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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978EE2 it is the complementary color #68711D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978EE2 shade: #9C8EDD, #ADA0F0, #BEB2FF, #CFC4FF and #E0D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978EE2 shade: #978EE2, #867CCF, #756ABC, #6458A9 and #534696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978EE2 shade: #978DE2, #AD8DE2, #C48DE2, #DB8DE2 and #E28DD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978EE2 shade: #978DE2 and #8D8DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978EE2 shade matches the following richer shades: #978DE2, #8D82ED and #8476F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978EE2 shade: #978DE2, #A099D6, #A9A5CB, #B2B0BF and #BBBCB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978EE2 shade: #8DB2E2, #8D9CE2, #968DE2, #AC8DE2 and #C38DE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978EE2 shade: #5A4CD1, #786DD9, #978DE2, #B5AEEA and #D3CFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978EE2 shade: #978EE2, #E28DC8 and #A7E28D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978EE2 shade: #978EE2, #E2968D and #8DE296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978EE2 shade: #978EE2, #E28DC8, #D9E28D and #8DE2A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978EE2 shade: #978EE2, #E28DAF, #D9E28D and #8DE2C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

Complementary color

CMYK 8 / 0 / 74 / 56

HEX #68711D

RGB 104 113 29

HSL 66.43, 0.59%, 0.28%

LAB 45.42, -15.05, 42.89

 

CMYK 29 / 36 / 0 / 13

HEX #9C8EDD

RGB 156 142 221

HSL 250.63, 0.54%, 0.71%

LAB 63.04, 22.53, -38.44

 

CMYK 28 / 33 / 0 / 6

HEX #ADA0F0

RGB 173 160 240

HSL 249.75, 0.73%, 0.78%

LAB 69.69, 21.86, -38.42

 

CMYK 25 / 30 / 0 / 0

HEX #BEB2FF

RGB 190 178 255

HSL 249.35, 1%, 0.85%

LAB 76.07, 20.3, -36.53

 

CMYK 19 / 23 / 0 / 0

HEX #CFC4FF

RGB 207 196 255

HSL 251.19, 1%, 0.88%

LAB 81.82, 15.52, -27.57

 

CMYK 12 / 16 / 0 / 0

HEX #E0D6FF

RGB 224 214 255

HSL 254.63, 1%, 0.92%

LAB 87.56, 11.16, -18.73

 

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

CMYK 35 / 40 / 0 / 19

HEX #867CCF

RGB 134 124 207

HSL 247.23, 0.46%, 0.65%

LAB 56.08, 23.21, -41.65

 

CMYK 38 / 44 / 0 / 26

HEX #756ABC

RGB 117 106 188

HSL 248.05, 0.38%, 0.58%

LAB 49.16, 24.13, -41.82

 

CMYK 41 / 48 / 0 / 34

HEX #6458A9

RGB 100 88 169

HSL 248.89, 0.32%, 0.5%

LAB 42.08, 25.18, -42.04

 

CMYK 45 / 53 / 0 / 41

HEX #534696

RGB 83 70 150

HSL 249.75, 0.36%, 0.43%

LAB 34.85, 26.42, -42.31

 

CMYK 33 / 38 / 0 / 11

HEX #978DE2

RGB 151 141 226

HSL 247.06, 0.59%, 0.72%

LAB 62.61, 22.98, -41.93

 

CMYK 23 / 38 / 0 / 11

HEX #AD8DE2

RGB 173 141 226

HSL 262.59, 0.59%, 0.72%

LAB 64.5, 29.21, -38.82

 

CMYK 13 / 38 / 0 / 11

HEX #C48DE2

RGB 196 141 226

HSL 278.82, 0.59%, 0.72%

LAB 66.73, 36.01, -35.18

 

CMYK 3 / 38 / 0 / 11

HEX #DB8DE2

RGB 219 141 226

HSL 295.06, 0.59%, 0.72%

LAB 69.18, 42.98, -31.19

 

CMYK 0 / 38 / 7 / 11

HEX #E28DD2

RGB 226 141 210

HSL 311.29, 0.59%, 0.72%

LAB 69.38, 42.29, -21.97

 

CMYK 33 / 38 / 0 / 11

HEX #978DE2

RGB 151 141 226

HSL 247.06, 0.59%, 0.72%

LAB 62.61, 22.98, -41.93

 

CMYK 38 / 38 / 0 / 11

HEX #8D8DE2

RGB 141 141 226

HSL 240, 0.59%, 0.72%

LAB 61.83, 20.29, -43.2

 

CMYK 33 / 38 / 0 / 11

HEX #978DE2

RGB 151 141 226

HSL 247.06, 0.59%, 0.72%

LAB 62.61, 22.98, -41.93

 

CMYK 41 / 45 / 0 / 7

HEX #8D82ED

RGB 141 130 237

HSL 246.17, 0.75%, 0.72%

LAB 59.66, 29.71, -52.75

 

CMYK 47 / 53 / 0 / 2

HEX #8476F9

RGB 132 118 249

HSL 246.41, 0.92%, 0.72%

LAB 56.78, 38.03, -64.03

 

CMYK 33 / 38 / 0 / 11

HEX #978DE2

RGB 151 141 226

HSL 247.06, 0.59%, 0.72%

LAB 62.61, 22.98, -41.93

 

CMYK 25 / 29 / 0 / 16

HEX #A099D6

RGB 160 153 214

HSL 246.89, 0.43%, 0.72%

LAB 65.84, 15.69, -30.19

 

CMYK 17 / 19 / 0 / 20

HEX #A9A5CB

RGB 169 165 203

HSL 246.32, 0.27%, 0.72%

LAB 69.22, 9.2, -18.84

 

CMYK 7 / 8 / 0 / 25

HEX #B2B0BF

RGB 178 176 191

HSL 248, 0.1%, 0.72%

LAB 72.41, 3.6, -7.38

 

CMYK 1 / 0 / 4 / 26

HEX #BBBCB4

RGB 187 188 180

HSL 67.5, 0.06%, 0.72%

LAB 75.96, -1.8, 3.91

 

CMYK 38 / 21 / 0 / 11

HEX #8DB2E2

RGB 141 178 226

HSL 213.88, 0.59%, 0.72%

LAB 71.55, -0.72, -28.09

 

CMYK 38 / 31 / 0 / 11

HEX #8D9CE2

RGB 141 156 226

HSL 229.41, 0.59%, 0.72%

LAB 65.69, 11.63, -37.15

 

CMYK 34 / 38 / 0 / 11

HEX #968DE2

RGB 150 141 226

HSL 246.35, 0.59%, 0.72%

LAB 62.53, 22.71, -42.06

 

CMYK 24 / 38 / 0 / 11

HEX #AC8DE2

RGB 172 141 226

HSL 261.88, 0.59%, 0.72%

LAB 64.41, 28.92, -38.97

 

CMYK 14 / 38 / 0 / 11

HEX #C38DE2

RGB 195 141 226

HSL 278.12, 0.59%, 0.72%

LAB 66.63, 35.71, -35.35

 

CMYK 57 / 64 / 0 / 18

HEX #5A4CD1

RGB 90 76 209

HSL 246.32, 0.59%, 0.56%

LAB 41.13, 42.52, -66.97

 

CMYK 45 / 50 / 0 / 15

HEX #786DD9

RGB 120 109 217

HSL 246.11, 0.59%, 0.64%

LAB 51.77, 31.37, -54.23

 

CMYK 33 / 38 / 0 / 11

HEX #978DE2

RGB 151 141 226

HSL 247.06, 0.59%, 0.72%

LAB 62.61, 22.98, -41.93

 

CMYK 23 / 26 / 0 / 8

HEX #B5AEEA

RGB 181 174 234

HSL 247, 0.59%, 0.8%

LAB 73.57, 14.96, -29.1

 

CMYK 13 / 15 / 0 / 5

HEX #D3CFF3

RGB 211 207 243

HSL 246.67, 0.6%, 0.88%

LAB 84.46, 8.32, -17.16

 

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

CMYK 0 / 38 / 12 / 11

HEX #E28DC8

RGB 226 141 200

HSL 318.35, 0.59%, 0.72%

LAB 69.03, 40.62, -16.94

 

CMYK 26 / 0 / 38 / 11

HEX #A7E28D

RGB 167 226 141

HSL 101.65, 0.59%, 0.72%

LAB 84.24, -34.07, 35.66

 

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

CMYK 0 / 34 / 38 / 11

HEX #E2968D

RGB 226 150 141

HSL 6.35, 0.59%, 0.72%

LAB 69.4, 27.5, 16.5

 

CMYK 38 / 0 / 34 / 11

HEX #8DE296

RGB 141 226 150

HSL 126.35, 0.59%, 0.72%

LAB 83.05, -41.07, 29.27

 

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

CMYK 0 / 38 / 12 / 11

HEX #E28DC8

RGB 226 141 200

HSL 318.35, 0.59%, 0.72%

LAB 69.03, 40.62, -16.94

 

CMYK 4 / 0 / 38 / 11

HEX #D9E28D

RGB 217 226 141

HSL 66.35, 0.59%, 0.72%

LAB 87.52, -15.81, 40.54

 

CMYK 38 / 0 / 26 / 11

HEX #8DE2A7

RGB 141 226 167

HSL 138.35, 0.59%, 0.72%

LAB 83.36, -38.13, 20.91

 

CMYK 33 / 37 / 0 / 11

HEX #978EE2

RGB 151 142 226

HSL 246.43, 0.59%, 0.72%

LAB 62.86, 22.41, -41.54

 

CMYK 0 / 38 / 23 / 11

HEX #E28DAF

RGB 226 141 175

HSL 336, 0.59%, 0.72%

LAB 68.25, 36.75, -4.14

 

CMYK 4 / 0 / 38 / 11

HEX #D9E28D

RGB 217 226 141

HSL 66.35, 0.59%, 0.72%

LAB 87.52, -15.81, 40.54

 

CMYK 38 / 0 / 15 / 11

HEX #8DE2C0

RGB 141 226 192

HSL 156, 0.59%, 0.72%

LAB 83.89, -33.25, 8.55

 

Description

Color code: HEX #978EE2 | qconv.com Color code: HEX #978EE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 142 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 142 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 37 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 37% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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