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Color name
HEX #978A16

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978A16 it is the complementary color #6875E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978A16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978A16 shade: #9C8A11, #AD9C24, #BEAE37, #CFC04A and #E0D25D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978A16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978A16 shade: #978A16, #867803, #756600, #645400 and #534200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978A16 shade: #988B16, #986816, #984416, #982116 and #981616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978A16 shade: #988B16, #829816, #5F9816, #3C9816 and #199816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978A16 shade matches the following richer shades: #988B16 and #A69608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978A16 shade: #988B16, #8A7F24, #7C7432, #6E6940 and #605E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978A16 shade: #984316, #986616, #988916, #849816 and #629816

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978A16 shade: #50490B, #746A11, #988B16, #BCAC1B and #DFCC21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978A16 shade: #978A16, #169821 and #551698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978A16 shade: #978A16, #169889 and #891698

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978A16 shade: #978A16, #169821, #162598 and #98168D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978A16 shade: #978A16, #169848, #162598 and #981666

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

Complementary color

CMYK 55 / 50 / 0 / 9

HEX #6875E9

RGB 104 117 233

HSL 233.95, 0.75%, 0.66%

LAB 53.54, 28.02, -60.44

 

CMYK 0 / 12 / 89 / 39

HEX #9C8A11

RGB 156 138 17

HSL 52.23, 0.8%, 0.34%

LAB 57.35, -5.05, 58.87

 

CMYK 0 / 10 / 79 / 32

HEX #AD9C24

RGB 173 156 36

HSL 52.55, 0.66%, 0.41%

LAB 63.99, -6.48, 59.96

 

CMYK 0 / 8 / 71 / 25

HEX #BEAE37

RGB 190 174 55

HSL 52.89, 0.55%, 0.48%

LAB 70.52, -7.65, 59.94

 

CMYK 0 / 7 / 64 / 19

HEX #CFC04A

RGB 207 192 74

HSL 53.23, 0.58%, 0.55%

LAB 76.96, -8.63, 59.33

 

CMYK 0 / 6 / 58 / 12

HEX #E0D25D

RGB 224 210 93

HSL 53.59, 0.68%, 0.62%

LAB 83.3, -9.45, 58.43

 

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

CMYK 0 / 10 / 98 / 47

HEX #867803

RGB 134 120 3

HSL 53.59, 0.96%, 0.27%

LAB 50.11, -5.66, 55.05

 

CMYK 0 / 13 / 100 / 54

HEX #756600

RGB 117 102 0

HSL 52.31, 1%, 0.23%

LAB 43.19, -3.68, 49.93

 

CMYK 0 / 16 / 100 / 61

HEX #645400

RGB 100 84 0

HSL 50.4, 1%, 0.2%

LAB 36.08, -1.54, 44.05

 

CMYK 0 / 20 / 100 / 67

HEX #534200

RGB 83 66 0

HSL 47.71, 1%, 0.16%

LAB 28.73, 0.75, 37.87

 

CMYK 0 / 9 / 86 / 40

HEX #988B16

RGB 152 139 22

HSL 54, 0.75%, 0.34%

LAB 57.27, -7.31, 57.45

 

CMYK 0 / 32 / 86 / 40

HEX #986816

RGB 152 104 22

HSL 37.85, 0.75%, 0.34%

LAB 47.8, 12.39, 49.46

 

CMYK 0 / 55 / 86 / 40

HEX #984416

RGB 152 68 22

HSL 21.23, 0.75%, 0.34%

LAB 39.36, 32.56, 42.17

 

CMYK 0 / 78 / 86 / 40

HEX #982116

RGB 152 33 22

HSL 5.08, 0.75%, 0.34%

LAB 33.61, 47.93, 37.06

 

CMYK 0 / 86 / 86 / 40

HEX #981616

RGB 152 22 22

HSL 0, 0.75%, 0.34%

LAB 32.5, 51.07, 36.05

 

CMYK 0 / 9 / 86 / 40

HEX #988B16

RGB 152 139 22

HSL 54, 0.75%, 0.34%

LAB 57.27, -7.31, 57.45

 

CMYK 14 / 0 / 86 / 40

HEX #829816

RGB 130 152 22

HSL 70.15, 0.75%, 0.34%

LAB 59.21, -23.96, 58.37

 

CMYK 38 / 0 / 86 / 40

HEX #5F9816

RGB 95 152 22

HSL 86.31, 0.75%, 0.34%

LAB 57.02, -38.15, 55.62

 

CMYK 61 / 0 / 86 / 40

HEX #3C9816

RGB 60 152 22

HSL 102.46, 0.75%, 0.34%

LAB 55.56, -49.27, 53.76

 

CMYK 84 / 0 / 86 / 40

HEX #199816

RGB 25 152 22

HSL 118.62, 0.75%, 0.34%

LAB 54.78, -55.86, 52.77

 

CMYK 0 / 9 / 86 / 40

HEX #988B16

RGB 152 139 22

HSL 54, 0.75%, 0.34%

LAB 57.27, -7.31, 57.45

 

CMYK 0 / 10 / 95 / 35

HEX #A69608

RGB 166 150 8

HSL 53.92, 0.91%, 0.34%

LAB 61.6, -7.12, 64.13

 

CMYK 0 / 9 / 86 / 40

HEX #988B16

RGB 152 139 22

HSL 54, 0.75%, 0.34%

LAB 57.27, -7.31, 57.45

 

CMYK 0 / 8 / 74 / 46

HEX #8A7F24

RGB 138 127 36

HSL 53.53, 0.59%, 0.34%

LAB 52.63, -6.63, 48.18

 

CMYK 0 / 6 / 60 / 51

HEX #7C7432

RGB 124 116 50

HSL 53.51, 0.43%, 0.34%

LAB 48.27, -6.02, 36.86

 

CMYK 0 / 5 / 42 / 57

HEX #6E6940

RGB 110 105 64

HSL 53.48, 0.26%, 0.34%

LAB 43.93, -4.67, 23.75

 

CMYK 0 / 2 / 19 / 62

HEX #605E4E

RGB 96 94 78

HSL 53.33, 0.1%, 0.34%

LAB 39.65, -2.26, 9.48

 

CMYK 0 / 56 / 86 / 40

HEX #984316

RGB 152 67 22

HSL 20.77, 0.75%, 0.34%

LAB 39.15, 33.08, 41.99

 

CMYK 0 / 33 / 86 / 40

HEX #986616

RGB 152 102 22

HSL 36.92, 0.75%, 0.34%

LAB 47.28, 13.54, 49.02

 

CMYK 0 / 10 / 86 / 40

HEX #988916

RGB 152 137 22

HSL 53.08, 0.75%, 0.34%

LAB 56.71, -6.22, 56.98

 

CMYK 13 / 0 / 86 / 40

HEX #849816

RGB 132 152 22

HSL 69.23, 0.75%, 0.34%

LAB 59.36, -23.1, 58.55

 

CMYK 36 / 0 / 86 / 40

HEX #629816

RGB 98 152 22

HSL 84.92, 0.75%, 0.34%

LAB 57.18, -37.03, 55.82

 

CMYK 0 / 9 / 86 / 69

HEX #50490B

RGB 80 73 11

HSL 53.91, 0.76%, 0.18%

LAB 30.63, -4.69, 35.07

 

CMYK 0 / 9 / 85 / 55

HEX #746A11

RGB 116 106 17

HSL 53.94, 0.74%, 0.26%

LAB 44.32, -6.02, 46.5

 

CMYK 0 / 9 / 86 / 40

HEX #988B16

RGB 152 139 22

HSL 54, 0.75%, 0.34%

LAB 57.27, -7.31, 57.45

 

CMYK 0 / 9 / 86 / 26

HEX #BCAC1B

RGB 188 172 27

HSL 54.04, 0.75%, 0.42%

LAB 69.67, -8.53, 67.85

 

CMYK 0 / 9 / 85 / 13

HEX #DFCC21

RGB 223 204 33

HSL 54, 0.75%, 0.5%

LAB 81.28, -9.6, 77.29

 

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

CMYK 86 / 0 / 78 / 40

HEX #169821

RGB 22 152 33

HSL 125.08, 0.75%, 0.34%

LAB 54.8, -55.51, 49.49

 

CMYK 44 / 86 / 0 / 40

HEX #551698

RGB 85 22 152

HSL 269.08, 0.75%, 0.34%

LAB 26.08, 52.3, -57.77

 

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

CMYK 86 / 0 / 10 / 40

HEX #169889

RGB 22 152 137

HSL 173.08, 0.75%, 0.34%

LAB 56.52, -36.08, -1.44

 

CMYK 10 / 86 / 0 / 40

HEX #891698

RGB 137 22 152

HSL 293.08, 0.75%, 0.34%

LAB 34.31, 60.76, -44.01

 

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

CMYK 86 / 0 / 78 / 40

HEX #169821

RGB 22 152 33

HSL 125.08, 0.75%, 0.34%

LAB 54.8, -55.51, 49.49

 

CMYK 86 / 76 / 0 / 40

HEX #162598

RGB 22 37 152

HSL 233.08, 0.75%, 0.34%

LAB 22.86, 38.62, -63.25

 

CMYK 0 / 86 / 7 / 40

HEX #98168D

RGB 152 22 141

HSL 305.08, 0.75%, 0.34%

LAB 36.31, 61.87, -33.91

 

CMYK 0 / 9 / 85 / 41

HEX #978A16

RGB 151 138 22

HSL 53.95, 0.75%, 0.34%

LAB 56.89, -7.22, 57.1

 

CMYK 86 / 0 / 53 / 40

HEX #169848

RGB 22 152 72

HSL 143.08, 0.75%, 0.34%

LAB 55.17, -50.96, 32.72

 

CMYK 86 / 76 / 0 / 40

HEX #162598

RGB 22 37 152

HSL 233.08, 0.75%, 0.34%

LAB 22.86, 38.62, -63.25

 

CMYK 0 / 86 / 33 / 40

HEX #981666

RGB 152 22 102

HSL 323.08, 0.75%, 0.34%

LAB 34.41, 56.66, -12.39

 

Description

Color code: HEX #978A16 | qconv.com Color code: HEX #978A16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 138 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 138 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 85 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 85% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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