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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978423 it is the complementary color #687BDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978423. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978423 shade: #9C841E, #AD9631, #BEA844, #CFBA57 and #E0CC6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978423. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978423 shade: #978423, #867210, #756000, #644E00 and #533C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978423 shade: #958223, #956323, #954523, #952623 and #952323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978423 shade: #958223, #899523, #6A9523, #4B9523 and #2D9523

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978423 shade matches the following richer shades: #958223, #A48C14 and #B29605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978423 shade: #958223, #867832, #776E41, #68644F and #595A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978423 shade: #954523, #956323, #958223, #899523 and #6B9523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978423 shade: #524813, #73651B, #958223, #B69F2B and #D1B839

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978423 shade: #978423, #239527 and #542395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978423 shade: #978423, #239582 and #822395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978423 shade: #978423, #239527, #233695 and #952391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978423 shade: #978423, #239549, #233695 and #95236F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

Complementary color

CMYK 53 / 44 / 0 / 14

HEX #687BDC

RGB 104 123 220

HSL 230.17, 0.62%, 0.64%

LAB 54.32, 20.27, -51.91

 

CMYK 0 / 15 / 81 / 39

HEX #9C841E

RGB 156 132 30

HSL 48.57, 0.68%, 0.36%

LAB 55.75, -1.36, 53.92

 

CMYK 0 / 13 / 72 / 32

HEX #AD9631

RGB 173 150 49

HSL 48.87, 0.56%, 0.44%

LAB 62.44, -2.68, 53.76

 

CMYK 0 / 12 / 64 / 25

HEX #BEA844

RGB 190 168 68

HSL 49.18, 0.48%, 0.51%

LAB 69.02, -3.76, 53

 

CMYK 0 / 10 / 58 / 19

HEX #CFBA57

RGB 207 186 87

HSL 49.5, 0.56%, 0.58%

LAB 75.5, -4.65, 51.96

 

CMYK 0 / 9 / 53 / 12

HEX #E0CC6A

RGB 224 204 106

HSL 49.83, 0.66%, 0.65%

LAB 81.88, -5.4, 50.8

 

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

CMYK 0 / 15 / 88 / 47

HEX #867210

RGB 134 114 16

HSL 49.83, 0.79%, 0.29%

LAB 48.44, -2, 50.97

 

CMYK 0 / 18 / 100 / 54

HEX #756000

RGB 117 96 0

HSL 49.23, 1%, 0.23%

LAB 41.45, -0.19, 48.7

 

CMYK 0 / 22 / 100 / 61

HEX #644E00

RGB 100 78 0

HSL 46.8, 1%, 0.2%

LAB 34.31, 2.09, 42.81

 

CMYK 0 / 28 / 100 / 67

HEX #533C00

RGB 83 60 0

HSL 43.37, 1%, 0.16%

LAB 26.94, 4.54, 36.35

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 0 / 34 / 77 / 42

HEX #956323

RGB 149 99 35

HSL 33.68, 0.62%, 0.36%

LAB 46.22, 14.39, 42.71

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 0 / 74 / 77 / 42

HEX #952623

RGB 149 38 35

HSL 1.58, 0.62%, 0.36%

LAB 33.77, 45.66, 29.66

 

CMYK 0 / 77 / 77 / 42

HEX #952323

RGB 149 35 35

HSL 0, 0.62%, 0.36%

LAB 33.38, 46.74, 29.23

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 8 / 0 / 77 / 42

HEX #899523

RGB 137 149 35

HSL 66.32, 0.62%, 0.36%

LAB 58.91, -18.88, 54.51

 

CMYK 29 / 0 / 77 / 42

HEX #6A9523

RGB 106 149 35

HSL 82.63, 0.62%, 0.36%

LAB 56.76, -31.95, 51.71

 

CMYK 50 / 0 / 77 / 42

HEX #4B9523

RGB 75 149 35

HSL 98.95, 0.62%, 0.36%

LAB 55.19, -43.08, 49.64

 

CMYK 70 / 0 / 77 / 42

HEX #2D9523

RGB 45 149 35

HSL 114.74, 0.62%, 0.36%

LAB 54.21, -50.88, 48.35

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 0 / 15 / 88 / 36

HEX #A48C14

RGB 164 140 20

HSL 50, 0.78%, 0.36%

LAB 58.69, -2.4, 59.6

 

CMYK 0 / 16 / 97 / 30

HEX #B29605

RGB 178 150 5

HSL 50.29, 0.95%, 0.36%

LAB 62.75, -1.7, 65.92

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 0 / 10 / 63 / 47

HEX #867832

RGB 134 120 50

HSL 50, 0.46%, 0.36%

LAB 50.37, -3.69, 39.48

 

CMYK 0 / 8 / 45 / 53

HEX #776E41

RGB 119 110 65

HSL 50, 0.29%, 0.36%

LAB 46.25, -3.4, 26.31

 

CMYK 0 / 4 / 24 / 59

HEX #68644F

RGB 104 100 79

HSL 50.4, 0.14%, 0.36%

LAB 42.19, -2.25, 12.51

 

CMYK 5 / 4 / 0 / 63

HEX #595A5E

RGB 89 90 94

HSL 228, 0.03%, 0.36%

LAB 38.28, 0.48, -2.44

 

CMYK 0 / 54 / 77 / 42

HEX #954523

RGB 149 69 35

HSL 17.89, 0.62%, 0.36%

LAB 39.19, 31.28, 35.51

 

CMYK 0 / 34 / 77 / 42

HEX #956323

RGB 149 99 35

HSL 33.68, 0.62%, 0.36%

LAB 46.22, 14.39, 42.71

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 8 / 0 / 77 / 42

HEX #899523

RGB 137 149 35

HSL 66.32, 0.62%, 0.36%

LAB 58.91, -18.88, 54.51

 

CMYK 28 / 0 / 77 / 42

HEX #6B9523

RGB 107 149 35

HSL 82.11, 0.62%, 0.36%

LAB 56.82, -31.55, 51.79

 

CMYK 0 / 12 / 77 / 68

HEX #524813

RGB 82 72 19

HSL 50.48, 0.62%, 0.2%

LAB 30.58, -2.65, 31.8

 

CMYK 0 / 12 / 77 / 55

HEX #73651B

RGB 115 101 27

HSL 50.45, 0.62%, 0.28%

LAB 42.81, -3.21, 41.51

 

CMYK 0 / 13 / 77 / 42

HEX #958223

RGB 149 130 35

HSL 50, 0.62%, 0.36%

LAB 54.53, -3.27, 50.76

 

CMYK 0 / 13 / 76 / 29

HEX #B69F2B

RGB 182 159 43

HSL 50.07, 0.62%, 0.44%

LAB 65.68, -3.79, 59.47

 

CMYK 0 / 12 / 73 / 18

HEX #D1B839

RGB 209 184 57

HSL 50.13, 0.62%, 0.52%

LAB 74.91, -4.55, 64.06

 

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

CMYK 77 / 0 / 74 / 42

HEX #239527

RGB 35 149 39

HSL 122.11, 0.62%, 0.36%

LAB 54.03, -52.36, 46.61

 

CMYK 44 / 77 / 0 / 42

HEX #542395

RGB 84 35 149

HSL 265.79, 0.62%, 0.36%

LAB 27.45, 46.21, -53.67

 

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

CMYK 77 / 0 / 13 / 42

HEX #239582

RGB 35 149 130

HSL 170, 0.62%, 0.36%

LAB 55.55, -35.4, 1.16

 

CMYK 13 / 77 / 0 / 42

HEX #822395

RGB 130 35 149

HSL 290, 0.62%, 0.36%

LAB 34.23, 55.09, -42.37

 

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

CMYK 77 / 0 / 74 / 42

HEX #239527

RGB 35 149 39

HSL 122.11, 0.62%, 0.36%

LAB 54.03, -52.36, 46.61

 

CMYK 77 / 64 / 0 / 42

HEX #233695

RGB 35 54 149

HSL 230, 0.62%, 0.36%

LAB 27.2, 27.65, -54.25

 

CMYK 0 / 77 / 3 / 42

HEX #952391

RGB 149 35 145

HSL 302.11, 0.62%, 0.36%

LAB 37.18, 58.47, -35.03

 

CMYK 0 / 13 / 77 / 41

HEX #978423

RGB 151 132 35

HSL 50.17, 0.62%, 0.36%

LAB 55.28, -3.46, 51.54

 

CMYK 77 / 0 / 51 / 42

HEX #239549

RGB 35 149 73

HSL 140, 0.62%, 0.36%

LAB 54.38, -48.12, 31.27

 

CMYK 77 / 64 / 0 / 42

HEX #233695

RGB 35 54 149

HSL 230, 0.62%, 0.36%

LAB 27.2, 27.65, -54.25

 

CMYK 0 / 77 / 26 / 42

HEX #95236F

RGB 149 35 111

HSL 320, 0.62%, 0.36%

LAB 35.48, 53.41, -16.54

 

Description

Color code: HEX #978423 | qconv.com Color code: HEX #978423 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 132 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 132 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 77 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 77% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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