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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978FED it is the complementary color #687012. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978FED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978FED shade: #9C8FE8, #ADA1FB, #BEB3FF, #CFC5FF and #E0D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978FED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978FED shade: #978FED, #867DDA, #756BC7, #6459B4 and #5347A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978FED shade: #9991ED, #B291ED, #CB91ED, #E391ED and #ED91DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978FED shade: #9991ED and #9191ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978FED shade matches the following richer shades: #9991ED and #9187F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978FED shade: #9991ED, #A29CE3, #AAA6D9, #B3B0CE and #BBBBC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978FED shade: #91BBED, #91A2ED, #9991ED, #B191ED and #CA91ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978FED shade: #574AE2, #786EE7, #9991ED, #BAB5F3 and #DBD8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978FED shade: #978FED, #ED91D3 and #AEED91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978FED shade: #978FED, #ED9991 and #91ED99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978FED shade: #978FED, #ED91D3, #E6ED91 and #91EDAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978FED shade: #978FED, #ED91B8, #E6ED91 and #91EDC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

Complementary color

CMYK 7 / 0 / 84 / 56

HEX #687012

RGB 104 112 18

HSL 65.11, 0.72%, 0.25%

LAB 45.05, -15.03, 46.41

 

CMYK 33 / 38 / 0 / 9

HEX #9C8FE8

RGB 156 143 232

HSL 248.76, 0.66%, 0.74%

LAB 63.79, 24.75, -43.37

 

CMYK 31 / 36 / 0 / 2

HEX #ADA1FB

RGB 173 161 251

HSL 248, 0.92%, 0.81%

LAB 70.41, 24.01, -43.29

 

CMYK 25 / 30 / 0 / 0

HEX #BEB3FF

RGB 190 179 255

HSL 248.68, 1%, 0.85%

LAB 76.32, 19.75, -36.15

 

CMYK 19 / 23 / 0 / 0

HEX #CFC5FF

RGB 207 197 255

HSL 250.34, 1%, 0.89%

LAB 82.06, 14.98, -27.2

 

CMYK 12 / 16 / 0 / 0

HEX #E0D7FF

RGB 224 215 255

HSL 253.5, 1%, 0.92%

LAB 87.81, 10.63, -18.36

 

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

CMYK 39 / 43 / 0 / 15

HEX #867DDA

RGB 134 125 218

HSL 245.81, 0.56%, 0.67%

LAB 56.88, 25.62, -46.59

 

CMYK 41 / 46 / 0 / 22

HEX #756BC7

RGB 117 107 199

HSL 246.52, 0.45%, 0.6%

LAB 50, 26.64, -46.81

 

CMYK 44 / 51 / 0 / 29

HEX #6459B4

RGB 100 89 180

HSL 247.25, 0.38%, 0.53%

LAB 42.99, 27.82, -47.07

 

CMYK 48 / 56 / 0 / 37

HEX #5347A1

RGB 83 71 161

HSL 248, 0.39%, 0.45%

LAB 35.83, 29.19, -47.38

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 25 / 39 / 0 / 7

HEX #B291ED

RGB 178 145 237

HSL 261.52, 0.72%, 0.75%

LAB 66.39, 30.99, -41.91

 

CMYK 14 / 39 / 0 / 7

HEX #CB91ED

RGB 203 145 237

HSL 277.83, 0.72%, 0.75%

LAB 68.8, 38.24, -37.97

 

CMYK 4 / 39 / 0 / 7

HEX #E391ED

RGB 227 145 237

HSL 293.48, 0.72%, 0.75%

LAB 71.35, 45.37, -33.81

 

CMYK 0 / 39 / 6 / 7

HEX #ED91DE

RGB 237 145 222

HSL 309.78, 0.72%, 0.75%

LAB 71.91, 45.74, -24.62

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 39 / 39 / 0 / 7

HEX #9191ED

RGB 145 145 237

HSL 240, 0.72%, 0.75%

LAB 63.66, 22.01, -46.39

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 41 / 45 / 0 / 3

HEX #9187F7

RGB 145 135 247

HSL 245.36, 0.88%, 0.75%

LAB 61.71, 30.56, -54.99

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 29 / 31 / 0 / 11

HEX #A29CE3

RGB 162 156 227

HSL 245.07, 0.56%, 0.75%

LAB 67.28, 17.76, -35.12

 

CMYK 22 / 24 / 0 / 15

HEX #AAA6D9

RGB 170 166 217

HSL 244.71, 0.4%, 0.75%

LAB 70.06, 12.13, -25.28

 

CMYK 13 / 15 / 0 / 19

HEX #B3B0CE

RGB 179 176 206

HSL 246, 0.23%, 0.75%

LAB 72.95, 7.02, -14.79

 

CMYK 5 / 5 / 0 / 23

HEX #BBBBC4

RGB 187 187 196

HSL 240, 0.07%, 0.75%

LAB 76.13, 1.71, -4.54

 

CMYK 39 / 21 / 0 / 7

HEX #91BBED

RGB 145 187 237

HSL 212.61, 0.72%, 0.75%

LAB 74.62, -1.67, -29.32

 

CMYK 39 / 32 / 0 / 7

HEX #91A2ED

RGB 145 162 237

HSL 228.91, 0.72%, 0.75%

LAB 68, 12.25, -39.57

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 25 / 39 / 0 / 7

HEX #B191ED

RGB 177 145 237

HSL 260.87, 0.72%, 0.75%

LAB 66.3, 30.71, -42.06

 

CMYK 15 / 39 / 0 / 7

HEX #CA91ED

RGB 202 145 237

HSL 277.17, 0.72%, 0.75%

LAB 68.69, 37.94, -38.14

 

CMYK 62 / 67 / 0 / 11

HEX #574AE2

RGB 87 74 226

HSL 245.13, 0.72%, 0.59%

LAB 41.87, 48.49, -75.5

 

CMYK 48 / 52 / 0 / 9

HEX #786EE7

RGB 120 110 231

HSL 244.96, 0.72%, 0.67%

LAB 52.86, 34.89, -60.37

 

CMYK 35 / 39 / 0 / 7

HEX #9991ED

RGB 153 145 237

HSL 245.22, 0.72%, 0.75%

LAB 64.27, 24.11, -45.38

 

CMYK 23 / 26 / 0 / 5

HEX #BAB5F3

RGB 186 181 243

HSL 244.84, 0.72%, 0.83%

LAB 76.04, 14.68, -30.14

 

CMYK 12 / 13 / 0 / 2

HEX #DBD8F9

RGB 219 216 249

HSL 245.45, 0.73%, 0.91%

LAB 87.49, 7.31, -15.71

 

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

CMYK 0 / 39 / 11 / 7

HEX #ED91D3

RGB 237 145 211

HSL 316.96, 0.72%, 0.75%

LAB 71.53, 43.9, -19.14

 

CMYK 27 / 0 / 39 / 7

HEX #AEED91

RGB 174 237 145

HSL 101.09, 0.72%, 0.75%

LAB 87.78, -36.18, 38.34

 

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

CMYK 0 / 35 / 39 / 7

HEX #ED9991

RGB 237 153 145

HSL 5.22, 0.72%, 0.75%

LAB 71.44, 30.53, 17.31

 

CMYK 39 / 0 / 35 / 7

HEX #91ED99

RGB 145 237 153

HSL 125.22, 0.72%, 0.75%

LAB 86.45, -44.22, 32.31

 

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

CMYK 0 / 39 / 11 / 7

HEX #ED91D3

RGB 237 145 211

HSL 316.96, 0.72%, 0.75%

LAB 71.53, 43.9, -19.14

 

CMYK 3 / 0 / 39 / 7

HEX #E6ED91

RGB 230 237 145

HSL 64.57, 0.72%, 0.75%

LAB 91.43, -15.81, 43.76

 

CMYK 39 / 0 / 28 / 7

HEX #91EDAB

RGB 145 237 171

HSL 136.96, 0.72%, 0.75%

LAB 86.77, -41.19, 23.55

 

CMYK 36 / 40 / 0 / 7

HEX #978FED

RGB 151 143 237

HSL 245.11, 0.72%, 0.75%

LAB 63.62, 24.73, -46.42

 

CMYK 0 / 39 / 22 / 7

HEX #ED91B8

RGB 237 145 184

HSL 334.57, 0.72%, 0.75%

LAB 70.67, 39.76, -5.44

 

CMYK 3 / 0 / 39 / 7

HEX #E6ED91

RGB 230 237 145

HSL 64.57, 0.72%, 0.75%

LAB 91.43, -15.81, 43.76

 

CMYK 39 / 0 / 16 / 7

HEX #91EDC7

RGB 145 237 199

HSL 155.22, 0.72%, 0.75%

LAB 87.34, -35.81, 9.84

 

Description

Color code: HEX #978FED | qconv.com Color code: HEX #978FED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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