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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978ED3 it is the complementary color #68712C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978ED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978ED3 shade: #9C8ECE, #ADA0E1, #BEB2F4, #CFC4FF and #E0D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978ED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978ED3 shade: #978ED3, #867CC0, #756AAD, #64589A and #534687

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978ED3 shade: #968DD3, #A98DD3, #BC8DD3, #CF8DD3 and #D38DC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978ED3 shade: #968DD3 and #8D8DD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978ED3 shade matches the following richer shades: #968DD3, #8D80E0, #8374EC and #7A67F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978ED3 shade: #968DD3, #A09AC6, #A9A7B9, #B3B4AC and #BCC0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978ED3 shade: #8DAAD3, #8D98D3, #958DD3, #A88DD3 and #BA8DD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978ED3 shade: #6052BC, #7B6FC7, #968DD3, #B2ABDE and #CDC9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978ED3 shade: #978ED3, #D38DBD and #A1D38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978ED3 shade: #978ED3, #D3958D and #8DD395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978ED3 shade: #978ED3, #D38DBD, #CBD38D and #8DD3A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978ED3 shade: #978ED3, #D38DA8, #CBD38D and #8DD3B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

Complementary color

CMYK 8 / 0 / 61 / 56

HEX #68712C

RGB 104 113 44

HSL 67.83, 0.44%, 0.31%

LAB 45.55, -13.97, 36.31

 

CMYK 24 / 31 / 0 / 19

HEX #9C8ECE

RGB 156 142 206

HSL 253.13, 0.4%, 0.68%

LAB 62.4, 18.83, -31.07

 

CMYK 23 / 29 / 0 / 12

HEX #ADA0E1

RGB 173 160 225

HSL 252, 0.52%, 0.75%

LAB 69.08, 18.26, -31.15

 

CMYK 22 / 27 / 0 / 4

HEX #BEB2F4

RGB 190 178 244

HSL 250.91, 0.75%, 0.83%

LAB 75.65, 17.75, -31.26

 

CMYK 19 / 23 / 0 / 0

HEX #CFC4FF

RGB 207 196 255

HSL 251.19, 1%, 0.88%

LAB 81.82, 15.52, -27.57

 

CMYK 12 / 16 / 0 / 0

HEX #E0D6FF

RGB 224 214 255

HSL 254.63, 1%, 0.92%

LAB 87.56, 11.16, -18.73

 

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

CMYK 30 / 35 / 0 / 25

HEX #867CC0

RGB 134 124 192

HSL 248.82, 0.35%, 0.62%

LAB 55.37, 19.24, -34.24

 

CMYK 32 / 39 / 0 / 32

HEX #756AAD

RGB 117 106 173

HSL 249.85, 0.29%, 0.55%

LAB 48.39, 20, -34.31

 

CMYK 35 / 43 / 0 / 40

HEX #64589A

RGB 100 88 154

HSL 250.91, 0.27%, 0.47%

LAB 41.25, 20.87, -34.44

 

CMYK 39 / 48 / 0 / 47

HEX #534687

RGB 83 70 135

HSL 252, 0.32%, 0.4%

LAB 33.92, 21.9, -34.62

 

CMYK 29 / 33 / 0 / 17

HEX #968DD3

RGB 150 141 211

HSL 247.71, 0.44%, 0.69%

LAB 61.86, 18.85, -34.75

 

CMYK 20 / 33 / 0 / 17

HEX #A98DD3

RGB 169 141 211

HSL 264, 0.44%, 0.69%

LAB 63.5, 24.53, -32.07

 

CMYK 11 / 33 / 0 / 17

HEX #BC8DD3

RGB 188 141 211

HSL 280.29, 0.44%, 0.69%

LAB 65.31, 30.41, -29.12

 

CMYK 2 / 33 / 0 / 17

HEX #CF8DD3

RGB 207 141 211

HSL 296.57, 0.44%, 0.69%

LAB 67.29, 36.42, -25.91

 

CMYK 0 / 33 / 7 / 17

HEX #D38DC4

RGB 211 141 196

HSL 312.86, 0.44%, 0.69%

LAB 67.19, 34.99, -17.66

 

CMYK 29 / 33 / 0 / 17

HEX #968DD3

RGB 150 141 211

HSL 247.71, 0.44%, 0.69%

LAB 61.86, 18.85, -34.75

 

CMYK 33 / 33 / 0 / 17

HEX #8D8DD3

RGB 141 141 211

HSL 240, 0.44%, 0.69%

LAB 61.15, 16.27, -35.91

 

CMYK 29 / 33 / 0 / 17

HEX #968DD3

RGB 150 141 211

HSL 247.71, 0.44%, 0.69%

LAB 61.86, 18.85, -34.75

 

CMYK 37 / 43 / 0 / 12

HEX #8D80E0

RGB 141 128 224

HSL 248.13, 0.61%, 0.69%

LAB 58.49, 27.32, -47.36

 

CMYK 44 / 51 / 0 / 7

HEX #8374EC

RGB 131 116 236

HSL 247.5, 0.76%, 0.69%

LAB 55.45, 35.24, -58.95

 

CMYK 51 / 59 / 0 / 2

HEX #7A67F9

RGB 122 103 249

HSL 247.81, 0.92%, 0.69%

LAB 52.59, 44.67, -70.83

 

CMYK 29 / 33 / 0 / 17

HEX #968DD3

RGB 150 141 211

HSL 247.71, 0.44%, 0.69%

LAB 61.86, 18.85, -34.75

 

CMYK 19 / 22 / 0 / 22

HEX #A09AC6

RGB 160 154 198

HSL 248.18, 0.28%, 0.69%

LAB 65.48, 11.36, -21.83

 

CMYK 9 / 10 / 0 / 27

HEX #A9A7B9

RGB 169 167 185

HSL 246.67, 0.11%, 0.69%

LAB 69.17, 4.25, -8.98

 

CMYK 1 / 0 / 4 / 29

HEX #B3B4AC

RGB 179 180 172

HSL 67.5, 0.05%, 0.69%

LAB 73.03, -1.82, 3.94

 

CMYK 2 / 0 / 17 / 25

HEX #BCC0A0

RGB 188 192 160

HSL 67.5, 0.2%, 0.69%

LAB 76.64, -6.92, 15.69

 

CMYK 33 / 19 / 0 / 17

HEX #8DAAD3

RGB 141 170 211

HSL 215.14, 0.44%, 0.69%

LAB 68.83, -0.2, -24.03

 

CMYK 33 / 28 / 0 / 17

HEX #8D98D3

RGB 141 152 211

HSL 230.57, 0.44%, 0.69%

LAB 64.02, 9.93, -31.45

 

CMYK 29 / 33 / 0 / 17

HEX #958DD3

RGB 149 141 211

HSL 246.86, 0.44%, 0.69%

LAB 61.78, 18.56, -34.88

 

CMYK 20 / 33 / 0 / 17

HEX #A88DD3

RGB 168 141 211

HSL 263.14, 0.44%, 0.69%

LAB 63.41, 24.22, -32.22

 

CMYK 12 / 33 / 0 / 17

HEX #BA8DD3

RGB 186 141 211

HSL 278.57, 0.44%, 0.69%

LAB 65.11, 29.79, -29.44

 

CMYK 49 / 56 / 0 / 26

HEX #6052BC

RGB 96 82 188

HSL 247.92, 0.44%, 0.53%

LAB 41.46, 33.6, -54.23

 

CMYK 38 / 44 / 0 / 22

HEX #7B6FC7

RGB 123 111 199

HSL 248.18, 0.44%, 0.61%

LAB 51.5, 25.79, -44.4

 

CMYK 29 / 33 / 0 / 17

HEX #968DD3

RGB 150 141 211

HSL 247.71, 0.44%, 0.69%

LAB 61.86, 18.85, -34.75

 

CMYK 20 / 23 / 0 / 13

HEX #B2ABDE

RGB 178 171 222

HSL 248.24, 0.44%, 0.77%

LAB 72.14, 12.96, -24.78

 

CMYK 12 / 14 / 0 / 8

HEX #CDC9EA

RGB 205 201 234

HSL 247.27, 0.44%, 0.85%

LAB 82.21, 7.75, -15.79

 

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

CMYK 0 / 33 / 10 / 17

HEX #D38DBD

RGB 211 141 189

HSL 318.86, 0.44%, 0.69%

LAB 66.96, 33.78, -14.1

 

CMYK 24 / 0 / 33 / 17

HEX #A1D38D

RGB 161 211 141

HSL 102.86, 0.44%, 0.69%

LAB 79.66, -29.11, 29.56

 

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

CMYK 0 / 29 / 33 / 17

HEX #D3958D

RGB 211 149 141

HSL 6.86, 0.44%, 0.69%

LAB 67.48, 22.29, 13.56

 

CMYK 33 / 0 / 29 / 17

HEX #8DD395

RGB 141 211 149

HSL 126.86, 0.44%, 0.69%

LAB 78.71, -34.45, 23.92

 

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

CMYK 0 / 33 / 10 / 17

HEX #D38DBD

RGB 211 141 189

HSL 318.86, 0.44%, 0.69%

LAB 66.96, 33.78, -14.1

 

CMYK 4 / 0 / 33 / 17

HEX #CBD38D

RGB 203 211 141

HSL 66.86, 0.44%, 0.69%

LAB 82.49, -13.68, 33.81

 

CMYK 33 / 0 / 23 / 17

HEX #8DD3A3

RGB 141 211 163

HSL 138.86, 0.44%, 0.69%

LAB 78.98, -31.95, 16.92

 

CMYK 28 / 33 / 0 / 17

HEX #978ED3

RGB 151 142 211

HSL 247.83, 0.44%, 0.69%

LAB 62.19, 18.57, -34.22

 

CMYK 0 / 33 / 20 / 17

HEX #D38DA8

RGB 211 141 168

HSL 336.86, 0.44%, 0.69%

LAB 66.31, 30.41, -3.27

 

CMYK 4 / 0 / 33 / 17

HEX #CBD38D

RGB 203 211 141

HSL 66.86, 0.44%, 0.69%

LAB 82.49, -13.68, 33.81

 

CMYK 33 / 0 / 13 / 17

HEX #8DD3B8

RGB 141 211 184

HSL 156.86, 0.44%, 0.69%

LAB 79.45, -27.79, 6.42

 

Description

Color code: HEX #978ED3 | qconv.com Color code: HEX #978ED3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 142 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 142 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 33 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 33% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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