, #AAA7D8, #B3B1CE and #BCBBC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9790ECCE shade: #92BCED, #92A4ED, #9892ED, #B092ED and #C892ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9790ECCE shade: #574BE1, #786FE7, #9992ED, #BAB5F2 and #DBD9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9790ECCE shade: #9790EC, #ED92D4 and #B0ED92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9790ECCE shade: #9790EC, #ED9892 and #92ED98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9790ECCE shade: #9790EC, #ED92D4, #E6ED92 and #92EDAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9790ECCE shade: #9790EC, #ED92B9, #E6ED92 and #92EDC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 32 / 0 / 6

HEX #9790ECCE

RGBA 151 144 236 0.81

HSLA 244.57, 0.71%, 0.75%, 0.81

LABA 63.82, 23.89, -45.55, 0.81

 

Complementary color

CMYK 5 / 0 / 67 / 46

HEX #686F13CE

RGBA 104 111 19 0.81

HSLA 64.57, 0.71%, 0.25%, 0.81

LABA 44.74, -14.45, 45.83, 0.81

 

CMYK 26 / 31 / 0 / 8

HEX #9C90E7CE

RGBA 156 144 231 0.81

HSLA 248.28, 0.64%, 0.74%, 0.81

LABA 63.99, 23.92, -42.5, 0.81

 

CMYK 25 / 29 / 0 / 2

HEX #ADA2FACE

RGBA 173 162 250 0.81

HSLA 247.5, 0.9%, 0.81%, 0.81

LABA 70.61, 23.2, -42.43, 0.81

 

CMYK 21 / 24 / 0 / 0

HEX #BEB4FFCE

RGBA 190 180 255 0.81

HSLA 248, 1%, 0.85%, 0.81

LABA 76.56, 19.2, -35.77, 0.81

 

CMYK 15 / 18 / 0 / 0

HEX #CFC6FFCE

RGBA 207 198 255 0.81

HSLA 249.47, 1%, 0.89%, 0.81

LABA 82.31, 14.44, -26.82, 0.81

 

CMYK 10 / 12 / 0 / 0

HEX #E0D8FFCE

RGBA 224 216 255 0.81

HSLA 252.31, 1%, 0.92%, 0.81

LABA 88.05, 10.11, -17.98, 0.81

 

CMYK 29 / 32 / 0 / 6

HEX #9790ECCE

RGBA 151 144 236 0.81

HSLA 244.57, 0.71%, 0.75%, 0.81

LABA 63.82, 23.89, -45.55, 0.81

 

CMYK 31 / 34 / 0 / 12

HEX #867ED9CE

RGBA 134 126 217 0.81

HSLA 245.27, 0.54%, 0.67%, 0.81

LABA 57.08, 24.76, -45.71, 0.81

 

CMYK 33 / 37 / 0 / 18

HEX #756CC6CE

RGBA 117 108 198 0.81

HSLA 246, 0.44%, 0.6%, 0.81

LABA 50.2, 25.76, -45.92, 0.81

 

CMYK 36 / 40 / 0 / 24

HEX #645AB3CE

RGBA 100 90 179 0.81

HSLA 246.74, 0.37%, 0.53%, 0.81

LABA 43.18, 26.91, -46.18, 0.81

 

CMYK 39 / 45 / 0 / 30

HEX #5348A0CE

RGBA 83 72 160 0.81

HSLA 247.5, 0.38%, 0.45%, 0.81

LABA 36.01, 28.26, -46.49, 0.81

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 25 / 38 / 0 / 7

HEX #B192ED

RGB 177 146 237

HSL 260.44, 0.72%, 0.75%

LAB 66.53, 30.15, -41.69

 

CMYK 15 / 38 / 0 / 7

HEX #CA92ED

RGB 202 146 237

HSL 276.92, 0.72%, 0.75%

LAB 68.92, 37.4, -37.79

 

CMYK 5 / 38 / 0 / 7

HEX #E292ED

RGB 226 146 237

HSL 292.75, 0.72%, 0.75%

LAB 71.45, 44.55, -33.67

 

CMYK 0 / 38 / 6 / 7

HEX #ED92DE

RGB 237 146 222

HSL 309.89, 0.72%, 0.75%

LAB 72.12, 45.22, -24.3

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 38 / 38 / 0 / 7

HEX #9292ED

RGB 146 146 237

HSL 240, 0.72%, 0.75%

LAB 63.98, 21.69, -45.87

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 42 / 45 / 0 / 3

HEX #9088F7

RGB 144 136 247

HSL 244.32, 0.87%, 0.75%

LAB 61.87, 29.74, -54.73

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 28 / 31 / 0 / 11

HEX #A29CE2

RGB 162 156 226

HSL 245.14, 0.55%, 0.75%

LAB 67.24, 17.51, -34.63

 

CMYK 21 / 23 / 0 / 15

HEX #AAA7D8

RGB 170 167 216

HSL 243.67, 0.39%, 0.75%

LAB 70.27, 11.34, -24.4

 

CMYK 13 / 14 / 0 / 19

HEX #B3B1CE

RGB 179 177 206

HSL 244.14, 0.23%, 0.75%

LAB 73.21, 6.48, -14.4

 

CMYK 4 / 4 / 0 / 24

HEX #BCBBC3

RGB 188 187 195

HSL 247.5, 0.06%, 0.75%

LAB 76.17, 1.86, -3.91

 

CMYK 38 / 21 / 0 / 7

HEX #92BCED

RGB 146 188 237

HSL 212.31, 0.72%, 0.75%

LAB 74.95, -1.95, -28.82

 

CMYK 38 / 31 / 0 / 7

HEX #92A4ED

RGB 146 164 237

HSL 228.13, 0.72%, 0.75%

LAB 68.59, 11.38, -38.65

 

CMYK 36 / 38 / 0 / 7

HEX #9892ED

RGB 152 146 237

HSL 243.96, 0.72%, 0.75%

LAB 64.44, 23.27, -45.12

 

CMYK 26 / 38 / 0 / 7

HEX #B092ED

RGB 176 146 237

HSL 259.78, 0.72%, 0.75%

LAB 66.45, 29.86, -41.83

 

CMYK 16 / 38 / 0 / 7

HEX #C892ED

RGB 200 146 237

HSL 275.6, 0.72%, 0.75%

LAB 68.72, 36.81, -38.12

 

CMYK 61 / 67 / 0 / 12

HEX #574BE1

RGB 87 75 225

HSL 244.8, 0.71%, 0.59%

LAB 41.99, 47.62, -74.73

 

CMYK 48 / 52 / 0 / 9

HEX #786FE7

RGB 120 111 231

HSL 244.5, 0.71%, 0.67%

LAB 53.09, 34.3, -59.99

 

CMYK 35 / 38 / 0 / 7

HEX #9992ED

RGB 153 146 237

HSL 244.62, 0.72%, 0.75%

LAB 64.52, 23.53, -44.99

 

CMYK 23 / 25 / 0 / 5

HEX #BAB5F2

RGB 186 181 242

HSL 244.92, 0.7%, 0.83%

LAB 76.01, 14.45, -29.66

 

CMYK 12 / 13 / 0 / 3

HEX #DBD9F8

RGB 219 217 248

HSL 243.87, 0.69%, 0.91%

LAB 87.71, 6.58, -14.86

 

CMYK 36 / 39 / 0 / 7

HEX #9790EC

RGB 151 144 236

HSL 244.57, 0.71%, 0.75%

LAB 63.82, 23.89, -45.55

 

CMYK 0 / 38 / 11 / 7

HEX #ED92D4

RGB 237 146 212

HSL 316.48, 0.72%, 0.75%

LAB 71.77, 43.55, -19.33

 

CMYK 26 / 0 / 38 / 7

HEX #B0ED92

RGB 176 237 146

HSL 100.22, 0.72%, 0.75%

LAB 87.91, -35.36, 38.03

 

CMYK 36 / 39 / 0 / 7

HEX #9790EC

RGB 151 144 236

HSL 244.57, 0.71%, 0.75%

LAB 63.82, 23.89, -45.55

 

CMYK 0 / 36 / 38 / 7

HEX #ED9892

RGB 237 152 146

HSL 3.96, 0.72%, 0.75%

LAB 71.24, 31.17, 16.48

 

CMYK 38 / 0 / 36 / 7

HEX #92ED98

RGB 146 237 152

HSL 123.96, 0.72%, 0.75%

LAB 86.48, -44.08, 32.86

 

CMYK 36 / 39 / 0 / 7

HEX #9790EC

RGB 151 144 236

HSL 244.57, 0.71%, 0.75%

LAB 63.82, 23.89, -45.55

 

CMYK 0 / 38 / 11 / 7

HEX #ED92D4

RGB 237 146 212

HSL 316.48, 0.72%, 0.75%

LAB 71.77, 43.55, -19.33

 

CMYK 3 / 0 / 38 / 7

HEX #E6ED92

RGB 230 237 146

HSL 64.62, 0.72%, 0.75%

LAB 91.45, -15.7, 43.28

 

CMYK 38 / 0 / 28 / 7

HEX #92EDAA

RGB 146 237 170

HSL 135.82, 0.72%, 0.75%

LAB 86.79, -41.08, 24.11

 

CMYK 36 / 39 / 0 / 7

HEX #9790EC

RGB 151 144 236

HSL 244.57, 0.71%, 0.75%

LAB 63.82, 23.89, -45.55

 

CMYK 0 / 38 / 22 / 7

HEX #ED92B9

RGB 237 146 185

HSL 334.29, 0.72%, 0.75%

LAB 70.92, 39.38, -5.64

 

CMYK 3 / 0 / 38 / 7

HEX #E6ED92

RGB 230 237 146

HSL 64.62, 0.72%, 0.75%

LAB 91.45, -15.7, 43.28

 

CMYK 38 / 0 / 17 / 7

HEX #92EDC5

RGB 146 237 197

HSL 153.63, 0.72%, 0.75%

LAB 87.34, -35.94, 10.89

 

Description

Color code: HEX #9790ECCE | qconv.com Color code: HEX #9790ECCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 144 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 144 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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