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Color name
HEX #978AD83F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978AD83F it is the complementary color #6875273F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978AD83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978AD83F shade: #9C8AD33F, #AD9CE63F, #BEAEF93F, #CFC0FF3F and #E0D2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978AD83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978AD83F shade: #978AD83F, #8678C53F, #7566B23F, #64549F3F and #53428C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978AD83F shade: #9688D7, #AB88D7, #C088D7, #D688D7 and #D788C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978AD83F shade: #9688D7 and #8888D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978AD83F shade matches the following richer shades: #9688D7, #8D7CE4, #856FF1 and #7C62FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978AD83F shade: #9688D7, #9E95CB, #A7A2BE, #AFAFB1 and #B8BCA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978AD83F shade: #88A5D7, #8890D7, #9688D7, #AB88D7 and #C088D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978AD83F shade: #5F4BC3, #7A69CD, #9688D7, #B1A7E2 and #CDC6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978AD83F shade: #978AD8, #D788BA and #9BD788

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978AD83F shade: #978AD8, #D79688 and #88D796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978AD83F shade: #978AD8, #D788BA, #CAD788 and #88D7A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978AD83F shade: #978AD8, #D788A3, #CAD788 and #88D7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 9 / 0 / 4

HEX #978AD83F

RGBA 151 138 216 0.25

HSLA 250, 0.5%, 0.69%, 0.25

LABA 61.41, 22.14, -38.24, 0.25

 

Complementary color

CMYK 3 / 0 / 17 / 14

HEX #6875273F

RGBA 104 117 39 0.25

HSLA 70, 0.5%, 0.31%, 0.25

LABA 46.73, -16.54, 39.96, 0.25

 

CMYK 7 / 9 / 0 / 4

HEX #9C8AD33F

RGBA 156 138 211 0.25

HSLA 254.79, 0.45%, 0.68%, 0.25

LABA 61.61, 22.34, -35.1, 0.25

 

CMYK 6 / 8 / 0 / 2

HEX #AD9CE63F

RGBA 173 156 230 0.25

HSLA 253.78, 0.6%, 0.76%, 0.25

LABA 68.3, 21.69, -35.12, 0.25

 

CMYK 6 / 8 / 0 / 1

HEX #BEAEF93F

RGBA 190 174 249 0.25

HSLA 252.8, 0.86%, 0.83%, 0.25

LABA 74.86, 21.11, -35.17, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #CFC0FF3F

RGBA 207 192 255 0.25

HSLA 254.29, 1%, 0.88%, 0.25

LABA 80.84, 17.68, -29.07, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E0D2FF3F

RGBA 224 210 255 0.25

HSLA 258.67, 1%, 0.91%, 0.25

LABA 86.58, 13.28, -20.2, 0.25

 

CMYK 8 / 9 / 0 / 4

HEX #978AD83F

RGBA 151 138 216 0.25

HSLA 250, 0.5%, 0.69%, 0.25

LABA 61.41, 22.14, -38.24, 0.25

 

CMYK 8 / 10 / 0 / 6

HEX #8678C53F

RGBA 134 120 197 0.25

HSLA 250.91, 0.4%, 0.62%, 0.25

LABA 54.59, 22.9, -38.32, 0.25

 

CMYK 9 / 11 / 0 / 8

HEX #7566B23F

RGBA 117 102 178 0.25

HSLA 251.84, 0.33%, 0.55%, 0.25

LABA 47.62, 23.77, -38.44, 0.25

 

CMYK 9 / 12 / 0 / 9

HEX #64549F3F

RGBA 100 84 159 0.25

HSLA 252.8, 0.31%, 0.48%, 0.25

LABA 40.5, 24.77, -38.62, 0.25

 

CMYK 10 / 13 / 0 / 11

HEX #53428C3F

RGBA 83 66 140 0.25

HSLA 253.78, 0.36%, 0.4%, 0.25

LABA 33.2, 25.93, -38.85, 0.25

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 20 / 37 / 0 / 16

HEX #AB88D7

RGB 171 136 215

HSL 266.58, 0.5%, 0.69%

LAB 62.65, 28.88, -35.61

 

CMYK 11 / 37 / 0 / 16

HEX #C088D7

RGB 192 136 215

HSL 282.53, 0.5%, 0.69%

LAB 64.74, 35.25, -32.2

 

CMYK 0 / 37 / 0 / 16

HEX #D688D7

RGB 214 136 215

HSL 299.24, 0.5%, 0.69%

LAB 67.13, 42.04, -28.31

 

CMYK 0 / 37 / 9 / 16

HEX #D788C4

RGB 215 136 196

HSL 314.43, 0.5%, 0.69%

LAB 66.55, 38.98, -18.59

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 37 / 37 / 0 / 16

HEX #8888D7

RGB 136 136 215

HSL 240, 0.5%, 0.69%

LAB 59.66, 18.87, -40.5

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 38 / 46 / 0 / 11

HEX #8D7CE4

RGB 141 124 228

HSL 249.81, 0.66%, 0.69%

LAB 57.73, 30.73, -50.8

 

CMYK 45 / 54 / 0 / 5

HEX #856FF1

RGB 133 111 241

HSL 250.15, 0.82%, 0.69%

LAB 54.77, 40, -62.83

 

CMYK 51 / 61 / 0 / 0

HEX #7C62FE

RGB 124 98 254

HSL 250, 0.99%, 0.69%

LAB 52.04, 49.31, -74.51

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 22 / 27 / 0 / 20

HEX #9E95CB

RGB 158 149 203

HSL 250, 0.34%, 0.69%

LAB 64.22, 14.73, -26.57

 

CMYK 12 / 15 / 0 / 25

HEX #A7A2BE

RGB 167 162 190

HSL 250.71, 0.18%, 0.69%

LAB 67.85, 7.39, -13.73

 

CMYK 1 / 1 / 0 / 31

HEX #AFAFB1

RGB 175 175 177

HSL 240, 0.01%, 0.69%

LAB 71.52, 0.38, -1.03

 

CMYK 2 / 0 / 13 / 26

HEX #B8BCA4

RGB 184 188 164

HSL 70, 0.15%, 0.69%

LAB 75.35, -5.64, 11.67

 

CMYK 37 / 23 / 0 / 16

HEX #88A5D7

RGB 136 165 215

HSL 217.97, 0.5%, 0.69%

LAB 67.32, 2.22, -28.6

 

CMYK 37 / 33 / 0 / 16

HEX #8890D7

RGB 136 144 215

HSL 233.92, 0.5%, 0.69%

LAB 61.73, 14.21, -37.26

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 20 / 37 / 0 / 16

HEX #AB88D7

RGB 171 136 215

HSL 266.58, 0.5%, 0.69%

LAB 62.65, 28.88, -35.61

 

CMYK 11 / 37 / 0 / 16

HEX #C088D7

RGB 192 136 215

HSL 282.53, 0.5%, 0.69%

LAB 64.74, 35.25, -32.2

 

CMYK 51 / 62 / 0 / 24

HEX #5F4BC3

RGB 95 75 195

HSL 250, 0.5%, 0.53%

LAB 40.25, 39.71, -60.27

 

CMYK 40 / 49 / 0 / 20

HEX #7A69CD

RGB 122 105 205

HSL 250.2, 0.5%, 0.61%

LAB 50.27, 30.79, -49.78

 

CMYK 30 / 37 / 0 / 16

HEX #9688D7

RGB 150 136 215

HSL 250.63, 0.5%, 0.69%

LAB 60.78, 22.76, -38.67

 

CMYK 22 / 26 / 0 / 11

HEX #B1A7E2

RGB 177 167 226

HSL 250.17, 0.5%, 0.77%

LAB 71.2, 15.79, -28.42

 

CMYK 13 / 16 / 0 / 7

HEX #CDC6EC

RGB 205 198 236

HSL 251.05, 0.5%, 0.85%

LAB 81.52, 9.77, -17.9

 

CMYK 30 / 36 / 0 / 15

HEX #978AD8

RGB 151 138 216

HSL 250, 0.5%, 0.69%

LAB 61.41, 22.14, -38.24

 

CMYK 0 / 37 / 13 / 16

HEX #D788BA

RGB 215 136 186

HSL 322.03, 0.5%, 0.69%

LAB 66.21, 37.31, -13.49

 

CMYK 28 / 0 / 37 / 16

HEX #9BD788

RGB 155 215 136

HSL 105.57, 0.5%, 0.69%

LAB 80.37, -33.78, 33.01

 

CMYK 30 / 36 / 0 / 15

HEX #978AD8

RGB 151 138 216

HSL 250, 0.5%, 0.69%

LAB 61.41, 22.14, -38.24

 

CMYK 0 / 30 / 37 / 16

HEX #D79688

RGB 215 150 136

HSL 10.63, 0.5%, 0.69%

LAB 68.05, 22.67, 17.2

 

CMYK 37 / 0 / 30 / 16

HEX #88D796

RGB 136 215 150

HSL 130.63, 0.5%, 0.69%

LAB 79.63, -37.65, 24.62

 

CMYK 30 / 36 / 0 / 15

HEX #978AD8

RGB 151 138 216

HSL 250, 0.5%, 0.69%

LAB 61.41, 22.14, -38.24

 

CMYK 0 / 37 / 13 / 16

HEX #D788BA

RGB 215 136 186

HSL 322.03, 0.5%, 0.69%

LAB 66.21, 37.31, -13.49

 

CMYK 6 / 0 / 37 / 16

HEX #CAD788

RGB 202 215 136

HSL 69.87, 0.5%, 0.69%

LAB 83.41, -16.68, 37.54

 

CMYK 37 / 0 / 23 / 16

HEX #88D7A5

RGB 136 215 165

HSL 142.03, 0.5%, 0.69%

LAB 79.93, -34.93, 17.15

 

CMYK 30 / 36 / 0 / 15

HEX #978AD8

RGB 151 138 216

HSL 250, 0.5%, 0.69%

LAB 61.41, 22.14, -38.24

 

CMYK 0 / 37 / 24 / 16

HEX #D788A3

RGB 215 136 163

HSL 339.49, 0.5%, 0.69%

LAB 65.51, 33.79, -1.57

 

CMYK 6 / 0 / 37 / 16

HEX #CAD788

RGB 202 215 136

HSL 69.87, 0.5%, 0.69%

LAB 83.41, -16.68, 37.54

 

CMYK 37 / 0 / 12 / 16

HEX #88D7BD

RGB 136 215 189

HSL 160.25, 0.5%, 0.69%

LAB 80.47, -30.07, 5.18

 

Description

Color code: HEX #978AD83F | qconv.com Color code: HEX #978AD83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 138 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 138 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 9 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 9% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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