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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978AB3 it is the complementary color #68754C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978AB3 shade: #9C8AAE, #AD9CC1, #BEAED4, #CFC0E7 and #E0D2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978AB3 shade: #978AB3, #8678A0, #75668D, #64547A and #534267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978AB3 shade: #9689B2, #A189B2, #AC89B2, #B289AD and #B289A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978AB3 shade: #9689B2, #8B89B2 and #8989B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978AB3 shade matches the following richer shades: #9689B2, #907AC2, #8B6AD1, #855AE1 and #7F4BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978AB3 shade: #9689B2, #9C99A2, #A2A993, #A7B883 and #ADC873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978AB3 shade: #8992B2, #8B89B2, #9689B2, #A189B2 and #AC89B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978AB3 shade: #6B5C8D, #8070A2, #9689B2, #ACA2C2 and #C3BBD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978AB3 shade: #978AB3, #B2899D and #8DB289

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978AB3 shade: #978AB3, #B29689 and #89B296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978AB3 shade: #978AB3, #B2899D, #A5B289 and #89B29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978AB3 shade: #978AB3, #B28991, #A5B289 and #89B2AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

Complementary color

CMYK 11 / 0 / 35 / 54

HEX #68754C

RGB 104 117 76

HSL 79.02, 0.21%, 0.38%

LAB 47.22, -12.43, 21.06

 

CMYK 10 / 21 / 0 / 32

HEX #9C8AAE

RGB 156 138 174

HSL 270, 0.18%, 0.61%

LAB 60.16, 13.81, -16.44

 

CMYK 10 / 19 / 0 / 24

HEX #AD9CC1

RGB 173 156 193

HSL 267.57, 0.23%, 0.68%

LAB 66.91, 13.38, -16.77

 

CMYK 10 / 18 / 0 / 17

HEX #BEAED4

RGB 190 174 212

HSL 265.26, 0.31%, 0.76%

LAB 73.53, 12.98, -17.11

 

CMYK 10 / 17 / 0 / 9

HEX #CFC0E7

RGB 207 192 231

HSL 263.08, 0.45%, 0.83%

LAB 80.03, 12.61, -17.45

 

CMYK 10 / 16 / 0 / 2

HEX #E0D2FA

RGB 224 210 250

HSL 261, 0.8%, 0.9%

LAB 86.43, 12.27, -17.8

 

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

CMYK 16 / 25 / 0 / 37

HEX #8678A0

RGB 134 120 160

HSL 261, 0.17%, 0.55%

LAB 52.99, 13.71, -19.49

 

CMYK 17 / 28 / 0 / 45

HEX #75668D

RGB 117 102 141

HSL 263.08, 0.16%, 0.48%

LAB 45.92, 14.25, -19.27

 

CMYK 18 / 31 / 0 / 52

HEX #64547A

RGB 100 84 122

HSL 265.26, 0.18%, 0.4%

LAB 38.65, 14.86, -19.09

 

CMYK 19 / 36 / 0 / 60

HEX #534267

RGB 83 66 103

HSL 267.57, 0.22%, 0.33%

LAB 31.15, 15.56, -18.95

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 10 / 23 / 0 / 30

HEX #A189B2

RGB 161 137 178

HSL 275.12, 0.21%, 0.62%

LAB 60.5, 16.93, -18.16

 

CMYK 3 / 23 / 0 / 30

HEX #AC89B2

RGB 172 137 178

HSL 291.22, 0.21%, 0.62%

LAB 61.55, 20.66, -16.47

 

CMYK 0 / 23 / 3 / 30

HEX #B289AD

RGB 178 137 173

HSL 307.32, 0.21%, 0.62%

LAB 61.98, 21.77, -12.93

 

CMYK 0 / 23 / 9 / 30

HEX #B289A2

RGB 178 137 162

HSL 323.41, 0.21%, 0.62%

LAB 61.62, 19.75, -7.2

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 22 / 23 / 0 / 30

HEX #8B89B2

RGB 139 137 178

HSL 242.93, 0.21%, 0.62%

LAB 58.6, 9.68, -21.23

 

CMYK 23 / 23 / 0 / 30

HEX #8989B2

RGB 137 137 178

HSL 240, 0.21%, 0.62%

LAB 58.44, 9.04, -21.49

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 26 / 37 / 0 / 24

HEX #907AC2

RGB 144 122 194

HSL 258.33, 0.37%, 0.62%

LAB 55.83, 23.87, -34.6

 

CMYK 33 / 49 / 0 / 18

HEX #8B6AD1

RGB 139 106 209

HSL 259.22, 0.53%, 0.62%

LAB 52.29, 35.6, -48.76

 

CMYK 41 / 60 / 0 / 12

HEX #855AE1

RGB 133 90 225

HSL 259.11, 0.69%, 0.62%

LAB 49.17, 47.44, -62.87

 

CMYK 47 / 69 / 0 / 5

HEX #7F4BF1

RGB 127 75 241

HSL 258.8, 0.86%, 0.62%

LAB 46.84, 58.43, -75.71

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 4 / 6 / 0 / 36

HEX #9C99A2

RGB 156 153 162

HSL 260, 0.05%, 0.62%

LAB 63.72, 2.84, -4.32

 

CMYK 4 / 0 / 13 / 34

HEX #A2A993

RGB 162 169 147

HSL 79.09, 0.11%, 0.62%

LAB 68.14, -6.51, 10.51

 

CMYK 9 / 0 / 29 / 28

HEX #A7B883

RGB 167 184 131

HSL 79.25, 0.27%, 0.62%

LAB 72.32, -15.03, 25.04

 

CMYK 14 / 0 / 43 / 22

HEX #ADC873

RGB 173 200 115

HSL 79.06, 0.44%, 0.62%

LAB 76.94, -22.86, 39.45

 

CMYK 23 / 18 / 0 / 30

HEX #8992B2

RGB 137 146 178

HSL 226.83, 0.21%, 0.62%

LAB 60.86, 3.88, -17.8

 

CMYK 22 / 23 / 0 / 30

HEX #8B89B2

RGB 139 137 178

HSL 242.93, 0.21%, 0.62%

LAB 58.6, 9.68, -21.23

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 10 / 23 / 0 / 30

HEX #A189B2

RGB 161 137 178

HSL 275.12, 0.21%, 0.62%

LAB 60.5, 16.93, -18.16

 

CMYK 3 / 23 / 0 / 30

HEX #AC89B2

RGB 172 137 178

HSL 291.22, 0.21%, 0.62%

LAB 61.55, 20.66, -16.47

 

CMYK 24 / 35 / 0 / 45

HEX #6B5C8D

RGB 107 92 141

HSL 258.37, 0.21%, 0.46%

LAB 42.31, 17.03, -24.92

 

CMYK 21 / 31 / 0 / 36

HEX #8070A2

RGB 128 112 162

HSL 259.2, 0.21%, 0.54%

LAB 50.44, 16.95, -24.63

 

CMYK 16 / 23 / 0 / 30

HEX #9689B2

RGB 150 137 178

HSL 259.02, 0.21%, 0.62%

LAB 59.52, 13.26, -19.75

 

CMYK 11 / 16 / 0 / 24

HEX #ACA2C2

RGB 172 162 194

HSL 258.75, 0.21%, 0.7%

LAB 68.39, 9.91, -15.1

 

CMYK 8 / 11 / 0 / 17

HEX #C3BBD3

RGB 195 187 211

HSL 260, 0.21%, 0.78%

LAB 77.19, 7.35, -11.03

 

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

CMYK 0 / 23 / 12 / 30

HEX #B2899D

RGB 178 137 157

HSL 330.73, 0.21%, 0.62%

LAB 61.47, 18.87, -4.58

 

CMYK 21 / 0 / 23 / 30

HEX #8DB289

RGB 141 178 137

HSL 114.15, 0.21%, 0.62%

LAB 68.97, -20.55, 16.95

 

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

CMYK 0 / 16 / 23 / 30

HEX #B29689

RGB 178 150 137

HSL 19.02, 0.21%, 0.62%

LAB 64.23, 8.36, 10.73

 

CMYK 23 / 0 / 16 / 30

HEX #89B296

RGB 137 178 150

HSL 139.02, 0.21%, 0.62%

LAB 69.01, -19.53, 9.86

 

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

CMYK 0 / 23 / 12 / 30

HEX #B2899D

RGB 178 137 157

HSL 330.73, 0.21%, 0.62%

LAB 61.47, 18.87, -4.58

 

CMYK 7 / 0 / 23 / 30

HEX #A5B289

RGB 165 178 137

HSL 79.02, 0.21%, 0.62%

LAB 70.63, -11.78, 19.49

 

CMYK 23 / 0 / 11 / 30

HEX #89B29E

RGB 137 178 158

HSL 150.73, 0.21%, 0.62%

LAB 69.2, -17.95, 5.74

 

CMYK 16 / 23 / 0 / 30

HEX #978AB3

RGB 151 138 179

HSL 259.02, 0.21%, 0.62%

LAB 59.9, 13.24, -19.72

 

CMYK 0 / 23 / 19 / 30

HEX #B28991

RGB 178 137 145

HSL 348.29, 0.21%, 0.62%

LAB 61.13, 16.87, 1.77

 

CMYK 7 / 0 / 23 / 30

HEX #A5B289

RGB 165 178 137

HSL 79.02, 0.21%, 0.62%

LAB 70.63, -11.78, 19.49

 

CMYK 23 / 0 / 4 / 30

HEX #89B2AA

RGB 137 178 170

HSL 168.29, 0.21%, 0.62%

LAB 69.51, -15.43, -0.42

 

Description

Color code: HEX #978AB3 | qconv.com Color code: HEX #978AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 138 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 138 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 23 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 23% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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