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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978DEF it is the complementary color #687210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978DEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978DEF shade: #9C8DEA, #AD9FFD, #BEB1FF, #CFC3FF and #E0D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978DEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978DEF shade: #978DEF, #867BDC, #7569C9, #6457B6 and #5345A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978DEF shade: #998FEF, #B38FEF, #CD8FEF, #E78FEF and #EF8FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978DEF shade: #998FEF and #8F8FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978DEF shade matches the following richer shades: #998FEF and #9185F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978DEF shade: #998FEF, #A19AE5, #AAA4DA, #B2AED0 and #BAB9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978DEF shade: #8FB9EF, #8F9FEF, #998FEF, #B38FEF and #CC8FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978DEF shade: #5747E5, #786BEA, #998FEF, #BAB4F4 and #DBD8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978DEF shade: #978DEF, #EF8FD2 and #ACEF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978DEF shade: #978DEF, #EF998F and #8FEF99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978DEF shade: #978DEF, #EF8FD2, #E6EF8F and #8FEFAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978DEF shade: #978DEF, #EF8FB6, #E6EF8F and #8FEFC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

Complementary color

CMYK 9 / 0 / 86 / 55

HEX #687210

RGB 104 114 16

HSL 66.12, 0.75%, 0.25%

LAB 45.65, -16.18, 47.51

 

CMYK 33 / 40 / 0 / 8

HEX #9C8DEA

RGB 156 141 234

HSL 249.68, 0.69%, 0.74%

LAB 63.39, 26.42, -45.1

 

CMYK 32 / 37 / 0 / 1

HEX #AD9FFD

RGB 173 159 253

HSL 248.94, 0.96%, 0.81%

LAB 70.02, 25.64, -45

 

CMYK 25 / 31 / 0 / 0

HEX #BEB1FF

RGB 190 177 255

HSL 250, 1%, 0.85%

LAB 75.83, 20.86, -36.91

 

CMYK 19 / 24 / 0 / 0

HEX #CFC3FF

RGB 207 195 255

HSL 252, 1%, 0.88%

LAB 81.57, 16.06, -27.95

 

CMYK 12 / 16 / 0 / 0

HEX #E0D5FF

RGB 224 213 255

HSL 255.71, 1%, 0.92%

LAB 87.32, 11.69, -19.1

 

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

CMYK 39 / 44 / 0 / 14

HEX #867BDC

RGB 134 123 220

HSL 246.8, 0.58%, 0.67%

LAB 56.49, 27.35, -48.33

 

CMYK 42 / 48 / 0 / 21

HEX #7569C9

RGB 117 105 201

HSL 247.5, 0.47%, 0.6%

LAB 49.62, 28.42, -48.56

 

CMYK 45 / 52 / 0 / 29

HEX #6457B6

RGB 100 87 182

HSL 248.21, 0.39%, 0.53%

LAB 42.62, 29.64, -48.84

 

CMYK 49 / 58 / 0 / 36

HEX #5345A3

RGB 83 69 163

HSL 248.94, 0.41%, 0.45%

LAB 35.48, 31.06, -49.14

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 25 / 40 / 0 / 6

HEX #B38FEF

RGB 179 143 239

HSL 262.5, 0.75%, 0.75%

LAB 66.11, 32.86, -43.45

 

CMYK 14 / 40 / 0 / 6

HEX #CD8FEF

RGB 205 143 239

HSL 278.75, 0.75%, 0.75%

LAB 68.65, 40.32, -39.29

 

CMYK 3 / 40 / 0 / 6

HEX #E78FEF

RGB 231 143 239

HSL 295, 0.75%, 0.75%

LAB 71.46, 47.97, -34.69

 

CMYK 0 / 40 / 7 / 6

HEX #EF8FDE

RGB 239 143 222

HSL 310.63, 0.75%, 0.75%

LAB 71.74, 47.39, -24.86

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 40 / 40 / 0 / 6

HEX #8F8FEF

RGB 143 143 239

HSL 240, 0.75%, 0.75%

LAB 63.11, 23.21, -48.37

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 42 / 47 / 0 / 2

HEX #9185F9

RGB 145 133 249

HSL 246.21, 0.91%, 0.75%

LAB 61.34, 32.27, -56.68

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 30 / 33 / 0 / 10

HEX #A19AE5

RGB 161 154 229

HSL 245.6, 0.59%, 0.75%

LAB 66.78, 19.1, -37

 

CMYK 22 / 25 / 0 / 15

HEX #AAA4DA

RGB 170 164 218

HSL 246.67, 0.42%, 0.75%

LAB 69.58, 13.48, -26.56

 

CMYK 14 / 16 / 0 / 18

HEX #B2AED0

RGB 178 174 208

HSL 247.06, 0.27%, 0.75%

LAB 72.42, 8.22, -16.69

 

CMYK 6 / 7 / 0 / 22

HEX #BAB9C6

RGB 186 185 198

HSL 244.62, 0.1%, 0.75%

LAB 75.58, 2.83, -6.43

 

CMYK 40 / 23 / 0 / 6

HEX #8FB9EF

RGB 143 185 239

HSL 213.75, 0.75%, 0.75%

LAB 74.04, -0.57, -31.3

 

CMYK 40 / 33 / 0 / 6

HEX #8F9FEF

RGB 143 159 239

HSL 230, 0.75%, 0.75%

LAB 67.18, 13.99, -41.97

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 25 / 40 / 0 / 6

HEX #B38FEF

RGB 179 143 239

HSL 262.5, 0.75%, 0.75%

LAB 66.11, 32.86, -43.45

 

CMYK 15 / 40 / 0 / 6

HEX #CC8FEF

RGB 204 143 239

HSL 278.13, 0.75%, 0.75%

LAB 68.54, 40.03, -39.45

 

CMYK 62 / 69 / 0 / 10

HEX #5747E5

RGB 87 71 229

HSL 246.08, 0.75%, 0.59%

LAB 41.52, 51.09, -77.79

 

CMYK 49 / 54 / 0 / 8

HEX #786BEA

RGB 120 107 234

HSL 246.14, 0.75%, 0.67%

LAB 52.34, 37.54, -62.88

 

CMYK 36 / 40 / 0 / 6

HEX #998FEF

RGB 153 143 239

HSL 246.25, 0.75%, 0.75%

LAB 63.88, 25.78, -47.11

 

CMYK 24 / 26 / 0 / 4

HEX #BAB4F4

RGB 186 180 244

HSL 245.63, 0.74%, 0.83%

LAB 75.83, 15.46, -31

 

CMYK 12 / 13 / 0 / 2

HEX #DBD8F9

RGB 219 216 249

HSL 245.45, 0.73%, 0.91%

LAB 87.49, 7.31, -15.71

 

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

CMYK 0 / 40 / 12 / 6

HEX #EF8FD2

RGB 239 143 210

HSL 318.13, 0.75%, 0.75%

LAB 71.32, 45.41, -18.89

 

CMYK 28 / 0 / 40 / 6

HEX #ACEF8F

RGB 172 239 143

HSL 101.88, 0.75%, 0.75%

LAB 88.2, -38.03, 39.85

 

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

CMYK 0 / 36 / 40 / 6

HEX #EF998F

RGB 239 153 143

HSL 6.25, 0.75%, 0.75%

LAB 71.63, 31.06, 18.72

 

CMYK 40 / 0 / 36 / 6

HEX #8FEF99

RGB 143 239 153

HSL 126.25, 0.75%, 0.75%

LAB 86.93, -45.67, 32.94

 

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

CMYK 0 / 40 / 12 / 6

HEX #EF8FD2

RGB 239 143 210

HSL 318.13, 0.75%, 0.75%

LAB 71.32, 45.41, -18.89

 

CMYK 4 / 0 / 40 / 6

HEX #E6EF8F

RGB 230 239 143

HSL 65.63, 0.75%, 0.75%

LAB 91.93, -17.01, 45.36

 

CMYK 40 / 0 / 28 / 6

HEX #8FEFAC

RGB 143 239 172

HSL 138.13, 0.75%, 0.75%

LAB 87.27, -42.46, 23.71

 

CMYK 37 / 41 / 0 / 6

HEX #978DEF

RGB 151 141 239

HSL 246.12, 0.75%, 0.75%

LAB 63.23, 26.41, -48.14

 

CMYK 0 / 40 / 24 / 6

HEX #EF8FB6

RGB 239 143 182

HSL 335.63, 0.75%, 0.75%

LAB 70.44, 41.19, -4.66

 

CMYK 4 / 0 / 40 / 6

HEX #E6EF8F

RGB 230 239 143

HSL 65.63, 0.75%, 0.75%

LAB 91.93, -17.01, 45.36

 

CMYK 40 / 0 / 16 / 6

HEX #8FEFC9

RGB 143 239 201

HSL 156.25, 0.75%, 0.75%

LAB 87.87, -36.84, 9.53

 

Description

Color code: HEX #978DEF | qconv.com Color code: HEX #978DEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 141 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 141 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 41 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 41% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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