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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978FC9 it is the complementary color #687036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978FC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978FC9 shade: #9C8FC4, #ADA1D7, #BEB3EA, #CFC5FD and #E0D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978FC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978FC9 shade: #978FC9, #867DB6, #756BA3, #645990 and #53477D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978FC9 shade: #968DC8, #A58DC8, #B58DC8, #C58DC8 and #C88DBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978FC9 shade: #968DC8 and #8D8DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978FC9 shade matches the following richer shades: #968DC8, #8C80D6, #8272E4, #7865F1 and #6E57FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978FC9 shade: #968DC8, #9F9BBB, #A9A9AD, #B3B69F and #BDC492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978FC9 shade: #8DA5C8, #8D95C8, #958DC8, #A58DC8 and #B58DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978FC9 shade: #6256AD, #7C72BB, #968DC8, #AFA9D6 and #C9C5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978FC9 shade: #978FC9, #C88DB5 and #9DC88D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978FC9 shade: #978FC9, #C8958D and #8DC895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978FC9 shade: #978FC9, #C88DB5, #C0C88D and #8DC8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978FC9 shade: #978FC9, #C88DA3, #C0C88D and #8DC8B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

Complementary color

CMYK 7 / 0 / 52 / 56

HEX #687036

RGB 104 112 54

HSL 68.28, 0.35%, 0.33%

LAB 45.36, -12.46, 30.95

 

CMYK 20 / 27 / 0 / 23

HEX #9C8FC4

RGB 156 143 196

HSL 254.72, 0.31%, 0.66%

LAB 62.25, 15.88, -25.69

 

CMYK 20 / 25 / 0 / 16

HEX #ADA1D7

RGB 173 161 215

HSL 253.33, 0.4%, 0.74%

LAB 68.95, 15.39, -25.85

 

CMYK 19 / 24 / 0 / 8

HEX #BEB3EA

RGB 190 179 234

HSL 252, 0.57%, 0.81%

LAB 75.53, 14.95, -26.03

 

CMYK 18 / 22 / 0 / 1

HEX #CFC5FD

RGB 207 197 253

HSL 250.71, 0.93%, 0.88%

LAB 82, 14.54, -26.24

 

CMYK 12 / 16 / 0 / 0

HEX #E0D7FF

RGB 224 215 255

HSL 253.5, 1%, 0.92%

LAB 87.81, 10.63, -18.36

 

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

CMYK 26 / 31 / 0 / 29

HEX #867DB6

RGB 134 125 182

HSL 249.47, 0.28%, 0.6%

LAB 55.19, 16.09, -28.8

 

CMYK 28 / 34 / 0 / 36

HEX #756BA3

RGB 117 107 163

HSL 250.71, 0.23%, 0.53%

LAB 48.19, 16.73, -28.78

 

CMYK 31 / 38 / 0 / 44

HEX #645990

RGB 100 89 144

HSL 252, 0.24%, 0.46%

LAB 41.01, 17.48, -28.82

 

CMYK 34 / 43 / 0 / 51

HEX #53477D

RGB 83 71 125

HSL 253.33, 0.28%, 0.38%

LAB 33.62, 18.35, -28.91

 

CMYK 25 / 30 / 0 / 22

HEX #968DC8

RGB 150 141 200

HSL 249.15, 0.35%, 0.67%

LAB 61.4, 16.13, -29.3

 

CMYK 18 / 30 / 0 / 22

HEX #A58DC8

RGB 165 141 200

HSL 264.41, 0.35%, 0.67%

LAB 62.69, 20.78, -27.19

 

CMYK 10 / 30 / 0 / 22

HEX #B58DC8

RGB 181 141 200

HSL 280.68, 0.35%, 0.67%

LAB 64.2, 25.89, -24.75

 

CMYK 1 / 30 / 0 / 22

HEX #C58DC8

RGB 197 141 200

HSL 296.95, 0.35%, 0.67%

LAB 65.82, 31.1, -22.13

 

CMYK 0 / 30 / 6 / 22

HEX #C88DBC

RGB 200 141 188

HSL 312.2, 0.35%, 0.67%

LAB 65.72, 29.88, -15.53

 

CMYK 25 / 30 / 0 / 22

HEX #968DC8

RGB 150 141 200

HSL 249.15, 0.35%, 0.67%

LAB 61.4, 16.13, -29.3

 

CMYK 30 / 30 / 0 / 22

HEX #8D8DC8

RGB 141 141 200

HSL 240, 0.35%, 0.67%

LAB 60.68, 13.42, -30.47

 

CMYK 25 / 30 / 0 / 22

HEX #968DC8

RGB 150 141 200

HSL 249.15, 0.35%, 0.67%

LAB 61.4, 16.13, -29.3

 

CMYK 35 / 40 / 0 / 16

HEX #8C80D6

RGB 140 128 214

HSL 248.37, 0.51%, 0.67%

LAB 57.91, 24.37, -42.67

 

CMYK 43 / 50 / 0 / 11

HEX #8272E4

RGB 130 114 228

HSL 248.42, 0.68%, 0.67%

LAB 54.43, 33.91, -56.12

 

CMYK 50 / 58 / 0 / 5

HEX #7865F1

RGB 120 101 241

HSL 248.14, 0.83%, 0.67%

LAB 51.44, 43.09, -68.25

 

CMYK 57 / 66 / 0 / 0

HEX #6E57FF

RGB 110 87 255

HSL 248.21, 1%, 0.67%

LAB 48.7, 53.37, -80.55

 

CMYK 25 / 30 / 0 / 22

HEX #968DC8

RGB 150 141 200

HSL 249.15, 0.35%, 0.67%

LAB 61.4, 16.13, -29.3

 

CMYK 15 / 17 / 0 / 27

HEX #9F9BBB

RGB 159 155 187

HSL 247.5, 0.19%, 0.67%

LAB 65.28, 8, -16

 

CMYK 2 / 2 / 0 / 32

HEX #A9A9AD

RGB 169 169 173

HSL 240, 0.02%, 0.67%

LAB 69.35, 0.77, -2.06

 

CMYK 2 / 0 / 13 / 29

HEX #B3B69F

RGB 179 182 159

HSL 67.83, 0.14%, 0.67%

LAB 73.25, -5.14, 11.36

 

CMYK 4 / 0 / 26 / 23

HEX #BDC492

RGB 189 196 146

HSL 68.4, 0.3%, 0.67%

LAB 77.5, -10.71, 24.36

 

CMYK 30 / 18 / 0 / 22

HEX #8DA5C8

RGB 141 165 200

HSL 215.59, 0.35%, 0.67%

LAB 67.08, -0.2, -20.63

 

CMYK 30 / 26 / 0 / 22

HEX #8D95C8

RGB 141 149 200

HSL 231.86, 0.35%, 0.67%

LAB 62.78, 8.82, -27.22

 

CMYK 26 / 30 / 0 / 22

HEX #958DC8

RGB 149 141 200

HSL 248.14, 0.35%, 0.67%

LAB 61.32, 15.82, -29.43

 

CMYK 18 / 30 / 0 / 22

HEX #A58DC8

RGB 165 141 200

HSL 264.41, 0.35%, 0.67%

LAB 62.69, 20.78, -27.19

 

CMYK 10 / 30 / 0 / 22

HEX #B58DC8

RGB 181 141 200

HSL 280.68, 0.35%, 0.67%

LAB 64.2, 25.89, -24.75

 

CMYK 43 / 50 / 0 / 32

HEX #6256AD

RGB 98 86 173

HSL 248.28, 0.35%, 0.51%

LAB 41.64, 27.09, -45.12

 

CMYK 34 / 39 / 0 / 27

HEX #7C72BB

RGB 124 114 187

HSL 248.22, 0.35%, 0.59%

LAB 51.73, 20.97, -37.14

 

CMYK 25 / 30 / 0 / 22

HEX #968DC8

RGB 150 141 200

HSL 249.15, 0.35%, 0.67%

LAB 61.4, 16.13, -29.3

 

CMYK 18 / 21 / 0 / 16

HEX #AFA9D6

RGB 175 169 214

HSL 248, 0.35%, 0.75%

LAB 71.11, 11.34, -21.99

 

CMYK 11 / 13 / 0 / 11

HEX #C9C5E3

RGB 201 197 227

HSL 248, 0.35%, 0.83%

LAB 80.68, 7.17, -14.38

 

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB5

RGB 200 141 181

HSL 319.32, 0.35%, 0.67%

LAB 65.49, 28.64, -11.94

 

CMYK 22 / 0 / 30 / 22

HEX #9DC88D

RGB 157 200 141

HSL 103.73, 0.35%, 0.67%

LAB 76.31, -25.2, 25.02

 

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

CMYK 0 / 26 / 30 / 22

HEX #C8958D

RGB 200 149 141

HSL 8.14, 0.35%, 0.67%

LAB 66.29, 18.04, 11.71

 

CMYK 30 / 0 / 26 / 22

HEX #8DC895

RGB 141 200 149

HSL 128.14, 0.35%, 0.67%

LAB 75.54, -29.27, 19.57

 

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB5

RGB 200 141 181

HSL 319.32, 0.35%, 0.67%

LAB 65.49, 28.64, -11.94

 

CMYK 4 / 0 / 30 / 22

HEX #C0C88D

RGB 192 200 141

HSL 68.14, 0.35%, 0.67%

LAB 78.72, -12.31, 28.66

 

CMYK 30 / 0 / 20 / 22

HEX #8DC8A1

RGB 141 200 161

HSL 140.34, 0.35%, 0.67%

LAB 75.79, -27.07, 13.51

 

CMYK 25 / 29 / 0 / 21

HEX #978FC9

RGB 151 143 201

HSL 248.28, 0.35%, 0.67%

LAB 62.03, 15.52, -28.87

 

CMYK 0 / 30 / 19 / 22

HEX #C88DA3

RGB 200 141 163

HSL 337.63, 0.35%, 0.67%

LAB 64.94, 25.67, -2.61

 

CMYK 4 / 0 / 30 / 22

HEX #C0C88D

RGB 192 200 141

HSL 68.14, 0.35%, 0.67%

LAB 78.72, -12.31, 28.66

 

CMYK 30 / 0 / 11 / 22

HEX #8DC8B3

RGB 141 200 179

HSL 158.64, 0.35%, 0.67%

LAB 76.21, -23.46, 4.43

 

Description

Color code: HEX #978FC9 | qconv.com Color code: HEX #978FC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 143 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 143 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 29 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 29% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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