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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978C7E it is the complementary color #687381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978C7E shade: #9C8C79, #AD9E8C, #BEB09F, #CFC2B2 and #E0D4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978C7E shade: #978C7E, #867A6B, #756858, #645645 and #534432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978C7E shade: #978B7D, #97847D and #977D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978C7E shade: #978B7D, #97927D, #94977D, #8D977D and #86977D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978C7E shade matches the following richer shades: #978B7D, #AA8E6A, #BD9057, #D09244 and #E39431

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978C7E shade: #978B7D, #848990, #7187A3, #5E84B6 and #4B82C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978C7E shade: #977D7D, #97847D, #978B7D, #97927D and #94977D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978C7E shade: #6B6256, #827768, #978B7D, #A9A094 and #BBB4AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978C7E shade: #978C7E, #83977D and #817D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978C7E shade: #978C7E, #7D978B and #8B7D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978C7E shade: #978C7E, #83977D, #7D8897 and #907D97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978C7E shade: #978C7E, #7D977E, #7D8897 and #977D95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

Complementary color

CMYK 19 / 11 / 0 / 49

HEX #687381

RGB 104 115 129

HSL 213.6, 0.11%, 0.46%

LAB 47.99, -0.9, -9.08

 

CMYK 0 / 10 / 22 / 39

HEX #9C8C79

RGB 156 140 121

HSL 32.57, 0.15%, 0.54%

LAB 59.16, 2.83, 12.34

 

CMYK 0 / 9 / 19 / 32

HEX #AD9E8C

RGB 173 158 140

HSL 32.73, 0.17%, 0.61%

LAB 65.93, 2.47, 11.39

 

CMYK 0 / 7 / 16 / 25

HEX #BEB09F

RGB 190 176 159

HSL 32.9, 0.19%, 0.68%

LAB 72.56, 2.16, 10.51

 

CMYK 0 / 6 / 14 / 19

HEX #CFC2B2

RGB 207 194 178

HSL 33.1, 0.23%, 0.75%

LAB 79.08, 1.88, 9.68

 

CMYK 0 / 5 / 12 / 12

HEX #E0D4C5

RGB 224 212 197

HSL 33.33, 0.3%, 0.83%

LAB 85.49, 1.63, 8.89

HEX #E0D4C5

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

CMYK 0 / 9 / 20 / 47

HEX #867A6B

RGB 134 122 107

HSL 33.33, 0.11%, 0.47%

LAB 51.89, 1.98, 9.88

 

CMYK 0 / 11 / 25 / 54

HEX #756858

RGB 117 104 88

HSL 33.1, 0.14%, 0.4%

LAB 44.78, 2.36, 10.9

 

CMYK 0 / 14 / 31 / 61

HEX #645645

RGB 100 86 69

HSL 32.9, 0.18%, 0.33%

LAB 37.47, 2.84, 12.03

 

CMYK 0 / 18 / 40 / 67

HEX #534432

RGB 83 68 50

HSL 32.73, 0.25%, 0.26%

LAB 29.92, 3.45, 13.31

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 0 / 13 / 17 / 41

HEX #97847D

RGB 151 132 125

HSL 16.15, 0.11%, 0.54%

LAB 56.65, 6.01, 6.42

 

CMYK 0 / 17 / 17 / 41

HEX #977D7D

RGB 151 125 125

HSL 0, 0.11%, 0.54%

LAB 54.79, 10.01, 3.75

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 0 / 3 / 17 / 41

HEX #97927D

RGB 151 146 125

HSL 48.46, 0.11%, 0.54%

LAB 60.44, -1.86, 11.8

 

CMYK 2 / 0 / 17 / 41

HEX #94977D

RGB 148 151 125

HSL 66.92, 0.11%, 0.54%

LAB 61.58, -5.77, 13.35

 

CMYK 7 / 0 / 17 / 41

HEX #8D977D

RGB 141 151 125

HSL 83.08, 0.11%, 0.54%

LAB 61.02, -8.46, 12.5

 

CMYK 11 / 0 / 17 / 41

HEX #86977D

RGB 134 151 125

HSL 99.23, 0.11%, 0.54%

LAB 60.5, -11.1, 11.69

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 0 / 16 / 38 / 33

HEX #AA8E6A

RGB 170 142 106

HSL 33.75, 0.27%, 0.54%

LAB 60.72, 5.33, 23.13

 

CMYK 0 / 24 / 54 / 26

HEX #BD9057

RGB 189 144 87

HSL 33.53, 0.44%, 0.54%

LAB 62.89, 10.24, 36.62

 

CMYK 0 / 30 / 67 / 18

HEX #D09244

RGB 208 146 68

HSL 33.43, 0.6%, 0.54%

LAB 65.27, 15.89, 49.47

 

CMYK 0 / 35 / 78 / 11

HEX #E39431

RGB 227 148 49

HSL 33.37, 0.76%, 0.54%

LAB 67.82, 22, 60.99

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 8 / 5 / 0 / 44

HEX #848990

RGB 132 137 144

HSL 215, 0.05%, 0.54%

LAB 56.89, -0.38, -4.38

 

CMYK 31 / 17 / 0 / 36

HEX #7187A3

RGB 113 135 163

HSL 213.6, 0.21%, 0.54%

LAB 55.57, -1.09, -17.44

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B6

RGB 94 132 182

HSL 214.09, 0.38%, 0.54%

LAB 54.3, 0.73, -30.4

 

CMYK 63 / 35 / 0 / 21

HEX #4B82C9

RGB 75 130 201

HSL 213.81, 0.54%, 0.54%

LAB 53.68, 3.94, -42.27

 

CMYK 0 / 17 / 17 / 41

HEX #977D7D

RGB 151 125 125

HSL 0, 0.11%, 0.54%

LAB 54.79, 10.01, 3.75

 

CMYK 0 / 13 / 17 / 41

HEX #97847D

RGB 151 132 125

HSL 16.15, 0.11%, 0.54%

LAB 56.65, 6.01, 6.42

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 0 / 3 / 17 / 41

HEX #97927D

RGB 151 146 125

HSL 48.46, 0.11%, 0.54%

LAB 60.44, -1.86, 11.8

 

CMYK 2 / 0 / 17 / 41

HEX #94977D

RGB 148 151 125

HSL 66.92, 0.11%, 0.54%

LAB 61.58, -5.77, 13.35

 

CMYK 0 / 8 / 20 / 58

HEX #6B6256

RGB 107 98 86

HSL 34.29, 0.11%, 0.38%

LAB 42.05, 1.38, 8.13

 

CMYK 0 / 8 / 20 / 49

HEX #827768

RGB 130 119 104

HSL 34.62, 0.11%, 0.46%

LAB 50.62, 1.59, 9.78

 

CMYK 0 / 8 / 17 / 41

HEX #978B7D

RGB 151 139 125

HSL 32.31, 0.11%, 0.54%

LAB 58.53, 2.05, 9.1

 

CMYK 0 / 5 / 12 / 34

HEX #A9A094

RGB 169 160 148

HSL 34.29, 0.11%, 0.62%

LAB 66.3, 1.15, 7.42

 

CMYK 0 / 4 / 9 / 27

HEX #BBB4AB

RGB 187 180 171

HSL 33.75, 0.11%, 0.7%

LAB 73.64, 0.89, 5.46

 

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

CMYK 13 / 0 / 17 / 41

HEX #83977D

RGB 131 151 125

HSL 106.15, 0.11%, 0.54%

LAB 60.28, -12.22, 11.35

 

CMYK 15 / 17 / 0 / 41

HEX #817D97

RGB 129 125 151

HSL 249.23, 0.11%, 0.54%

LAB 53.57, 7.01, -13.42

 

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

CMYK 17 / 0 / 8 / 41

HEX #7D978B

RGB 125 151 139

HSL 152.31, 0.11%, 0.54%

LAB 60.21, -11.66, 3.27

 

CMYK 8 / 17 / 0 / 41

HEX #8B7D97

RGB 139 125 151

HSL 272.31, 0.11%, 0.54%

LAB 54.44, 10.5, -12.02

 

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

CMYK 13 / 0 / 17 / 41

HEX #83977D

RGB 131 151 125

HSL 106.15, 0.11%, 0.54%

LAB 60.28, -12.22, 11.35

 

CMYK 17 / 10 / 0 / 41

HEX #7D8897

RGB 125 136 151

HSL 214.62, 0.11%, 0.54%

LAB 56.29, -0.71, -9.36

 

CMYK 5 / 17 / 0 / 41

HEX #907D97

RGB 144 125 151

HSL 283.85, 0.11%, 0.54%

LAB 54.9, 12.27, -11.28

 

CMYK 0 / 7 / 17 / 41

HEX #978C7E

RGB 151 140 126

HSL 33.6, 0.11%, 0.54%

LAB 58.83, 1.65, 8.95

 

CMYK 17 / 0 / 17 / 41

HEX #7D977E

RGB 125 151 126

HSL 122.31, 0.11%, 0.54%

LAB 59.89, -14.22, 10.17

 

CMYK 17 / 10 / 0 / 41

HEX #7D8897

RGB 125 136 151

HSL 214.62, 0.11%, 0.54%

LAB 56.29, -0.71, -9.36

 

CMYK 0 / 17 / 1 / 41

HEX #977D95

RGB 151 125 149

HSL 304.62, 0.11%, 0.54%

LAB 55.5, 14.38, -9.15

 

Description

Color code: HEX #978C7E | qconv.com Color code: HEX #978C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 140 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 140 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 17% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Natalie Zed
Link: http://nataliezed.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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