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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978E2E it is the complementary color #6871D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978E2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978E2E shade: #9C8E29, #ADA03C, #BEB24F, #CFC462 and #E0D675

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978E2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978E2E shade: #978E2E, #867C1B, #756A08, #645800 and #534600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978E2E shade: #988F2F, #98732F, #98562F, #983A2F and #982F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978E2E shade: #988F2F, #85982F, #68982F, #4C982F and #2F982F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978E2E shade matches the following richer shades: #988F2F, #A89C1F and #B8AA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978E2E shade: #988F2F, #88823F, #78744F, #68675F and #585A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978E2E shade: #98552F, #98722F, #988E2F, #87982F and #6A982F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978E2E shade: #59541B, #797125, #988F2F, #B8AD38 and #C9BF50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978E2E shade: #978E2E, #2F9839 and #632F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978E2E shade: #978E2E, #2F988E and #8E2F98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978E2E shade: #978E2E, #2F9839, #2F3998 and #982F8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978E2E shade: #978E2E, #2F9859, #2F3998 and #982F6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

Complementary color

CMYK 50 / 46 / 0 / 18

HEX #6871D1

RGB 104 113 209

HSL 234.86, 0.53%, 0.61%

LAB 51.1, 22.9, -50.82

 

CMYK 0 / 9 / 74 / 39

HEX #9C8E29

RGB 156 142 41

HSL 52.7, 0.58%, 0.39%

LAB 58.58, -6.38, 52.59

 

CMYK 0 / 8 / 65 / 32

HEX #ADA03C

RGB 173 160 60

HSL 53.1, 0.48%, 0.46%

LAB 65.24, -7.42, 52.02

 

CMYK 0 / 6 / 58 / 25

HEX #BEB24F

RGB 190 178 79

HSL 53.51, 0.46%, 0.53%

LAB 71.79, -8.26, 51.07

 

CMYK 0 / 5 / 53 / 19

HEX #CFC462

RGB 207 196 98

HSL 53.94, 0.53%, 0.6%

LAB 78.24, -8.95, 49.96

 

CMYK 0 / 4 / 48 / 12

HEX #E0D675

RGB 224 214 117

HSL 54.39, 0.63%, 0.67%

LAB 84.6, -9.53, 48.79

 

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

CMYK 0 / 7 / 80 / 47

HEX #867C1B

RGB 134 124 27

HSL 54.39, 0.66%, 0.32%

LAB 51.34, -7.24, 50.15

 

CMYK 0 / 9 / 93 / 54

HEX #756A08

RGB 117 106 8

HSL 53.94, 0.87%, 0.25%

LAB 44.39, -5.79, 48.89

 

CMYK 0 / 12 / 100 / 61

HEX #645800

RGB 100 88 0

HSL 52.8, 1%, 0.2%

LAB 37.28, -3.92, 44.9

 

CMYK 0 / 16 / 100 / 67

HEX #534600

RGB 83 70 0

HSL 50.6, 1%, 0.16%

LAB 29.96, -1.73, 38.82

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 0 / 24 / 69 / 40

HEX #98732F

RGB 152 115 47

HSL 38.86, 0.53%, 0.39%

LAB 50.85, 7.2, 42

 

CMYK 0 / 43 / 69 / 40

HEX #98562F

RGB 152 86 47

HSL 22.29, 0.53%, 0.39%

LAB 43.56, 23.82, 33.97

 

CMYK 0 / 62 / 69 / 40

HEX #983A2F

RGB 152 58 47

HSL 6.29, 0.53%, 0.39%

LAB 37.67, 38.7, 27.11

 

CMYK 0 / 69 / 69 / 40

HEX #982F2F

RGB 152 47 47

HSL 0, 0.53%, 0.39%

LAB 35.82, 43.68, 24.87

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 13 / 0 / 69 / 40

HEX #85982F

RGB 133 152 47

HSL 70.86, 0.53%, 0.39%

LAB 59.57, -21.49, 50.57

 

CMYK 32 / 0 / 69 / 40

HEX #68982F

RGB 104 152 47

HSL 87.43, 0.53%, 0.39%

LAB 57.66, -33.32, 47.99

 

CMYK 50 / 0 / 69 / 40

HEX #4C982F

RGB 76 152 47

HSL 103.43, 0.53%, 0.39%

LAB 56.29, -43.06, 46.13

 

CMYK 69 / 0 / 69 / 40

HEX #2F982F

RGB 47 152 47

HSL 120, 0.53%, 0.39%

LAB 55.35, -50.48, 44.85

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 0 / 7 / 82 / 34

HEX #A89C1F

RGB 168 156 31

HSL 54.74, 0.69%, 0.39%

LAB 63.51, -8.89, 60.89

 

CMYK 0 / 8 / 92 / 28

HEX #B8AA0F

RGB 184 170 15

HSL 55.03, 0.85%, 0.39%

LAB 68.73, -9.5, 69.27

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 0 / 4 / 54 / 47

HEX #88823F

RGB 136 130 63

HSL 55.07, 0.37%, 0.39%

LAB 53.56, -7.28, 36.65

 

CMYK 0 / 3 / 34 / 53

HEX #78744F

RGB 120 116 79

HSL 54.15, 0.21%, 0.39%

LAB 48.32, -4.65, 21.04

 

CMYK 0 / 1 / 9 / 59

HEX #68675F

RGB 104 103 95

HSL 53.33, 0.05%, 0.39%

LAB 43.46, -1.19, 4.65

 

CMYK 21 / 19 / 0 / 56

HEX #585A6F

RGB 88 90 111

HSL 234.78, 0.12%, 0.39%

LAB 38.79, 4.15, -12.21

 

CMYK 0 / 44 / 69 / 40

HEX #98552F

RGB 152 85 47

HSL 21.71, 0.53%, 0.39%

LAB 43.33, 24.39, 33.7

 

CMYK 0 / 25 / 69 / 40

HEX #98722F

RGB 152 114 47

HSL 38.29, 0.53%, 0.39%

LAB 50.59, 7.77, 41.72

 

CMYK 0 / 7 / 69 / 40

HEX #988E2F

RGB 152 142 47

HSL 54.29, 0.53%, 0.39%

LAB 58.25, -7.86, 49.73

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 30 / 0 / 69 / 40

HEX #6A982F

RGB 106 152 47

HSL 86.29, 0.53%, 0.39%

LAB 57.78, -32.55, 48.15

 

CMYK 0 / 6 / 70 / 65

HEX #59541B

RGB 89 84 27

HSL 55.16, 0.53%, 0.23%

LAB 35.09, -5.87, 32.87

 

CMYK 0 / 7 / 69 / 53

HEX #797125

RGB 121 113 37

HSL 54.29, 0.53%, 0.31%

LAB 46.99, -6.65, 41.58

 

CMYK 0 / 6 / 69 / 40

HEX #988F2F

RGB 152 143 47

HSL 54.86, 0.53%, 0.39%

LAB 58.53, -8.4, 50.01

 

CMYK 0 / 6 / 70 / 28

HEX #B8AD38

RGB 184 173 56

HSL 54.84, 0.53%, 0.47%

LAB 69.73, -9.69, 58.59

 

CMYK 0 / 5 / 60 / 21

HEX #C9BF50

RGB 201 191 80

HSL 55.04, 0.53%, 0.55%

LAB 76.23, -10.26, 55.81

 

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

CMYK 69 / 0 / 63 / 40

HEX #2F9839

RGB 47 152 57

HSL 125.71, 0.53%, 0.39%

LAB 55.44, -49.39, 40.51

 

CMYK 35 / 69 / 0 / 40

HEX #632F98

RGB 99 47 152

HSL 269.71, 0.53%, 0.39%

LAB 31.7, 44.04, -48.51

 

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

CMYK 69 / 0 / 7 / 40

HEX #2F988E

RGB 47 152 142

HSL 174.29, 0.53%, 0.39%

LAB 57.09, -31.77, -3.41

 

CMYK 7 / 69 / 0 / 40

HEX #8E2F98

RGB 142 47 152

HSL 294.29, 0.53%, 0.39%

LAB 37.93, 53.8, -38.17

 

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

CMYK 69 / 0 / 63 / 40

HEX #2F9839

RGB 47 152 57

HSL 125.71, 0.53%, 0.39%

LAB 55.44, -49.39, 40.51

 

CMYK 69 / 63 / 0 / 40

HEX #2F3998

RGB 47 57 152

HSL 234.29, 0.53%, 0.39%

LAB 28.9, 28.34, -53.29

 

CMYK 0 / 69 / 7 / 40

HEX #982F8E

RGB 152 47 142

HSL 305.71, 0.53%, 0.39%

LAB 39, 54.48, -30.28

 

CMYK 0 / 6 / 70 / 41

HEX #978E2E

RGB 151 142 46

HSL 54.86, 0.53%, 0.39%

LAB 58.15, -8.37, 50.01

 

CMYK 69 / 0 / 41 / 40

HEX #2F9859

RGB 47 152 89

HSL 144, 0.53%, 0.39%

LAB 55.87, -44.45, 24.7

 

CMYK 69 / 63 / 0 / 40

HEX #2F3998

RGB 47 57 152

HSL 234.29, 0.53%, 0.39%

LAB 28.9, 28.34, -53.29

 

CMYK 0 / 69 / 28 / 40

HEX #982F6E

RGB 152 47 110

HSL 324, 0.53%, 0.39%

LAB 37.54, 49.7, -12.71

 

Description

Color code: HEX #978E2E | qconv.com Color code: HEX #978E2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 142 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 142 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 70 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 70% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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